Partitions Numériques de Spring from pour Ensemble de Percussions

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Spring from
Non classifié 341

Piano & claviers
Piano seul 283
Piano Facile 88
Piano, Voix 82
Piano, Voix et Guitare 77
Orgue 21

1 Piano, 4 mains 18
Instruments en Do 10
Piano Trio: piano, violon, violoncelle 9
Accompagnement Piano 4
Piano grosses notes 3
Accordéon 2
Orgue, Trompette (duo) 1
Piano Quatuor: piano, violon, alto, violoncelle 1
1 Piano, 6 mains 1

+ 9 instrumentations

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Guitares
Guitare 19
Guitare notes et tablatures 15
Ligne De Mélodie, (Paroles) et Accords 12
Basse electrique 3
Ukulele 3

3 Guitares (trio) 2
Banjo 2
Mandoline, Piano (duo) 1
2 Guitares (duo) 1
Guitare Pedal Steel 1

+ 5 instrumentations

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Voix
Chorale SATB 125
Chorale 3 parties 35
Chorale 2 parties 17
Chorale Unison 15
Chorale TTBB 9

Voix Baryton, Piano 3
Chorale SSAA 3
Chorale SSAATTBB 2
Voix seule 2
Voix Tenor, Piano 2
Voix moyenne, Piano 2
Chorale 2
Voix Soprano, Piano 1
Voix duo, Piano 1
Voix Alto, Piano 1

+ 10 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 87
Quintette de Saxophone: 5 saxophones 54
Flûte traversière et Piano 51
2 Saxophones (duo) 37
Hautbois, Piano (duo) 30

Clarinette et Piano 29
2 Clarinettes (duo) 24
Saxophone Alto et Piano 21
Flûte traversière 20
Clarinette 20
2 Flûtes traversières (duo) 19
Saxophone Tenor et Piano 15
Saxophone Alto 14
Quatuor de Clarinettes: 4 clarinettes 12
Saxophone Soprano et Piano 11
Quatuor de Saxophones: 4 saxophones 11
Saxophone, Clarinette (duo) 10
Hautbois (partie séparée) 10
Saxophone (partie séparée) 9
Flûte, Hautbois, Clarinette, Basson 9
3 Clarinettes (trio) 8
Saxophone Baryton, Piano 8
Flûte, Clarinette (duo) 7
2 Hautbois (duo) 7
Clarinette (partie séparée) 7
3 Saxophones (trio) 7
Saxophone Tenor 7
Hautbois, Basson (duo) 7
Ensemble de Clarinettes 7
Clarinette, Trompette (duo) 7
Trio de Flûtes: 3 flûtes 7
Clarinette, Violon (duo) 6
Flûte, Clarinette et Basson 6
Quatuor de Flûtes : 4 flûtes 6
Ensemble de Flûtes 5
Flûte à bec Soprano 5
Flûte et Guitare 4
2 Saxophones, Piano 4
Hautbois, Flûte 4
Flûte, Alto (duo) 4
Hautbois, Clarinette (duo) 3
Flûte, Violon 3
Flûte, Violoncelle, Guitare 3
Flûte, Saxophone (duo) 3
Saxophone et Orgue 3
Flûte à bec Alto 3
Clarinette Basse, Piano 3
Flûte à Bec, Piano 3
Clarinette, Guitare (duo) 3
Hautbois 3
Saxophone Baryton 3
3 Hautbois 3
Clarinette et Alto 3
Quintette de Flûte : 5 flûtes 3
Cor anglais, Piano 3
Flûte, Trompette (duo) 2
Saxophone Soprano 2
Flûte à Bec 2
Flûte, Violoncelle 2
Quatuor de Flûtes à bec 2
Ensemble de saxophones 2
Flûte, Violoncelle, Piano (trio) 2
Clarinette, Basson (duo) 1
Hautbois, Guitare (duo) 1
Hautbois, Violoncelle 1
Flûte, Hautbois, Basson 1
Flûte, Hautbois, Clarinette (trio) 1
Saxophone 1
Clarinette, Violoncelle (duo) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Cor anglais, Guitare (duo) 1
Clarinette, Orgue 1
Flûte traversière, Orgue (duo) 1
Flûte à bec Soprano, Piano 1
Piccolo, Piano 1

+ 70 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 20
Trompette, Piano 19
Trombone et Piano 15
Trompette 15

Cor et Piano 13
Cor 11
Tuba 11
Trombone 11
2 Trombones (duo) 10
Tuba et Piano 10
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
2 Trompettes (duo) 9
Trompette, Saxophone (duo) 7
Trompette (partie séparée) 6
2 Cors (duo) 5
Cor (partie séparée) 5
Trombone (partie séparée) 5
Quatuor de cuivres: 4 cors 4
Ensemble de Trombones 4
Trompette, Trombone (duo) 4
2 Tubas (duo) 3
Euphonium, Piano (duo) 3
Trompette, Trombone, Piano 3
3 Trombones (trio) 3
Cor anglais, Piano 3
Ensemble de Trompettes 2
Trompette, Cor (duo) 2
2 Euphoniums et 2 Tubas 1
Quatuor de Cuivres 1
3 Trompettes (trio) 1
Euphonium 1
Cor, Violoncelle (duo) 1
Tuba (partie séparée) 1
Trompette, Violoncelle (duo) 1
Cor et Harpe 1
Quatuor de cuivres: 4 trombones 1
Trompette, Basson (duo) 1
Cor et Basson (duo) 1
Cor anglais, Guitare (duo) 1
Trombone, Orgue 1

+ 36 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 68
Violon et Piano 52
Violon 36
Harpe 36
Violoncelle, Piano 26

Alto, Piano 25
Violon, Violoncelle (duo) 24
2 Violons (duo) 20
Alto seul 18
Violoncelle 18
2 Violoncelles (duo) 16
Quintette à cordes: 2 violons, alto, violoncelle, basse 12
2 Altos (duo) 12
Violon (partie séparée) 11
Trio à Cordes: violon, alto, violoncelle 9
Contre Basse 8
Contrebasse, Piano (duo) 8
Violon, Alto (duo) 8
Alto (partie séparée) 5
Trio à Cordes: 2 violons, violoncelle 5
Violoncelle , Guitare (duo) 4
Ensemble d'Altos 4
Alto, Violoncelle (duo) 4
Ensemble de Violons 4
Trio à cordes: 3 violins 3
Trio à Cordes: 3 violoncelles 3
Violon, Guitare (duo) 3
Trio à cordes: 3 altos 3
2 Contrebasses (duo) 2
Contrebasse (partie séparée) 2
4 Violoncelles 2
Harpe, Voix 1
Harpe, Violoncelle (duo) 1
Harpe, Flûte (duo) 1
Violoncelle (partie séparée) 1
Alto, Guitare (duo) 1
Quatuor à cordes: 4 violons 1
Trio à Cordes: 2 violons, alto 1
Alto et Basson 1
Trio à cordes 1
Piano Trio: Violon, Alto, Piano 1
2 Violoncelles, Piano 1
Alto, Orgue 1
Violoncelle, Orgue 1
Quatuor à cordes : 4 altos 1
2 Violons, Piano 1

+ 41 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 64
Orchestre à Cordes 32
Orchestre 29
Ensemble Jazz 12
Orchestre de chambre 11

Cloches 10
Jazz combo 9
Ensemble de cuivres 4
Ensemble de Percussions 3

Marimba 2
Percussion (partie séparée) 2
Orchestre, Violon 1
Quatuor à Vent : 4 instruments à vents 1
Xylophone 1
2 Xylophones 1

+ 10 instrumentations

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Spring from

Ensemble de Percussions

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3 partitions trouvées

Four Forces (First movement) I. Strong Forces

Four Forces (First movement) I. Strong Forces #Ensemble de Percussions #AVANCÉ #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...(+)

Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$300.00

Four Forces (Second movement) II. Weak Forces

Four Forces (Second movement) II. Weak Forces #Ensemble de Percussions #AVANCÉ #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...(+)

Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$150.00

Vivaldi Medley for Marimba Band - Score Only

Vivaldi Medley for Marimba Band - Score Only #Ensemble de Percussions #INTERMÉDIAIRE/AVANCÉ #Classique #Joan Lithgow #Joan Lithgow #Vivaldi Medley for Marimba Ban #Joan Lithgow Music #SheetMusicPlus

Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultur...(+)

Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za Â It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube.Â These young girls were aged between 11 and 13 at the time.Â It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments.Â Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email: Â joan@marimbaworkshop.co.za.

$19.99

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