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Vous avez sélectionné:
Out of Sight: Tuba
Partitions à imprimer
44 partitions trouvées
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26
Out of Sight: Tuba
Out of Sight: Tuba
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Tuba (partie séparée)
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Funk
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James Brown
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Jerry Burns
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Out of Sight: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016960_TB1 Tuba. By James Brown. By James Brown. Arranged by Jerry Burns. Funk. Part. 1 pages. Alfred Music - Digi...
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Marching Band - SKU: AX.00-PC-0016960_TB1 Tuba. By James Brown. By James Brown. Arranged by Jerry Burns. Funk. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016960_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016960_TB1). UPC: 038081503073.Here is the funky James Brown classic in a stellar new arrangement by Jerry Burns. Perfect for the stands, drill teams, and pep band, this chart will come together in a hurry! (1:20).
$3.00
Moonlight Sonata for Brass Quartet - trumpet, french horn, trombone and tuba
Moonlight Sonata for Brass Quartet - trumpet, french horn, trombone and tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Classique
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Ludwig van Beethoven
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Ivan de Andrade
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Moonlight Sonata for Brass Qua
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Finesse Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.487334 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissanc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.487334 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 16 pages. Finesse Music #104909. Published by Finesse Music (A0.487334). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Concert key of C minor. Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$9.99
The Fairest of the Fair for Brass Quintet
The Fairest of the Fair for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa Arranged by
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John Philip Sousa
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Jari A
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The Fairest of the Fair for Br
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holid...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Romantic Period. Score and parts. 29 pages. JV MUSIC #3414623. Published by JV MUSIC (A0.722745). The Fairest of the Fair March for Brass Quintet and Optional DrumsBy John Philip Sousa Arranged by Jari VillanuevaScore 2 Trumpets in BbHorn in FTromboneTubaOptional DrumsSubstitute parts for Eb Horn and Baritone T.C .providedThe Fairest of the Fair (1908) by John Philip Sousa was composed for the annual Boston Food Fair of 1908 and is claimed that the memory of a pretty girl he had seen at an earlier fair inspired the composition. Sousa composed The Fairest of the Fair intending his Band to perform it at the annual Boston Food Fair in the fall of 1908. It is the only work of any kind that he composed that year and one of only a handful of compositions that he wrote between 1906 and 1910. He apparently completed it in New York during the summer, as the final page of the original score was signed John Philip Sousa, Camp Comfort, Saranac Lake, Adirondack, New York, July 8, 1908.The march almost missed its premier at the Boston Food Fair. Because of an oversight the music, which Sousa had written and scored out, did not have individual parts written out for the performers. This was discovered the day before the performance. The new composition had received much advanced publicity and it would have been an embarrassment to Sousa not to have it performed. The band’s copyist, Louis Morris, rose to the occasion and on the train to Boston stayed up and copied out the parts so the band could premier the work as advertised on September 28, 1908. In the morning when Sousa found out Morris was working all night he instructed him to finish the work and get some rest. Morris missed the concert and the premier but found an extra $50 in his next paycheck.Published by JV MUSIC Baltimore MD www.jvmusic.net https://youtu.be/KeE5dMnrevU
$15.00
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
Ten More Duets for Bass Trombone or Tuba
Ten More Duets for Bass Trombone or Tuba
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Trombone, Tuba (duo)
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AVANCÉ
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Lew Gillis
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Ten More Duets for Bass Trombo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792479 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 23 pages. Gordon Cherry #498...
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Brass Ensemble - Level 5 - SKU: A0.792479 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 23 pages. Gordon Cherry #4988233. Published by Gordon Cherry (A0.792479). The late Lew Gillis wrote this Volume 2 of Ten More Duets for Bass Trombone and/or Tuba (or in combination) as a response to the lack of literature for the instruments. They are fun and challenging, fitting well into the range of both Bass Trombone and Tuba. Each of these advanced level duets are about a minute or two in length, handwritten and make excellent sight reading exercises. Distributed by Cherry Classics Music for Virgo Music Publishers.
$17.50
Ten Duets for Bass Trombone or Tuba
Ten Duets for Bass Trombone or Tuba
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Trombone, Tuba (duo)
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INTERMÉDIAIRE/AVANCÉ
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Lew Gillis
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Ten Duets for Bass Trombone or
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.792354 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 20 pages. Gordon Cherry #480...
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Brass Ensemble - Level 4 - SKU: A0.792354 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 20 pages. Gordon Cherry #4806779. Published by Gordon Cherry (A0.792354). The late Lew Gillis wrote these ten duets for Bass Trombone and/or Tuba as a response to the lack of literature for the instruments. They are fun and challenging, fitting well into the range of both Bass Trombone and Tuba. Each of these advanced level duets are about a minute or two in length, handwritten and make excellent sight reading exercises.
$17.50
Ten Duets for Bass Trombone or Tuba
Ten Duets for Bass Trombone or Tuba
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Trombone, Tuba (duo)
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AVANCÉ
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Contemporain
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Gillis, Lew
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Gillis, Lew
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Ten Duets for Bass Trombone or
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792376 Composed by Gillis, Lew. Arranged by Gillis, Lew. 20th Century,Contemporary. Score and parts. 20 pages. Gordon...
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Brass Ensemble - Level 5 - SKU: A0.792376 Composed by Gillis, Lew. Arranged by Gillis, Lew. 20th Century,Contemporary. Score and parts. 20 pages. Gordon Cherry #4820049. Published by Gordon Cherry (A0.792376). The late Lew Gillis wrote these ten duets for Bass Trombone and/or Tuba as a response to the lack of literature for the instruments. They are fun and challenging, fitting well into the range of both Bass Trombone and Tuba. Each of these advanced level duets are about a minute or two in length, handwritten and make excellent sight reading exercises.
$17.50
Jesus Healed my Sight
Jesus Healed my Sight
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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Unknown
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Gordon Wolfe
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Jesus Healed my Sight
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Gordon Wolfe
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.1003254 Composed by Unknown. Arranged by Gordon Wolfe. Gospel. Individual part. 1 pages. Gordon Wolfe #3048011. Published ...
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Tuba Solo - Level 4 - SKU: A0.1003254 Composed by Unknown. Arranged by Gordon Wolfe. Gospel. Individual part. 1 pages. Gordon Wolfe #3048011. Published by Gordon Wolfe (A0.1003254). Based on the hymn tune it is intended to be combined with When I can Read About the Lily as a the opening movement of a Church Sonata in Gospel Style. .
$1.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Fields Of Gold
Fields Of Gold
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Pop musique
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Sting
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Max Stannard
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Fields Of Gold
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Max Stannard Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1450395 By Sting. By Sting. Arranged by Max Stannard. Pop. Brass Band. 33 pages. Max Stannard Music #1030125. Published by Max Stannard Music (A0.1450395). This solo for flugel horn is an arrangement of the song Fields of Gold by Sting. The song was also covered by American singer and guitarist Eva Cassidy who recorded a version that first appeared on her 1996 live album Live at Blues Alley, then later on her albums Songbird (1998). In Lyrics By Sting, the singer described the view from his 16th-century Wiltshire manor house: In England, our house is surrounded by barley fields, and in the summer it's fascinating to watch the wind moving over the shimmering surface, like waves on an ocean of gold. There's something inherently sexy about the sight, something primal, as if the wind were making love to the barley. Lovers have made promises here, I'm sure, their bonds strengthened by the comforting cycle of the seasons..
$24.99
Let The Lower Lights Be Burning (BQ)
Let The Lower Lights Be Burning (BQ)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Philip P
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Joseph Pugh
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Let The Lower Lights Be Burnin
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Christian,Contempo...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Christian,Contemporary,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6519003. Published by Joseph Pugh (A0.855268). This is an arrangement of the Hymn my Mother told about as our Church Choir rehearsed, years ago.  At the mouth of Cleveland harbor, there were two lights, one at each side of the bay, called the upper and lower lights; and to enter the harbor safely by night, vessels must sight both of the lights. A ship can try to make for the harbor, but they may crash against the rocks if they don't see the lights upon the shore. Very few escape. The great majority find a watery grave. Why? Simply because the lower lights going out. Now, with us the upper lights are all right. Christ Himself is the upper light, and we are the lower lights, and the cry to us is, keep the lower lights burning; that is what we have to do. He will lead us safe to the sunlit shore of Canaan, where there is no more night._ D.L. Moody.
$9.99
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Lighthouse Suite
Lighthouse Suite
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Baldwin
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Lighthouse Suite
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Imagine Music - Digital
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SheetMusicPlus
Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital...
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Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital
In the spring of 2010, my minister put me in touch with his nephew, the trombonist of the Gaudete Brass Quintet of Chicago. A brief conversation resulted in a commission for an expansive four movement work written over the course of three years. Lighthouses have always been a fascination of mine; all of the things they must see! The piece begins with a call to the high seas. In this you will hear the introduction of the lighthouse dynamic, a large dynamic sweep, representing the lighthouse light swinging by and out of sight again. The second movement depicts adventures on the open sea. In the third movement, darkness falls. The finale represents daybreak and the excitement of the new day. A dramatic moment leads to a heroic moment, followed by a moment of silence for those who have fallen (the second theme of the fourth movement is presented in the style of taps). A return of the call to the high seas leads to an energetic conclusion. Lighthouse Suite is dedicated to the Gaudete Brass Quintet who premiered the piece in the fall of 2014.
$24.00
Wallowa Fanfare for Brass Quintet
Wallowa Fanfare for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Trevor Wilson
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Wallowa Fanfare for Brass Quin
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Trevor's Music Studio
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1278278 Composed by Trevor Wilson. Chamber,Classical. 11 pages. Trevor's Music Studio #8699...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1278278 Composed by Trevor Wilson. Chamber,Classical. 11 pages. Trevor's Music Studio #869981. Published by Trevor's Music Studio (A0.1278278). Explore the majestic Wallowa Mountains in northeast Oregon! Inspired by their extreme jaggedness and majestic appearance, this fanfare for brass quintet was originally written for the brass edition of Music Camps at Wallowa Lake summer camp in 2010. Also known as the Alps of Oregon, the Wallowa Mountains are home to many camping, hiking, and other outdoor activities. This short fanfare is a tribute to their striking geography, starting with a simple melody, then expanding on rhythmic themes reminiscent of the range's pronounced sight line. Performance time is around 1:30, and is suitable for an intermediate brass quintet. This is a great piece to start a concert with, and a fun way to educate the audience on a short - but mighty - mountain range in Oregon!
$12.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1473987 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1473987 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050980. Published by Rodrigo Faleiros (A0.1473987). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1473549 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1473549 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050895. Published by Rodrigo Faleiros (A0.1473549). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1473988 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1473988 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050981. Published by Rodrigo Faleiros (A0.1473988). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1474042 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1474042 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1051011. Published by Rodrigo Faleiros (A0.1474042). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1473604 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1473604 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050942. Published by Rodrigo Faleiros (A0.1473604). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1473548 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1473548 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050894. Published by Rodrigo Faleiros (A0.1473548). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1473605 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1473605 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050943. Published by Rodrigo Faleiros (A0.1473605). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
Toreador March (from the opera Carmen) - easy version
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Tuba et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1474043 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and pa...
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Piano,Tuba - Level 1 - SKU: A0.1474043 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1051012. Published by Rodrigo Faleiros (A0.1474043). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo tuba with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Michelle
Michelle
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Rock
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The Beatles
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Thomas Graf
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Michelle
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1212197 By The Beatles. By John Lennon and Paul McCartney. Arranged by Thomas Gra...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1212197 By The Beatles. By John Lennon and Paul McCartney. Arranged by Thomas Graf. Jazz,Pop. 29 pages. Thomas Graf - the-hit-factory.com #809711. Published by Thomas Graf - the-hit-factory.com (A0.1212197). One of the greatest Beatles compositions. This jazzy, Basie-style arrangement needs a lot of section understanding, not difficult to read and play. My band could easily sight-read the music. In the chorusses the band’s sound will explode by the song’s empathy and desire. Enjoy!About this arrangement: Composed by: By John Lennon, Paul McCartneyArranged by: Thomas H. GrafInstrumentation: Full ScoreTrumpet 1 in BbTrumpet 2 in BbHorn in FHorn in EbHorn in BbTrombone in CTrombone in BbTubaBass in Bb/Bass in EbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
Oif'n Pripetshok ×ויפן פריפעטשיק (Jewish Wedding) - brass quintet
Oif'n Pripetshok ×ויפן פריפעטשיק (Jewish Wedding) - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Mark Warshawski
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Austin Ralphson
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Oif'n Pripetshok ×ו×
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Austin Ralphson
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.563665 Composed by Mark Warshawski. Arranged by Austin Ralphson. Jewish,Wedding,World. Sco...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.563665 Composed by Mark Warshawski. Arranged by Austin Ralphson. Jewish,Wedding,World. Score and parts. 10 pages. Austin Ralphson #4367222. Published by Austin Ralphson (A0.563665). Here is a brass quintet arrangement of this traditional song which is performed during Jewish wedding ceremonies. It is about children growing and learning. This arrangement is simple enough to be sight-read by advanced musicians, or to be rehearsed and performed by intermediate musicians.
$5.99
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Out of Sight: Tuba
