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Vous avez sélectionné:
Medieval Plainsong
Partitions à imprimer
17 partitions trouvées
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1
Two Marian Plainsongs
Two Marian Plainsongs
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Chorale Unison
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AVANCÉ
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Llibre Vermell de Monserrat an
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Alan Saldaña-Silva
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Two Marian Plainsongs
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Alan Saldaña-Silva
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SheetMusicPlus
Choral Choir,Choral,Unison Chorus - Level 5 - SKU: A0.1498137 Composed by Llibre Vermell de Monserrat and Perotin. Arranged by Alan Saldaña-Silva. A Ca...
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Choral Choir,Choral,Unison Chorus - Level 5 - SKU: A0.1498137 Composed by Llibre Vermell de Monserrat and Perotin. Arranged by Alan Saldaña-Silva. A Cappella,Early Music,Medieval,Religious,Sacred. 4 pages. Alan Saldaña-Silva #1074448. Published by Alan Saldaña-Silva (A0.1498137). For Unison Men's Choir A Capella.Edited by Alan Saldaña-Silva.These two Marian plainsongs were separate stand-alone works, they were grouped and compiled for men's choir with insufficient forces for a 3 or 4 part work. These sacred songs are quite wonderful and easy to learn as well they can be employed for offertory or communion during the regular church service or as an anthem for the evening service.
$4.99 ≈
£3.73
Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
£4.48
O Come, O Come, Emmanuel
O Come, O Come, Emmanuel
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Noël
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Traditional Plainsong
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Thomas N Beach
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Performance time 2 min 7 sec
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O Come, O Come, Emmanuel
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Thomas N Beach
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SheetMusicPlus
Small Ensemble Flute,Handbell,Oboe,Organ,Violin - Level 3 - SKU: A0.921980 Composed by Traditional Plainsong. Arranged by Thomas N Beach. Christian,Chri...
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Small Ensemble Flute,Handbell,Oboe,Organ,Violin - Level 3 - SKU: A0.921980 Composed by Traditional Plainsong. Arranged by Thomas N Beach. Christian,Christmas,Classical. Score and parts. 6 pages. Thomas N Beach #3675479. Published by Thomas N Beach (A0.921980). An instrumental setting of this traditional Advent hymn, evoking the mystery of medieval plainsong. Performance time 2 min 7 sec. Basic to intermediate level organ, soprano recorder, hand bells. Consider for opening an evening Advent or Christmas Eve service, especially with the sanctuary or auditorium darkened.
$2.99 ≈
£2.24
O Come, O Come Emmanuel - Recorder Duet
O Come, O Come Emmanuel - Recorder Duet
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2 Flûte à bec (duo)
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INTERMÉDIAIRE
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Medieval Plainsong
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Dennis Ruello
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O Come, O Come Emmanuel - Reco
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Chicory Music
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SheetMusicPlus
Recorder Duet Recorder - Level 3 - SKU: A0.1133384 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Chamber,Christmas,Early Music,Medieval,Rel...
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Recorder Duet Recorder - Level 3 - SKU: A0.1133384 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Chamber,Christmas,Early Music,Medieval,Religious. Score. 2 pages. Chicory Music #733537. Published by Chicory Music (A0.1133384). O Come, O Come, Emmanuel is one of the better-known hymns that is typically sung during the Christmas season. What some may not know is that it originated in the Middle Ages, around A.D. 800, as an antiphon, or anthem, that was restructured into verse form in the 1100's and was eventually published in Latin in 1710. The hymn was later discovered, translated, and published in 1851 by John Mason Neale, an Anglican minister. This arrangement for soprano recorder duet is written in a minor at the Intermediate Level. Performance Time Approx. 1:30 minutes.
$2.99 ≈
£2.24
O Come, O Come Emmanuel - Flute / Clarinet Duet - Early Intermediate Level
O Come, O Come Emmanuel - Flute / Clarinet Duet - Early Intermediate Level
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE
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Medieval Plainsong
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Dennis Ruello
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O Come, O Come Emmanuel - Flut
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Chicory Music
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SheetMusicPlus
B-Flat Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.1134116 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Christian,Christmas,Holid...
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B-Flat Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.1134116 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Medieval,Traditional. 2 pages. Chicory Music #733922. Published by Chicory Music (A0.1134116). O Come, O Come, Emmanuel is one of the better-known hymns that is typically sung during the Christmas season. What some may not know is that it originated in the Middle Ages, around A.D. 800, as an antiphon, or anthem, that was restructured into verse form in the 1100's and was eventually published in Latin in 1710. The hymn was later discovered, translated, and published in 1851 by John Mason Neale, an Anglican minister. This arrangement for flute / clarinet duet is written in e minor at the Intermediate Level. Performance Time Approx. 1:30 minutes.
$2.99 ≈
£2.24
O Come, O Come Emmanuel - Flute Duet - Early Intermediate Level
O Come, O Come Emmanuel - Flute Duet - Early Intermediate Level
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2 Flûtes traversières (duo)
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FACILE
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Medieval Plainsong
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Dennis Ruello
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O Come, O Come Emmanuel - Flut
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Chicory Music
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SheetMusicPlus
Flute Duet Flute - Level 2 - SKU: A0.1133781 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Chamber,Christian,Christmas,Medieval,Traditional...
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Flute Duet Flute - Level 2 - SKU: A0.1133781 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Chamber,Christian,Christmas,Medieval,Traditional. Score. 2 pages. Chicory Music #733892. Published by Chicory Music (A0.1133781). O Come, O Come, Emmanuel is one of the better-known hymns that is typically sung during the Christmas season. What some may not know is that it originated in the Middle Ages, around A.D. 800, as an antiphon, or anthem, that was restructured into verse form in the 1100's and was eventually published in Latin in 1710. The hymn was later discovered, translated, and published in 1851 by John Mason Neale, an Anglican minister. This arrangement for flute duet is written in e minor at the Early Intermediate Level. Performance Time Approx. 1:30 minutes.
$2.99 ≈
£2.24
O Come, O Come Emmanuel - Oboe / Clarinet Duet - Intermediate Level
O Come, O Come Emmanuel - Oboe / Clarinet Duet - Intermediate Level
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Medieval Plainsong
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Dennis Ruello
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O Come, O Come Emmanuel - Oboe
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Chicory Music
#
SheetMusicPlus
B-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.1134126 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Med...
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B-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.1134126 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Medieval,Traditional. 2 pages. Chicory Music #734222. Published by Chicory Music (A0.1134126). O Come, O Come, Emmanuel is one of the better-known hymns that is typically sung during the Christmas season. What some may not know is that it originated in the Middle Ages, around A.D. 800, as an antiphon, or anthem, that was restructured into verse form in the 1100's and was eventually published in Latin in 1710. The hymn was later discovered, translated, and published in 1851 by John Mason Neale, an Anglican minister. This arrangement for Oboe / Clarinet duet is written in e minor at the Intermediate Level. Performance Time Approx. 1:30 minutes.
$2.99 ≈
£2.24
O Come, O Come Emmanuel - Flute / Oboe Duet - Early Intermediate Level
O Come, O Come Emmanuel - Flute / Oboe Duet - Early Intermediate Level
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Flûte, Hautbois (duo)
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FACILE
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Medieval Plainsong
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Dennis Ruello
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O Come, O Come Emmanuel - Flut
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Chicory Music
#
SheetMusicPlus
Flute,Instrumental Duet,Oboe - Level 2 - SKU: A0.1133804 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Medieval...
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Flute,Instrumental Duet,Oboe - Level 2 - SKU: A0.1133804 Composed by Medieval Plainsong. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Medieval,Traditional. 2 pages. Chicory Music #733914. Published by Chicory Music (A0.1133804). O Come, O Come, Emmanuel is one of the better-known hymns that is typically sung during the Christmas season. What some may not know is that it originated in the Middle Ages, around A.D. 800, as an antiphon, or anthem, that was restructured into verse form in the 1100's and was eventually published in Latin in 1710. The hymn was later discovered, translated, and published in 1851 by John Mason Neale, an Anglican minister. This arrangement for flute / oboe duet is written in e minor at the Early Intermediate Level. Performance Time Approx. 1:30 minutes.
$2.99 ≈
£2.24
String Quartet No. 6
String Quartet No. 6
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Christopher M
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Christopher M
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String Quartet No. 6
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Christopher M. Wicks
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.982881 Composed by Christopher M. Wicks. Arranged by Christopher M. Wicks. Contemporary. Score and par...
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String Quartet String Quartet - Level 4 - SKU: A0.982881 Composed by Christopher M. Wicks. Arranged by Christopher M. Wicks. Contemporary. Score and parts. 14 pages. Christopher M. Wicks #15197. Published by Christopher M. Wicks (A0.982881). Loosely based on a Benedictine medieval plainsong Adoro te devote, this is a set of variations for string quartet, lasting about six minutes. File contains both score and parts.
$20.00 ≈
£14.96
Veni Creator Spiritus
Veni Creator Spiritus
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE
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Nigel Williams
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Nigel Williams
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Veni Creator Spiritus
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Nigel Williams
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SheetMusicPlus
Flute Trio,Woodwind Ensemble Flute - Level 3 - SKU: A0.1438365 By Nigel Williams. By Plainsong. Arranged by Nigel Williams. Medieval,Sacred,Traditional....
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Flute Trio,Woodwind Ensemble Flute - Level 3 - SKU: A0.1438365 By Nigel Williams. By Plainsong. Arranged by Nigel Williams. Medieval,Sacred,Traditional. 3 pages. Nigel Williams #1018385. Published by Nigel Williams (A0.1438365). Come, Holy Ghost, Our Souls Inspire is a plainsong hymn tune for the season of Pentecost. This arrangement allows all three players to lead as well as accompany and the score downloads as a set of one-page individual parts. Enjoy browsing my extensive collection of duet, trio and quartet arrangements all available for download.
$7.99 ≈
£5.98
Of the Father's Love Begotten (Divinum Mysterium)
Of the Father's Love Begotten (Divinum Mysterium)
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Piano seul
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INTERMÉDIAIRE
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Plainsong from 13th Century
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Wendy Loder, ASCAP
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Of the Father's Love Begotten
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LarkAngel Productions
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1141781 Composed by Plainsong from 13th Century. Arranged by Wendy Loder, ASCAP. Christian,Christmas,Early Music,Medieval,Trad...
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Piano - Level 3 - SKU: A0.1141781 Composed by Plainsong from 13th Century. Arranged by Wendy Loder, ASCAP. Christian,Christmas,Early Music,Medieval,Traditional. Score (Chords/Lyrics). 1 pages. LarkAngel Productions #742167. Published by LarkAngel Productions (A0.1141781). This beloved Christmas song began life as a Plainsong (chant) in the 13th century, in Latin. Here I've put the melody in modern notation, with English lyrics (5 verses) in lead sheet style. In a guitar-friendly key (E), it can be accompanied by any chordal instrument with the option of a cello joining the ensemble. It also sounds great as a solo instrument playing the beautiful melody.
$7.99 ≈
£5.98
Gaudete for SATB choir
Gaudete for SATB choir
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Chorale SATB
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FACILE
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Musique Sacrée
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Anonymous
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Mark Reeves
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Gaudete for SATB choir
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Mark Reeves
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sac...
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Choral Choir (SATB) - Level 2 - SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sacred. Octavo. 9 pages. Mark Reeves #3638835. Published by Mark Reeves (A0.748682). Gaudete for SATB choir and pianoThis Christmas Carol first appeared in print in a Finnish publication of 1582 entitled Piæ Cantiones Ecclesiasticæ et Scholasticæ Veterum Episcoporum. The æolian modal polyphony and Medieval Latin text suggest a much earlier date of composition originating from central Europe; the plainsong melody of the verses is derived from liturgical sources of the same period and was not included in the original document.This new arrangement of Gaudete is based closely on the original music and text. However, the original key of G minor has been transposed to D minor to create more variety in the voicing, yet remaining faithful to the original vocal parts.The piano accompaniment in the refrain is simply an amalgamation of the voices and therefore, in order to create a pure a cappella sound in performance, the piano part may be omitted and used solely for rehearsal purposes. As the verses were originally sung unaccompanied, the piano part in this arrangement has been devised to compliment the plainsong melody, but of course may be omitted in performance if preferred.Originally, each verse would probably have been sung by a solo tenor voice. However, in this arrangement, each of the four verses has been allocated to a different soloist. This should create the effect of a gradual build-up in the intensity of sound, culminating in the final fortissimo refrain.About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850Further informationWeb: http://www.markreeves.co.uk/Email: info@markreeves.co.ukYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReeves001
$2.99 ≈
£2.24
I Syng of a Mayden - A Christmas Carol for SATB Choir and Organ
I Syng of a Mayden - A Christmas Carol for SATB Choir and Organ
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Andrew Orgee
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I Syng of a Mayden - A Christm
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Andrew Orgee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1084969 By Andrew Orgee. By Andrew Orgee. Christmas,Classical,Sacred. Octavo. 9 pages. Andrew Orgee #689093. Pub...
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Choral Choir (SATB) - Level 4 - SKU: A0.1084969 By Andrew Orgee. By Andrew Orgee. Christmas,Classical,Sacred. Octavo. 9 pages. Andrew Orgee #689093. Published by Andrew Orgee (A0.1084969). This is a setting of one of the earliest known Christmas Carol texts in the English language - I Syng of a Mayden - believed to be sung to music around the 15th century. It is scored for Soprano, Alto, Tenor, and Bass choir with church organ and is written for semi-professional choirs. The opening plainsong and modal harmony set a medieval and reverential tone for the piece. This develops into an outpouring a joy and praise for the Virgin Mary and her child represented by full choral harmony with organ pedals.
$1.99 ≈
£1.49
Meditation on "Veni, Emmanuel" — trombone and piano or organ
Meditation on "Veni, Emmanuel" — trombone and piano or organ
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Trombone et Piano
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INTERMÉDIAIRE
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Plainchant melody
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Todd Marchand
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Meditation on "Veni, Emma
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. C...
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Piano,Trombone - Level 3 - SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel†are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,†with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,†verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
£4.49
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
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Trombone et Piano
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INTERMÉDIAIRE
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Traditional plainchant melody
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Todd Marchand
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Humbly I Adore Thee
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and pa...
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Piano,Trombone - Level 3 - SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and part. 7 pages. Con Spirito Music #702001. Published by Con Spirito Music (A0.1098129). “Humbly I Adore Thee†is a eucharistic, or communion, hymn with text by St. Thomas Aquinas (1225-1274).The origin of the melody, “Adoro te Devote,†is unclear. In some places it is simply described as a Gregorian chant; in others as a 13th-century Benedictine plainsong; in others as a French church melody published in the Paris Processionale (hymnal or liturgical manual) of 1697. Regardless, it is a lovely, flowing tune well-suited for the legato “singing†capabilities of the trombone, euphonium, or cello.In this arrangement, the soloist plays the tune through on the first verse in D major, adds a descant over the melody played by keyboard in the second verse and, following a short modulation, recapitulates the tune in the concluding key of G major.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
£4.49
Meditation on Veni Creator
Meditation on Veni Creator
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Violoncelle
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FACILE
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Nigel Poole
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Meditation on Veni Creator
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Nigel Poole Music
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.1206928 Composed by Nigel Poole. Classical,Contemporary,Medieval,Sacred. Individual part. 2 pages. Nigel Poole Music #805...
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Cello Solo - Level 2 - SKU: A0.1206928 Composed by Nigel Poole. Classical,Contemporary,Medieval,Sacred. Individual part. 2 pages. Nigel Poole Music #805111. Published by Nigel Poole Music (A0.1206928). A quiet meditation, elaborating on the old plainsong chant, Veni Creator Spiritus.Nigel Poole is a composer based in Canberra, Australia.More information at http://nigelsmusic.net.
$2.50 ≈
£1.87
Veni, Emmanuel (O Come, O Come Emmanuel)
Veni, Emmanuel (O Come, O Come Emmanuel)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Text: Latin, 12th century and
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Wendy Loder, ASCAP
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Veni, Emmanuel
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LarkAngel Productions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1115859 Composed by Text: Latin, 12th century and Tune: French 15th century plainsong. Arranged by We...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1115859 Composed by Text: Latin, 12th century and Tune: French 15th century plainsong. Arranged by Wendy Loder, ASCAP. Christian,Christmas,Classical,Medieval,Religious. 2 pages. LarkAngel Productions #717580. Published by LarkAngel Productions (A0.1115859). This beautiful Advent song begins with solo cello, joined by the full trio on Rejoice! Each instrument has a turn with the verse, harmonized slightly differently each time.
$9.99 ≈
£7.47
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