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Let's Go Therefore
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Vous avez sélectionné:
Let's Go Therefore
Partitions à imprimer
41 partitions trouvées
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26
SCHOTTIS PÅ VIKAFJÄLLET
SCHOTTIS PÅ VIKAFJÄLLET
#
Lars Ek
#
SCHOTTIS PÅ VIKAFJÄ
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068911 Composed by Lars Ek. Folk,World. Full Performance. Duration 158. Lars Ek Cosmos Music c/o Musik & Underh...
(+)
Accordion,Double Bass,Guitar - SKU: A0.1068911 Composed by Lars Ek. Folk,World. Full Performance. Duration 158. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924311. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068911). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
Let's Go Therefore
Let's Go Therefore
#
Piano, Voix et Guitare
#
DÉBUTANT
#
Musique Sacrée
#
Erwin E Cabucos
#
Erwin E Cabucos
#
Let's Go Therefore
#
Erwin Cabucos
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1489588 By Erwin E Cabucos. By Erwin E Cabucos. Arranged by Erwin E Cabucos. Christian,Praise & Worship,Sac...
(+)
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1489588 By Erwin E Cabucos. By Erwin E Cabucos. Arranged by Erwin E Cabucos. Christian,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Erwin Cabucos #1066454. Published by Erwin Cabucos (A0.1489588). It is a recessional or send-forth song with a strong theme of commissioning based in Matthew 28.
$5.99
NORRTULLSVALSEN
NORRTULLSVALSEN
#
Lars Ek
#
NORRTULLSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Guitar - SKU: A0.1068908 Composed by Lars Ek. Folk,World. Full Performance. Duration 135. Lars Ek Cosmos Music c/o Musik & Underhållningssk...
(+)
Accordion,Guitar - SKU: A0.1068908 Composed by Lars Ek. Folk,World. Full Performance. Duration 135. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924301. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068908). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
THE HAPPY NORRLANDS MATADOR
THE HAPPY NORRLANDS MATADOR
#
Lars Ek
#
THE HAPPY NORRLANDS MATADOR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068912 Composed by Lars Ek. Folk,World. Full Performance. Duration 138. Lars Ek Cosmos Music c/o Musik & Underh...
(+)
Accordion,Double Bass,Guitar - SKU: A0.1068912 Composed by Lars Ek. Folk,World. Full Performance. Duration 138. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924313. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068912). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
FORS MAJEURE
FORS MAJEURE
#
Lars Ek
#
FORS MAJEURE
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068905 Composed by Lars Ek. Folk,World. Full Performance. Duration 133. Lars Ek Cosmos Music c/o Musik & Underh...
(+)
Accordion,Double Bass,Guitar - SKU: A0.1068905 Composed by Lars Ek. Folk,World. Full Performance. Duration 133. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924295. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068905). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
HAMBO FROM BREIM
HAMBO FROM BREIM
#
Lars Ek
#
HAMBO FROM BREIM
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068907 Composed by Lars Ek. Folk,World. Full Performance. Duration 182. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068907 Composed by Lars Ek. Folk,World. Full Performance. Duration 182. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924297. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068907). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
SAMBA IS O POR
SAMBA IS O POR
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Lars Ek
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SAMBA IS O POR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068910 Composed by Lars Ek. Folk,World. Full Performance. Duration 88. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068910 Composed by Lars Ek. Folk,World. Full Performance. Duration 88. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924309. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068910). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
RANSÄTERFRÖJD
RANSÄTERFRÖJD
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Lars Ek
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RANSÄTERFRÖJD
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068909 Composed by Lars Ek. Folk,World. Full Performance. Duration 149. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068909 Composed by Lars Ek. Folk,World. Full Performance. Duration 149. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924305. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068909). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
VOSS ON THE ROCKS
VOSS ON THE ROCKS
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Lars Ek
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VOSS ON THE ROCKS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068913 Composed by Lars Ek. Folk,World. Full Performance. Duration 161. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068913 Composed by Lars Ek. Folk,World. Full Performance. Duration 161. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924317. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068913). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
Good King Wenceslas
Good King Wenceslas
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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Good King Wenceslas
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1125812 By Michael Swedberg. By 13th Century Finnish Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. S...
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Piano Solo - Level 4 - SKU: A0.1125812 By Michael Swedberg. By 13th Century Finnish Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726552. Published by Niska Music Publishing (A0.1125812). This carol holds a special memory for me. I was living in Green Bay following my graduate studies and I was teaching private voice lessons at Appleton West High School with my brother and his wife at the request of the choral director, Kevin Meidl. Kevin was also the director of the Appleton Boychoir and one year he asked me to sing the solo part of this carol for a recording they were making. My arrangement of this carol is rather straightforward with very little altering of the basic rhythms found in the original tune. However, the melody in the first verse is found among triplet figures and therefore one must be sure to bring out the important notes. There is a dance-like quality to the music, reminiscent of a gigue from the Baroque period. Following a brief reprise of the opening material the melody shifts to the left hand, starting out as a single note and soon joined in harmony. To me, it represents the page and the king from the story as they walk through the cold, winter night to bring food and fuel to the peasant living near the mountain. The melody then moves back to the right hand, but is now played in half notes indicating the difficult terrain and the snow they must traverse causing them to move more slowly. The left hand rumbles below as a reminder of the wind blowing and the snow swirling about them. The page, fears he cannot go on, but the king tells him to walk in his footsteps and all will be well. Soon, monarch and servant are moving swiftly to their destination. The music slowly fades as they pass into the mountain’s shadow only to grow once again as they arrive at the poor man’s home. The final chords ring out as the door is thrown open and they step inside to share what they have brought.
$3.99
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Guitare
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INTERMÉDIAIRE
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Renaissance
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Various
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Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Vol
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanita...
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Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #768119. Published by Socrates Arvanitakis (A0.1167752). This is the thirtieth-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 35 (Songs 919-945)Wild, Wild Berry (the)Will Ye No Come Back AgainWill you go lassieWilliam TaylorWillie Brook (William Cook)Willie DooWillie drowned in EroWindy Old WeatherWithin a GardenWoodsmans Alphabet (the)World I have Forsaken (the)Wraggle Taggle Gipsies-O (the)Wreck of the Sloop John B (the)Yankee DoodleYarmouth is a Pretty TownYe Banks And BraesYe Mar’ners AllYe People All, In God RejoiceYe’re sair dung, Annie, or, Bervie’s BraesYellow BirdYellow Rose of Texas (the)Yellow Sheepskin (the)Young BankerYoung Bucks A-Hunting GoYoung CollinsYoung HerchardYoung William.
$25.00
Bond Unbroken
Bond Unbroken
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Piano seul
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AVANCÉ
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New Age
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Contemporain
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Matt Arnett
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Bond Unbroken
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Matt Arnett Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.945547 Composed by Matt Arnett. Concert,Contemporary,New Age. Score. 6 pages. Matt Arnett Music #5952835. Published by Ma...
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Piano Solo - Level 5 - SKU: A0.945547 Composed by Matt Arnett. Concert,Contemporary,New Age. Score. 6 pages. Matt Arnett Music #5952835. Published by Matt Arnett Music (A0.945547). To me, this piece is about journeys. It's about moving on when one part of our lives comes to an end an another begins. As we go, some people stay with us - but others will exit the scene. Bond Unbroken is about the connection that we continue to have with those we have left behind, or that have left us. While they may not continue to play a prominent role in our daily lives, the relationship we have with those we love never really fades away. The performer should take time to reflect on individuals that have influenced their lives in the past.The melody features frequent off-beats and some quarter-note triplets. While the piece is not overly challenging technically, it is fairly difficult rhythmically, and is therefore most appropriate for a more mature player. The piece is about 4:00 in duration.Find more of my work at https://mattarnettmusic.com/, or follow me at https://www.facebook.com/mattarnettmusic/
$2.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Folk Songs For Classical Guitar - Volume 32 (Songs 838-864)
Folk Songs For Classical Guitar - Volume 32 (Songs 838-864)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1166066 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1166066 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #766444. Published by Socrates Arvanitakis (A0.1166066). This is the thirtieth-second of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 32 (Songs 838-864)Tam LinTaney CountyTarpaulin Jacket (the)Tattie JockTen Joys of Mary (the)There was a Pig went out to DigThere was an Old Woman in our townThere’s nae luck aboot the hooseThis Old ManThou Bonnie Wood o’ CraigieleaThousands or MoreThree Dukes (the)Three HarksThree Jolly HuntsmenThree little babesThree Maidens a-milking did goThree PiratesThree Ravens (the)Three Score and TenThree SistersThresher and the Squire (the)Threshing SongThrough MoorfieldsThrough the GroveThe Tinker’s WeddingTipteerers’ CarolTo All the Good Children, A Happy New Year.
$25.00
Folk Songs For Classical Guitar - Volume 18 (Songs 460-486)
Folk Songs For Classical Guitar - Volume 18 (Songs 460-486)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156206 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156206 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 40 pages. Socrates Arvanitakis #756520. Published by Socrates Arvanitakis (A0.1156206). This is the eighteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 18 (Songs 460-486)Jack HallJan’s CourtshipJennie JenkinsJenny Go GentleJesus, Jesus, Rest your HeadJim Along JosieJock O’ the SideJock of HazeldeanJohn Anderson, my joJohn ApplebyJohn BarleycornJohn BluntJohn KanakaJohn of the HazelgreenJohn PeelJohnnie SangsterJohnny GallagherJohnny ToddJolly Beggar (The)Jolly Carter (The)Jolly Goss-Hawk (the)Jolly Miller-Miller of Dee (the)Jolly Ploughboy 1 (the)Jolly Ploughboy 2Jolly Waggoner (the)JordanJoseph and the Angel.
$25.00
Theme from Dvorak New World Symphony (Largo) for six 'cellos
Theme from Dvorak New World Symphony (Largo) for six 'cellos
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Violoncelle
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FACILE
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Classique
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Antonin Dvorak
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Theme from Dvorak New World Sy
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Perio...
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Cello Solo - Level 2 - SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Period. Individual part. 10 pages. Samantha Bramley #6009463. Published by Samantha Bramley (A0.800215). Theme from ‘New World Symphony’ by Dvorak – 2nd Movement ‘Largo’ This is a six ‘cello version of the famous Largo theme from the second movement of Dvorak’s ‘New World Symphony.’ The duration of the arrangement is 3 and a half minutes, making it a nice encore or perfect for inclusion in a varied program. All parts are written in bass clef and none go above 4th position, making it ideal for a student ensemble. If played by a ‘cello orchestra (rather than 6 individual ‘cellists) the solo and tutti markings should be observed with dynamics varied accordingly. Keep Calm & Play Cello! Note from the arranger: All my arrangements for ‘cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the ‘cello in mind – no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced ‘cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of parts is included. Enjoy and feel free to email comments or request for other works to stringspirational@gmail.com or visit my website www.stringspirational.com to find out more.
$12.99
Bach: Bist du bei mir BWV 508 for Trombone & Piano
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Bist du bei mir BWV 508 for Flute & Piano
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stan...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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Let's Go Therefore
