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176
Mozart: Romanze from K. 525 for Piano Trio
Mozart: Romanze from K. 525 for Piano Trio
#
Trio à Cordes: 3 violoncelles
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Romanze from K. 525 fo
#
jmsgu3
#
SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 23 pages. Jmsgu3 #3536083. Published by jmsgu3 (A0.549785). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Trio (Violin, Cello and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Mozart: Romanze from K. 525 for Piano Quintet
Mozart: Romanze from K. 525 for Piano Quintet
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Romanze from K. 525 fo
#
jmsgu3
#
SheetMusicPlus
Small Ensemble,Strings Piano - Level 3 - SKU: A0.549783 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacr...
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Small Ensemble,Strings Piano - Level 3 - SKU: A0.549783 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 27 pages. Jmsgu3 #3535793. Published by jmsgu3 (A0.549783). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for String Quartet and Piano (Piano Quintet). Duration: ca. 7:00. Score: 11 pages. Violin I: 4 pages, Violin II: 3 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Mozart: Romanze from K. 525 for Piano Quartet
Mozart: Romanze from K. 525 for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Romanze from K. 525 fo
#
jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
W
#
James M
#
Mozart: Sonata K. 284 “D
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
Mozart: Sonata K. 284 “Durnitz” for String Trio
Mozart: Sonata K. 284 “Durnitz” for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,C...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
Mozart: Sonata K. 284 “Durnitz” for String Quartet
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
My Feet Can't Fail Me Now
My Feet Can't Fail Me Now
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Ensemble de cuivres
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INTERMÉDIAIRE
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Dirty Dozen Brass Band
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DaiyeOne
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My Feet Can't Fail Me Now
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Layered Music
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SheetMusicPlus
Baritone Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1393275 By Dirty Dozen Brass Band. By B. Jones, C. Jos...
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Baritone Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1393275 By Dirty Dozen Brass Band. By B. Jones, C. Joseph, E. Towns, G. Davis, J. Marshall, K. Harris, K. Joseph, and R. Lewis. Arranged by DaiyeOne. Contemporary,Funk,Jazz,R and B,Soul. 46 pages. Layered Music #976757. Published by Layered Music (A0.1393275). The official sheet music (delivered as PDFs via digital download) for Dirty Dozen Brass Band's classic My Feet Can't Fail Me Now, as put to tape in the studio on the 1984 debut album of the same name. This is the first official sheet music released by the artists themselves; proceeds support the band directly. An amazing educational tool for musicians, teachers, students, or anyone who wants a piece of cultural history, this order includes cover page, about the artist/song, performance notes, WAV file of the original recording, and full score/parts in PDF format, including parts for 2 trumpets, tenor sax, bari sax, trombone, sousaphone, and two percussionists.Transcribed, arranged, and designed by DaiyeOne, offering premier music transcription for artists and educators.DaiyeOne.com
$65.00
Write Your Blessed Name
Write Your Blessed Name
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Chorale 3 parties
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K
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Write Your Blessed Name
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Hope Publishing - Digital
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SheetMusicPlus
Choral SAB choir - SKU: H1.C5905DP Composed by K. Lee Scott. Piano Accompaniment. General Worship, Commitment, Discipleship, Sacred. Octavo. 8 pages. Ho...
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Choral SAB choir - SKU: H1.C5905DP Composed by K. Lee Scott. Piano Accompaniment. General Worship, Commitment, Discipleship, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5905DP. Published by Hope Publishing - Digital (H1.C5905DP). 1 Kings 2:10 - 1 Kings 2:11 - 1 Kings 2:12 - 1 Kings 3:3 - 1 Kings 3:4 - 1 Kings 3:5 - 1 Kings 3:6 - 1 Kings 3:7 - 1 Kings 3:8 - 1 Kings 3:9 - 1 Kings 3:10 - 1 Kings 3:11 - 1 Kings 3:12 - 1 Kings 3:13 - 1 Kings 3:14 - deuteronomy 8:1.Original anthem With melodic writing that soars with creative expression, and a rich text by the 15th-century poet Thomas A. Kempis, this K. Lee Scott classic has been a top-seller in the Hope catalog for over 20 years. With a new accessible SAB voicing, its beauty and appeal can now be discovered by the next generation of church musician.
$2.95
Write Your Blessed Name
Write Your Blessed Name
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Chorale SATB
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K
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Write Your Blessed Name
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - SKU: H1.A632DP Composed by K. Lee Scott. Piano Accompaniment. General Worship, Commitment, Discipleship, Sacred. Octavo. 8 pages. Ho...
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Choral SATB choir - SKU: H1.A632DP Composed by K. Lee Scott. Piano Accompaniment. General Worship, Commitment, Discipleship, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A632DP. Published by Hope Publishing - Digital (H1.A632DP). 1 Kings 2:10 - 1 Kings 2:11 - 1 Kings 2:12 - 1 Kings 3:3 - 1 Kings 3:4 - 1 Kings 3:5 - 1 Kings 3:6 - 1 Kings 3:7 - 1 Kings 3:8 - 1 Kings 3:9 - 1 Kings 3:10 - 1 Kings 3:11 - 1 Kings 3:12 - 1 Kings 3:13 - 1 Kings 3:14 - deuteronomy:8:1.Original anthem With melodic writing that soars with creative expression, and a rich text by the 15th-century poet Thomas A. Kempis, this K. Lee Scott classic has been a top-seller in the Hope catalog for over 20 years. With a new accessible SAB voicing, its beauty and appeal can now be discovered by the next generation of church musician.
$2.95
Freesia
Freesia
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Piano, Voix et Guitare
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AVANCÉ
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Pop musique
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(k)now-name
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Mopianic
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Freesia
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Mopianic
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1125949 By (k)now-name. By Genki Mizuno and Ryuta Ida (pka Ron). Arranged by Mopianic. Pop. Score. 5 pages....
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1125949 By (k)now-name. By Genki Mizuno and Ryuta Ida (pka Ron). Arranged by Mopianic. Pop. Score. 5 pages. Mopianic #726679. Published by Mopianic (A0.1125949). Freesia by (K)NoW_NAME ED theme song of Japanese TV anime Sakura quest arranged for piano solo.
$4.99
Harvest
Harvest
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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(k)now-name
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Mopianic
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Harvest
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Mopianic
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1130184 By (k)now-name. By Genki Mizuno and Shuhei Kaneko (pka Shuhei Mutsuki). Arranged by Mopianic. Pop. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1130184 By (k)now-name. By Genki Mizuno and Shuhei Kaneko (pka Shuhei Mutsuki). Arranged by Mopianic. Pop. Score. 5 pages. Mopianic #726680. Published by Mopianic (A0.1130184). Theme song from Hai to Genso no Grimgar (Grimgar Ashes & Illusions) by (K)NoW_NAME Harvest.
$4.99
Mozart: Piano Sonata No.16 in C K.545 (Sonata facile/semplice) Mvt.I Allegro - wind quintet
Mozart: Piano Sonata No.16 in C K.545 (Sonata facile/semplice) Mvt.I Allegro - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Piano Sonata No.16 in
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553211 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thom...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553211 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Standards,Wedding. 11 pages. RayThompsonMusic #13291. Published by RayThompsonMusic (A0.553211). Probabaly the most well known of Mozart’s piano Sonatas. The Piano Sonata No. 16 in C major, K. 545, by Wolfgang Amadeus Mozart was described by Mozart himself in his own thematic catalogue as for beginners, and it is sometimes known by the nickname Sonata facile or Sonata semplice. I have arranged the first movement. Mozart’s tempo is crotchet/quarter note = 126: I have reduced the tempo to 120..it seems less rushed for wind instruments! Written for natural horn in C basso (alt horn in F provided) Good practise for scales and arpeggios!! I have added some judicious notes of my own, here and there, to thicken the harmony, and also taken some liberties with the semiquaver passage in bars 14-17 etc.
$13.95
Spy X Family
Spy X Family
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Piano seul
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INTERMÉDIAIRE
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(k)now-name
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Carol Tsai
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Spy X Family
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ShiYue Music Academy Taiwan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1415335 By (k)now-name. By Makoto Miyazaki, Masae Hiroki (Pka Nikiie), and Shuhei Kaneko (pka Shuhei Mutsuki). Arranged b...
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Piano Solo - Level 3 - SKU: A0.1415335 By (k)now-name. By Makoto Miyazaki, Masae Hiroki (Pka Nikiie), and Shuhei Kaneko (pka Shuhei Mutsuki). Arranged by Carol Tsai. 21st Century,Comedy,Film/TV,Jazz,Video Game. Score. 3 pages. ShiYue Music Academy Taiwan #997070. Published by ShiYue Music Academy Taiwan (A0.1415335). Spy×Family is one of my favorite anime series of this season and my student loves it, too. Therefore, I tried to arrange this song to encourage students' interests on piano playing.
$5.99
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk D
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
Bartók: Rumanian Folk Dances, Sz.56 - brass quintet
Bartók: Rumanian Folk Dances, Sz.56 - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Bela Bartok
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Ray Thompson
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Sz
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Bartók: Rumanian Folk D
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Folk,World. Score and parts. 25 pages. RayThompsonMusic #6455715. Published by RayThompsonMusic (A0.554008). Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
$14.95
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
Let it Snow! (arr. Jared K. Worrell)
Let it Snow! (arr. Jared K. Worrell)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Lady Antebellum
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Jared K Worrell
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Let it Snow!
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Jared KW
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1431887 By Lady Antebellum. By Jule Styne. Arranged by Jared K Worrell. Christmas. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1431887 By Lady Antebellum. By Jule Styne. Arranged by Jared K Worrell. Christmas. 6 pages. Jared KW #1012361. Published by Jared KW (A0.1431887). This is a JKOVER of Let It Snow! Let It Snow! Let It Snow!, made for string quartets.A JKover is something I began last year, and when I fully compose or arrange any piece of music, it goes under the file of orginal JKovers. I called it a JKover because it works well with my initials, with my first name beginning with J and my middle name beginning with K.
$4.99
The Chicken Dance
The Chicken Dance
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Terry Rendall and Werner Thoma
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Dennis Ruello
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The Chicken Dance
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Chicory Music
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SheetMusicPlus
Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734382 Composed by Terry Rendall and Werner Thoma...
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Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734382 Composed by Terry Rendall and Werner Thomas. Arranged by Dennis Ruello. 20th Century,Comedy,Contemporary,Pop,Traditional. 14 pages. Chicory Music #3580587. Published by Chicory Music (A0.734382). The Chicken Dance, also known as the Bird Song, the Birdie Song or the Chicken Song, is an oom-pah song and its associated fad dance is now a contemporary dance throughout the Western world. The song was composed by accordion player Werner Thomas from Davos, Switzerland, in the 1950s.The name of the original Swiss song was Der Ententanz (The Duck Dance). It is rumored to be a drinking song sung at Oktoberfest. Sometime in the late 1970s, the song acquired the name Vogeltanz (The Bird Dance) or Vogerltanz (Little Bird Dance or Birdie Dance), although these names never caught on seriously in Germany. On some sheet music and recordings it is called Dance Little Bird. It appears that no one in Germany uses the term Kükentanz or Huhn/Hühnertanz (Küken means chick, Huhn/Hühner means chicken (sg./pl.)). Since 1963, Werner Thomas had played it in restaurants and hotels. During one of Thomas' performances, Belgian producer Louis van Rijmenant heard the song. Van Rijmenant had some lyrics created and in 1970 released it to the public through his publishing company Intervox Music (later on co-publishing with his other company Eurovox Music) without much success. However, on subsequent releases of the song, Van Rijmenant was listed as co-author under the pen name of Terry Rendall. Eurovox Music now manages the publishing rights worldwide, except for the US (September Music), UK (Valentine Music) and the Netherlands (Benelux Music), sub-publishers. The dance and song was originally brought from Germany to the US by Eddie Duling and Larry Karhoff of Glandorf, Ohio in 1974. This arrangement includes: Full Score, Vocal (Opt.), Clarinet, Tenor Sax, Trumpet, Trombone, Piano/Accordion, Tuba, Acoustic Bass (Tuba sub.) and Drum Set. Performance time approx, 2 minutes 52 seconds,
$14.99
Bock's Best – Volume 4
Bock's Best – Volume 4
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Piano seul
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Fred Bock
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Bock's Best – Volume 4
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Fred Bock Music Company
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SheetMusicPlus
Piano Solo Piano SKU: HL.8738370 Composed by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company ...
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Piano Solo Piano SKU: HL.8738370 Composed by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company #BG0880. Published by Fred Bock Music Company (HL.8738370). ISBN 9780793593927. UPC: 073999383706. 9.0x12.0x0.335 inches.This volume features 50 outstanding piano arrangements, including: Another Time Another Place • Give Thanks • I Love You, Lord • There Is Strength in the Name of the Lord • We Will Glorify • and more.
Song List
: In This Very Room (Ron and Carol Harris) Wedding Song (Noel Paul Stookey) Fairest Lord Jesus AMERICA, THE BEAUTIFUL (SAMUEL WARD) ANOTHER TIME, ANOTHER PLACE (GARY DRISKELL) HEAVEN CAME DOWN, AND GLORY FILLED BY SOUL (JOHN W PETERSON) JESUS, THE VERY THOUGHT OF THEE (JOHN B DYKES) I Have Decided To Follow Jesus All Creatures of Our God and King When I Survey The Wondrous Cross AMAZING GRACE (NEWTON) BATTLE HYMN OF THE REPUBLIC BE STILL AND KNOW (S. CHAPMAN) BLESSED ASSURANCE (FANNY CROSBY) CHRIST THE LORD IS RISEN TODAY (LYRA DAVIDICA) COME SHARE THE LORD (BRYAN JEFFERY LEECH) FATHER, I ADORE YOU (TERRY COELHO) FRIENDS (MICHAEL W SMITH) GIVE THANKS (HENRY SMITH) GREAT IS THE LORD (MICHAEL W SMITH) HE STARTED THE WHOLE WORLD SINGING (WILLIAM J GAITHER) HIS NAME IS WONDERFUL (AUDREY MIEIR) HOLY IS THE LORD (FRANZ SCHUBERT) HOLY, HOLY (JIMMY OWENS) HOLY, HOLY, HOLY (JOHN B DYKES) HOW GREAT THOU ART (STUART K HINE) HOW MAJESTIC IS YOUR NAME (MICHAEL W SMITH) I LOVE YOU, LORD (LAURIE KLEIN) I SING THE GREATNESS OF OUR GOD (FRED BOCK) I'VE JUST SEEN JESUS (DAN DANIELS/WILLIAM GAITHER IF MY PEOPLE (JIMMY OWENS) IT IS WELL WITH MY SOUL (PHILIP BLISS) JESUS, WE JUST WANT TO THANK YOU (WILLIAM GAITHER) JOYFUL, JOYFUL, WE ADORE THEE (LUDWIG VAN BEETHOVEN) JUST AS I AM (WILLIAM B BRADBURY) LEAD ME, LORD (SAMUEL WESLEY) LIFT HIGH THE CROSS (SYDNEY H NICHOLSON) MAJESTY (JACK HAYFORD) NO ROOM (JOHN W PETERSON) O SACRED HEAD, NOW WOUNDED (HANS LEO HASSLER) PEOPLE NEED THE LORD (GREG NELSON, PHILL MCHUGH) SEEK YE FIRST THE KINGDOM OF GOD (KAREN LAFFERTY) SOON AND VERY SOON (ANDRAE CROUCH) THE LONGER I SERVE HIM (WILLIAM J GAITHER) THERE IS STRENGTH IN THE NAME OF THE LORD (PHILL MCHUGH, GLORIA GAITHER, SANDI P HELVERING) THIS OL' HOUSE (STUART HAMBLEN) TO GOD BE THE GLORY (FANNY CROSBY) WE ARE GOD'S PEOPLE (JOHANNES BRAHMS) WE HAVE COME INTO HIS HOUSE (BRUCE BALLINGER) WE WILL GLORIFY (TWILA PARIS)
$29.99
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Bela Bartok
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Ray Thompson
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Bartók: Fifteen Hungari
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary,Folk,Multicultural,World. 22 pages. RayThompsonMusic #6426207. Published by RayThompsonMusic (A0.553984). Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).My arrangement for standard wind quintet is based on the piano music.The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:Four Old TunesRubatoAndante – Poco sostenuto – Più andante (Tempo I) – Poco sostenuto – Più andantePoco rubato – SostenutoAndanteScherzo. Andante – Sostenuto, poco rubato – Tempo IScherzoBallad (Theme with Variations)
$14.95
Snow Much Fun
Snow Much Fun
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jason K
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Snow Much Fun
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T.U.X. People's Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1431896 Composed by Jason K. Nitsch. Christmas,Contest,Festival,Holiday. 58 pages. T.U.X. People's Music #1012370. Publ...
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Concert Band - Level 3 - SKU: A0.1431896 Composed by Jason K. Nitsch. Christmas,Contest,Festival,Holiday. 58 pages. T.U.X. People's Music #1012370. Published by T.U.X. People's Music (A0.1431896). From its joyful brass and ample percussion to its lyrical wind sections, this work truly lives up to its name - a blast for all to play!
$75.00
Serenade No. 11
Serenade No. 11
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
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Violon et Piano
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Classique
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Bela Keler
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Pavel Burdych
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Deutsches Gemüthsleben, W
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Bu...
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Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Burdych (A0.933384). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Am schönen Rhein gedenk i
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by...
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Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by Pavel Burdych (A0.933382). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Vom Rhein zur Donau, Waltz for Violin and Piano, Op. 138
Vom Rhein zur Donau, Waltz for Violin and Piano, Op. 138
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Vom Rhein zur Donau, Waltz for
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published b...
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Piano,Violin - Level 3 - SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published by Pavel Burdych (A0.933385). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
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