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Rhythm is The Cure
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Vous avez sélectionné:
Rhythm is The Cure
Partitions à imprimer
48 partitions trouvées
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1
26
Rhythm is The Cure
Rhythm is The Cure
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Alessandra Belloni
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Rhythm is The Cure
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Percussion - Intermediate - SKU: M0.21463MEB Southern Italian Tambourine. Composed by Alessandra Belloni. Percussion: Hand Percussion and Bodhran...
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Percussion - Intermediate - SKU: M0.21463MEB Southern Italian Tambourine. Composed by Alessandra Belloni. Percussion: Hand Percussion and Bodhran. European. E-book and online video. Mel Bay Publications - Digital Sheet Music #21463MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21463MEB). ISBN 9781619115170. 8.75x11.75 inches.This book with online video will introduce the reader to the tambourine and folk dance tradition of Southern Italy, the Tarantella. Students will learn the techniques of Tarantella tambourine playing as well as the history of this ancient tradition. This book reflects 25 years of field research and performance by the author, Alessandra Belloni.
$22.99 ≈
£17.44
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
£12.13
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
#
"Calisthenics for Great B
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
£12.13
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
#
B
#
"Calisthenics for Bass Re
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
£12.13
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
#
"Calisthenics for Recorde
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bl_music
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
£12.13
Just Like Heaven - Violin & Cello Duet - The Cure arr. Cellobat
Just Like Heaven - Violin & Cello Duet - The Cure arr. Cellobat
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Cure
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Sarah Cellobat Chaffee
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Just Like Heaven - Violin & Ce
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Sarah Chaffee
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SheetMusicPlus
Violin, Cello, String Duet - Advanced Intermediate - By The Cure. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 10 pages. Published by Sa...
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Violin, Cello, String Duet - Advanced Intermediate - By The Cure. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 10 pages. Published by Sarah Chaffee
One of the best-known and most-loved songs by British alternative rock band The Cure, "Just Like Heaven" was the band's first American hit single, and it reached the top 40 on the Billboard charts. The band's singer wrote this upbeat and energetic love song in honor of his future wife, making it a perfect choice for weddings, receptions, and cocktail hours, along with pop concerts, solo & ensemble contests, and any other occasion that you need to make your audience smile! This arrangement for violin and cello duet maintains the exciting builds, fun melodies, and most importantly the pure joy of the original, and it will be just as much fun to play as it is to listen to! In terms of melodic and technical difficulty, this chart is intermediate level, but I'm listing it as advanced-intermediate due to a number of interesting tied and syncopated rhythms. Have fun! :)
$9.99 ≈
£7.58
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano
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Musique Sacrée
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John Newton/ Horatio Spafford
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Deborah Johnson
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Amazing Grace/It is Well With
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Deborah Johnson
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SheetMusicPlus
Bass Voice,Choir,Drums,Guitar,Rhythm - Level 3 - SKU: A0.1378959 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Ch...
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Bass Voice,Choir,Drums,Guitar,Rhythm - Level 3 - SKU: A0.1378959 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 233. Deborah Johnson #963677. Published by Deborah Johnson (A0.1378959). Deborah Johnson's arrangement of Amazing Grace/It is Well With my Soul offers a delightful medley that blends these beloved hymns seamlessly. Accompanied by piano and a unison chorus vocalizing oohs and ahs, this instrumental rendition promises to evoke cherished memories and inspire heartfelt worship. The contemporary folk-pop style infuses the medley with freshness, featuring challenging piano arpeggios and key changes throughout. With a medium level of difficulty, this arrangement is versatile and can be performed with or without vocals. This is the accompaniment MP3 without piano (includes vocals). Additionally, accompaniment MP3 track is available, without piano accompaniment and vocals. Downloadable sheet music also available.Up for a GRAMMY Award, My Father’s Favorite Hymns album includes this as well as other contemporary arrangements of hymns, available https://DJWorksMusic.com/products by Deborah Johnson. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available for direct shipping. Amazing Grace by John Newton (1773) is one of the most recognized hymns in the world, and is often thought of as a folk song. It was written to illustrate a sermon and was fairly obscure until the Second Great Awakening in the early 19th Century. The tune is to New Britain and it is performed about 10 million times annually. It is Well with my Soul, words by Horatio Spafford (1873), was written after his four daughters perished on a French liner heading for Europe when colliding with an iron sailing vessel. His wife alone was saved. Melody by Phillip Bliss, who died along with his wife in a terrible train wreck in Ohio. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on: https://goalsforyourlife.com/gods-music-hymns/ For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/Se6uqItEaNk?si=f2RGC6IfMejoTwLI
$8.99 ≈
£6.82
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano or vocals
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano or vocals
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Musique Sacrée
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John Newton/ Horatio Spafford
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Deborah Johnson
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Amazing Grace/It is Well With
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Deborah Johnson
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SheetMusicPlus
Bass Voice,Drums,Guitar,Rhythm Instrument - Level 3 - SKU: A0.1378966 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnso...
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Bass Voice,Drums,Guitar,Rhythm Instrument - Level 3 - SKU: A0.1378966 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 232. Deborah Johnson #963687. Published by Deborah Johnson (A0.1378966). Deborah Johnson's arrangement of Amazing Grace/It is Well With my Soul offers a delightful medley that blends these beloved hymns seamlessly. Accompanied by piano and a unison chorus vocalizing oohs and ahs, this instrumental rendition promises to evoke cherished memories and inspire heartfelt worship. The contemporary folk-pop style infuses the medley with freshness, featuring challenging piano arpeggios and key changes throughout. With a medium level of difficulty, this arrangement is versatile and can be performed with or without vocals. This is the accompaniment MP3 without piano or vocals. Additionally, accompaniment MP3 track is available, without piano accompaniment and including vocals. Downloadable sheet music also available.Up for a GRAMMY Award, My Father’s Favorite Hymns album includes this as well as other contemporary arrangements of hymns, available https://DJWorksMusic.com/products by Deborah Johnson. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available for direct shipping. Amazing Grace by John Newton (1773) is one of the most recognized hymns in the world, and is often thought of as a folk song. It was written to illustrate a sermon and was fairly obscure until the Second Great Awakening in the early 19th Century. The tune is to New Britain and it is performed about 10 million times annually. It is Well with my Soul, words by Horatio Spafford (1873), was written after his four daughters perished on a French liner heading for Europe when colliding with an iron sailing vessel. His wife alone was saved. Melody by Phillip Bliss, who died along with his wife in a terrible train wreck in Ohio. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on: https://goalsforyourlife.com/gods-music-hymns/ For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/Se6uqItEaNk?si=f2RGC6IfMejoTwLIÂ
$8.99 ≈
£6.82
Love is everything
Love is everything
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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Love is everything
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368426 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368426 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Music #952772. Published by Circlesquare Music (A0.1368426). Introducing Love is Everything, a deeply moving piano composition that resonates with the profound truth that love is the quintessence of life's most cherished moments. This soul-stirring piece, from the evocative album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a heartfelt homage to the all-encompassing power of love to transform, heal, and illuminate our lives.With a reflective tempo of 60, Love is Everything gently unfolds, each note a tender caress, each chord a deep sigh of the heart. The composition is an intimate dialogue, a lyrical confession that speaks of love's countless forms and faces – from the gentle embrace of a parent to the passionate ardor of a lover, from the steadfast loyalty of a friend to the innocent affection of a child. It's a melody that weaves through the tapestry of human experience, binding us together in its universal embrace.Love is Everything is not merely a musical piece; it's an anthem that celebrates the very essence of our existence. It invites listeners to pause, reflect, and immerse themselves in the profound realization that in the grand scheme of life, love is the melody that gives meaning to our days, the harmony that aligns our souls, and the rhythm that dances in our every heartbeat.This composition is perfect for those who seek to cherish and honor the love in their lives, for pianists who aspire to express the depth of their emotions through the gentle touch of ivory keys, and for anyone who believes in the transformative power of love to bring light into the darkest corners.Let Love is Everything envelop you in its tender embrace, nurturing your soul with its poignant melody, and reminding you of the infinite strength and grace that love bestows. This piece is a testament to love's enduring legacy, a soothing lullaby for the spirit, and a celebration of the most profound truth we know – that in the end, love truly is everything.Embrace the gentle flow of Love is Everything. Allow this piece to be a constant reminder of the love that surrounds you, a musical tribute to the enduring power of love to guide, uplift, and inspire. Secure your copy today, and let Love is Everything resonate within your heart, echoing the truth that love, indeed, is the essence of everything beautiful in life.
$8.99 ≈
£6.82
Cure For Me
Cure For Me
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Aurora Aksnes and Magnus Skyls
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Cure For Me
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Jose Welligton Sousa de Castro
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1116674 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton Sousa de ...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1116674 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton Sousa de Castro. Multicultural,Pop,Wedding,World. 16 pages. Jose Welligton Sousa de Castro #718329. Published by Jose Welligton Sousa de Castro (A0.1116674). Looking to add a trendy and exciting song to your Flute Quartet's repertoire? Look no further than our exclusive arrangement of Cure For Me by Aurora Aksnes, popularized on TikTok and loved by fans worldwide. Arrangement by Welligton Sousa is written for Flute I, II, III, IV, and features all the essential parts needed to perform this infectious and lively tune. The arrangement is written in the key of D minor and stays true to the energetic and upbeat character of the original song. Whether you're a seasoned flute quartet player or just starting out, this arrangement is perfect for any level of expertise. Don't miss out on the chance to add this hit song to your quartet's repertoire and impress your audience with the catchy melodies and infectious rhythms of Cure For Me. Order your sheet music today and get ready to play this TikTok sensation like a pro.
$12.99 ≈
£9.86
Cure For Me
Cure For Me
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Aurora Aksnes and Magnus Skyls
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Cure For Me
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Jose Welligton Sousa de Castro
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1116568 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton Sousa de Castro. M...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1116568 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton Sousa de Castro. Multicultural,Pop,Wedding,World. 13 pages. Jose Welligton Sousa de Castro #718223. Published by Jose Welligton Sousa de Castro (A0.1116568). Looking to add a trendy and exciting song to your Clarinet Quartet's repertoire? Look no further than our exclusive arrangement of Cure For Me by Aurora Aksnes, popularized on TikTok and loved by fans worldwide. Arrangement by Welligton Sousa is written for Clarinet Bb I, II, III and Bass Clarinet, and features all the essential parts needed to perform this infectious and lively tune. The arrangement is written in the key of E minor and stays true to the energetic and upbeat character of the original song. Whether you're a seasoned clarinet quartet player or just starting out, this arrangement is perfect for any level of expertise. Don't miss out on the chance to add this hit song to your quartet's repertoire and impress your audience with the catchy melodies and infectious rhythms of Cure For Me. Order your sheet music today and get ready to play this TikTok sensation like a pro.
$12.99 ≈
£9.86
Cure For Me
Cure For Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Aurora Aksnes and Magnus Skyls
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Cure For Me
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Jose Welligton Sousa de Castro
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1116496 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton S...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1116496 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton Sousa de Castro. Disco,Pop,Singer/Songwriter,Wedding. 14 pages. Jose Welligton Sousa de Castro #718146. Published by Jose Welligton Sousa de Castro (A0.1116496). Looking to add a trendy and exciting song to your string quartet's repertoire? Look no further than our exclusive arrangement of Cure For Me by Aurora Aksnes, popularized on TikTok and loved by fans worldwide. Arrangement by Welligton Sousa is written for Violin I, II, Viola [with an optional Violin III part], and Cello, and features all the essential parts needed to perform this infectious and lively tune. The arrangement is written in the original key of F sharp minor and stays true to the energetic and upbeat character of the original song. Whether you're a seasoned string quartet player or just starting out, this arrangement is perfect for any level of expertise. Don't miss out on the chance to add this hit song to your quartet's repertoire and impress your audience with the catchy melodies and infectious rhythms of Cure For Me. Order your sheet music today and get ready to play this TikTok sensation like a pro.
$12.99 ≈
£9.86
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
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Piano seul
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AVANCÉ
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Rudesindo Soutelo
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Prelúdio da Montanha M&
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by R...
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Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by Rudesindo Soutelo #6080217. Published by Publisher by Rudesindo Soutelo (A0.1013230). Rudesindo Soutelo:Prelúdio da Montanha Mágica / Prelude to The Magic Montain.Tribute to Thomas Mann. (1996) [6'40]ISWC: T-041.574.847-8ISMN: 979-0-9007529-5-6Première: 19-IX-2004. Museu de Belas Artes, Corunha(Galiza). Piano: Genaro Fernández.This work is a tribute to Thomas Mann, who published The Magic Mountain in 1924 and received the Nobel Prize for Literature in 1929.According to the author’s own words, the novel is a journey into decay which is lived in a mountain sanatorium dedicated to the cure of tuberculosis. But it is also the search for the idea of man, the concept of a future humanity through the prism of death.The uneven rhythmic pattern of the score (6+5+5/16 and 9+7/16) sifts the hope and generates restlessness. The generating complex {6,5,5,9,7} conforms the DNA of the whole work and is present in both formal structure and harmony or melody. The funerary sequence of the Gregorian, ‘Dies irae, dies illa’ (On the day of the wrath, that day), hangs throughout the piece until it becomes evident and dominates the spirit. The death precedes to a new life.---Esta obra é uma homenagem a Thomas Mann, quem publicou A Montanha Mágica em 1924 e recebeu o prémio Nobel de Literatura em 1929. Segundo as palavras do próprio autor, a novela é uma viagem à decadência que se vive num Sanatório de montanha dedicado a curar a tuberculose. Mas também é a busca da ideia do homem, o conceito de uma humanidade futura através do prisma da morte.O padrão rÃtmico desenquadrado da partitura (6+5+5/16 e 9+7/16) criva a esperança e gera inquietação. O complexo geratriz {6,5,5,9,7} conforma o ADN de toda a obra e está presente tanto na estrutura formal como na harmonia ou na melodia. A sequência fúnebre do gregoriano, ‘Dies irae dies illa’ (No dia do juÃzo final), paira ao longo da peça até se tornar evidente e dominar o espÃrito. A morte antecede a uma vida nova.
$8.00 ≈
£6.07
Sucker - Pop String Quartet
Sucker - Pop String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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Jonas Brothers
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Sucker - Pop String Quartet
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ViolinVagabond Music
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SheetMusicPlus
String Quartet, Violin 1, Violin 2, Viola, Cello, Rhythm Section (Lead sheet with drum set/bass notes) - Advanced - By Jonas Brothers. Arranged by K...
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String Quartet, Violin 1, Violin 2, Viola, Cello, Rhythm Section (Lead sheet with drum set/bass notes) - Advanced - By Jonas Brothers. Arranged by Kyle Pudenz. Lead Sheet, Set of Parts. 62 pages. Published by ViolinVagabond Music
If you're looking for another bland, soul-less transcription of a pop song for strings to collect dust in the back of your gig book while you idle away your hours providing background music behind the potted palm, this is NOT the arrangement you are looking for.
However, if you are looking to liven up your ensemble's repertoire with a hip arrangement of the summer's biggest smash from the world's bubbliest boy band... then look no further: THIS is the tune you need to take your performance to the next level! This spicy new take on the Jonas Brothers' latest jam includes an extendable solo section (in case that wedding party is taking too long to make their appearance at cocktail hour), chopping grooves that will land your quartet securely "in the pocket," a couple slick reharminizations to keep the audience on the edge of their seats, and enough flashy licks to finally prove to all those naysaying guitar players that yes, string players can be real rockstars!!!
That being said, if your ensemble is already forward-thinking enough to have brokered peace with those fret-loving, stick-twirling showboats that we know & love, this arrangement also includes an optional rhythm section lead sheet for performing with additional musicians. So whether you're striking up the band for a showcase, or simply providing the ambience for your next dinner party, reception, or corporate function, this arrangement has everything you need to keep your audience, and your ensemble, entertained.
Performance time - 3:44 without vamping solos, 5:00 if you wanna take another round, or 9:35 if the head table starts yelling "Free Bird"
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
£15.17
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
£7.59
Solage: Le basile for Clarinet Quartet
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95 ≈
£25.00
Solage: Le basile for Brass Quartet
Solage: Le basile for Brass Quartet
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Qu
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95 ≈
£25.00
Solage: Le basile for Trombone Quartet
Solage: Le basile for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
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Solage
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James M
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Solage: Le basile for Trombone
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jmsgu3
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SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
£25.00
Solage: Le basile for Flute Quartet
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Le basile for Flute Qu
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
£25.00
Solage: Le basile for Double Reed Quartet
Solage: Le basile for Double Reed Quartet
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Solage
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James M
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Solage: Le basile for Double R
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest...
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
£25.00
Solage: Le basile for Mixed Woodwind Quartet
Solage: Le basile for Mixed Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Solage
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James M
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Solage: Le basile for Mixed Wo
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,H...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
£25.00
Solage: Le basile for Cello Quartet
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
£25.00
The Secret is to Dream - Sharona Clarke - Early Intermediate
The Secret is to Dream - Sharona Clarke - Early Intermediate
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Piano Facile
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FACILE
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Sharona Clarke
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The Secret is to Dream - Sharo
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PianoBea Publishing Inc.
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Sharona Clarke. Post-Modern, Repertoire, General Instructional, New Age. Individual Part, So...
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Piano Solo - Early Intermediate - Digital Download Composed by Sharona Clarke. Post-Modern, Repertoire, General Instructional, New Age. Individual Part, Solo Part. 3 pages. Published by PianoBea Publishing Inc.
Educational piano music by Sharona Clarke. Published and distributed by PianoBea Publishing Inc. Catalogue # PB005. Copyright 2009/2016 PianoBea Publishing Inc.and Sharona Clarke. All rights reserved. Copyright secured. www.pianobea.com Early Intermediate Level. This popular favorite is a gentle, dreamy ?waltz? in 6/8 with a singable melody. The piece provides useful challenges in the varying rhythms between the hands, pedalling, and being able to keep the right-hand melody singing above the left hand. What is the secret? To dream! And never stop following your dreams!
$3.99 ≈
£3.03
Lovesong
Lovesong
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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The Cure
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Sarah Cellobat Chaffee
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Lovesong
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.745262 By The Cure. By Boris Williams, Laurence Tolhurst, Paul S. Thompson, Robert Smith, Roger O'Don...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.745262 By The Cure. By Boris Williams, Laurence Tolhurst, Paul S. Thompson, Robert Smith, Roger O'Donnell, and Simon Gallup. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 10 pages. Sarah Cellobat Chaffee #353271. Published by Sarah Cellobat Chaffee (A0.745262). One of the most popular songs by British alternative rock band The Cure, Lovesong was released as the third single from their album Disintegration, and it became the band's only song to hit the top 10 on the American Billboard charts. The band's singer wrote this straightforward love song as a wedding present for his then-fiancé, making it a perfect choice for weddings, receptions, and cocktail hours, along with pop concerts, solo & ensemble contests, and any other occasion that needs some upbeat alternative rock! This arrangement for violin and cello duet maintains the exciting drive, soaring melodies, and instrumental hooks of the original, and it will be just as much fun to play as it is to listen to. In terms of melodic and technical difficulty, this chart is intermediate level, but I'm listing it as advanced-intermediate due to a number of interesting tied and syncopated rhythms throughout the parts. Have fun! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99 ≈
£7.58
Friday I'm In Love
Friday I'm In Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Cure
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KoaliMusic
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Friday I'm In Love
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Koali
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1189185 By The Cure. By Boris Williams, Paul S. Thompson, Perry Bamonte, Robert Smi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1189185 By The Cure. By Boris Williams, Paul S. Thompson, Perry Bamonte, Robert Smith, and Simon Gallup. Arranged by KoaliMusic. Pop,Rock. Score and parts. 11 pages. Koali #788807. Published by Koali (A0.1189185). The String Quartet of The Cure classic is shifted into an easy key for strings, and bowed so that down bow's fall on beat 1 no matter what the rhythm. The rythms mimicking the record's guitars are edited so to give the same effect but be easily sight readable, and upper strings don't have high notes - it's generally an easy first position play through despite sounding complicated! All Koali Music arrangements are by string players for string players, with bowings and dynamics, and all parts each print to a single page for folders.
$14.99 ≈
£11.37
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