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Vous avez sélectionné:
A Power In Letting Go
Partitions à imprimer
6 partitions trouvées
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1
A Power In Letting Go
A Power In Letting Go
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Salem Lars Al Fakir and Vincen
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David Andersson
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A Power In Letting Go
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David Andersson
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1095323 Composed by Salem Lars Al Fakir and Vincent Fred Pontare. Arranged by David Andersson. Pop,Rock. Individual part...
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Solo Guitar - Level 4 - SKU: A0.1095323 Composed by Salem Lars Al Fakir and Vincent Fred Pontare. Arranged by David Andersson. Pop,Rock. Individual part. 10 pages. David Andersson #699340. Published by David Andersson (A0.1095323). Precussive fingerstyle guitar version of A Power In Letting Go by Vargas & Lagola.
$4.99
The Legend of Ramund
The Legend of Ramund
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Publishe...
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Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Soft Touching: seven smooth tunes for piano
Soft Touching: seven smooth tunes for piano
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Piano seul
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INTERMÉDIAIRE
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Max Potseluiev
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Soft Touching: seven smooth tu
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Max Potseluiev
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255201 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 16 pages. Max Potse...
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Piano Solo - Level 3 - SKU: A0.1255201 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 16 pages. Max Potseluiev #848747. Published by Max Potseluiev (A0.1255201). Soft Touching: Seven Smooth Tunes for Piano is a captivating and enchanting album composed by Max Potseluiev. This collection of seven serene piano compositions takes the listener on a mesmerizing journey of tranquility and introspection.The album opens with Awakening, a gentle and soothing piece that sets the tone for the entire musical experience. The delicate melodies and graceful harmonies awaken the senses and invite the listener to embark on a serene exploration of emotions.As the album unfolds, each track paints a vivid musical landscape, showcasing the composer's skill in crafting melodies that touch the heart and soothe the soul. From the poignant and contemplative Melancholy to the enchanting and ethereal Elven Dreams, the album offers a diverse range of emotions and moods, capturing the essence of quiet beauty and introspective moments.Chinese Spring transports the listener to a serene and blossoming world, while Dreams under the Moon evokes a sense of reverie and contemplation. The delicate Sentimental Waltz tugs at the heartstrings with its romantic charm, while Letting Go of Love explores the depths of emotional release and healing in an improvisational jazz ballad style. Throughout the album, Max Potseluiev's compositions shine with a soft touch and a keen sensitivity, drawing inspiration from various musical influences and weaving them into a seamless tapestry of tranquility. The melodies flow effortlessly, creating a serene and immersive atmosphere that invites the listener to escape the noise of the world and find solace in the beauty of these seven smooth tunes.Soft Touching: Seven Smooth Tunes for Piano is an album that resonates with both relaxation and introspection. It offers a refuge for the weary soul, a sanctuary where the delicate notes of the piano provide a soft touch, easing the mind and allowing for moments of serenity and self-reflection. This musical collection is a testament to the power of music to heal, inspire, and transport us to a place of inner calm and harmony.
$24.99
Waltz Like There's No Tomorrow
Waltz Like There's No Tomorrow
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Piano seul
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INTERMÉDIAIRE
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Louis Landon
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performed by Louis Landon
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Waltz Like There's No Tomorrow
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761941 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #63...
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Piano Solo - Level 3 - SKU: A0.761941 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #6341205. Published by Landon Creative, Inc. (A0.761941). Waltz Like There's No Tomorrow is a classically oriented piece of music in three quarter or waltz time. The song is about letting go and dancing with wild abandon. This is not your grandma's waltz. This is a powerful piece that inspires intentional movement with a like minded partner. It's also about not caring what anyone thinks. It's going for it. This is the sheet music for Waltz Like There's No Tomorrow, from the Solo Piano Space Traveler album, and was released on August 5, 2019.Recorded at the Peace Palace from February - April, 2019.You can listen to the song by streaming on Spotify, Apple Music, and Pandora RadioYou can also download the recording iTunes, Amazon, and Bandcamp..Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZCover photo: NASACover art: DanLevin.comAll music published by Landon Creative, Inc. BMIAll music produced, arranged, composed & performed by Louis Landon.
$5.25
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99
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A Power In Letting Go
