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Vous avez sélectionné:
A Greater Foundation
Partitions à imprimer
12 partitions trouvées
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1
A Greater Foundation
A Greater Foundation
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Guitare notes et tablatures
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As I Lay Dying
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Pop
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A Greater Foundation
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By As I Lay Dying. Metal; Pop. Guitar TAB. 16 pages. Published by Hal Leonard - Digital Sheet Music ...
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By As I Lay Dying. Metal; Pop. Guitar TAB. 16 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.79
Bow Exercises for the Expressive Violinist
Bow Exercises for the Expressive Violinist
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Orchestre à Cordes
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FACILE
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David France
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Bow Exercises for the Expressi
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David France
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1032995 Composed by David France. Instructional. Score and parts. 15 pages. David France #5988577. Published by Dav...
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String Orchestra - Level 2 - SKU: A0.1032995 Composed by David France. Instructional. Score and parts. 15 pages. David France #5988577. Published by David France (A0.1032995). DO YOU WANT A RICHER SOUND ON THE VIOLIN?If you want a warmer sound and an even tone in all parts of the bow then Bow Exercises for the Expressive Violinist is for you.These 14 fundamental exercises are the perfect warm-up studies for the professional or the advanced beginner violinist.Benefits of this BookPlay with greater ease and virtuosityImprove your tonePlay with an increased palette of colorsDevelop a nuanced amplitude of dynamicsThe study of these exercises gives the serious student an increased speed with which new music can be played with beauty and expression.The regular practice of bow technique exercises makes the musician’s palette richer thereby increasing their capacity to bring joy to others. This book series is intended as a precursor to the Sevcik Bowing Books for violin.Perfect for collegiate violinists looking for a thorough set of etudes to continue to nurture a solid foundation, the symphony professional looking for a fast warm up, and also perfect for the Suzuki or traditional student who can play with all 4 fingers in first position who wants to develop the sound of their dreams.These exercises were developed in Bermuda and have been taught all over the world to students who’ve marveled at how fast their sound improved.Play the violin the way you’ve always dreamed. Buy your copy TODAY!
$14.95 ≈
£11.35
As I Lay Dying: A Greater Foundation - guitar (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Metal/Hard Rock
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As I Lay Dying
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Virtualsheetmusic
Instantly printable sheet music by As I Lay Dying for guitar (tablature) of MEDIUM skill level. / metal,pop
Instantly printable sheet music by As I Lay Dying for guitar (tablature) of MEDIUM skill level. / metal,pop
$8.97 ≈
£6.81
Menuet (from the Anna Magdalena notebooks)
Menuet (from the Anna Magdalena notebooks)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individu...
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Solo Guitar - Level 3 - SKU: A0.1444679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024543. Published by Rodrigo Faleiros (A0.1444679). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure. The sheet music is thoughtfully annotated with fingerings to guide intermediate players through the nuanced interpretation of this Baroque masterpiece.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. Fingerings Included: Offers clear fingerings to assist in the execution of more complex passages, ensuring a smooth learning curve. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99 ≈
£3.03
Menuet (from the Anna Magdalena notebooks)
Menuet (from the Anna Magdalena notebooks)
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
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Rodrigo Faleiros
#
Menuet
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Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444678 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individu...
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Solo Guitar - Level 3 - SKU: A0.1444678 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024542. Published by Rodrigo Faleiros (A0.1444678). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99 ≈
£3.03
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
£27.33
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
£3.03
Beginner Violin Theory for Children, Book One
Beginner Violin Theory for Children, Book One
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Violon
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DÉBUTANT
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Enfant
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Melanie Smith-Doderai
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Beginner Violin Theory for Chi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Melanie Smith-Doderai. For Violin. Children. 84 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Melanie Smith-Doderai. For Violin. Children. 84 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609745332. This book is designed as a workbook to teach theory specifically relevant to the violin at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of violin theory at the same time. The book can be used to teach beginners the basics of theory, or even to refresh musicians who might need a small review of violin theory. No matter who uses his book, it will give a strong foundation to violin theory, and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the violin; learning about line and space notes; learning musical symbols; and how to draw music.
$17.99 ≈
£13.66
Beginner Cello Theory for Children, Book One
Beginner Cello Theory for Children, Book One
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Violoncelle
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DÉBUTANT
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Enfant
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Methodes
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Melanie Smith-Doderai
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Beginner Cello Theory for Chil
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Melanie Smith-Doderai. For Cello. All Styles. 84 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Melanie Smith-Doderai. For Cello. All Styles. 84 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609745349. This book is designed as a workbook to teach theory specifically relevant to the cello at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of cello theory at the same time. The book can be used to teach beginners the basics of theory, or even to refresh musicians who might need a small review of cello theory. No matter who uses this book, it will give a strong foundation to cello theory, and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the cello; learning about line and space notes; learning musical symbols; and how to draw music.
$17.99 ≈
£13.66
50 Favorite Hymns for Solo and Duet Instruments, Volume 2
50 Favorite Hymns for Solo and Duet Instruments, Volume 2
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Flûte traversière
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FACILE
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Musique Sacrée
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Chris Cooke
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Worship
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50 Favorite Hymns for Solo and
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Chris Cooke
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SheetMusicPlus
Flute - Early Intermediate - Arranged by Chris Cooke. Christian, Gospel, Sacred, Praise & Worship. 79 pages. Published by Chris Cooke ...
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Flute - Early Intermediate - Arranged by Chris Cooke. Christian, Gospel, Sacred, Praise & Worship. 79 pages. Published by Chris Cooke
Welcome to Volume 2 of 50 Favorite Hymns for Solo and DuetInstruments. This collection is for the student or church musician?anyone who loves to play hymns. All books in thisseries are written so that instruments can be mixed and matched. One or twoverses are provided with optional duet parts. Arranged at the earlyintermediate level, these selections are suitable for worship or as anaccompaniment to congregational singing. Hymns may vary slightly from their originalhymnal keys. However, since they are written in comfortable instrumental ranges,this makes them easy to sing. The hymns with their concert keys are as follows:
Alas and Did My Savior Bleed, E-flat
Break Thou the Bread of life, E-flat
Brethren We Have Met to Worship, A-flat
Bring Them In, A-flat
Burdens Rolled Away, F
Deeper, Deeper in the Love of Jesus, A-flat
Glorious Things of Thee Are Spoken, E-flat
Face to Face with Christ My Savior, B-flat
Have Thine Own Way Lord, E-flat
God Will Take Care of You, B-flat
Grace Greater Than Our Sin, F
Holy God We Praise Thy Name, F
I am Resolved, B-flat
I am Thine Oh Lord, A-flat
I Gave My Life for Thee, B-flat
I need Thee Every Hour, F
I Will Sing of My Redeemer, A-flat
I Will Sing the Wondrous Story, E-flat
Ive Got Peace Like a River, F
Jesus Calls Us O?er the Tumult, A-flat
Jesus is All the World to Me, A-flat
Jesus is Tenderly Calling, B-flat
Jesus Keep Me Near the Cross, F
Jesus Loves Even Me, A-flat
Jesus Paid it All, E-flat
Let All Things Now Living, F
Let Us Break Bread Together, E-flat
Lily of the Valley, the, F
Living for Jesus, F
Lord I Want to Be a Christian in My Heart, E-flat
May the Grace of Christ Our Savior, F
More Love to Thee, F
Near to the Heart of God, E-flat
Oh the Deep, Deep Love of Jesus, G-minor
Open My Eyes That I May See, A-flat
Rejoice Ye Pure in Heart, F
Pass Me Not Oh Gentle Savior, A-flat
Rise Up Oh Men of God, F
Savior Like a Shepherd Lead Us 1, F
Savior Like a Shepherd Lead Us2, D-flat
Spirit of God, Descend Upon My Heart, C
Take the Name of Jesus With You, A-flat
Take Time to Be Holy, F
The Church?s One Foundation, E-flat
There?s a Wideness in God?s Mercy, G
There?s a New Name Written Down in Glory, B-flat
Tis So Sweet to Trust in Jesus, F
Were Marching to Zion, F
We?ve a Story to Tell to the Nations, E-flat
Why Do I Sing About Jesus? A-flat
$9.97 ≈
£7.57
First Technical Studies for Trumpet
First Technical Studies for Trumpet
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Trompette
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FACILE
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Methodes
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Charles Decker
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First Technical Studies for Tr
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Charles Decker Music Press
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SheetMusicPlus
trumpet technique exercise for young students - Early Intermediate - Digital Download Composed by Charles Decker. 21st Century, Method, Etudes and Ex...
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trumpet technique exercise for young students - Early Intermediate - Digital Download Composed by Charles Decker. 21st Century, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part. 25 pages. Published by Charles Decker Music Press
First Technical Studies for Trumpet presents 127 short exercises organized into seven study patterns that train young trumpeters to develop consistency and confidence in coordinating valve movements while maintaining tone control. The studies establish a foundation of control enabling students to master more advanced technical study materials such as Clarke's Technical Studies for Trumpet with much greater success. Only major keys up to four sharps and flats are presented and the range peaks at the sixth harmonic.
$9.95 ≈
£7.55
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A Greater Foundation
