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Vous avez sélectionné:
DRIVIN
expert
Partitions à imprimer
199 partitions trouvées
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176
Drivin'!
Drivin'!
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Piano seul
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AVANCÉ
#
Kathleen Ryan
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Drivin'!
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804...
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Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25 ≈
£3.99
Concert Piece #24 Driving – Dreaming
Concert Piece #24 Driving – Dreaming
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Trombone
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AVANCÉ
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Brad Edwards
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Concert Piece #24 Driving &nda
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HornBone Press
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.984459 Composed by Brad Edwards. Contemporary,Standards. Individual part. 21 pages. HornBone Press (Brad Edwards) #392...
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Trombone Solo - Level 5 - SKU: A0.984459 Composed by Brad Edwards. Contemporary,Standards. Individual part. 21 pages. HornBone Press (Brad Edwards) #3921085. Published by HornBone Press (Brad Edwards) (A0.984459). Driving – Dreaming for Trombone and PianoDuration: [5:30]Range: F2 – C5.
$6.00 ≈
£4.56
Driving Cinemosis
Driving Cinemosis
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Eugene W
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Eugene W
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Driving Cinemosis
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Eugene W. Hairston
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SheetMusicPlus
Bass Drum,Cello,Choir,Cymbals,Double Bass,Electric Guitar,Field Drum,Horn,String Synthesizer,Timpani,Turntable - Level 5 - SKU: A0.1349764 By Eugene W. ...
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Bass Drum,Cello,Choir,Cymbals,Double Bass,Electric Guitar,Field Drum,Horn,String Synthesizer,Timpani,Turntable - Level 5 - SKU: A0.1349764 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Classical,Film/TV,Pop,Rock,Traditional. Full Performance. Duration 218. Eugene W. Hairston #934534. Published by Eugene W. Hairston (A0.1349764). Song: Driving CinemosisTime: 3:39Year: 2019Album: Music Motion InterventionGenre:OrchestralStyle: Orchestral Rock Pop SoundtrackCopyrights: Eugene W. Hairston.
$1.99 ≈
£1.51
Drivin' My Life Away
Drivin' My Life Away
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Chorale TTBB
#
AVANCÉ
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Contemporain
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Eddie Rabbitt
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Jon Nicholas
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Drivin' My Life Away
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Jon Nicholas
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.747687 By Eddie Rabbitt. By David Malloy, Eddie Rabbitt, and Even Stevens. Arranged by Jon Nicholas. Contemporar...
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Choral Choir (TTBB) - Level 5 - SKU: A0.747687 By Eddie Rabbitt. By David Malloy, Eddie Rabbitt, and Even Stevens. Arranged by Jon Nicholas. Contemporary. Octavo. 9 pages. Jon Nicholas #4367282. Published by Jon Nicholas (A0.747687). A barbershop version of this golden oldie.Duration: 3:20.
$4.51 ≈
£3.42
"Drivin' to Dublin" by Ken Young
"Drivin' to Dublin" by Ken Young
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Piano seul
#
AVANCÉ
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Ken Young
#
"Drivin' to Dublin"
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Ken Young
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1023486 Composed by Ken Young. Celtic,Concert,Contemporary,Holiday. Score. 5 pages. Ken Young #5800933. Published by Ken ...
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Piano Solo - Level 5 - SKU: A0.1023486 Composed by Ken Young. Celtic,Concert,Contemporary,Holiday. Score. 5 pages. Ken Young #5800933. Published by Ken Young (A0.1023486). A fun, Irish-sounding tune which is performed on only the black keys. Was inspired by a drive to Dublin, Texas. Please see YouTube link for a performance by the composer.
$49.99 ≈
£37.95
You're Driving Me Crazy! (What Did I Do?)
You're Driving Me Crazy! (What Did I Do?)
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Ensemble Jazz
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AVANCÉ
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Walter Donaldson
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Rejean Marois
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You're Driving Me Crazy!
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Marois Music Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1378630 Composed by Walter Donaldson. Arranged by Rejean Marois. Broadway,Comedy,Jazz,Musical/Show,Singe...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1378630 Composed by Walter Donaldson. Arranged by Rejean Marois. Broadway,Comedy,Jazz,Musical/Show,Singer/Songwriter,Standards. 77 pages. Marois Music Publications #963289. Published by Marois Music Publications (A0.1378630). Fast, exciting, exuberant, this arrangement will provide entertainment and jazz at its best. From the 1930 musical comedy Smiles. A full live recording available at: https://maroismusic.com/big-band-music/
$69.99 ≈
£53.14
Driving In My Car
Driving In My Car
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Pop musique
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Madness
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Austin Ralphson
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Driving In My Car
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Austin Ralphson
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.563714 By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Score and parts. 16 pages. Aus...
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Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.563714 By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Score and parts. 16 pages. Austin Ralphson #4775137. Published by Austin Ralphson (A0.563714). Ska/pop band Madness released this song in the 1980s along with a whacky video! This tuba quartet arrangement is not difficult to put together and has interesting parts for all players. It is also great to listen to for the audience.
$14.99 ≈
£11.38
Driving In My Car
Driving In My Car
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Quatuor de cuivres: 4 trombones
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AVANCÉ
#
Rock
#
Pop musique
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Madness
#
Austin Ralphson
#
Driving In My Car
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Austin Ralphson
#
SheetMusicPlus
By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Score and parts. 16 pages. Austin Ralphson #4775133. Published by Austin Ralphson ...
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By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Score and parts. 16 pages. Austin Ralphson #4775133. Published by Austin Ralphson
$14.99 ≈
£11.38
Lazy K
Lazy K
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Piano seul
#
AVANCÉ
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Kathleen Ryan
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Lazy K
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206675 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Pop. Score. 7 pages. Indigo Mesa Music LLC #804858. Published...
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Piano Solo - Level 5 - SKU: A0.1206675 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Pop. Score. 7 pages. Indigo Mesa Music LLC #804858. Published by Indigo Mesa Music LLC (A0.1206675). A bluesy, mostly laid-back until rather strutting, piano solo as composed and performed by Kathleen Ryan on her CD Drivin’!This gets into advanced territory. Syncopation and lots of octaves; oh, and an octave scale in double notes in the RH — sorry about that!
$5.25 ≈
£3.99
Missy Kara Surveys the Pasture, Lays Claim
Missy Kara Surveys the Pasture, Lays Claim
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Piano seul
#
AVANCÉ
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Kathleen Ryan
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Missy Kara Surveys the Pasture
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Indigo Mesa Music LLC
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206669 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Pop. Score. 9 pages. Indigo Mesa Music LLC #804851. Published...
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Piano Solo - Level 5 - SKU: A0.1206669 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Pop. Score. 9 pages. Indigo Mesa Music LLC #804851. Published by Indigo Mesa Music LLC (A0.1206669). Rollicking piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen's note: “I like to call this piece ‘a tacky little end of the millenium salon piece’ and it quotes a scarily well-known opera aria, just for a moment or two.â€Quite advanced. Lots of syncopation, and a mere 20 & 1/2 measures of fast 16-note broken octaves boogie bass. If you can do that, you can play this piece. Good luck!
$5.25 ≈
£3.99
Sequence
Sequence
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Vincenzo Sorrentino
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Sequence
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Forton Music - Digital
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SheetMusicPlus
3 Clarinets and Piano - Advanced - SKU: F2.FM253 Composed by Vincenzo Sorrentino. Score and Parts. 26 pages. Forton Music - Digital #FM253. Published by...
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3 Clarinets and Piano - Advanced - SKU: F2.FM253 Composed by Vincenzo Sorrentino. Score and Parts. 26 pages. Forton Music - Digital #FM253. Published by Forton Music - Digital (F2.FM253). ISBN 9790570481521.3 Bb Clarinets and Piano. Incredibly exciting, this starts with driving repeated semiquavers in the piano part while the three clarinets build up syncopated chords over the top. This then bursts in to a section with a modern jazz feeling - fast semiquavers and chords built on perfect fourths, . After this, the first section flips - the driving semiquavers are split between the three clarinets while the piano takes the melodic material in octaves. The middle section has a more relaxed feel with overlapping entries in the clarinets over smooth yet modern harmonies in the piano part with an almost bossa nova feel to it. The driving semiquavers appear and push the music to an exciting conclusion. The clarinet parts are difficult, with extreme ranges and some very fast articulation. Some tricky syncopation in all parts makes this one for the expert players, but well worth the work!
$12.95 ≈
£9.83
It's The Most Wonderful Time Of The Year
It's The Most Wonderful Time Of The Year
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Eddie Pola and George Wyle
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John Wernega
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It's The Most Wonderful Time O
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John Wernega
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1433520 Composed by Eddie Pola and George Wyle. Arranged by John Wernega. Christmas,Holiday,Jazz. Brass Band. 45 pages. John Wernega #1013749. Published by John Wernega (A0.1433520). Here is a showstopper for your concert! This piece is most often heard as a jazz waltz, but this arrangement is in 4/4, giving it a driving double-time jazz feel. The arrangement begins with an explosive intro, and it is loaded with lush jazz chord substitutions and syncopated rhythms. It slows down in the middle with a rubato section, almost in the style of a chorale, then goes back to the original tempo, driving to the end. Your players will have a blast playing it, and it will be a thrill for the audience. Included is a conductor score and all individual parts. This is scored for traditional British Brass instrumentation, but also included is a tuba part in bass clef. The walking bass parts are in the E flat tuba part, and low notes may be taken up an octave.
$40.00 ≈
£30.37
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 ≈
£19.70
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
£49.31
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Mus...
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String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45 ≈
£24.64
Mass Effect: Suicide Mission
Mass Effect: Suicide Mission
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Orchestre d'harmonie
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AVANCÉ
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Jack Wall and Sam Hulick
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David Boyd
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Mass Effect: Suicide Mission
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David Boyd
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1489135 Composed by Jack Wall and Sam Hulick. Arranged by David Boyd. 21st Century,Instructional,Video Game. 207 pages....
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Concert Band - Level 5 - SKU: A0.1489135 Composed by Jack Wall and Sam Hulick. Arranged by David Boyd. 21st Century,Instructional,Video Game. 207 pages. David Boyd #1065985. Published by David Boyd (A0.1489135). General OverviewSuicide Mission is a pivotal piece in the soundtrack of the Mass Effect 2, capturing the high-stakes and intense emotions of the video game's climax. The original composition by Jack Wall and Sam Hulick is characterised by its unique driving rhythms, dramatic melodies, orchestral grandeur and bombastic tension. This arrangement for concert band and wind ensemble aims to retain the epic and cinematic quality of the original, while adapting the instrumentation and dynamics to suit a modern wind band setting.This piece is crafted to subtly unsettle the listener, mixing heroism with barely under control anxiety. The irregular time signature and rhythms, combined with counter melodies and eerie open fifths and octaves, all contribute to this effect. The alterations to the familiar Commander Shepard Theme, first introduced here in bar 17 by the horns and alto clarinet, add to the tension, keeping your audience on the edge of their seats until the final note!InstrumentationThis arrangement is scored for a wind ensemble or concert band with some extended percussion, including:Woodwinds: Piccolo, Flute 1 & 2, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, Bb Clarinet 1, 2, & 3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone. Note the Bassoon part uses bass and tenor clefBrass: Trumpet 1, 2, French Horn 1, 2, Trombone 1, 2, & 3, Bass Trombone, Euphonium, TubaPercussion: Timpani, Snare Drum, Bass Drum, Roto Toms/Tenor Drum, Suspended Cymbals, Woodblock, Vibraphone, Tubular BellsA synthesiser may be used in place of vibes
$79.99 ≈
£60.73
Symphony no. 2 - Score Only
Symphony no. 2 - Score Only
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Orchestre
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AVANCÉ
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Robert Dusek
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Symphony no. 2 - Score Only
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DaCapo, LLC
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1492038 Composed by Robert Dusek. Classical,Contemporary. 65 pages. DaCapo, LLC #1068712. Published by DaCapo, LLC (A...
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Full Orchestra - Level 5 - SKU: A0.1492038 Composed by Robert Dusek. Classical,Contemporary. 65 pages. DaCapo, LLC #1068712. Published by DaCapo, LLC (A0.1492038). PLEASE NOTE: this download contains the score only. To buy or rent parts, please contact Robert Dusek directly: bob@robertdusek.com. THe PDF is formatted to 11x17 (ledger) size.A think and virtuosic symphony for orchestra. SUbtitles Hymnody, it uses hymn-tunes as the basis of its melodic material, similarly to the compositions of Charles Ives. Quite atonal, and yet powerful and even driving in sections, this work is quite original. Scored for large orchestra, it is a defiant work, one that loooks the unknown squre in the face and asks, what of it?
$15.00 ≈
£11.39
Leviathan - Score Only
Leviathan - Score Only
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Orchestre
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AVANCÉ
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Robert Dusek
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Leviathan - Score Only
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DaCapo, LLC
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1492020 Composed by Robert Dusek. Classical,Contemporary. 38 pages. DaCapo, LLC #1068693. Published by DaCapo, LLC (A...
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Full Orchestra - Level 5 - SKU: A0.1492020 Composed by Robert Dusek. Classical,Contemporary. 38 pages. DaCapo, LLC #1068693. Published by DaCapo, LLC (A0.1492020). PLEASE NOTE: This download only contains the score. To purchase or rent parts, please contact Robert Dusek directly: bob@robertdusek.com. This PDF is formatted to 11x17 (ledger) size.A four minute overture for orchestra. Originally commisioned by the Boulder Philharmonic Orchesta, the work has been play throught the world and has been recorded by the Warsaw Symphony. A fast, driving, repetative, and loud crowd-pleaser that is perfect for the opening of an orchestra concert.
$10.00 ≈
£7.59
Tattoo
Tattoo
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Chorale SATB
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AVANCÉ
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Loreen
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Kevin Peter DeLisa
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Tattoo
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Kevin Peter DeLisa
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1495638 By Loreen. By Jimmy Jansson, Jimmy Thörnfeldt, Lorine Talhaoui, Moa Carlebecker, Pet...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1495638 By Loreen. By Jimmy Jansson, Jimmy Thörnfeldt, Lorine Talhaoui, Moa Carlebecker, Peter Boström, and Thomas Gustafsson. Arranged by Kevin Peter DeLisa. 21st Century,A Cappella,Contemporary,Pop,Soul. 13 pages. Kevin Peter DeLisa #1072162. Published by Kevin Peter DeLisa (A0.1495638). I hope you enjoy this arrangement of Tattoo by Loreen! This 2023 Eurovision winner was a blast to arrange for University of Dayton's Remedy. My goal in this arrangement was to write something complex with driving vocal lines to serve this powerful house track.
$7.50 ≈
£5.69
Big Yellow Taxi
Big Yellow Taxi
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Chorale SATB
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AVANCÉ
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Joni Mitchell
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Kerry Marsh
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Big Yellow Taxi
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Ja...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1065491. Published by Kerry Marsh (A0.1488643). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Joni Mitchell's Big Yellow Taxi is propelled by a driving groove, making it a perfect opener or closer for your program. It features fresh reharmonization while retaining many hints of the memorable aspects of Mitchell's original recording, capturing its essence while adding a modern twist.Originally released in 1970 on her album *Ladies of the Canyon*, Big Yellow Taxi is known for its catchy melody and poignant lyrics that lament environmental destruction and urban development. The song's playful yet impactful tone has made it a lasting classic, covered by numerous artists over the years.In this arrangement, a soli section challenges groups and offers directors the opportunity to teach advanced rhythmic and harmonic concepts, providing exciting and energetic musical treats for audiences. The chart is well worth the time spent preparing, especially with the help of our audio learning materials. This memorable and impactful arrangement will be a standout piece in your program, leaving a lasting impression on your audience.
$49.99 ≈
£37.95
Bright Eyes - Score Only
Bright Eyes - Score Only
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Orchestre à Cordes
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AVANCÉ
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Film/TV
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Ludwig Goransson
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David Schubert
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Bright Eyes - Score Only
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Schubert Music Productions
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458894 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 4 pages. Schubert Music Productions #103...
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String Orchestra - Level 5 - SKU: A0.1458894 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 4 pages. Schubert Music Productions #1037831. Published by Schubert Music Productions (A0.1458894). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
£3.79
The Mandalorian (Orchestral Version)
The Mandalorian (Orchestral Version)
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Orchestre à Cordes
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AVANCÉ
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Film/TV
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Ludwig Goransson
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David Schubert
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The Mandalorian
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Schubert Music Productions
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458903 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 42 pages. Schubert Music Productions #10...
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String Orchestra - Level 5 - SKU: A0.1458903 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 42 pages. Schubert Music Productions #1037838. Published by Schubert Music Productions (A0.1458903). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$49.99 ≈
£37.95
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