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Vous avez sélectionné:
Andante für Horn
Partitions à imprimer
22 partitions trouvées
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1
Andante für Horn
Andante für Horn
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Richard Strauss
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Edition Maulwurf
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Andante für Horn
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Edition Maulwurf
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SheetMusicPlus
Cello,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.1401943 Composed by Richard Strauss. Arranged by Edition Maulwurf. 19th Century,20th Century,Rom...
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Cello,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.1401943 Composed by Richard Strauss. Arranged by Edition Maulwurf. 19th Century,20th Century,Romantic Period. 18 pages. Edition Maulwurf #985142. Published by Edition Maulwurf (A0.1401943). Andante für Horn und KlavierMusic by: Richard Strauss (1864-1949)arrangement for horn and stringsFrench horn (F), violin 1, violin 2, viola, violoncello, double bassduration: ca. 3:30 min.grade: advanced intermediate score and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition
$25.00
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.2 of 6 Andante - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.2 of 6 Andante - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1150410 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1150410 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750587. Published by RayThompsonMusic (A0.1150410). Arranged wind quintet Horn in Eb (Alt part for hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.2 Andante sostenuto
$2.99
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.4 of 6 Andante - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.4 of 6 Andante - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1149179 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1149179 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749309. Published by RayThompsonMusic (A0.1149179). Arranged wind quintet Horn in D, Clarinet in A Alt. parts for hn in F/clt in Bb The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.4 Andante.
$2.99
Trois pièces : Andante, Sérénade et Chant Serbe
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Beethoven: Piano Sonata No.12 in Ab Op.26 Mvt.I Andante and Variations - wind quintet
Beethoven: Piano Sonata No.12 in Ab Op.26 Mvt.I Andante and Variations - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.12
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553586 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Concert,Graduation. ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553586 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Concert,Graduation. 22 pages. RayThompsonMusic #3124225. Published by RayThompsonMusic (A0.553586). The first movement of Sonata no 26 in Ab major arranged for wind quintet. I have tried as far as possible to arranage the piece as though Beethoven would have written it. The horn is in Ab alto and I have tried as far as possible to use the notes of the natural horn.(This works better in some of the variations. I have used Ab basso for variation III. A horn in F part is also included. Variation 2:I have taken some liberties in that the constant syncopation in the R.H.piano part would not sit well on wind instruments, so I have retained Beethoven's harmonies and maintained the feel of the piece. Variation 3 is in Ab minor (7 flats) so may well present some difficulties for the players playing in an unfamiliar key!. The theme and othe variations are more playable.
$7.95
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 Complete Nos.1 to 6 - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 Complete Nos.1 to 6 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1150583 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1150583 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 49 pages. RayThompsonMusic #750761. Published by RayThompsonMusic (A0.1150583). Arranged wind quintet Natural Horn in varying keys: G, F. Eb. D and Bb Basso (Alternate part for hn in F) Clarinet part for Bb/A (Alt part for Bb clt) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas Pieces’. This my arrangement of the complete setcheck out my other Christmas arrangements.
$14.95
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.5 of 6 Allegro assai - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.5 of 6 Allegro assai - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
#
RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1149582 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1149582 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 11 pages. RayThompsonMusic #749729. Published by RayThompsonMusic (A0.1149582). Arranged wind quintet Horn in Bb basso (alt hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.5 Allegro assai.
$2.99
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.3 of 6 Allegretto - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.3 of 6 Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1149073 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1149073 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749198. Published by RayThompsonMusic (A0.1149073). Arranged wind quintet. Horn in G/Clarinet in A (Alt parts for Hn in F/Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.3 Allegretto.
$2.99
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.1 of 6 Allegro - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.1 of 6 Allegro - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1150413 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1150413 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750590. Published by RayThompsonMusic (A0.1150413). Wind quintet Hogn in G, Clarinet in A (Alt parts for Hn in F, Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.1 Allegro
$2.99
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.6 of 6 Vivace - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.6 of 6 Vivace - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderst&uu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1150248 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1150248 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750424. Published by RayThompsonMusic (A0.1150248). Arranged wind quintet The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.6 Vivace My mp3 tempo dotted crotchet = 56, which is still vivace enough, and the semi quaver runs are still playable by the woodwind!
$2.99
Bartok: Romanian Christmas Carols Sz.57 Bk.1 Nos.1 to10 - wind quintet
Bartok: Romanian Christmas Carols Sz.57 Bk.1 Nos.1 to10 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bela Bartok
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Ray Thompson
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Bartok: Romanian Christmas Car
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1151840 Composed by Bela Bartok. Arranged by Ray Thompson. 20th ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1151840 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Christmas. 24 pages. RayThompsonMusic #752043. Published by RayThompsonMusic (A0.1151840). Arranged standard wind quintet. Romanian Christmas Carols, Sz, 57, BB 67 (Hungarian: Román kolindadallamok) is a set of little colinde, typical Christmas songs from Romanian villages, habitually sung by small groups of children, adapted in 1915 for piano.This work consists of twenty little songs put together into two major series. The  ten carols from the 1st book are arranged here for standard wind quintet. The instruments do NOT play tutti all the time and the melodies are played by all of the instruments They are listed as follows:  Pă cel plai de munte (from the region of Várhely, in Hunyad). Allegro Intreabă si-ntreabă (from the region of MalomvÃz, in Hunyad). Allegro Doi roagă să, roagă (from the region of MalomvÃz, in Hunyad). Allegro Ciucur verde de mătasă (from the region of Temesmonostor, in Temes). Andante Coborâto, coborâto (from the region of Alsóvisó, in Máramaros). Allegro moderato ÃŽn patru cornuÈ›i de lume (from the region of Görgényorsova, in Maros-Torda). Andante .La lină fântână (from the region of Sárafalva, in Torontál). Andante Noi umblăm da corindare (from the region of Sárafalva, in Torontál). Allegretto Noi acum ortacilor (from the region of Bisztra, in Torda-Aranyos). Allegro Trei crai de la Răsărit (from the region of Rogos, in Bihar). Più allegro Â
$14.95
Conflusion - Suite - Wind Ensemble
Conflusion - Suite - Wind Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Conflusion - Suite - Woodwind Ensemble
Conflusion - Suite - Woodwind Ensemble
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Classique
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Mozart Sonata kv. 279 for Orchestra
Mozart Sonata kv. 279 for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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R
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Mozart Sonata kv. 279 for Orch
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R C Coleman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1017365 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.1017365 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 83 pages. R C Coleman #6100573. Published by R C Coleman (A0.1017365). W. A. Mozart, Sonata for piano in C major Kv. 279 Allegro – Andante - Allegro R. C. Coleman orchestra transcription INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F Violins I Violins II Violas Cellos Basses ISMN: 979-0-805444-20-8
$32.00
Mozart Sonata kv. 283 for Orchestra
Mozart Sonata kv. 283 for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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R
#
Mozart Sonata kv. 283 for Orch
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R C Coleman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1017369 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.1017369 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 95 pages. R C Coleman #6100581. Published by R C Coleman (A0.1017369). W. A. Mozart, Sonata for piano in G major Kv. 283 Allegro – Andante - Presto R. C. Coleman orchestra transcription INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F Violins I Violins II Violas Violoncellos Contrabasses ISMN: 979-0-805444-24-6
$32.00
Mozart Sonata kv. 310 for Orchestra
Mozart Sonata kv. 310 for Orchestra
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Classique
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Wolfgang Amadeus Mozart
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R
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Mozart Sonata kv. 310 for Orch
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R C Coleman
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1017373 Composed by Wolfgang Amadeus Mozart. Arranged...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1017373 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 104 pages. R C Coleman #6100703. Published by R C Coleman (A0.1017373). W. A. Mozart, Sonata for piano in A minor Kv. 310 Allegro maestoso – Andante cantabile con espressione - Presto R. C. Coleman orchestra transcription INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F Violins I Violins II Violas Cellos Basses ISMN: 979-0-805444-27-7
$32.00
Six Pieces from First Term at the Piano, arranged for instruments in four parts
Six Pieces from First Term at the Piano, - instruments in four parts
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Bela Bartok
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Paul Burnell
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Six Pieces from First Term at
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul...
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Small Ensemble - Level 2 - SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99
Mozart Sonata kv. 533 for Orchestra
Mozart Sonata kv. 533 for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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R
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Mozart Sonata kv. 533 for Orch
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R C Coleman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1017379 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.1017379 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 136 pages. R C Coleman #6100723. Published by R C Coleman (A0.1017379). W. A. Mozart, Sonata for piano in F major Kv. 533 Allegro – Andante – Rondo, allegretto R. C. Coleman orchestra transcription INSTRUMENTATION 1 Flute 1 Oboe 1 Clarinet in Bb 1 Bassoon 2 Horns in F Violins I Violins II Violas Cellos Basses ISMN: 979-0-805444-34-5
$32.00
Intermezzo, Op. 117 No. 3 (by Johannes Brahms)
Intermezzo, Op. 117 No. 3 (by Johannes Brahms)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Intermezzo, Op. 117 No. 3
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818353 By Stephen R Dalrymple. By Johannes Brahms. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical,Roman...
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Concert Band - Level 3 - SKU: A0.818353 By Stephen R Dalrymple. By Johannes Brahms. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical,Romantic Period. Score and parts. 60 pages. Stephen R Dalrymple #6384397. Published by Stephen R Dalrymple (A0.818353). Brahms Intermezzo 117 Movement 3 Andante con Moto ♫ by Johannes Brahms ♫ Piano solo transcribed and arranged for Concert Band by Stephen R. Dalrymple ♫ In contrast to the artists and musicians of the 18th Century whose music was deliberately formal, understated, and courtly, the artists and composers of the early and middle years of the 19th Century believed in sharing and experiencing deep emotions. We name this period the Romantic Period of Art and Music History, not merely alluding to feelings of love and affection, but the broader sense that includes all emotions (including joy, anger, calmness, amusement etc.) ♫ In his day, Brahms music was praised (and strongly criticized) for using the forms of the previous century for the structure of his music. He often used the patterns of Mozart and Beethoven to organize the flow of his musical ideas. But the expressive content that he shared within those boundaries was genius. ♫ As a freshman at university, I asked an older piano student whose piano music she most enjoyed playing. She answered, “I love to play Brahms because his music seems so intimate.†I agree. ♫ sequenced by the arranger ♫ arrangement © 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Snare Drum, Triangle/Cymbals, and Timpani. ♫ The YouTube video contains a full recording.
$19.00
Mozart Sonata kv. 281 for Orchestra
Mozart Sonata kv. 281 for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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R
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Mozart Sonata kv. 281 for Orch
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R C Coleman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1017367 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.1017367 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 91 pages. R C Coleman #6100577. Published by R C Coleman (A0.1017367). W. A. Mozart, Sonata for piano in B flat Major Kv. 281 Allegro – Andante amoroso – Rondeau Allegro R. C. Coleman orchestra transcription INSTRUMENTATION1 Flute 1 Oboe 1 Clarinet in Bb 1 Bassoon2 Horns in FViolins I Violins II Violas Cellos Basses ISMN: 979-0-805444-23-9
$32.00
Mozart Sonata kv. 311 for orchestra
Mozart Sonata kv. 311 for orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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R
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Mozart Sonata kv. 311 for orch
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R C Coleman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1017372 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.1017372 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 111 pages. R C Coleman #6100705. Published by R C Coleman (A0.1017372). W. A. Mozart, Sonata for piano in D major Kv. 311 Allegro con spirito – Andante con espressione – Rondeau Allegro R. C. Coleman orchestra transcription INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F Violins I Violins II Violas Cellos Basses ISMN: 979-0-805444-28-4
$32.00
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