Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Look He Comes
Sheetmusicplus
Non classifié
6
Piano & claviers
Piano, Voix
8
Piano seul
7
Piano Facile
4
Piano, Voix et Guitare
3
Instruments en Do
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Voix
Chorale SATB
6
Voix Baryton, Piano
3
Chorale 2 parties
3
Voix Tenor, Piano
2
Chorale TTBB
2
Chorale 3 parties
1
+ 1 instrumentations
Retracter
Vents
Hautbois (partie séparée)
1
Saxophone Alto et Piano
1
Saxophone Tenor et Piano
1
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone
1
Cordes
Violon
1
Violon et Piano
1
Alto et Harpe
1
Alto, Piano
1
Contre Basse
1
Percussions & orchestre
Orchestre d'harmonie
26
Orchestre de chambre
3
Orchestre à Cordes
2
Orchestre
2
Ensemble Jazz
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
PARTITIONS GRATUITES
187 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Look He Comes
SheetMusicPlus
Partitions à imprimer
94 partitions trouvées
<
1
26
51
76
Looking Forward
Looking Forward
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew McDonald
#
Andrew McDonald
#
Looking Forward
#
Andrew Mc Donald
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1078617 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. ...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1078617 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. 7 pages. Andrew Mc Donald (Macka Records) #682843. Published by Andrew Mc Donald (Macka Records) (A0.1078617). Looking Forward is a song about the second coming of Jesus. I am looking forward to when the trumpet sounds and He will rapture the saints. I cannot wait til He comes again and I want to see it happen. This is a pop song for piano and vocals.
$4.99
He Will Lead Me Home
He Will Lead Me Home
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin Longley
#
Kevin Longley
#
He Will Lead Me Home
#
Kevin Longley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
Because He Was A Bonny Lad
Because He Was A Bonny Lad
#
Traditional Fiddle Tunes
#
Heather M Music
#
Because He Was A Bonny Lad
#
Heather Mueller Music
#
SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340354 By Traditional Fiddle Tunes. Arranged by Heather M Music. Thi...
(+)
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340354 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 72. Heather Mueller Music #5fwfv60k3hWZCRdc02BIm2. Published by Heather Mueller Music (A0.1340354). Key: A major.Because He Was A Bonny Lad - A Major Folk Tune Sheet Music Indulge in the timeless charm of Because He Was A Bonny Lad with our meticulously crafted sheet music. Set in the uplifting key of A Major, this traditional folk tune comes to life with a delightful melody, harmonies, a dynamic bassline, and convenient chord symbols. Tailored for fiddle players, this sheet music also offers versatility for melodic instruments tuned to the brilliance of A Major or accompaniment instruments. Key Features: Authentic transcription of Because He Was A Bonny Lad in the joyful key of A Major. Melody, harmonies, and a lively bassline thoughtfully arranged. Chord symbols for seamless accompaniment. Suited for fiddle players and adaptable to various melodic instruments. Celebrate the uplifting spirit of Because He Was A Bonny Lad as you explore its melodic richness in A Major. Whether you're a fiddler looking to add a lively piece to your repertoire or a musician on a melodic instrument seeking a joyful tune, this sheet music invites you to embrace the essence of this cherished composition. Elevate your performance and share the joy of Because He Was A Bonny Lad with this expertly crafted arrangement.
$3.99
Urban Arboretum for Solo Oboe
Urban Arboretum for Solo Oboe
#
Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Yuta Tanaka
#
Urban Arboretum for Solo Oboe
#
YUTATANAKASOUND PUBLISHING
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1016849 Composed by Yuta Tanaka. 20th Century,Contemporary,World. Individual part. 7 pages. YUTATANAKASOUND PUBLISHING #59...
(+)
Oboe Solo - Level 3 - SKU: A0.1016849 Composed by Yuta Tanaka. 20th Century,Contemporary,World. Individual part. 7 pages. YUTATANAKASOUND PUBLISHING #5996951. Published by YUTATANAKASOUND PUBLISHING (A0.1016849). Urban Arboretum was written for Online Summer Composition Workshop with Jenni Brandon in July 2020 with oboist Lindabeth Binkley as the resident artist. Duration: 5 minutes Program notes: Kew Gardens in Queens, New York, is where the composer settles, which offers a delicate balance between the city and nature. Each piece portrays the impression of the specific trees in the park, which the composer grew over time getting acquainted with them. Solitary Yew stands alone in the park, planted by the park planner not too long ago. The evergreen tree looks like it does not belong there but still maintaining a straight, symmetrical posture. Later in the summer, its seed cones develop into a berry-like red structure. Twin Japanese Maples welcomes the composer every time he comes home. In spring, it grows beautiful bright-green leaves, with 5 or 7 pointed lobes. From autumn to winter, its leaves grow into burning red color for a while, then fall. Triangular Oaks are probably the oldest of the park. Three oak's layout creates vast shadow areas on the lawn where kids play with balls, kicking or throwing it back and forth. Contact: WWW.YUTATANAKASOUND.COM
$12.00
Gratitude, sacred music for SATB choir
Gratitude, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Gratitude, sacred music for SA
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1155602 Composed by Kevin G. Pace (ASCAP), Richard H. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritu...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1155602 Composed by Kevin G. Pace (ASCAP), Richard H. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #755902. Published by Kevin G. Pace (A0.1155602). Wonderful, sacred music for SATB choir with music by Kevin G. Pace and text by Richard H. Hales. Text: I looked and saw my God above. He gives me life free with His love. He gives me breath from day to day. He gives me will to do and say. He gives me agency to choose A plan to accept or to refuse. I know He loves me sev'n times seven. He is my very own Father in Heaven. I looked and saw the Christ below. He comes to earth, good deeds to sow. He died and lived again for me, That I may have Immortality. He suffered untold pain and strife, That I might choose Eternal Life. I know He loves me, this I savor. He is my Lord, Redeemer, and Savior.
$1.99
March of the Rubber Duckies (Dave's Theme)
March of the Rubber Duckies (Dave's Theme)
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Anne Britt
#
March of the Rubber Duckies
#
Anne Britt
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.741157 Composed by Anne Britt. Children,Contemporary. Score. 5 pages. Anne Britt #3381935. Published by Anne Britt (A0.74...
(+)
Piano Solo - Level 4 - SKU: A0.741157 Composed by Anne Britt. Children,Contemporary. Score. 5 pages. Anne Britt #3381935. Published by Anne Britt (A0.741157). This playful, energetic song was written as part of the Family Suite My husband Dave is such a kid at heart – I think that’s one reason why he gets along so easily with kids of all ages and kids enjoy being around him. I know he brings out my playful side and I love how the energy level in a room increases noticeably when he comes in. When we reserved a romantic room overlooking the beach for our anniversary last year, the rubber ducky waiting for us in the whirlpool tub alongside the rose petals was the perfect touch, and we had to get our own little rubber ducky when we got home. So this piece is dedicated to my eternal companion – may we grow old together but never grow up! 5 pages. Family Suite songbook: https://www.sheetmusicplus.com/title/20667272Visit the composer's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
The Lord Shall Return
The Lord Shall Return
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
The Lord Shall Return
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842084 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #42682...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842084 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #4268235. Published by Andrew Mc Donald (Macka Records) (A0.842084). The Lord Shall Return is a song about the second coming of Jesus. When He comes every eye will see Him and we will all be in awe. Look for the signs and the events of the end times for this will take place.
$4.99
9.28.85
9.28.85
#
Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
(+)
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Sally in our Alley - Henry Carey arr. GH Farnell (Brass Quintet)
Sally in our Alley - Henry Carey arr. GH Farnell (Brass Quintet)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
FACILE
#
Contemporain
#
Henry Carey
#
GH Farnell & Peet du Toit
#
Sally in our Alley - Henry Car
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802628 Composed by Henry Carey. Arranged by GH Farnell & Peet du Toit. Contemporary. Score...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802628 Composed by Henry Carey. Arranged by GH Farnell & Peet du Toit. Contemporary. Score and parts. 7 pages. Peet du Toit #6051569. Published by Peet du Toit (A0.802628). Sally in Our Alley is a 1931 British romantic comedy drama film directed by Maurice Elvey and starring Gracie Fields, Ian Hunter, and Florence Desmond.A British soldier (Ian Hunter) goes off to fight in World War I, with his girlfriend (Gracie Fields) waiting and worried at home. He is soon wounded in battle and crippled. He comes to the conclusion that she would be better off believing that he has been killed so she can get on with her life. She gets the news and is devastated. Several years later she is still grieving for him, but he has now been cured and goes looking for her. The film incorporated Fields' hugely popular signature song, Sally, itself a reference to Henry Carey's 1725 song, Sally in Our Alley, which had long been a traditional English country dance.Here's a rendition of Sally in our Alley for Brass Quintet. Enjoy!
$13.00
I'm Not Afraid
I'm Not Afraid
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
I'm Not Afraid
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842202 Composed by Andrew Mc Donald. Christian,Contemporary,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Mack...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842202 Composed by Andrew Mc Donald. Christian,Contemporary,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #5723167. Published by Andrew Mc Donald (Macka Records) (A0.842202). I'm Not Afraid is a song about being scared of the devil. In my experience when he comes we can feel terrified. I have learnt that we can fight back because we have Jesus on our side. I reckon we can make him pay by winning souls for Jesus. We can tell him to take a hike. We will be okay no matter what with Jesus looking after us.
$4.99
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
#
Violon
#
Tito Abeleda
#
Violin 1, 2, 3
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
(+)
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Visionary Quest Records
#
Violin Solo
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
(+)
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
#
Orchestre à Cordes
#
Tito Abeleda
#
Violin Solo
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
(+)
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Look He Comes
Look He Comes
#
Piano, Voix et Guitare
#
Gospel Spirituel
#
Musique Sacrée
#
Andrew Mc Donald
#
Look He Comes
#
Andrew Mc Donald
#
SheetMusicPlus
Composed by Andrew Mc Donald. Contemporary Christian, Gospel, Pop. Score. 5 pages. Published by Andrew Mc Donald (Macka Records) (S0.332955). - Score - Contempo...
(+)
Composed by Andrew Mc Donald. Contemporary Christian, Gospel, Pop. Score. 5 pages. Published by Andrew Mc Donald (Macka Records) (S0.332955). - Score - Contemporary Christian,Gospel,Pop - Andrew Mc Donald (Macka Records)
$4.99
Rosenkavalier Suite
Rosenkavalier Suite
#
Orchestre d'harmonie
#
AVANCÉ
#
Richard Strauss
#
Steven Nunes
#
Rosenkavalier Suite
#
Nagamon Publications
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #...
(+)
Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #1049975. Published by Nagamon Publications (A0.1472273). Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac.In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but apparently was not involved in creating it. It is likely that conductor Artur Rodziński arranged it, as he conducted the suite's first performance, in October 1944 by the New York Philharmonic.The suite begins with the opera's orchestral prelude, depicting the Marschallin's and Octavian's night of passion (vividly portrayed by whooping horns and saxophones). Next comes the appearance of Octavian as the Rosenkavalier, depicted in tender music; the sight of him looking so young makes the Marschallin realise that he will soon leave her for a younger woman. There follows the duet between Octavian and Sophie – in which their love for each other becomes ever more obvious, but this is abruptly interrupted by the discordant music associated with Ochs's clumsy arrival. Next the violins tentatively introduce the first waltz, followed by another given out by the solo violin, before the whole orchestra settles into waltz mode. A general pause and a violin solo leads into the nostalgic music where the Marschallin sadly realises she has lost Octavian. Then comes its ecstatic climax. The work closes with a singularly robust waltz, depicting Ochs at his most pompous, and a boisterous coda newly composed for the suite.The PDF contains the Full Score and a full set of parts.
$75.00
Love As Our Savior Loves, a sacred hymn
Love As Our Savior Loves, a sacred hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Love As Our Savior Loves, a sa
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1255526 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1255526 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #849032. Published by Kevin G. Pace (A0.1255526). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text: Love as our Savior loves; Carry our brother.Walk in his chosen paths; Trust what’s in store.Follow each step He takes; Love one another.All burdens will be light as God opens doors.Love as our Savior loves; Weep with the dying.Shared tears transition pain to charity.As true compassion flows without our trying,All agony becomes love’s true rarity.Love as our Savior loves; Pray with the helpless.Bow low on bended knees; Answers will come.God’s true desires will give hope to the hopeless.All will be blessed to feel succor from above.Love as our Savior loves, with true devotion.Giving God’s grace to all comes as our gift.As we look up with faith, trusting each notion,All will receive His strength and his love to lift.
$1.99
Rock - a Roger Jones musical
Rock - a Roger Jones musical
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Roger Jones, Alison Fuggle
#
Annie Routley
#
Rock - a Roger Jones musical
#
Christian Music Ministries
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
CASSANDRA'S VISION
CASSANDRA'S VISION
#
Violon et Piano
#
Contemporain
#
Monica Bergo
#
CASSANDRA'S VISION
#
Moni Bergo
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
(+)
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
Thank U, Next
Thank U, Next
#
Piano, Voix
#
FACILE
#
Pop musique
#
Ariana Grande
#
Mario Stallbaumer
#
Thank U, Next
#
Mario Stallbaumer
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
EVERYTHING LIKE BEFORE
EVERYTHING LIKE BEFORE
#
Piano seul
#
Contemporain
#
Monica Bergo
#
#
EVERYTHING LIKE BEFORE
#
Moni Bergo
#
SheetMusicPlus
Piano Solo - SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). ...
(+)
Piano Solo - SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00
When We Face An Unknown Future
When We Face An Unknown Future
#
Chorale 2 parties
#
INTERMÉDIAIRE
#
Veniamin Blokh
#
When We Face An Unknown Future
#
Veniamin Blokh
#
SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.1029846 Composed by Veniamin Blokh. Praise & Worship,Romantic Period,Sacred. Octavo. 7 pages. Veniamin Blokh #5753...
(+)
Choral Choir (SA) - Level 3 - SKU: A0.1029846 Composed by Veniamin Blokh. Praise & Worship,Romantic Period,Sacred. Octavo. 7 pages. Veniamin Blokh #5753547. Published by Veniamin Blokh (A0.1029846). A song for choir and piano written on a reflection of the situation with the COVID-19 in the world. Words by Carolyn Winfrey Gillette:When we face an unknown future that we can't imagine yet,when the closeness we have treasured turns from blessing into threat -As we miss our friends and loved ones, as we crave community,may we look, God, in this season, for a whole new way to be.Jesus faced the lonely desert as a time to look within.There he met such trial and conflict; there he knew you were with him.In this time of separation when we miss the life we've known,may we hear your voice proclaiming: I am here! You're not alone.May we cherish those around us as we never have before.May we think much less of profit; may we learn what matters more.May we hear our neighbors' suffering; may we see our neighbors' pain.May we learn new ways of offering life and health and hope again.God, when illness comes to threaten, and when so much here goes wrong,may we know this thing for certain - that your love is sure and strong.You're beside us in our suffering - and when times are surely tough,we may face an unknown future, but it's filled, Lord, with your love.
$4.99
Im Aargau sind zwöi Liebi (SAB)
Im Aargau sind zwöi Liebi (SAB)
#
Chorale 3 parties
#
FACILE
#
Folksong from Switzerland, can
#
Deborah Krauss
#
Im Aargau sind zwöi Liebi
#
Cold Springs Publications
#
SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.749241 Composed by Folksong from Switzerland, canton Aargau. Arranged by Deborah Krauss. A Cappella,Folk,Instruct...
(+)
Choral Choir (SAB) - Level 2 - SKU: A0.749241 Composed by Folksong from Switzerland, canton Aargau. Arranged by Deborah Krauss. A Cappella,Folk,Instructional,Multicultural,World. Octavo. 2 pages. Cold Springs Publications #355154. Published by Cold Springs Publications (A0.749241). In Swiss-German dialect, this well-known folksong from the canton of Aargau in north-central Switzerland is arranged here for 3 mixed voices. In true folksong fashion, there are 12 verses total, a story about a young lad who goes off to war, and after a year comes home to find his sweetheart now has a new love. Looking for consolation from his mother, she instead tells him he should have never left! In this arrangement, only three verses have been selected, just to keep the story short and sweet. Translated: 1) In Aargau are two sweethearts, they loved each other well; 6) God greet you dearest maiden, to you my heart is true; 8) Good looks and riches has he, and both are dear to me, and then a repeat of verse 1.
$1.99
What Must I Do?
What Must I Do?
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
John W
#
What Must I Do?
#
John Fisher
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1326732 Composed by John W. Fisher. 21st Century,Christian,Instructional,Praise & Worship,Religious. 2 pa...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1326732 Composed by John W. Fisher. 21st Century,Christian,Instructional,Praise & Worship,Religious. 2 pages. John Fisher #914875. Published by John Fisher (A0.1326732). This sermon song was inspired by the second half of the sermon Those Who Came With Jesus by Dr. Paul de Jong at First Presbyterian Church, Fort Myers, Florida on November 26,2023 using the text Mark 10: 1-31. I used the first groups who came with Jesus were the Pharisees testing Christ about marriage and devorce, the disciples and the children. In my sermon song Marriage and Children With God I set to the traditional Here Comes The Bride, with a Christian message as apposed to Wagner's pagan opera of origin. This one focuses on the rich man in the Gospel of Mark who, although he kept all of the commandments, lacked one thing - that he sell all he had and give it to the poor. With sorrow he departed from Christ because he had many riches. I avoided the eye of the camel referance, but ended with the line For all things are possible with God.For the music, to describe this event, I tweeked my sermon song LOOK, which has been published by Sheet Music Plus. This SATB arrangement can be used as special music by a quartet, a choir anthem or sung by a congregation with its five verses as a hymn.
$7.00
Europapa in Harmony
Europapa in Harmony
#
Orchestre d'harmonie
#
FACILE
#
Joost Klein
#
Scaver
#
Europapa in Harmony
#
Scaver
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1399474 Composed by Joost Klein. Arranged by Scaver. 21st Century,Contest,Disco,Festival,Multicultural,Pop,World. 47 pa...
(+)
Concert Band - Level 2 - SKU: A0.1399474 Composed by Joost Klein. Arranged by Scaver. 21st Century,Contest,Disco,Festival,Multicultural,Pop,World. 47 pages. Scaver #982763. Published by Scaver (A0.1399474). ‘Europapa’ by Joost Klein is the Dutch entry for the Eurovision Song Contest 2024.Europapa is a tribute to his father. With this song, he conveys that there are no boundaries when it comes to pursuing your dreams and sharing your story. The song is an absurd combination of nostalgia, melancholy, and joy, wrapped in poetic lyrics and infectious beats that Joost is known for.Joost says, “Europapa is about an orphan traveling throughout Europe (and beyond) to find himself and share his story. At first, people don't know him, but he seizes every opportunity to make himself known. Europapa is a tribute to my father. In raising me, he taught me to look at the world with an open mind.â€Instrument list:PiccoloFlute 1,2Oboe 1,2Bassoon 1,2Clarinet Bb 1,2,3Bass ClarinetAlto Saxophone 1,2Tenor SaxophoneBaritone SaxophoneTrumpet Bb 1,2,3Horn F 1-2,3-4Trombone 1,2,3Euphonium BbTuba BbTuba EbDouble BassTimpaniGlockenspielPercussion 1,2.
$12.99
<
1
26
51
76
Look He Comes
