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Vous avez sélectionné:
Times Five Piano Solo
Partitions à imprimer
94 partitions trouvées
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Times Five Piano Solo
Times Five Piano Solo
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Piano seul
#
INTERMÉDIAIRE
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Deborah Johnson
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Times Five Piano Solo
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Deborah Johnson
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.877821 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. Score and part. 6 pages. Deborah ...
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Guitar,Piano - Level 3 - SKU: A0.877821 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. Score and part. 6 pages. Deborah Johnson #33185. Published by Deborah Johnson (A0.877821). Times Five piano solo offers a captivating and melodious piano solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album by Deborah Johnson, this composition introduces new classically-inspired piano and instrumental solos. Reminiscent of a Bartók composition, Times Five evokes a similar musical ambiance, showcasing an intricate and dynamic melody. Tailored for special occasions and events, Times Five spans 7 pages, encompassing the piano solo, guitar chords, and a cover. It’s characterized by its unique 5/4 time signature, belonging to the quintuple meter—rare in European concert music before the 20th century but more prevalent in various world cultures. The 5/4 time signature of Times Five embodies a division of beats as 3+2, creating a distinctive rhythmic pattern (1-2-3,1-2, with accents on the 1), characteristic of compound meters. Understanding and identifying this metrical pattern within the bars enriches the appreciation of the piece's rhythmic complexity. This unique time signature adds depth and richness to the composition, offering a captivating musical experience ideal for diverse special occasions. Spotify link for MP3 download: https://open.spotify.com/track/2z8eo1WA2vsPtPOOt0ac8w Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarer’s Journey. Signed copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$4.99 ≈
£3.79
Fives
Fives
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jesse Holan
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Fives
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Jesse Holan Enterprises
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1026726 Composed by Jesse Holan. 20th Century,Concert,Contemporary. Score. 2 pages. Jesse Holan Enterprises #6359533. Pub...
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Piano Solo - Level 4 - SKU: A0.1026726 Composed by Jesse Holan. 20th Century,Concert,Contemporary. Score. 2 pages. Jesse Holan Enterprises #6359533. Published by Jesse Holan Enterprises (A0.1026726). Fives is a piano vignette (short, museful composition) written in the fall of 2019 using principles of design. Throughout this piece, I use rhythm, emphasis, and contrast to spotlight the notes E and F by alternating between them exactly five times, followed by a single rest, and then repeating twice as fast and twice as loud with octave displacements. The unevenness of five tosses weight between E and F in a new way with each cycle without losing focus.
$4.99 ≈
£3.79
The Magician (piano solo with optional poems, paintings, and movement)
The Magician (piano solo with optional poems, paintings, and movement)
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Piano seul
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AVANCÉ
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Jeffrey Hoover
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16 piano solo.
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The Magician
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Musicart Publications
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published ...
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Piano Solo - Level 5 - SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published by Musicart Publications (A0.971642). In five movements. 16 piano solo. 18 min. 30 sec. with poetic narration. Score, 53 pages. For solo piano, with optional poems, paintings, and movement. In The Magician, each movement is based on the development of a single sound, idea, or process. The work also possesses cyclic material; musical ideas that are carried to successive movements and are further transformed in a new context. As with other works by Jeffrey Hoover, the music of The Magician is connected to other artworks - paintings and poems (and sometimes dance/movement) also created by the composer. In the music and connected art forms, the ideas of creative energy and transformation are explored in sound, images, words, and movement.Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, the Luigi Russolo composition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$24.95 ≈
£18.93
Say It Ten Times Fast! - Beginner Piano Solo
Say It Ten Times Fast! - Beginner Piano Solo
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Piano seul
#
DÉBUTANT
#
K
#
Say It Ten Times Fast! - Begin
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K L Phillips
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.751761 Composed by K.L. Phillips. Concert,Instructional. Score. 3 pages. K L Phillips #6352667. Published by K L Phillips...
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Easy Piano - Level 1 - SKU: A0.751761 Composed by K.L. Phillips. Concert,Instructional. Score. 3 pages. K L Phillips #6352667. Published by K L Phillips (A0.751761). With fun, tongue twister lyrics, this level 1 piano solo in the C five-finger position would make an excellent recital or fun recreation piece for a young student.
$1.99 ≈
£1.51
Five Times Ten Etudes
Five Times Ten Etudes
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Piano seul
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Ernst Toch
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Five Times Ten Etudes
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Schott Music - Digital
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SheetMusicPlus
Piano - SKU: S9.Q1663 Ten medium-range Etudes. Composed by Ernst Toch. This edition: Sheet music. Downloadable. Op. 57. Schott Music - Digital #Q...
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Piano - SKU: S9.Q1663 Ten medium-range Etudes. Composed by Ernst Toch. This edition: Sheet music. Downloadable. Op. 57. Schott Music - Digital #Q1663. Published by Schott Music - Digital (S9.Q1663).
$17.99 ≈
£13.65
Abide With Me; 'Tis Eventide (Viola Solo)
Abide With Me; 'Tis Eventide (Viola Solo)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Harrison Millard
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Rebecca Belliston
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Abide With Me; 'Tis Eventide
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Rebecca Belliston
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1185718 Composed by Harrison Millard. Arranged by Rebecca Belliston. Christian,Praise & Worship,Religious,Sacred,Spiritu...
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Piano,Viola - Level 4 - SKU: A0.1185718 Composed by Harrison Millard. Arranged by Rebecca Belliston. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and part. 8 pages. Rebecca Belliston #785381. Published by Rebecca Belliston (A0.1185718). â–º Also available for Violin Solo and Piano Solo.â–º Other hymn arrangementsAbout the ArrangerRebecca Lund Belliston has been writing songs since she was six, teaching piano since she was sixteen, and has a song stuck in her head at all times. A huge fan of classical and religious music, she composes mostly for piano and vocal. In addition, Rebecca also writes romantic suspense novels. She and her husband have five children and live in the beautiful state of Michigan. Find her online at http://www.RebeccaBelliston.com.
$3.99 ≈
£3.03
Etude in Eb minor (Piano Solo/MP3)
Etude in Eb minor (Piano Solo/MP3)
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Piano seul
#
Rebecca Belliston
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Etude in Eb minor
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Rebecca Belliston
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SheetMusicPlus
Piano - SKU: A0.1067919 Composed by Rebecca Belliston. 20th Century,Classical,Contemporary,New Age,Romantic Period. Full Performance. Duration 131. Rebe...
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Piano - SKU: A0.1067919 Composed by Rebecca Belliston. 20th Century,Classical,Contemporary,New Age,Romantic Period. Full Performance. Duration 131. Rebecca Belliston #3130257. Published by Rebecca Belliston (A0.1067919). Sheet music: â–º Original Piano Solo: written in the classical style. Key of Eb minor. For the Love of Rachmaninoff.â–º Sheet Music: http://www.sheetmusicplus.com/look_inside?R=19884425&aff_id=493245â–º Other Classical-style Music: https://tinyurl.com/rbclassicalAbout the ComposerRebecca Lund Belliston has been writing songs since she was six, teaching piano since she was sixteen, and has a song stuck in her head at all times. As a lover of classical and religious music, she composes mostly for piano and vocal. In addition, Rebecca also writes romantic suspense novels. She and her husband have five children and live in the beautiful state of Michigan. Find her online at rebeccabelliston.com.
$1.99 ≈
£1.51
Times Five Inst. Solo Score
Times Five Inst. Solo Score
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Deborah Johnson
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Instrumental (flute) bkg
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Times Five Inst. Solo Score
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Deborah Johnson
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SheetMusicPlus
Flute,Piano,Voice - Level 3 - SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #3...
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Flute,Piano,Voice - Level 3 - SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #33177. Published by Deborah Johnson (A0.877820). Times Five instrumental solo score, written for a C instrument, violin, flute or other, offers a captivating and melodious solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album by Deborah Johnson, this composition introduces new classically-inspired piano and instrumental solos. Reminiscent of a Bartók composition, Times Five evokes a similar musical ambiance, showcasing an intricate and dynamic melody. Tailored for special occasions and events, Times Five instrumental solo score includes a total of 23 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Instrumental (flute) bkg; Vocal bks (1-3 part male); Piano accompaniment. Piano accompaniment includes guitar chords. It’s characterized by its unique 5/4 time signature, belonging to the quintuple meter—rare in European concert music before the 20th century but more prevalent in various world cultures. The 5/4 time signature of Times Five embodies a division of beats as 3+2, creating a distinctive rhythmic pattern (1-2-3,1-2, with accents on the 1), characteristic of compound meters. Understanding and identifying this metrical pattern within the bars enriches the appreciation of the piece's rhythmic complexity. This unique time signature adds depth and richness to the composition, offering a captivating musical experience ideal for diverse special occasions. Spotify link for MP3 download with flute solo: https://open.spotify.com/track/4zZYeTb7O5ir5jm7ZkAC3Y Also available is the instrumental solo score version with parts, the piano solo version and full book of piano solos from Wayfarer’s Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99 ≈
£5.30
Five Haiku for piano (a Zen experience)
Five Haiku for piano (a Zen experience)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Drake Mabry
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Five Haiku for piano
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Drake Mabry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.799423 Composed by Drake Mabry. 20th Century,Contemporary. Score. 9 pages. Drake Mabry #516805. Published by Drake Mabry ...
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Piano Solo - Level 3 - SKU: A0.799423 Composed by Drake Mabry. 20th Century,Contemporary. Score. 9 pages. Drake Mabry #516805. Published by Drake Mabry (A0.799423). These are appropriately sparse settings of haiku by Basho, Otsuyu, Chora, Kikaku and Buson. The haiku are sometimes mysterious, sometimes tender and sometimes humorous. The duration is 9 minutes. This is a manuscript score, thus the reduced price. (a Zen experience).
$5.99 ≈
£4.54
Arabesque in G minor for Intermediate Piano
Arabesque in G minor for Intermediate Piano
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Piano seul
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INTERMÉDIAIRE
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Sibylle Kuder
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Arabesque in G minor for Inter
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Sibylle Kuder
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1034433 Composed by Sibylle Kuder. Classical,Contest,Festival,Romantic Period,Traditional. Score. 9 pages. Sibylle Kuder ...
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Piano Solo - Level 3 - SKU: A0.1034433 Composed by Sibylle Kuder. Classical,Contest,Festival,Romantic Period,Traditional. Score. 9 pages. Sibylle Kuder #639782. Published by Sibylle Kuder (A0.1034433). Light, gently swaying, twirling around itself, ever so slightly melancholic. ~ Of the performer it requires the ability to play a quick written-out quintuplet turn in the right hand which occurs numerous times throughout the piece but is the same every time. The performer needs a delicate but not wimpy touch and a mature feel for subtle shading. ~ Three pages, Intermediate, Level 7 ~ The PDF file contains two versions of the score, a study score with slightly larger font, lots of dynamic details, fingering, spread out over five pages with lots of white space to allow for adding comments, and a performance score condensed onto three pages to fit on the average music stand, smaller font, no details, just the notes. ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$3.99 ≈
£3.03
Five Classical Dances (Piano Solo)
Five Classical Dances (Piano Solo)
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Piano Facile
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A
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Leah Ginzburg
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Five Classical Dances
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Leah Ginzburg
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SheetMusicPlus
Easy Piano - SKU: A0.850169 Composed by A. Reinagle, Anton Diabelli, F.J. Haydn, Johann Sebastian Bach, and Leopold Mozart. Arranged by Leah Ginzburg. B...
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Easy Piano - SKU: A0.850169 Composed by A. Reinagle, Anton Diabelli, F.J. Haydn, Johann Sebastian Bach, and Leopold Mozart. Arranged by Leah Ginzburg. Baroque,Classical,Concert,Renaissance,World. Score. 10 pages. Leah Ginzburg #6428283. Published by Leah Ginzburg (A0.850169). Five classical dances (17th, 18th century) 3 Minuets, Bagatelle and Quadrille. Composers: J.S. Bach, Leopold Mozart, A. Reinagle, A. Diabelli, F. J. Haydn. Easy piano solo version for beginners arranged by Leah Ginzburg A Minuet, sometimes spelled Menuet or Menuett, is a social dance of French origin from around the 1660s, usually in 3/4 time. The minuet was to 18th century ballrooms what the Waltz would be in the 19th century, the enduring Queen of dances. The Quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six contredanses.
$15.99 ≈
£12.13
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Nicole Elyse DiPaolo
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Vignettes - 5 Late-Intermediat
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole ...
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Piano Solo - Level 4 - SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Réminiscences d’EspagneThis work is an homage to Maurice Ravel's Habañera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PeléePoint Pelée is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pelée National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. À la manière d'une PavaneÀ la manière d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante défunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
$16.99 ≈
£12.89
Clement (Meditation no. 5 for Solo Piano)
Clement (Meditation no. 5 for Solo Piano)
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Contemporain
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Ben Dockery
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Clement
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.693014 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 3 pages. Ben Dockery #3381217. Published...
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Piano Solo - Level 3 - SKU: A0.693014 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 3 pages. Ben Dockery #3381217. Published by Ben Dockery (A0.693014). This intermediate meditation for piano (3 min) is the fifth in a set of twelve. It is, perhaps, the most impressionist piece I've ever written. Its lush and sometimes dissonant harmonies contrast with the sparkles of light that glimmer throughout. A tender, sensitive interpretation is required.The form is a short five-part rondo: ABACA. The A sections alternate in compound meter and are entirely modal. Both the B and C section switch to common time and have chorale style textures. Be sure to prepare dissonances and resolve suspensions with proper voicing, balance, and a sense of rubato. Sustain pedal should be used throughout.Find more of my music at www.bendockery.com. There you can subscribe to my email list to get updates and tons of free music! .
$3.99 ≈
£3.03
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Piano seul
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FACILE
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Methodes
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercis
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Martin Woodward
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #651...
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Piano Solo - Level 2 - SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99 ≈
£4.54
Serenade for Euphonium and Piano
Serenade for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Sergei Rachmaninoff
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Ralph Sauer
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Serenade for Euphonium and Pia
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811204 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 10 pa...
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Euphonium,Piano - Level 5 - SKU: A0.811204 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #6139683. Published by Gordon Cherry (A0.811204). Sérénade is an early work of Rachmaninoff, from a grouping of five short solo Piano pieces titled Morceau de Fantasie written in 1892 and dedicated to his harmony teacher Anton Arensky. One of his most famous works, the Prélude in C-sharp minor is from this same Opus 3. Opus 3, No. 5 in B-flat minor is the final work of the set and is in a gentle Waltz style, sometimes venturing into the Dorian mode.Rachmaninoff's lush harmonies and gorgeous melody work very well for the Euphonium with this fine arrangement by Ralph Sauer.For advanced performers, this movement is about 5 minutes in length.A perfect companion to the Rachmaninoff - Fantasy Piece, Op. 3, No. 3, also available from Cherry Classics. Fantasy Piece Op. 3, No. 3
$17.50 ≈
£13.28
Serenade for Tuba or Bass Trombone and Piano
Serenade for Tuba or Bass Trombone and Piano
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Tuba et Piano
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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Ralph Sauer
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Serenade for Tuba or Bass Trom
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.811201 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. Romantic Period. Score and part. 10 pages. Gordon Cherry...
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Piano,Tuba - Level 5 - SKU: A0.811201 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. Romantic Period. Score and part. 10 pages. Gordon Cherry #6136237. Published by Gordon Cherry (A0.811201). Sérénade is an early work of Rachmaninoff, from a grouping of five short solo Piano pieces titled Morceau de Fantasie written in 1892 and dedicated to his harmony teacher Anton Arensky. One of his most famous works, the Prélude in C-sharp minor is from this same Opus 3. Opus 3, No. 5 (original key in B-flat minor) is the final work of the set and is in a gentle Waltz style, sometimes venturing into the Dorian mode.Rachmaninoff's lush harmonies and gorgeous melody work very well for the Tuba or Bass Trombone with this fine arrangement set in C minor by Ralph Sauer.For advanced performers, this movement is about 5 minutes in length.A perfect companion to the Rachmaninoff - Fantasy Piece, Op. 3, No. 3, also available from Cherry Classics.
$17.50 ≈
£13.28
Serenade Opus 3, No. 5 for Trombone and Piano
Serenade Opus 3, No. 5 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Sergei Rachmaninoff
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Ralph Sauer
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Serenade Opus 3, No. 5 for Tro
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811200 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 10 pag...
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Piano,Trombone - Level 5 - SKU: A0.811200 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #6133911. Published by Gordon Cherry (A0.811200). Sérénade is an early work of Rachmaninoff, from a grouping of five short solo Piano pieces titled Morceau de Fantasie written in 1892 and dedicated to his harmony teacher Anton Arensky. One of his most famous works, the Prélude in C-sharp minor is from this same Opus 3. Opus 3, No. 5 in B-flat minor is the final work of the set and is in a gentle Waltz style, sometimes venturing into the Dorian mode.Rachmaninoff's lush harmonies and gorgeous melody work very well for the Trombone with this fine arrangement by Ralph Sauer.For advanced performers, this movement is about 5 minutes in length.
$17.50 ≈
£13.28
Mr. Trombonology for Trombone and Piano
Mr. Trombonology for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Nathaniel Cleophas Davis
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Aaron Hettinga
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Mr. Trombonology for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792716 Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century,Folk,Jazz,Ragtime. Score and pa...
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Piano,Trombone - Level 4 - SKU: A0.792716 Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century,Folk,Jazz,Ragtime. Score and part. 9 pages. Gordon Cherry #5984291. Published by Gordon Cherry (A0.792716). Mr. Trombonology by African American composer, trombonist, bandleader and publisher Nathaniel Cleophas Shorty Davis was written in 1917 as a Trombone solo in the American genre of Ragtime featuring the trombone's patented glissando as the hook. These solos were also called smears or jazzes. Mr. Trombonology is one of five entertaining works from Davis' Trombone Family written between 1915 and 1921 and comes with the subtitle - A Characteristic Trombone Smear. The Son of Oh Slip It Man. The work even comes with a shout-out chorus page of music for those times when you want to get the crowd all pepped up! Perfect for school shows, etc. This arrangement has been beautifully arranged by Aaron Hettinga for Trombone and Piano. It is playable by moderately advanced performers. Cherry Classics Music will be publishing the complete series of these works for Trombone and Piano by Davis arranged by Mr. Hettinga. Thanks to Douglas Yeo for his research and advice.
$12.50 ≈
£9.48
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74 ≈
£5.87
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.14
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.14
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.14
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.14
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.14
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Times Five Piano Solo
