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A Blues 4 U
Non classifié
3
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7
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--INSTRUMENTS--
ACCORDEON
ALTO
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CLARINETTE
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CLOCHES
COR
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Vous avez sélectionné:
A Blues 4 U
Partitions à imprimer
27 partitions trouvées
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26
A Blues 4 U
A Blues 4 U
Flute,Violin,Guitar,Guitar Tab,Bass Guitar,Guitar (chords only),Guitar Duet
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Rock
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McCorkle, Dennis F
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A Blues 4 U
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Composed by McCorkle, Dennis F. Blues, Repertoire, Classroom, Pop, Rock. Set of Parts, Tablature. 45 pages. Published by DF McCorkle Music and eBook Publication...
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Composed by McCorkle, Dennis F. Blues, Repertoire, Classroom, Pop, Rock. Set of Parts, Tablature. 45 pages. Published by DF McCorkle Music and eBook Publications (S0.39485). - Set of Parts,Tablature - Blues,Repertoire,Classroom,Pop,Rock - DF McCorkle Music and eBook Publications
$4.99
Bluesette
Bluesette
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Toots Thielmans
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John Fries
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Bluesette
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499938 By Toots Thielmans. By Jean Thielemans and Norman Gimbel. Arranged by John Fries. 20th Century,Jazz,Standards. L...
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C Instrument - Level 4 - SKU: A0.499938 By Toots Thielmans. By Jean Thielemans and Norman Gimbel. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113183. Published by John Fries (A0.499938). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar, whistling skills, and composing. His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe.
$3.99
Bluesette
Bluesette
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sarah Vaughn
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John Fries
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Bluesette
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197780 By Sarah Vaughn. By Jean Thielemans and Norman Gimbel. Arranged by John Fries. 20th Century,Jazz,St...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197780 By Sarah Vaughn. By Jean Thielemans and Norman Gimbel. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #796956. Published by John Fries (A0.1197780). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar, whistling skills, and composing. His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe.
$4.99
Immigrant Blues
Immigrant Blues
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Blues
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Mike Strand, ASCAP
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Immigrant Blues
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970761 Composed by Mike Strand, ASCAP. Blues,Jazz. Score and parts. 6 pages. Michael M. Strand #6136125. Published by Mic...
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Jazz Combo - Level 4 - SKU: A0.970761 Composed by Mike Strand, ASCAP. Blues,Jazz. Score and parts. 6 pages. Michael M. Strand #6136125. Published by Michael M. Strand (A0.970761). Mike Strand, ASCAPThis is a lead sheet with lyrics, chords and guitar fret boards, for a jazz group, small, or large, with singer or solo instruments. It serves as a good basis for a variety of arrangements, contra facts, and improvisations.The audio sample is a jazz quintet: A slow swing jazz accompaniment from iReal Pro, combined with my duet tunes from Finale PrintMusic. In this sample, a flute takes the accompaniment (treble clef), with a baritone sax in the bass clef. The main tune (bass clef) is accompanied, making this an unusual duet lead sheet. For example, a flute may accompany a baritone singer. An option is to interchange the voice roles (e.g., main tune octave higher, accompaniment octave lower), or use one of the tunes of the duet by itself. I wrote this piece in honor of immigrants, in recognition of the courage it takes to move to a new country and learn a new language. New immigrants often go through difficulties and setbacks, including persecution from citizens of their adopted country. This, despite the recent immigrant ancestry of most of the persecutors, notably in the USA. In the subtitle of Immigrant Blues, I recognize my own immigrant ancestors, and also Anders Lundegård, who, like my paternal grandparents, moved to the USA from Sweden. Anders helped me with this piece, with his reviews and comments. **Here are the lyrics for Immigrant Blues: 1. Moving to the U. S., far away. Life here is so bad, I will not stay. Talked to Mom and Dad, they said OK. I want to make a place for them some day. 2. First time in the States was no picnic. Half the time no work, and I got sick. Some folks try to help, while others scoff. I have friends, but others put me off. 3. Looking bright and able, that’s my plan. Taking ESOL classes when I can. Learning English is no easy chore, And I want my folks here, that’s for sure. And I want my folks here, that’s for sure. Oh, yeah!
$3.00
Unsquare Dance
Unsquare Dance
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Jazz
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Dave Brubeck
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James Pybus
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Unsquare Dance
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.764720 By Dave Brubeck. By D...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.764720 By Dave Brubeck. By Dave Brubeck. Arranged by James Pybus. Jazz. 23 pages. James Pybus #6086743. Published by James Pybus (A0.764720). Unsquare Dance is an iconic musical piece written by the American jazz composer Dave Brubeck in 1961.Written in 7/4 time, the piece is a typical example of Brubeck's exploration of time signatures. According to Brubeck, it was written during a single trip from his home to the recording studio and was recorded the same day. Based on a blues form, the piece is driven by a strong bass figure, with percussion provided primarily by the rim of the snare drum and hand claps. Unsquare Dance was initially included on the album Time Further Out and even became a hit single, peaking at #74 on the U.S. Billboard Hot 100. This arrangement is for SATB Saxophone Quartet, with optional percussion. It is suitable for a variety of concert programs and settings, with the potential for audience participation. Duration is 2:18. Contact me at james.pybus56@gmail.com.
$16.99
Just A Closer Walk With Thee
Just A Closer Walk With Thee
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Traditional
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Jim Farley
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2, Trombones 1 &
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Just A Closer Walk With Thee
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Jim Farley arrangementsone.com
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1402953 Composed by Traditi...
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Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1402953 Composed by Traditional. Arranged by Jim Farley. Blues,Contest,Festival,Jazz,R & B,Spiritual. 52 pages. Jim Farley arrangementsone.com #986177. Published by Jim Farley arrangementsone.com (A0.1402953). Arranged for 9-12 piece Brass Ensemble including: Directors Score, Guitar (chords only), Clarinet, Soprano and Tenor Sax (identical to each other), Alto and Bari Sax (identical to each other), Trumpets 1 & 2, Trombones 1 & 2, Tuba and Drums.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousnds of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Australia and Europe... If you need any arranging needs, please contact him at jfarley@arrangementsone.com and visit his website at ARRANGEMENTSONE!
$99.99
Mất Niá»m Tin
Mất Niá»m Tin
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1 Piano, 4 mains
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AVANCÉ
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Châu Gia Chuyển
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Châu Gia Chuyển
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Mất Niá»m Tin
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Châu Gia Chuyển
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1038266 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. 20th...
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1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1038266 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. 20th Century,A Cappella,Blues,Multicultural,Wedding,World. Score. 2 pages. Châu Gia Chuyển #643201. Published by Châu Gia Chuyển (A0.1038266). Sáng Tác : Châu Gia Chuyển Trình Bà y : Châu Gia Chuyển Diá»…n Viên : Thảo Nguyên - Anh Quân Quay Phim : Châu Chà Thanh Ngà y ấy quen nhau em nói yêu thÆ°Æ¡ng tôi rồi Là m tôi ngà y đêm cứ thao thức không thôi Ngà n lá»i em hứa khiến trái tim tôi khắc ghi Cho tôi niá»m vui cà ng khiến tôi quên chuyện Ä‘á»i NgÆ°á»i Æ¡i biết không tôi đã yêu thÆ°Æ¡ng tháºt lòng Thầm mÆ¡ ngà y sau mang trầu cau cÆ°á»›i em vá» Há» hà ng hai bên ly rượu mừng cùng chúc phúc Bên Ä‘Ã n em thÆ¡ mình bên nhau nụ hôn trao NgỠđâu bao nhiêu Æ°á»›c mÆ¡ nay bay xa mãi chốn nà o Bao nhiêu lá»i yêu thÆ°Æ¡ng em trao tôi là lá»i ong bÆ°á»›m NgÆ°á»i Æ¡i em nói Ä‘i sao yêu tôi lại yêu thêm ngÆ°á»i Giá» ngÆ°á»i ta bá» em em lại muốn quay vá» vá»›i tôi Vá» Ä‘i em hãy vá» Ä‘i tôi chẳng tin em nữa đâu Vì em đã dối gian tôi trong khi tôi yêu em chân thà nh Tôi vẫn mong vẫn tin rằng em không dối gian NhÆ°ng cà ng tin tôi cà ng thêm Ä‘á»›n Ä‘au Cầu xin em đó ngÆ°á»i Æ¡i tôi chẳng yêu thêm nữa đâu Niá»n tin đã mất từ lâu trái tim tôi đã vỡ tan rồi Cầu chúc em ngà y sau dù vui buồn em giữ Äừng lừa dối mang kiếp sống tá»™i đồ Cầu chúc em ngà y sau dù buồn vui em giữ lấy Äừng lừa dối. Mà hãy yêu tháºt lòng...............
$2.00
Love's Labours Lost
Love's Labours Lost
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Daniel Bukin
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Love's Labours Lost
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T.U.X. People's Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.832033 Composed by Daniel Bu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.832033 Composed by Daniel Bukin. Contemporary,Contest,Festival,Instructional. 37 pages. T.U.X. People's Music #6413835. Published by T.U.X. People's Music (A0.832033). ​Bukin’s take on three Shakespeare texts is a wildly fun piece that any saxophone quartet will love! With elements from blues and jazz all throughout its three movements, it is a perfect work for any ensemble or audience.View more of Daniel Bukin's music at www.tuxpeoplesmusic.com.
$25.00
Soul Finger
Soul Finger
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Bar-Kays
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Diego Marani
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Soul Finger
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.527966 By Bar-Kays. By Ben Cauley, Carl Cunningham, James Alexander, Jimmy King, Phalon Jon...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.527966 By Bar-Kays. By Ben Cauley, Carl Cunningham, James Alexander, Jimmy King, Phalon Jones, and Ronnie Caldwell. Arranged by Diego Marani. Blues,Contemporary,Film/TV,Hip-Hop,Instructional,R & B. 16 pages. Diego Marani #3895925. Published by Diego Marani (A0.527966). Soul Finger is the first single released by R&B group the Bar-Kays. It was issued by Stax Records on the Volt Records label on April 14, 1967. Soul Finger was a hit in the United States, peaking at number 3 on the U.S. Billboard R&B singles chart and number 17 on the Billboard Hot 100. Dan Aykroyd had covered Soul Finger with John Belushi and their band, the Blues Brothers, on their album Made in America.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for classroom, repertoire and recital.
$19.99
Soul Finger
Soul Finger
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Bar-Kays
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Diego Marani
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Soul Finger
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527965 By Bar-Kays. By Ben Cauley, Carl Cunningham, James Alexander, Jimmy King, Phalon ...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527965 By Bar-Kays. By Ben Cauley, Carl Cunningham, James Alexander, Jimmy King, Phalon Jones, and Ronnie Caldwell. Arranged by Diego Marani. Blues,Contemporary,Film/TV,Hip-Hop,Instructional,R & B. 18 pages. Diego Marani #3895557. Published by Diego Marani (A0.527965). Soul Finger is the first single released by R&B group the Bar-Kays. It was issued by Stax Records on the Volt Records label on April 14, 1967. Soul Finger was a hit in the United States, peaking at number 3 on the U.S. Billboard R&B singles chart and number 17 on the Billboard Hot 100. Dan Aykroyd had covered Soul Finger with John Belushi and their band, the Blues Brothers, on their album Made in America.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.It is suitable for classroom, repertoire and recital.
$19.99
Soul Finger
Soul Finger
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Bar-Kays
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Diego Marani
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Soul Finger
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527964 By Bar-Kays. By Ben Ca...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527964 By Bar-Kays. By Ben Cauley, Carl Cunningham, James Alexander, Jimmy King, Phalon Jones, and Ronnie Caldwell. Arranged by Diego Marani. Blues,Contemporary,Film/TV,Hip-Hop,R & B,Standards. 14 pages. Diego Marani #3894281. Published by Diego Marani (A0.527964). Soul Finger is the first single released by R&B group the Bar-Kays. It was issued by Stax Records on the Volt Records label on April 14, 1967. Soul Finger was a hit in the United States, peaking at number 3 on the U.S. Billboard R&B singles chart and number 17 on the Billboard Hot 100. Dan Aykroyd had covered Soul Finger with John Belushi and their band, the Blues Brothers, on their album Made in America.This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.It is suitable for classroom, repertoire and recital.
$19.99
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Blues
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
$3.99
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Blues
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
Bài Há»c Äá»i
Bài Há»c Äá»i
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Châu Gia Chuyển
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Bài Há»c Äá»
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Châu Gia Chuyển
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1038251 By Châu Gia Chuyển. By Châu Gia Chuyển. Blues,Multicultural,World. Octavo. 1 pages. ChÃ...
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Choral Choir (SAB) - Level 4 - SKU: A0.1038251 By Châu Gia Chuyển. By Châu Gia Chuyển. Blues,Multicultural,World. Octavo. 1 pages. Châu Gia Chuyển #643183. Published by Châu Gia Chuyển (A0.1038251). LÆ°Æ¡ng tâm của ta hãy mở lòng ra Nhìn và o nhân thế nhá»› lá»i yêu thÆ°Æ¡ng LÆ°Æ¡ng tâm của ta đó chÃnh là ta Dang đôi cánh tay ôm lấy Bình yên * Bà i Há»c Äá»i * ( Châu Gia Chuyển ) Là m ngÆ°á»i ai ai mà không Æ°á»›c muốn mình già u sang Äồng tiá»n lợi danh vây quay khát khao những hy vá»ng Äể rồi nháºn ra không có ai Ä‘i bên cạnh ta Buồn vui sá»›t chia nay chỉ có ta riêng ta mà thôi Nhìn từng Ä‘oà n ngÆ°á»i bon chen sao ta thấy đáng thÆ°Æ¡ng Chà đạp lên nhau nà o ai quan tâm gi đến mình Äá»i nhiá»u phong ba sẽ giúp ta hiểu được lòng ngÆ°á»i Bà i há»c cuá»™c Ä‘á»i giúp ta nhìn thấy trắng Ä‘en tá» tÆ°á»ng ( ÄK ) LÆ°Æ¡ng tâm của ta hãy mở lòng ra Nhìn và o nhân thế nhá»› lá»i yêu thÆ°Æ¡ng LÆ°Æ¡ng tâm của ta đó chÃnh là ta Dang đôi cánh tay ôm lấy Bình yên.
$2.00
What that you mean
What that you mean
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Piano, Guitare (duo)
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INTERMÉDIAIRE
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A
#
A
#
What that you mean
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A.u
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.1102118 By A.u. By A.u. Arranged by A.u. 20th Century,A Cappella,Blues,Classical,Early Music. Score and part. 4 pages. ...
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Guitar,Piano - Level 3 - SKU: A0.1102118 By A.u. By A.u. Arranged by A.u. 20th Century,A Cappella,Blues,Classical,Early Music. Score and part. 4 pages. A.u #705512. Published by A.u (A0.1102118). A.U by name, as I start to composed music, The inspiration comes from God, I focus on people that go against the music, to tell them that whatever you want to do in life, that no one can stop it except the lord.
$20.00
Isolation Improvisations, Volume 1
Isolation Improvisations, Volume 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Josh Trentadue
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Isolation Improvisations, Volu
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T.U.X. People's Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1405505 Composed by Josh Trentadue. Blues,Contemporary,Contest,Festival,Folk,Rock. Score. 29 pages. T.U.X. People's Music...
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Piano Solo - Level 4 - SKU: A0.1405505 Composed by Josh Trentadue. Blues,Contemporary,Contest,Festival,Folk,Rock. Score. 29 pages. T.U.X. People's Music #988560. Published by T.U.X. People's Music (A0.1405505). From blues and chorales to folk like ballads and rock, this stirring collection of tunes is a must-have for pianists venturing into performing solo repertoire for the first time or seeking to hone their craft.
$19.99
Loneliness
Loneliness
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Samuel A
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Josh Trentadue
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Loneliness
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T.U.X. People's Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1420200 Composed by Samuel A. Livingston. Arranged by Josh Trentadue. Blues,Contest,Festival,Jazz. 59 pa...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1420200 Composed by Samuel A. Livingston. Arranged by Josh Trentadue. Blues,Contest,Festival,Jazz. 59 pages. T.U.X. People's Music #1001650. Published by T.U.X. People's Music (A0.1420200). Achingly melancholy yet hopeful in nature, this lyrical ballad brings heartfelt emotion to the forefront of its timeless spirit.
$65.00
Jazz Nocturne
Jazz Nocturne
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Piano seul
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AVANCÉ
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Dana Suesse
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Zellev
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Jazz Nocturne
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 page...
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Piano Solo - Level 5 - SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 pages. Zellev Music #996473. Published by Zellev Music (A0.1414692). Key Signature: Eâ™ majorTime Signature: 4/4Tempo: Moderato misteriosoDifficulty: AdvancedDana Suesse (1911-1987) was an American Composer. She was born in Kansas, Missouri but moved with her mom to New York when she was 15.While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write Concerto in Three Rhythms.On December 11, 1974, Suesse and her husband produced a symphony concert at Carnegie Hall, devoted exclusively to her compositions. (In the 1990s, Robert Stern produced a CD of the concert using masters from Voice Of America.) On July 31, 1975, the Newport Music Festival (Rhode Island) presented four of her works in their concert series. A year after the Carnegie Hall concert, Suesse and her husband moved to the U.S. Virgin Islands.After her husband's death in 1981, Suesse moved back to New York, the city where she had spent her most creative years. She took two apartments in the Gramercy Park Hotel and continued to write plays and songs for the theatre. Just before her death from a stroke on October 16, 1987, she was writing a new musical, putting the finishing touches on Mr. Sycamore, which had been optioned for off-Broadway, and was looking for a New York home for a straight play, Nemesis.
$8.00
Flowers for Dorothy
Flowers for Dorothy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofon...
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Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Does Anybody Really Know What Time It Is?
Does Anybody Really Know What Time It Is?
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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Chicago
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Michael Compton
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Does Anybody Really Know What
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Kreechur Kumfort Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumf...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumfort Publishing #6448459. Published by Kreechur Kumfort Publishing (A0.833865). Does Anybody Really Know What Time It Is? is a song that was included on Chicago's 1969 debut album Chicago Transit Authority and released as a single in 1970. According to composer Robert Lamm, it was the first song recorded for the album. The song was not released as a single until two tracks from the band's second album, Make Me Smile and 25 or 6 to 4, had become hits. It reached No. 7 in the U.S. and No. 2 in Canada. Said Lamm: [It's] not a complicated song, but it’s certainly a quirky song. But that was my intent. I wanted to write something that wasn’t ordinary, that wasn’t blues-based, that didn’t have ice cream changes, and would allow the horns to shine and give Lee Loughnane a solo. This arrangement is for saxophone quintet (soprano, alto, two tenors, and baritone) and the melody is passed around the ensemble a bit. The arrangement is suitable for intermediate level players.
$15.00
Baby Grand
Baby Grand
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Billy Joel and Ray Charles
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John Fries
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Baby Grand
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1390721 By Billy Joel and Ray Charles. By Billy Joel. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2...
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Piano Solo - Level 4 - SKU: A0.1390721 By Billy Joel and Ray Charles. By Billy Joel. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #974277. Published by John Fries (A0.1390721). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Baby Grand is the fourth and final single released off Billy Joel's album The Bridge. A duet with Joel and Ray Charles, the song is a ballad dedicated to the baby grand piano, and the relationship it can share with its players. The two originally got together when Joel contacted Charles about the naming of his daughter, Alexa Ray, after Charles. Charles then suggested they create a song together.Joel originally sang the song in his thick New York accent, but decided to do a Charles impression instead when he noticed Charles was trying to imitate his style. The song was positively received by critics. The single peaked at No. 75 on the U.S. Billboard Hot 100 and at No. 3 on the Adult Contemporary chart. The music video features Joel and Charles recording the vocal tracks together.
$5.99
Light Piano (music collection, 18 pieces)
Light Piano (music collection, 18 pieces)
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Piano seul
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FACILE
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Larysa Ivanenko
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Larysa Ivanenko
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Light Piano
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Larysa Ivanenko
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1372593 By Larysa Ivanenko. By Larysa Ivanenko. Arranged by Larysa Ivanenko. 21st Century,Classical,Contemporary,Pop. Sco...
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Piano Solo - Level 2 - SKU: A0.1372593 By Larysa Ivanenko. By Larysa Ivanenko. Arranged by Larysa Ivanenko. 21st Century,Classical,Contemporary,Pop. Score. 40 pages. Larysa Ivanenko #956912. Published by Larysa Ivanenko (A0.1372593). Piano pieces for junior, middle and high school students of music schools, as well as for all inspired piano music lovers. All pieces are incredibly expressive and easy to perform. Children learn them quickly and with great desire.Collection LIGHT PIANO / СВІТЛЕ ПІÐÐО1.   Перші квіти / First Flowers https://www.youtube.com/watch?v=42xTYcPLU8I&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=72. Про що шепотіли лиÑточки? / What Were the Leaves Whispering About? https://www.youtube.com/watch?v=N7VWrcWaZ2Y&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=13. Вітер / Windhttps://www.youtube.com/watch?v=WMprKZ1l690&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=94. Чудовий ранок / Wonderfull Morninghttps://www.youtube.com/watch?v=i8R75W9g7kI&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=45. Лети, мій друг, лети / Fly, My Friend, Flyhttps://www.youtube.com/watch?v=H2JnlM0I4HI6. ÐебеÑні ліхтарики / Sky Lanternshttps://www.youtube.com/watch?v=U5WhTrTWB68&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=127. Золото розкішних кленів / Magnificent Golden Mapleshttps://www.youtube.com/watch?v=eOyAvRkPmiI&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=148. Блакитні тіні Ð±Ñ–Ð»Ñ Ð²Ð¾Ð´Ð¸ / Blues Shadows at the Water's Edgehttps://www.youtube.com/watch?v=yPp7J4Iz3ws&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=89. Дощ Ñпогадів / Rain of Memorieshttps://www.youtube.com/watch?v=3GlP3G7tvh0&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=1010. Куди полетіли Ñумні птахи... / Where Did The Sad Birds Fly Tohttps://www.youtube.com/watch?v=Hi1G7ki55FI11. КолиÑкова у травах / Lullaby in the Grasshttps://www.youtube.com/watch?v=UNgGleza2yc12. Зимовий Ð²Ð°Ð»ÑŒÑ / Winter Waltzhttps://www.youtube.com/watch?v=b-vG916UNR4&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=613. Срібний іній на пухнаÑтих Ñлинах / Silver Frost on Fluffy Fir Treeshttps://www.youtube.com/watch?v=bE9D04oqcx4&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=1714. Ріка причарувала мій поглÑд / My Eyes Enchanted by the Riverhttps://www.youtube.com/watch?v=PXhu60ezS2c15. Танець на пуантах / Dance on Pointehttps://www.youtube.com/watch?v=CHa_BcMkhjI&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=316. ÐйÑтри холодним ранком / Asters on a Cold Morninghttps://www.youtube.com/watch?v=jeBLelHhgg8&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=1317. Літній полудень на пагорбі / Summer Afternoon on the Hillhttps://www.youtube.com/watch?v=u-e4THCAeN4&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=1118. Дзвоники, що ÑміютьÑÑ Ñƒ твоєму голоÑÑ– / Laughing Bells of Your VoiÑehttps://www.youtube.com/watch?v=Lc2lk0Rb7Jk&list=PLf5_9YMI1ijHfvNRsWM-Tq-zIYXfCtide&index=2
$9.99
Georgia On My Mind
Georgia On My Mind
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ray Charles
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John Fries
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Georgia On My Mind
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1354487 By Ray Charles. By Hoagy Carmichael and Stuart Gorrell. Arranged by John Fries. 20th Century,Blues,Jazz,Standards...
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Piano Solo - Level 4 - SKU: A0.1354487 By Ray Charles. By Hoagy Carmichael and Stuart Gorrell. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #939206. Published by John Fries (A0.1354487). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Georgia on My Mind is a 1930 song written by Hoagy Carmichael and Stuart Gorrell and first recorded that year by Hoagy Carmichael. It has often been associated with Ray Charles, a native of the U.S. state of Georgia, who recorded it for his 1960 album The Genius Hits the Road. In 1979. The State of Georgia designated Ray Charles's version the official state song.
$5.99
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
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