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Vous avez sélectionné:
Ken Litton (ASCAP)
Partitions à imprimer
14 partitions trouvées
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1
All Through the Night
All Through the Night
#
Chorale 3 parties
#
FACILE
#
AR HYD Y NOS Traditional Welsh
#
Ken Litton (ASCAP)
#
All Through the Night
#
Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1376950 Composed by AR HYD Y NOS Traditional Welsh Air. Arranged by Ken Litton (ASCAP). Christian,Lent,Rel...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1376950 Composed by AR HYD Y NOS Traditional Welsh Air. Arranged by Ken Litton (ASCAP). Christian,Lent,Religious,Sacred,Traditional. 8 pages. Artist of Note, Inc. #961553. Published by Artist of Note, Inc. (A0.1376950). The popular Welsh air All Through the Night is subtly presented in SAB voicing by veteran arranger Ken Litton (ASCAP). The traditional text is set to the tune AR HYD Y NOS in a general anthem of comfort and assurance, even in the face of conflict or hopelessness. Piano or other keyboard accompaniment. Duration 3:00.
$1.99
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Chorale TTBB
#
INTERMÉDIAIRE
#
Ken Litton
#
Ken Litton
#
Angel, Blow that Trumpet
#
Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 2...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Ken Litton
#
Ken Litton
#
Angel, Blow that Trumpet
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Artist of Note, Inc.
#
SheetMusicPlus
Double Bass,Piano - Level 3 - SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. ...
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Double Bass,Piano - Level 3 - SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. Duration 213. Artist of Note, Inc. #1026140. Published by Artist of Note, Inc. (A0.1446334). MP3 Accompaniment [~3:30]Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB or TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
Whiter Than the Snow
Whiter Than the Snow
#
Chorale SATB
#
FACILE
#
Text: Eden Reeder Latta
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Ken Litton
#
Whiter Than the Snow
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Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
God Bless America ®
God Bless America ®
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Piano, Voix
#
INTERMÉDIAIRE
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Celine Dion
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Ken Litton ASCAP
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God Bless America ®
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Artist of Note, Inc.
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1254897 By Celine Dion. By Irving Berlin. Arranged by Ken Litton ASCAP. Broadway,Christian,Musical/Show,Patriotic,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1254897 By Celine Dion. By Irving Berlin. Arranged by Ken Litton ASCAP. Broadway,Christian,Musical/Show,Patriotic,Sacred,Standards. Score. 3 pages. Artist of Note, Inc. #848450. Published by Artist of Note, Inc. (A0.1254897). Written in 1918 while Russian immigrant Irving Berlin was serving in the Army, God Bless America was revised and introduced to the nation by Kate Smith in a 1938 Armistice Day radio broadcast. It has remained an anthem of national hope ever since. And, although the relentless pace of radio and other media has not been a friend to its original Broadway style introduction, even Wikipedia recognizes the song as taking “the form of a prayer for God’s blessing and peace.â€While its original sheet music edition was not particularly inviting to play, this arrangement will make it far more accessible to singer and accompanist alike, while preserving both the original key for group singing and the unique introduction that settles the question of whether it is merely a sincere wish or a heartfelt prayer.Available from Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1351316/Product.aspxSheet Music PlusThanks, as always to our good friends at ArrangeMe.com, a division of Hal Leonard, LLC!
$4.99
O for a Thousand Tongues to Sing
O for a Thousand Tongues to Sing
#
Chorale SATB
#
FACILE
#
Ken Litton
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Ken Litton
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O for a Thousand Tongues to Si
#
Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1491475 Composed by Ken Litton. Arranged by Ken Litton. 21st Century,Christian,Contemporary,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1491475 Composed by Ken Litton. Arranged by Ken Litton. 21st Century,Christian,Contemporary,Religious,Sacred. 14 pages. Artist of Note, Inc. #1067943. Published by Artist of Note, Inc. (A0.1491475). O for a Thousand Tongues to Sing Text by Charles Wesley/Music by Ken Litton (ASCAP) SATB mixed voices, accompanied optional Flute/C intrument The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn: “Had I a thousand tongues, I would praise Him with them all!” After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close.
$2.99
O for a Thousand Tongues to Sing
O for a Thousand Tongues to Sing
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Chorale TTBB
#
INTERMÉDIAIRE
#
Ken Litton
#
Ken Litton
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O for a Thousand Tongues to Si
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacr...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacred,Traditional. 14 pages. Artist of Note, Inc. #1069484. Published by Artist of Note, Inc. (A0.1492799). O for a Thousand Tongues to SingText by Charles Wesley/Music by Ken Litton (ASCAP) TTBB mixed voices, accompanied optional Flute/C intrument The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn: “Had I a thousand tongues, I would praise Him with them all!” After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close. All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers. Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard1
$2.99
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Chorale SATB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. A...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
The Solid Rock with Rock of Ages - Score Only
The Solid Rock with Rock of Ages - Score Only
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Cloches
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INTERMÉDIAIRE
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William B
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Ken Litton
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The Solid Rock with Rock of Ag
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Artist of Note, Inc.
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.1422289 Composed by William B. Bradbury and Thomas Hastings/Lowell Mason. Arranged by Ken Litton. Christian,Historic,Religi...
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Handbell - Level 3 - SKU: A0.1422289 Composed by William B. Bradbury and Thomas Hastings/Lowell Mason. Arranged by Ken Litton. Christian,Historic,Religious,Sacred,Spiritual. Score. 6 pages. Artist of Note, Inc. #1003625. Published by Artist of Note, Inc. (A0.1422289). The Solid Rock with Rock of Ages | arr. Ken Litton 3-5 Octaves/2 Octaves Chimes (optional)arranged by Ken Litton (ASCAP)This text by Edward Mote (1834), one of the most reassuring of all hymns is paired with William B. Bradbury’s tune SOLID ROCK. Here it is bookmarked by introductory, contrasting and concluding material by Augustus Toplady’s Rock of Ages with music by Thomas Hastings, edited by Lowell Mason.Scored for 3-5 octaves (24/52) of handbells with optional 2 octaves (20) handchimes, the arrangement moves from bold statement/quiet assurance to quiet remembrance of/echoes of God’s faithfulness. Then, on to o solid restatement and a final reminder, expressed in quiet rest.Expressed without an excess of special techniques, The Solid Rock with Rock of Ages is available where you go for the best in downloadable resources, including:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
Jazz Hodie (On This Day Earth Shall Ring)
Jazz Hodie (On This Day Earth Shall Ring)
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Chorale SATB
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INTERMÉDIAIRE
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PERSONENT HODIE from the Piae
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Ken Litton
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Centu...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. 19 pages. Artist of Note, Inc. #1073248. Published by Artist of Note, Inc. (A0.1496732). Jazz Hodie (On this Day Earth Shall Ring)PERSONENT HODIE arr. Ken Litton (ASCAP) Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. Note: the String Bass/Electric Bass part is included!Also available in a Hymn Sheet Version that includes everything needed for a small ensembe and/or the worshiping congregation.All this from the places you go for the best in downloadable resources:Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$2.99
Jazz Hodie (On this Day Earth Shall Ring)
Jazz Hodie (On this Day Earth Shall Ring)
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Piae Cantones, 1583
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Ken Litton
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Accompaniment track
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,...
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Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. Accompaniment. Duration 173. Artist of Note, Inc. #1073310. Published by Artist of Note, Inc. (A0.1496826). Jazz Hodie (On this Day)PERSONENT HODIE arr. Ken Litton (ASCAP)Demo & Accompaniment track .mp3 Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. The String Bass/Electric Bass part is included in both the pdf score download and on the Demo & Accompaniment mp3 download.Also available in a hymn sheet version that includes everything needed for UNISON Choir and the worshiping congregation.All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
He Is Coming to Reign
He Is Coming to Reign
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Chorale SATB
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FACILE
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Ira A
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Ken Litton
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He Is Coming to Reign
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1430410 Composed by Ira A. Sankey. Arranged by Ken Litton. Christian,Praise & Worship,Religious,Sacr...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1430410 Composed by Ira A. Sankey. Arranged by Ken Litton. Christian,Praise & Worship,Religious,Sacred,Traditional. 6 pages. Artist of Note, Inc. #1011017. Published by Artist of Note, Inc. (A0.1430410). He Is Coming to ReignSATB & KeyboardAlice Montieth (Fanny J. Crosby) - NEWCASTLE Ira SankeyArranged by Ken Litton (ASCAP)He Is Coming, the Man of Sorrows, a little-known poem by the prolific Frances Jane Crosby and music by Ira Allan Sankey, one of the most noted musicians of the gospel era glow here with the excitement of the returning Savior!After a sudden and brief two beat call to attention, the early unison stanzas vary from section to section with supportive accompaniment, followed by the easy 4-voice version of the hymn. Then, the anticipation rises at the key change and the final stanza is combined with a counter melody—unusually—in alto and bass. The strong, yet vocally accessible ending leaves the air vibrating with hope. And all of it lies within easy vocal ranges!Available where you go for the best in downloadable resources, including:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAnd via local Hal Leonard InStore retailersAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99
All Through the Night
All Through the Night
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Chorale 3 parties
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FACILE
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AR HYD Y NOS Welsh Air
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Ken Litton
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All Through the Night
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1376941 Composed by AR HYD Y NOS Welsh Air. Arranged by Ken Litton. Christian,Contest,Festival,Religious,S...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1376941 Composed by AR HYD Y NOS Welsh Air. Arranged by Ken Litton. Christian,Contest,Festival,Religious,Sacred,Traditional. 8 pages. Artist of Note, Inc. #961531. Published by Artist of Note, Inc. (A0.1376941). The popular Welsh air All Through the Night is subtly presented in SSA voicing by veteran arranger Ken Litton (ASCAP). The traditional text is set to the tune AR HYD Y NOS in a general anthem of comfort and assurance, even in the face of conflict or hopelessness. Piano or other keyboard accompaniment. Duration 3:00.
$1.99
Valsa Brasiliense (Brasília Waltz)
Valsa Brasiliense (Brasília Waltz)
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Ken Litton
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Valsa Brasiliense
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Artist of Note, Inc.
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.1372061 Composed by Ken Litton. 21st Century,Chamber,Contest,Festival,Folk,Multicultural,World. 17 pages. Artist of ...
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String Ensemble - Level 4 - SKU: A0.1372061 Composed by Ken Litton. 21st Century,Chamber,Contest,Festival,Folk,Multicultural,World. 17 pages. Artist of Note, Inc. #955483. Published by Artist of Note, Inc. (A0.1372061). You’ve searched far and wide for a perfect concert opener (or “re-opener†after an intermission) to no avail. Well, Valsa Brasiliense/BrasÃlia Waltz may be just the ticket!The term Brasiliense refers to the residents of BrasÃlia the federal capital of Brazil. But, the original builders of the city (1958-1961) in the serrana plateau of the country, 1,000 miles into the interior came to be called “candangos.â€Â The waltz  introduction sets a largely consistent pattern of syncopated accompaniment followed by the melody in 2nd violin/viola and then all the violins. Cellos help glide the melody along until they are featured in middle section, a great feature opportunity for the section as a whole or for your principal cellist. Note that even though it lies high, that the register is not extreme. The basses propel the forward motion of the piece and contribute mightily to the surprise ending. And, that part may be played by cello or small contingent of cellos in lieu of contrabasses.Its scant 2:30 in duration also makes it nice finale for an evening with your premiere string ensemble. String orchestra/string quintet  Included are: Score, Violin 1, Violin 2, Viola, Violoncello, Contrabass (Cello 2)© 2020 ADDG/Publicações Serrana e Candango, Ltd..All rights reserved. Todos os direitos autorais reservados.See it and hear it at:  SheetMusicDirect.com  SheetMusicPlus.comOriginal music/arrangement/orchestration by Ken Litton (ASCAP) from ArrangeMe.com A Hal Leonard Company.
$16.99
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