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Vous avez sélectionné:
And What If I Don
Partitions à imprimer
380 partitions trouvées
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And What If I Don't
And What If I Don't
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Instruments en Do
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AVANCÉ
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Jazz
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Herbie Hancock
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Rob Ames
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And What If I Don't
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Rob Ames
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SheetMusicPlus
C Instrument - Level 5 - SKU: A0.1348390 By Herbie Hancock. By Herbie Hancock. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #93...
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C Instrument - Level 5 - SKU: A0.1348390 By Herbie Hancock. By Herbie Hancock. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #933165. Published by Rob Ames (A0.1348390). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By†some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalkâ€, is widely available.
$4.99
CASSANDRA'S VISION
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
And What If I Don't
And What If I Don't
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Jazz combo
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INTERMÉDIAIRE
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Herbie Hancock
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Ralph J Martin
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And What If I Don't
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Brass Dragons
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1297106 By Herbie Hancock. By Herbie Hancock. Arranged by Ralph J Martin. Contemporary,Funk,Jazz,Rock. 33 pages. Brass Dr...
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Jazz Combo - Level 3 - SKU: A0.1297106 By Herbie Hancock. By Herbie Hancock. Arranged by Ralph J Martin. Contemporary,Funk,Jazz,Rock. 33 pages. Brass Dragons #887208. Published by Brass Dragons (A0.1297106). Jazz/Fusion quintet arrangement featuring guitar, keyboard, bass, drums and lead instrument (C, Bb or Eb).Contact BrassDragonsMusic@gmail.com for more options.
$24.99
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
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Violon et Piano
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INTERMÉDIAIRE
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Jazz
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YO YO MA and Kathryn Stott
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Flavio Regis Cunha
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Rachmaninoff: Zdes' Khorosho,
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Flavio Regis Cunha
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Centu...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of AntonÃn Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
$7.99
Agent Provocateur: Sonatina for Clarinet and Piano
Agent Provocateur: Sonatina for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Joyce
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Agent Provocateur: Sonatina fo
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Brian Joyce
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyc...
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Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyce (A0.836709). A piece shrouded in mystery and intrigue. For myself, I mean: I don’t even know what the title means, nor why this particular piece should wear it. The music and the title came as a package deal, falling on me out of the blue one day. It wasn’t on my to-do list, nor was I looking for extra work. But perhaps that’s the answer: the piece itself is the Agent, breaking into my nicely ordered studio and disrupting things for the next few months. I’ll have to think about this some more.But I digress. Whatever its meaning or provenance, it’s an odd little sonatina. For instance, at its heart the second movement is a traditional scherzo and trio, but it is as misshapen as anything H. P. Lovecraft himself might have envisioned. Even I am not sure where the beginnings and endings of the sections are without a score in hand. Mystery upon mystery. Another example: as I began to work on the third movement, I wasn’t sure if it would be a simple binary or ternary form, a rondo or a sonata-allegro. I never did find out, to be honest. All I know is that, to my ears, it sounds like what might have resulted if I had been asked to write the theme to The Simpsons. The audio sample will give you some idea of what I mean.More questions than answers.Performance time is a little under 14 minutes.
$10.95
I Want A Hippopotamus For Christmas (hippo The Hero)
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
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Chorale SATB
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FACILE
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Giorgia Todrani, Maurizio Fabr
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Marco Borsoi
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studio 95/96)
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Strano il mio Destino for SATB
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 page...
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Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Ariana Grande - Needy
Ariana Grande - Needy
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Ariana Grande
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Mario Stallbaumer
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Ariana Grande - Needy
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Mario Stallbaumer
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SheetMusicPlus
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer...
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "needy" by Ariana Grande on piano!
With this sheet music, you can play the accompaniment of Ariana Grande's song "needy".
"Needy" is a beautiful, calm piece which makes for a great piano ballad!
It's an accurate piano arrangement of the full song, including the beautiful string outro.
These piano sheets come with a seperate system for the singer, including the song's full lyrics.
"needy" is the second track on Ariana Grande's fifth studio album "thank u, next" (released in February 2019).
It's a beautiful, calm ballad with an interesting chord progression in the background - which you can play with these piano sheets.
Here are the full lyrics to "needy" by Ariana Grande:
If you take too long to hit me back
I can't promise you how I?ll react
But all I can say
Is at least I'll wait for you
Lately I've been on a roller coaster
Tryna get a hold of my emotions
But all that I know, is I need you close
And I'ma scream and shout for what I love
Passionate but I don't give no fucks
I admit that I'm a lil' messed up
But I can hide it when I'm all dressed up
I'm obsessive and I love too hard
Good at overthinking with my heart
How you even think it got this far?
This far
And I can be needy, way too damn needy
I can be needy, tell me how good it feels to be needed
I can be needy, so hard to please me
I know it feels so good to be needed
Sorry if I'm up and down a lot (Yeah)
Sorry that I think I'm not enough
And sorry if I say sorry way too much
You can go ahead and call me selfish (Selfish)
But after all this damage I can't help it (Help it)
But what you can trust, is I need your touch
I'ma scream and shout for what I love
Passionate but I don?t give no fucks
I admit that I'm a lil' messed up
But I can hide it when I'm all dressed up
I?m obsessive and I love too hard
Good at overthinking with my heart
How you even think it got this far?
This far
And I can be needy, way too damn needy
I can be needy, tell me how good it feels to be needed
I can be needy, so hard to please me
I know it feels so good to be needed
$4.99
And All That Jazz (from "Chicago")
And All That Jazz (from "Chicago")
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Piano, Voix et Guitare
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John Kander
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And All That Jazz
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000062 And All That Jazz. Composed by John Kander. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000062 And All That Jazz. Composed by John Kander. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-XS-0000062. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000062). ISBN 9780739061992. UPC: 038081371573. Fred Ebb.Singers and pianists alike will delight in this spectacular array of more than 40 favorite show tunes. Nearly a century of repertoire is represented, from classic Broadway to cutting-edge musical theatre. Titles: Ain't Misbehavin' (Ain't Misbehavin') * Alone in the Universe (Seussical) * And All That Jazz (Chicago) * Another Op'nin', Another Show (Kiss Me, Kate) * Anyone Can Whistle (Anyone Can Whistle) * Anything Goes (Anything Goes [1987 Revival]) * Bewitched, Bothered and Bewildered (Pal Joey) * Comedy Tonight (Funny Thing Happened on the Way to the Forum) * Corner of the Sky (Pippin) * Don't Rain on My Parade (Funny Girl) * Don't Stop Believin' (Rock of Ages) * Easy to Be Hard (Hair) * Heart (Damn Yankees) * Hernando's Hideaway (The Pajama Game) * Home (The Wiz) * Hopelessly Devoted to You (Grease) * How Could I Ever Know? (Secret Garden) * I Could Have Danced All Night (My Fair Lady) * I Got Rhythm (Girl Crazy) * I Just Want to Be a Star (Nunsense) * I Speak Six Languages (25th Annual Putnam County Spelling Bee) * I'd Rather Be Sailing (A New Brain) * If Ever I Would Leave You (Camelot) * If You Hadn't But You Did (Two on the Aisle) * Lazy Afternoon (The Golden Apple) * Lullaby of Broadway (42nd Street) * Mama Who Bore Me (Spring Awakening) * My Funny Valentine (Babes in Arms) * New York, New York (On the Town) * Night and Day (Gay Divorce) * Old Devil Moon (Finian's Rainbow) * On a Clear Day You Can See Forever (On a Clear Day You Can See) * People Like Us (The Wild Party) * Ragtime (Ragtime) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * So in Love (Kiss Me, Kate) * Someone to Watch Over Me (Oh, Kay!) * Somewhere That's Green (Little Shop of Horrors) * Su.
$3.99
Andaluza
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
Look What You've Done To Me
Look What You've Done To Me
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Cor et Piano
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INTERMÉDIAIRE
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Contemporain
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Boz Scaggs
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Jeff Tincher
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Look What You've Done To Me
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Jeff Tincher
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.582779 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score and p...
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French Horn,Piano - Level 3 - SKU: A0.582779 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score and part. 41 pages. Jeff Tincher #3489133. Published by Jeff Tincher (A0.582779). This is a F instrument and Piano arrangement of one of the bost beautiful love songs ever written. In the original key, this arrangement is from Boz Scaggs Greatest Hits Live CD. I chose this version because I the live ending is simply awesome. I'm listing this as an intermediate because of the piano part. If you don't play the high notes, this could easily be an early intermediate arrangement. This song is great for any live venue! Duration=6:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Look What You've Done To Me
Look What You've Done To Me
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Boz Scaggs
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Jeff Tincher
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Look What You've Done To Me
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.582778 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.582778 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score and part. 42 pages. Jeff Tincher #3489131. Published by Jeff Tincher (A0.582778). This is a Eb instrument and Piano arrangement of one of the bost beautiful love songs ever written. In the original key, this arrangement is from Boz Scaggs Greatest Hits Live CD. I chose this version because I the live ending is simply awesome. I'm listing this as an intermediate because of the piano part. If you don't play the high notes, this could easily be an early intermediate arrangement. This song is great for any live venue! Duration=6:45.Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Song for Jenny for flute and guitar
Song for Jenny for flute and guitar
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Flûte et Guitare
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David Warin Solomons
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Song for Jenny for flute and g
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David Warin Solomons
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SheetMusicPlus
Flute,Guitar,Instrumental Duet - SKU: A0.576897 Composed by David Warin Solomons. 20th Century,Folk,Multicultural,World. 11 pages. David Warin Solomons ...
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Flute,Guitar,Instrumental Duet - SKU: A0.576897 Composed by David Warin Solomons. 20th Century,Folk,Multicultural,World. 11 pages. David Warin Solomons #504811. Published by David Warin Solomons (A0.576897). Instrumental version of a song in Dorian mode originally written for alto voice and guitar (also with guitar chord names) written for a friend in her appartment in Ghemme, Northern Italy. The words of the original song are partly in Italian and partly in English, as follows: Qui e adesso amore mio. A Ghemme non so che voglio. [Here and now, my love. In Ghemme I don't know what I want] Land of fuzzy fizzy foggy friendliness Alpine heights and glowing plains land of lovely people and fruitfulness village feasts and bobbly trains Qui e adesso amore mio. A Ghemme non so che voglio Italy, you land of musicalityFill my soul and make it heardNot with love if only love's banalityFor then 'tis best not to have sung a wordQui e adesso amore mio. A Ghemme non so che voglio My love can hear the bells ring from your steeple see the mountains in the sun hear the singing language of your people smile and dance and sing like none Qui e adesso amore mio. A Ghemme non so che voglio. Amore mio dove sono Dove siamo? [My love where am I? Where are we?].
$8.00
Up I arose in verno tempore for flute and guitar
Up I arose in verno tempore for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Anon
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David Warin Solomons
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Up I arose in verno tempore fo
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,Wo...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
Up I arose in verno tempore for alto flute and guitar
Up I arose in verno tempore for alto flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Anon
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David Warin Solomons
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Up I arose in verno tempore fo
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissan...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
20 Favourite Christmas Carols for solo Trombone and Piano
20 Favourite Christmas Carols for solo Trombone and Piano
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Trombone et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 2...
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Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123379. Published by David McKeown (A0.587273). 20 Favourite Carols for Solo Trombone and Piano is a collection of the best-known Christmas carols arranged simply for solo Trombone in concert pitch bass clef and Piano. The file contains the Trombone part plus the separate Piano score with added chord symbols. If you prefer reading treble clef in Bb then search for the Euphonium version of the music item no. S0.245523 20 Favourite Carols for Solo Trombone and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements.· There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church.· The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period.The carols are in alphabetical order and are as follows· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
What If It Were Today?
What If It Were Today?
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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The London Fox Choir
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Lyndell Leatherman
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What If It Were Today?
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1391019 By The London Fox Choir. By Words & Music: Lelia N. Morris. Arranged by Lyndell Leatherman. Christi...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1391019 By The London Fox Choir. By Words & Music: Lelia N. Morris. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #974547. Published by Leatherman Music Services (A0.1391019). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
O Love Divine, What Hast Thou Done?
O Love Divine, What Hast Thou Done?
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The Choral Arts Society of Was
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Lyndell Leatherman
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O Love Divine, What Hast Thou
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1294853 By The Choral Arts Society of Washington Chamber Singers. By Words: Charles Wesley / Music: Isaac B...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1294853 By The Choral Arts Society of Washington Chamber Singers. By Words: Charles Wesley / Music: Isaac B. Woodbury. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885180. Published by Leatherman Music Services (A0.1294853). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published b...
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Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (...
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Oboe Solo - Level 3 - SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
If I Ain't Got You
If I Ain't Got You
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Alicia Keys
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Aaron Bennett
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If I Ain't Got You
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StringfulScores.com
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1230768 By Alicia Keys. By Alicia Augello Cook. Arranged by Aaron Bennett. Film/TV,Jazz,Pop,Soul,Wedd...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1230768 By Alicia Keys. By Alicia Augello Cook. Arranged by Aaron Bennett. Film/TV,Jazz,Pop,Soul,Wedding. 8 pages. StringfulScores.com #826481. Published by StringfulScores.com (A0.1230768). Alicia Keys’ timeless hit If I Ain't Got You, as heard on Netflix’s brand new season 3 of BRIDGERTON (Queen Charlotte: A Bridgerton Story), arranged for Violin and Cello Duet (String Duo) by Aaron Bennett. This arrangement follows the structure of the original song and takes inspiration from the soundtrack covers by the Vitamin String Quartet and Queen Charlotte's Global Orchestra, with musical interest for every player. N.B. Some small revisions have been made to this arrangement which are not present in the score video. Get your duo on trend with one of the latest songs to receive the BRIDGERTON makeover! This song is also available for String Quartet, String Trio (opt. Vln.2/Vla) and Piano Trio. View all BRIDGERTON arrangements via the Stringful Scores YouTube playlist!BRIDGERTON arrangements by Aaron Bennett also available:- If I Ain't Got You (Alicia Keys) - String Quartet/Trio/Duo- I Will Always Love You (Whitney Houston) - String Quartet/Trio/Duo- Nobody Gets Me (SZA) - String Quartet/Trio- Deja Vu (Beyonce ft. Jay-Z) - String Quartet- Wrecking Ball (Miley Cyrus) - String Quartet/Trio/Duo- Sign of the Times (Harry Styles) - String Quartet/Trio   - What About Us (P!nk) - String Quartet/Trio- Dancing On My Own (Robyn) - String Duo- Material Girl (Madonna) - String Duo/Piano Trio- Wildest Dreams (Taylor Swift) - String Duo- Thank U, Next (Ariana Grande) - String Duo- Girls Like You (Maroon 5) - String Duo- In My Blood (Shawn Mendes) - String Duo- Bridgerton Theme (Kris Bowers) - String Duo (Vln/Vc, Vln/Vla & Vln Duo)/Piano TrioFor more arrangements by Aaron Bennett, visit: StringfulScores.com
$10.99
I Didn't Say That
I Didn't Say That
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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I Didn't Say That
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1465945 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1465945 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score. 5 pages. Andrew Mc Donald (Macka Records) #1044546. Published by Andrew Mc Donald (Macka Records) (A0.1465945). I Didn't Say That is a song about being falsely accused of spreading rumours. What is said in confidence should not be shared and if you were not party to that rather than add fuel to the fire you can stop the rumours in their tracks. You can say, I didn't say that! That is not right! Let's put the rumours to bed! This is a score for piano and vocals.
$4.99
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And What If I Don
