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Recollection Full Score
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Vous avez sélectionné:
Recollection Full Score
Partitions à imprimer
10 partitions trouvées
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1
Recollection - Full Score
Recollection - Full Score
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Cloches
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FACILE
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Timothy H Waugh
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or flute
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Recollection - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2+ - SKU: C7.CGB973 Composed by Timothy H Waugh. General. With 3, 4, or 5 octaves handchimes, violin and cello; or ...
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3, 4, or 5 octaves handbells - Level 2+ - SKU: C7.CGB973 Composed by Timothy H Waugh. General. With 3, 4, or 5 octaves handchimes, violin and cello; or flute. Full score. 16 pages. Chorister's Guild - Digital #CGB973. Published by Chorister's Guild - Digital (C7.CGB973). UPC: 749193023105.Selected for the 17th International Handbell Symposium 2016 in Vancouver, Canada, Recollection is a soothing, lyrical composition with flexible instrumental options. While the piece may be rung with just chimes and/or bells, the addition of the optional instrument(s) adds much to the musical context. Recollection is excellent for teaching musicality and expressive musicianship. It will provide meditative moments in worship, and be effective in concerts and festivals.
$11.95 ≈
£9.07
TE DEUM - Score Only
TE DEUM - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published ...
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Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99 ≈
£18.96
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para
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OE OFICINA
#
SheetMusicPlus
Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published ...
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Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90 ≈
£11.31
Drift
Drift
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Contemporain
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Kyle Vanderburg
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Drift
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NoteForge
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 3 - SKU: A0.1002831 Composed by Kyle Vanderburg. Contemporary. Score and parts. 13 pages. NoteForge #4622167....
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Small Ensemble Bass Clarinet,Piano - Level 3 - SKU: A0.1002831 Composed by Kyle Vanderburg. Contemporary. Score and parts. 13 pages. NoteForge #4622167. Published by NoteForge (A0.1002831). I wrote Drift during my second winter in Fargo, while the snow in my yard was easily four feet deep. The piece started with other ideas, but after weeks of working through them nothing really worked, and I found myself spending a lot of time looking wistfully out the window as the snow continued peacefully falling, marveling at the novelty of snow and thinking ahead to warmer weather. This piece is that feeling. Drift calls forth the dual recollection of snowdrifts experienced on a lazy weekend and the aimless drifting one might do down a river in the summer.
$4.99 ≈
£3.79
Through The Years
Through The Years
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Blaze Scheuerman
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Through The Years
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Blaze Scheuerman
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 2...
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Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.
$5.99 ≈
£4.54
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Mus...
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String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45 ≈
£24.62
Carson Cooman: Solar Visions (2004) for woodwind quintet
Carson Cooman: Solar Visions (2004) for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fab...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95 ≈
£22.72
Inspector Morse
Inspector Morse
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Barrington Pheloung
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G L Harvey
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Inspector Morse
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G L Harvey
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.805820 Composed by Barrington Pheloung. Arranged by G L Harvey. Contemporary. Score and parts. 36 pages. G L Harvey #...
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Brass Ensemble - Level 3 - SKU: A0.805820 Composed by Barrington Pheloung. Arranged by G L Harvey. Contemporary. Score and parts. 36 pages. G L Harvey #4409977. Published by G L Harvey (A0.805820). To quote inspector Morse Mark my words Lewis this is an ingenious idea for a theme. The dash dash dot dot dot rhythmic theme will help your audience recollect this fantastic TV series and the brilliant John Thaw as inspector Morse. This flexible arrangement for intermediate level brass quintet has parts for most common combinations. Like all good arrangements, everyone has the tune somewhere and the addition of an optional glockenspiel part gives that little extra sparkle. It has a comfortable range for intermediate players, with a few more technical demands for parts 1 and 3. There is also an easier version of part 3 for horn (3b) taking out the slightly trickier passages. The A4 size score has 36 pages with full score and parts for: part 1 - trumpet in Bb & soprano cornet in Eb, part 2 - trumpet in Bb, part 3 - horns in F & Eb, part 3b (easier version) - also horns in F & Eb, part 4 - trombone & baritone (treble & bass clef), part 5 - tuba, Eb & Bb bass, plus optional glock part.
$15.99 ≈
£12.13
Inspector Morse
Inspector Morse
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Barrington Pheloung
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G L Harvey
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Inspector Morse
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G L Harvey
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.805821 Composed by Barrington Pheloung. Arranged by G L Harvey. Contemporary. Score ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.805821 Composed by Barrington Pheloung. Arranged by G L Harvey. Contemporary. Score and parts. 24 pages. G L Harvey #4410729. Published by G L Harvey (A0.805821). To quote inspector Morse Mark my words Lewis this is an ingenious idea for a theme. The dash dash dot dot dot rhythmic theme will help your audience recollect this fantastic TV series and the brilliant John Thaw as inspector Morse. This arrangement for intermediate and above level wind quintet has standard instrumentation for flute, oboe, clarinet, horn in F and bassoon. Like all good arrangements, everyone has the tune somewhere and the addition of an optional glockenspiel part gives the opportunity for that little extra sparkle. It has a comfortable range for intermediate players, with a few more technical demands for flute and clarinet. The PDF is A4 size and contains 24 pages with full score and parts plus an optional glockenspiel part.
$15.99 ≈
£12.13
Lantern Festival
Lantern Festival
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Orchestre
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Contemporain
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é¦¬æ°´é¾ Ma Shui Lon
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Lantern Festival>
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Lantern Festival
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SpringAutumnmusic
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SheetMusicPlus
Full Orchestra - SKU: A0.961995 Composed by é¦¬æ°´é¾ Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48...
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Full Orchestra - SKU: A0.961995 Composed by é¦¬æ°´é¾ Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48521. Published by SpringAutumnmusic (A0.961995). 《玩燈》1977年《玩燈─元宵節記趣》,管弦樂元宵夜,åšå…ƒå®µï¼Œæç‡ˆç± ï¼Œé€™æ˜¯ä½œè€…å…’æ™‚å¹´å¹´æ‰€ç›¼æœ›è€Œæœ€é«˜èˆˆçš„æ™‚åˆ»ã€‚é€™æ¸…æ–°çš„å›žæ†¶ï¼Œå°±æ˜¯æœ¬æ›²å¯«ä½œçš„æ›²æ„與動機。開始是一段åºï¼Œé‚£æ˜¯è¿Žç¥žçš„鑼鼓å¹å¥è²ï¼Œç”±é 而近。輕快活潑的主題由æ¤ä¸ä»‹å…¥å±•é–‹ã€‚家家戶戶å©å們,喜氣洋洋,æè‘—ç‡ˆç± çœ‹ç†±é¬§ã€‚å»Ÿå£å»£å ´ï¼Œæ¯å¹´é€¢æ¤ä½³ç¯€ï¼Œæ›´æ˜¯é»žç‡ˆçµå½©ï¼ŒèŠ±ç‡ˆæ¨£å¼ç³ç‘¯æ»¿ç›®ï¼Œç¾Žä¸å‹æ”¶ï¼Œæ›´æœ‰è¶£çš„是元宵節謎語晚會,舞é¾ã€èˆžç…,人山人海,一片熱鬧éžå¸¸çš„景象。曲ä¸ä¹ŸåŠ 入片段慢æ¿æ¨‚å¥ï¼Œé‚£æ˜¯å…ƒå®µç¯€ï¼Œå®¶å®¶æˆ¶æˆ¶åœ˜åœ“和氣至親的寫照。 全曲在輕快活潑的主題ä¸é€²è¡Œï¼Œæ¥å…¥é«˜æ½®ã€‚※本曲1977年應國家文化è—術基金會委託創作之作å“。åŒå¹´æ–¼å°åŒ—國父紀念館舉行世界首演,由廖年賦指æ®å°åŒ—世紀交響樂團擔任演出。1977< Lantern Festival>, for orchestra Hand lanterns and sweet yuanxiao rice dumplings are two traditional items children eagerly anticipate during the annual Lantern Festival; and the composer of this piece was inspired by recollections of this joyous time from his childhood. The composition starts with a brisk and lively prelude for drums, gongs and wind instruments to welcome the deity associated with the Lantern Festival. Delighted children everywhere carry lanterns and gather in the square in front of the local temple to celebrate this exciting event. Traditional activities include dancing dragons and lions, amusing riddles and numerous brightly-lit and beautifully decorated lanterns which complete the scene. The composer has also included adagio passages to portray the amiable mood of family reunion during this special holiday. The entire composition builds to a final crescendo in a lively pace. Lantern Festival was commissioned by the National Culture and Arts Foundation in 1977, and premiered the same year by the Taipei Century Symphony Orchestra, conducted by Nien-Fu David Liao Nianfu at Taiwan's National Dr. Sun Yat-sen Memorial Hall.
$14.99 ≈
£11.37
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