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Before The Clock
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Vous avez sélectionné:
Before The Clock
Partitions à imprimer
23 partitions trouvées
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1
Past Three O'Clock - brass quintet
Past Three O'Clock - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Traditional English Carol
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Todd Marchand
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Past Three O'Clock - brass qui
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4790249. Published by Con Spirito Music (A0.726088). Past Three O'Clock (or Past Three A Clock) is a Christmas carol loosely based on the traditional cry of the city night watchman, set to the English traditional tune, London Waits.The tune and refrain have been known since the Renaissance, and both were possibly used by London's waits (also waites or waytes). According to the Encyclopaedia Brittanica (1911):The earliest waits (those of the 14th and 15th centuries) were simply watchmen who sounded horns or even played a tune on a flute or flageolet to mark the hours. This appears to have been known as 'piping the watch....' The duties of the London waits, which included playing before the mayor during his annual progress through the streets and at city dinners, seem to have been typical of all 16th- and 17th-century city waits. The London waits had a special uniform of blue gowns with red sleeves and caps, and wore a silver collar or chain round the neck. In the 18th and early 19th century the ordinary street watchmen appear to have arrogated to themselves the right to serenade householders at Christmas time, calling round on Boxing Day to receive a gratuity for their tunefulness as well as their watchfulness. When in 1829 their place as guardians of the city's safety was taken by police, it was left for private individuals to keep up the custom.This arrangement of this sprightly tune features the Westminster Chimes (aka Westminster Quarters or Cambridge Quarters), the tune written for the clock tower at Cambridge in 1793, as introduction, in accompaniment, and at the conclusion of the piece.©Copyright 2019 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00 ≈
£11.61
'Twas the Year Before Christmas
'Twas the Year Before Christmas
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Noël
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Ruth Elaine Schram and Scott S
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Church Musicals
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'Twas the Year Before Christma
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred - SKU: JX.00-22799 Director's Score. Composed by Ruth Elaine Schram and Scott Schram. This edition: Director's Score. Christian Elem...
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Choir Sacred - SKU: JX.00-22799 Director's Score. Composed by Ruth Elaine Schram and Scott Schram. This edition: Director's Score. Christian Elementary Musical; Church Musicals; Performance Music Ensemble; Worship Resources. Children; Christmas; Sacred; Winter. Score. 38 pages. Jubilate Music Group - Digital #00-22799. Published by Jubilate Music Group - Digital (JX.00-22799). English.Join us as we turn back the clock to a time long before the first Christmas. As the clock ticks and the years pass, we hear the stories of Isaiah and Zechariah. We watch with amazement as the old, childless couple, Zechariah and Elizabeth, are blessed with the birth of their son, John. We gaze in wonder upon the scene as Mary receives the news that she is chosen to carry God's Son into the world. And we look with tenderness upon the manger scene as Jesus, the Messiah, is born in a humble cattle stall in Bethlehem. Both charming and humorous, 'Twas the Year Before Christmas is the perfect choice for church children's choirs, Christian schools or Sunday schools. Flexible and easy to teach. Approximately 20 minutes.
$19.95 ≈
£15.44
Music for a Mechanical Clock for Euphonium & Piano
Music for a Mechanical Clock for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ralph Sauer
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Music for a Mechanical Clock f
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.792475 Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. Classical,Concert,Romantic Period. Score and part....
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Euphonium,Piano - Level 4 - SKU: A0.792475 Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. Classical,Concert,Romantic Period. Score and part. 8 pages. Gordon Cherry #4988201. Published by Gordon Cherry (A0.792475). This work is the third from a collection of five short pieces Beethoven wrote for Flötenuhr or mechanical clock, discovered a number of years after his death. Their true origin was uncovered by Professor Albert Kopfermann, a German musician/librarian, who solved the mystery about their instrumentation. This delightful Allegro movement has been transposed into the key of D from G and arranged for moderately advanced performers by Ralph Sauer. Your audience will love this little gem as the clock slows down and stops before the final cadence. It will make a great encore piece.
$15.00 ≈
£11.61
Music for a Mechanical Clock for Trombone & Piano
Music for a Mechanical Clock for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ralph Sauer
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Music for a Mechanical Clock f
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792473 Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. Classical,Concert,Romantic Period. Score and part. ...
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Piano,Trombone - Level 4 - SKU: A0.792473 Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. Classical,Concert,Romantic Period. Score and part. 7 pages. Gordon Cherry #4988191. Published by Gordon Cherry (A0.792473). This work is the third from a collection of five short pieces Beethoven wrote for Flötenuhr or mechanical clock, discovered a number of years after his death. Their true origin was uncovered by Professor Albert Kopfermann, a German musician/librarian, who solved the mystery about their instrumentation. This delightful Allegro movement has been transposed into the key of D from G and arranged for moderately advanced performers by Ralph Sauer. Your audience will love this little gem as the clock slows down and stops before the final cadence. It will make a great encore piece.
$15.00 ≈
£11.61
Rock Around The Clock
Rock Around The Clock
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Chorale SATB
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FACILE
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Pop musique
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Bill Haley & His Comets
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Timothy Allen
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Rock Around The Clock
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Timothy Allen Music Ltd
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.566033 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Timothy Allen. Pop. Octavo...
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Choral Choir (SATB) - Level 2 - SKU: A0.566033 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Timothy Allen. Pop. Octavo. 13 pages. Timothy Allen Music Ltd #175434. Published by Timothy Allen Music Ltd (A0.566033). It's a classic for a reason! This toe-tapping, foot-stomping song will lift any programme, and is great fun to sing too. All voice parts get their moment to shine, and there's a fun bam bam bam section instead of the big guitar solos in the original. Encourage your pianist to have fun with this one - or use the available backing track. Whisper the 2, 3, 4 at the end before a big jazz hands finish! The backing track and learning tracks are available - contact the arranger via www.timothyallenmusic.co.uk.
$2.49 ≈
£1.93
Grandfather's Clock [Woodwind Quintet and Piano]
Grandfather's Clock [Woodwind Quintet and Piano]
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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Masakazu YAMAMOTO
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Grandfather's Clock [Woodwind
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Motch Music
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1278918 Composed by Henry Clay Work. Arranged by Masakazu YAMAMOTO. Folk,Pop. 25 pages. Motch...
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Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1278918 Composed by Henry Clay Work. Arranged by Masakazu YAMAMOTO. Folk,Pop. 25 pages. Motch Music #870466. Published by Motch Music (A0.1278918). This arrangement is for woodwind quintet and Piano. When you purchase it, you get full score and each part score. Composed by Henry Clay Work, this song is famous for its opening lines, My grandfather's clock was too large for the shelf.... It is structured to be sung up to the third verse. The second verse takes on a canon-like style, and before the third verse, there is a long interlude featuring the phrase Ninety years without slumbering, tick, tock, tick, tock... at its core. You can also shorten the song by cutting from measure 66 to measure 97. In that case, please play the bassoon and piano at measure 65 the same way as in measure 63. (arr. Masakazu YAMAMOTO) [Instrumentation] Flute Oboe Clarinet in Bb Horn in F Bassoon Piano Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)​ Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$40.00 ≈
£30.96
1809 - The Solent
1809 - The Solent
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Contemporain
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J Farrow
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1809 - The Solent
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Jamie Farrow
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.948672 Composed by J Farrow. Contemporary. Score...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.948672 Composed by J Farrow. Contemporary. Score and parts. 66 pages. Jamie Farrow #5983915. Published by Jamie Farrow (A0.948672). Turner’s The Sun Setting Through Vapour was my inspiration because of the different layers and zones of interest which influenced my composition’s structure. The central focus of the painting is the setting sun in the central background of the work. The reflection of the sun draws the eye into the foreground and the market scene in the front right zone. This created the first section of my composition, the idea of the sun setting through the vapour before revealing a market scene which then fades back into the atmospheric sun setting through the vapour. The second section moves to the story of the Napoleonic War ships in the middle and backgrounds of the painting using percussion. Reflecting this the section centres around the narrative of a naval battle; the manoeuvring into position and flexing of strength; the pre-battle planning; the calm before and finally the battle itself. The third section draws together two aspects: the sun setting and the prison ship, drawing us from the aftermath of the battle to the journey back to shore showing the juxtaposing emotions of the imagined victorious British (the piccolo) and French prisoners (the cello). Closer to shore the vapour descends and we hear inflections of the market before returning to the sun setting through the vapour with the harbour clock (Tubular Bells) grounding us in real time.
$3.99 ≈
£3.09
The Christmas Clock - Orchestra Score and Parts PDF
The Christmas Clock - Orchestra Score and Parts PDF
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Orchestre
#
INTERMÉDIAIRE
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Noël
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Brendan Elliget MAGA 537
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The Christmas Clock - Orchestr
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BJE Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750996 Composed by Brendan Elliget MAGA 537. Christmas. Score and parts. 39 pages. BJE Music #6063855. Published by B...
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Full Orchestra - Level 3 - SKU: A0.750996 Composed by Brendan Elliget MAGA 537. Christmas. Score and parts. 39 pages. BJE Music #6063855. Published by BJE Music (A0.750996). This gentle original composition for Full Orchestra depicts the Tick-Tock of an ornate Christmas Clock on the eve before Christmas. There are important repeating parts for Glockenspiel, Vibraphone, Woodblocks (tick-tock), and Piano. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3 :17 mins
$25.00 ≈
£19.35
Folk Songs For Classical Guitar - Volume 24 (Songs 622-648)
Folk Songs For Classical Guitar - Volume 24 (Songs 622-648)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #761608. Published by Socrates Arvanitakis (A0.1161269). This is the twenty-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment.The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 24 (Songs 622-648)Mummers’ Carol Must I thenMy Bonnie, Bonnie BoyMy Bonny CuckooMy Boy BillyMy Dearie She Sits Ower Late upMy Grandfather’s ClockMy JohnnyMy Johnny was a ShoemakerMy Love’s an ArbutusMy mother did so before meMy Own Pretty BoyMylecharane (Isle of Man) [Vylecharane]Myrtle Tree (the)Nae Bonnie Laddie tae Tak’ Me Awa’Nature CarolNelson’s DeathNever Marry an Old ManNew Year SongNewcastle FairThe New-Fashioned FarmerNight Visit SongNoble Foxhunting (the)Nos Galan (winter)Nottinghamshire Poacher (the)Ny Kirree Fo-SnaighteyO ’Twas in the Broad Atlantic
$25.00 ≈
£19.35
Wheels Duets
Wheels Duets
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Jordan Morrison
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Wheels Duets
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Jordan Morrison Music
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SheetMusicPlus
Instrumental Duet - Level 3 - SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural,World. 4 pages....
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Instrumental Duet - Level 3 - SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural,World. 4 pages. Jordan Morrison Music #976431. Published by Jordan Morrison Music (A0.1392905). These two alternative notation duets are geared towards making a duo communicate, listen, flex their creativity, focus on sounds, and make artistic choices. You can read more below from the performance notes for the series but the highlights include: Choice of open instrumentation, choice of paper orientation, choice of rotation (clockwise or counter-clockwise), and choice of speed. More info below!The outside of the wheel connects to the events which are to be played upon an instrument capable of producing the written chords, while the inside wheel connects to the events which are to be played upon an instrument capable of the range and 3 timbres (open, muted, and either a harmonic of a multiphonic)***. This piece is meant to begin at whichever musical event the performers agree upon and rotate in a clockwise or counter-clockwise motion which is also determined and agreed upon by the performers. The orientation of the page is also left to the players discretion but must be agreed upon. When the lines connecting the musical events to the wheel are staggered around the wheel then each musical event must be played in full before the other performer starts his or her next event. When the lines are directly across from one and other the events are to be played simultaneously. The musical events must stay in the order in which they occur around the wheel. When two lines connect a single musical event to the wheel, that event is to be vamped(repeated) until the completion of the other player's event which occurs within that time. The moments of locking in time(both performers playing the selected notes in time with one another) are indicated by parentheses around one or more notes in two simultaneous events***. Accidentals only apply to the note indicated and do not carry through the event. Feel free to connect with me on Instagram @jordan.morrison.music.
$15.00 ≈
£11.61
Just Like Clockwork!
Just Like Clockwork!
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Chorale 3 parties
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Greg Gilpin
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Just Like Clockwork!
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Heritage Music Press
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SheetMusicPlus
3-part mixed choir, Piano - SKU: LX.15-3139H Composed by Greg Gilpin. Educational, Concert, Festival, Novelty. Octavo. 16 pages. Heritage Music Press #e...
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3-part mixed choir, Piano - SKU: LX.15-3139H Composed by Greg Gilpin. Educational, Concert, Festival, Novelty. Octavo. 16 pages. Heritage Music Press #e15/3139H. Published by Heritage Music Press (LX.15-3139H). ISBN 9781429137355.Singers emulate the sound of ticking clocks as each voice part enjoys its own independent melody before uniting in a full partner song format. Orff and small percussion instruments can add a vibrant texture and opportunities abound to teach rhythm, dynamics, diction, and pitch.
$2.75 ≈
£2.13
Clocks
Clocks
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Piano Facile
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DÉBUTANT
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Coldplay
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RIS
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Clocks
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RISsounds
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1365734 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by RIS. Classical,Contempor...
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Piano Solo - Level 1 - SKU: A0.1365734 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by RIS. Classical,Contemporary,Folk,Pop,Rock. Score. 3 pages. RISsounds #950077. Published by RISsounds (A0.1365734). 🎼 Dive into the timeless melody of Coldplay's Clocks with our expertly crafted sheet music available on ArrangeMe! 🎹 This arrangement is thoughtfully designed for both beginners and advanced players, providing a versatile musical experience.🌟 Key Features: 🔠Beginner-Friendly: Our sheet music simplifies the learning process for beginners by clearly notating the melody in the right hand on the staff. This allows aspiring pianists to grasp the fundamental elements of the song with ease.🎹 Room for Creativity: For more advanced players, the left hand accompaniment is designed for improvisation. Unleash your creativity and add your personal touch to the music while maintaining the integrity of Coldplay's iconic composition.📈 Enhance Your Skills: Whether you're just starting your musical journey or looking to refine your piano skills, our Clocks sheet music offers a perfect balance of structure and freedom, allowing players of all levels to enjoy the process of learning and performing.🎶 Why Choose Our Sheet Music:Professionally notated for clarity and accuracy.Suitable for both piano teachers and self-learners.Ideal for piano enthusiasts of all skill levels.Accessible digital format for instant download and printing.🚀 Elevate your piano-playing experience with our Clocks sheet music. Perfect for practicing, performing, or teaching, this arrangement brings Coldplay's masterpiece to life in a way that suits your skill level and musical aspirations.🛒 Click the link to download your copy now and start playing Clocks like never before!
$4.99 ≈
£3.86
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Friedrich Silcher, Hill/Hill,
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Des McNutty
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A Pulchritudinous Posy of Plea
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Des Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNut...
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99 ≈
£4.64
The Foretelling of a Messiah (from "A Nativity Suite")
The Foretelling of a Messiah (from "A Nativity Suite")
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Noël
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Anna Maliszewski
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The Foretelling of a Messiah
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Anna Maliszewski Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.889324 Composed by Anna Maliszewski. Christian,Christmas,Sacred. Score. 4 pages. Anna Maliszewski Music #2015627. Publish...
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Piano Solo - Level 3 - SKU: A0.889324 Composed by Anna Maliszewski. Christian,Christmas,Sacred. Score. 4 pages. Anna Maliszewski Music #2015627. Published by Anna Maliszewski Music (A0.889324). A Nativity Suite is a musical reflection on the birth of Christ. This is piece 1/9 from the suite. The Foretelling of a Messiah will lace the melodic line Oh Come, Oh Come Emmanuel with clock-like workings & arpeggios from the piano to portray time; over the course of history before Christ, people cried out for the Messiah to come because of the prophecies told about him. This piece will make a wonderful Christmas or church recital piece. The A Nativity Suite CD will be available on my website: www.annamaliszewski.webs.com with both vocals & solo piano versions + reflection booklet.
$3.99 ≈
£3.09
Clocks by Coldplay for Solo Guitar
Clocks by Coldplay for Solo Guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Rock Alternatif
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Coldplay
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Dan Jones (www
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Clocks by Coldplay for Solo Gu
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danjonesguitarist.com
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SheetMusicPlus
Solo guitar in both notes and TAB - Advanced Intermediate - By Coldplay. Arranged by Dan Jones (www.danjonesguitarist.com). Individual Part. 7 pages...
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Solo guitar in both notes and TAB - Advanced Intermediate - By Coldplay. Arranged by Dan Jones (www.danjonesguitarist.com). Individual Part. 7 pages. Published by danjonesguitarist.com
Clocks - Coldplay
Clocks is an enormously-successful song by the British rock band Coldplay.
It was released in 2002 on the band?s second studio album A Rush of Blood to the Head.
The iconic, modal piano theme, contrapuntal melodies and classical structure make it highly suited to
arrangement for solo instruments and ensembles.
This arrangement is ideal for concert works, encores, wedding repertoire and background music. It is technically and musically appropriate for players of an intermediate/advanced standard.
Some bars present players with considerable technical challenges so alternative solutions are offered.
Dan?s arrangements for solo guitar and ensembles for all levels can be heard at www.danjonesguitarist.com.
Links to downloads are also available in all video descriptions.
Thank you for listening and I hope very much that you and your audiences enjoy Clocks as much as I have enjoyed arranging and playing it.
A full recording can be heard here: https://soundcloud.com/user-115466245/clocks
A video will be uploaded here before the end of March 2020.
$4.99 ≈
£3.86
#WeToo
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99 ≈
£1.54
Venus
Venus
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Bananarama
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John Ivor Holland
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Venus
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1429858 By Bananarama. By Robert van Leeuwen. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 45 pages. ...
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Concert Band - Level 3 - SKU: A0.1429858 By Bananarama. By Robert van Leeuwen. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 45 pages. John Ivor Holland #1010492. Published by John Ivor Holland (A0.1429858). Venus is a song by Dutch rock band The Shocking Blue, released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries. It has since been covered dozens of times by many artists. In 1986, English girl group Bananarama covered Venus for their third studio album, True Confessions, with the single reaching number one in six countries and has been featured in numerous films, television shows, and commercials. Venus had been a part of Bananarama's repertoire for several years before they actually recorded it. The group's three members, Sara Dallin, Siobhan Fahey and Keren Woodward had the idea of turning the song into a dance tune, but they were met with resistance from their producers at the time, Steven Jolley and Tony Swain. The group brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them. The track was initially produced in an arrangement more faithful to the Shocking Blue original, but was reworked in hi-NRG style after Fahey suggested that their version should sound similar to Dead or Alive's You Spin Me Round (Like a Record). Turn back the clock with this great song, perfect for outdoor performances - there are solo spots for alto sax and trumpet, as desired and the key has been shifted up from the original E minor to make it more band-friendly.
$49.99 ≈
£38.69
The Eerie Night
The Eerie Night
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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F
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The Eerie Night
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Sweetwater Brass Press
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SheetMusicPlus
Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39 pages. Published by Sweetwater Brass Press (S0.274701). - Score,Set o...
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Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39 pages. Published by Sweetwater Brass Press (S0.274701). - Score,Set of Parts - Halloween,Children's Music,Recital - Sweetwater Brass Press
It is October 31, Halloween, late in the evening. Outside, a slight but chilling wind blows. Inside, the pendulum of the great clock ticks slowly back and forth, back and forth. Somewhere a faucet drips arrhythmically. Suddenly, the clock strikes twelve. And, it all starts. The ghosts, the goblins, the witches and all their familiars?these are the beings that hold sway on The Eerie Night. This Halloween fantasy was inspired by a jingle the composer learned many years before while in primary school. Attributed to Lillian Mohr Fox, the words accompanying the tune described ?witches on broomsticks with cats and bats? and ?spooky . . . noises on Hallowe?en night.? ?The Eerie Night,? composed for brass quintet, emulates the supposed ghostly environment of Halloween with generous (and eerie!) use of the lower brass instruments. Trumpets provide emphasis, punctuation and occasional screeches, while the Horn in F harmonizes with Trombone and, at one point, shrieks like a cat. The haunting and scaring builds and builds until just before the end, when absolute cacophonous bedlam occurs. Gradually, things quiet down. The nightmare is ended, and we?re back to the clock, the wind and the faucet. Completed in 2017, this composition runs about 4 minutes, 40 seconds. The composer, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00 ≈
£5.42
Before The Clock
Before The Clock
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Chorale
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INTERMÉDIAIRE
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Contemporain
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Justin Perez
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Before The Clock
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Justin Perez
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SheetMusicPlus
By Justin Perez. For Piano, Choral. Pop, 21st Century. Intermediate. Score. Published by Justin Perez ...
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By Justin Perez. For Piano, Choral. Pop, 21st Century. Intermediate. Score. Published by Justin Perez
$3.99 ≈
£3.09
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Socit de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
£9.29
Still, Still, Still
Still, Still, Still
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Piano seul
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INTERMÉDIAIRE
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Noël
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Austrian Folk Tune
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Terrence Niska
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Still, Still, Still
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.950930 Composed by Austrian Folk Tune. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #646...
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Piano Solo - Level 3 - SKU: A0.950930 Composed by Austrian Folk Tune. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #6466305. Published by Niska Music Publishing (A0.950930). I don’t recall when I first heard this Austrian carol, but I immediately fell in love with it and knew that it must be a part of this collection. Written in the somewhat unusual meter of 5/4, (before shifting over to 6/4), this prelude is one of the less technically demanding pieces in the set, though it does make use of much of the piano’s vast range. The simple chordal treatment of the melody over arpeggiated chords imparts an air of tranquility that is maintained throughout the first verse. When it transitions to 6/4 for the second verse, the use of the low octaves in the left hand give an even greater sense of gravity to the prelude and the off-beats in the right hand must be played with an almost clock-like precision to create the impression of stillness and the vastness of eternity. The closing chordal progression is one of my favorite moments in all of these pieces as I tried to capture the uncertainty, yet inevitability of time.
$3.99 ≈
£3.09
Tomato Roll
Tomato Roll
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2 Flûte à bec (duo)
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INTERMÉDIAIRE
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Classique
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Tyler James Cook
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Tomato Roll
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Tyler James Cook
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SheetMusicPlus
Bass Clarinet,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1368015 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download...
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Bass Clarinet,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1368015 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical. 3 pages. Duration 148. Tyler James Cook #3CEiZFup8qEN0udIhC0SU3. Published by Tyler James Cook (A0.1368015). Key: Ab major.Tomato Roll is a duet for clarinet and bass clarinet in 5/8 time. It starts with a doleful G minor (concert F minor) theme, before morphing into a more optimistic (and tasty) Bb major (concert Ab major) section with a Baroque feel. Both parts get plenty of flowing, moving lines, with both musicians playing off one another in a juicy clockwork of motion and harmony.
$2.99 ≈
£2.31
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Before The Clock
