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Vous avez sélectionné:
Strings of Steel
Partitions à imprimer
34 partitions trouvées
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Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Strings of Steel
Strings of Steel
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Daniel Kemminer
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Strings of Steel
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - Digital Download Composed by Daniel Kemminer. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5481...
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Cello and piano - intermediate - Digital Download Composed by Daniel Kemminer. This edition: Sheet music. Downloadable. Schott Music - Digital #Q54817. Published by Schott Music - Digital
$3.99
Serenade Ryūkōka in C Major for Jazz Ensemble and Strings
Serenade Ryūkōka in C Major for Jazz Ensemble and Strings
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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John P
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John P
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Serenade Ryūkōka in
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John P. Kayne
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SheetMusicPlus
Large Ensemble,Strings Acoustic Guitar,B-Flat Bass Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tenor Saxophone - Level 4 - SKU: A0.1035423
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Large Ensemble,Strings Acoustic Guitar,B-Flat Bass Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tenor Saxophone - Level 4 - SKU: A0.1035423 By John P. Kayne. By John P. Kayne. Arranged by John P. Kayne. Contemporary,Film/TV,Jazz,Multicultural,Pop,World. Score and parts. 40 pages. John P. Kayne #640643. Published by John P. Kayne (A0.1035423). Originally arranged for Jazz or Rock Ensemble and Strings featuring sultry Baritone and Tenor Saxophone duet solo’s, 3 guitars ( Classical, Acoustic Steel String and Electric Guitar) and electric piano (ie Rhodes). Written in C Major around the C6/F6 chords as a modern take on RyÅ«kÅka; a Japanese genre of popular music from the late 1920’s to 1960’s. Composed in Notion for iPad using jazz saxophone samples & techniques including a fair amount atriculations such as slurs, growls and trills to achieve a vocal like performance.
$49.99
Serenade Ryūkōka in C Maj for jazz ensemble & strings;Jazz font
Serenade Ryūkōka in C Maj for jazz ensemble & strings;Jazz font
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John Paul Kayne
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John Paul Kayne
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Serenade Ryūkōka in
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John P. Kayne
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SheetMusicPlus
Large Ensemble,Mixed Percussion,Strings Acoustic Guitar,Baritone Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Piano and Keyboard,Tenor Saxophone - Level...
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Large Ensemble,Mixed Percussion,Strings Acoustic Guitar,Baritone Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Piano and Keyboard,Tenor Saxophone - Level 4 - SKU: A0.1044819 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. 20th Century,Film/TV,Jazz,Multicultural,Rock,World. Score and parts. 40 pages. John P. Kayne #649437. Published by John P. Kayne (A0.1044819). Jazz Font Edition. Originally arranged for Jazz or Rock Ensemble and Strings featuring Jazz a sultry Baritone and Tenor Saxophone duet solo’s, 3 guitars ( Classical, Acoustic Steel String and Electric Guitar) and electric piano (ie Rhodes). Written in C Major around the C6/F6 chords as a modern take on the RyÅ«kÅka; a Japanese genre of popular music from the late 1920’s to 1960’s. Composed in Notion for iPad using jazz saxophone samples & techniques including a fair amount articulations such as slurs, growls and trills to achieve a vocal like performance.
$49.99
Seranade Ryūkōka in C Maj for jazz ensemble & strings;Jazz font - Score Only
Seranade Ryūkōka in C Maj for jazz ensemble & strings;Jazz font - Score Only
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John Paul Kayne
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John Paul Kayne
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Seranade Ryūkōka in
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John P. Kayne
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.1042917 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. 20th Century,Contemporary,Jazz,Multicult...
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Large Ensemble - Level 4 - SKU: A0.1042917 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. 20th Century,Contemporary,Jazz,Multicultural,Rock,World. Score and parts. 13 pages. John P. Kayne #647627. Published by John P. Kayne (A0.1042917). Jazz Font Edition. Originally arranged for Jazz or Rock Ensemble and Strings featuring Jazz a sultry Baritone and Tenor Saxophone duet solo’s, 3 guitars ( Classical, Acoustic Steel String and Electric Guitar) and electric piano (ie Rhodes). Written in C Major around the C6/F6 chords as a modern take on the RyÅ«kÅka; a Japanese genre of popular music from the late 1920’s to 1960’s. Composed in Notion for iPad using jazz saxophone samples & techniques including a fair amount articulations such as slurs, growls and trills to achieve a vocal like performance.
$2.99
Kilonova (Concerto for Steelpan and String Quartet)
Kilonova (Concerto for Steelpan and String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Aaron Gage
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Kilonova
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Aaron Gage
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1006558 Composed by Aaron Gage. Contemporary,Multicultural,World. Score and parts. 104 pages. Aaron Ga...
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String Quartet String Quartet - Level 5 - SKU: A0.1006558 Composed by Aaron Gage. Contemporary,Multicultural,World. Score and parts. 104 pages. Aaron Gage #5222825. Published by Aaron Gage (A0.1006558). A work for solo tenor pan featuring string quartet. Aaron Gage wrote this piece with the intention of having the pan communicate with the strings as 1 separate units. A virtuosic piece in nature, the work moves through 6 distinct movements that feature haunting, exotic, and heavily emotional passages. All individual parts are included in the main file download in addition to the full score.
$50.00
Daniel Kemminer: Strings of Steel - cello & piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Daniel Kemminer
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Virtualsheetmusic
Instantly printable sheet music by Daniel Kemminer for cello & piano of EASY/MEDIUM skill level. Contents: The Entertainer, 37 Entertaining Pieces from Classical Music to Pop / classical...
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Instantly printable sheet music by Daniel Kemminer for cello & piano of EASY/MEDIUM skill level. Contents: The Entertainer, 37 Entertaining Pieces from Classical Music to Pop / classical
$5.99
Christmas Island for SSA Voices with Piano and optional 6 other instruments
Christmas Island for SSA Voices with Piano and optional 6 other instruments
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lyle Moraine
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W
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Christmas Island for SSA Voice
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Diamond S Music
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SheetMusicPlus
By Lyle Moraine. Arranged by W. Brent Sawyer. Set of Parts. 29 pages. Published by Diamond S Music...
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By Lyle Moraine. Arranged by W. Brent Sawyer. Set of Parts. 29 pages. Published by Diamond S Music
Christmas Island for SSA Voices with Piano and optional 6 other instruments. SSA Voices (Trio or Chorus) with Piano and Slide Guitar, Acoustic Guitar/Ukelele, Bass, Drums, Key 2 (Celesta), Key 3 (Strings). This Lyle Moraine song was first recorded by the Andrews Sisters with Guy Lombardo in 1946 and later by many others, including Jimmy Buffet, Leon Redbone, Bob Dylan and even Ariel from ?The Little Mermaid?. This arrangement has a bit of the ?Island? flair with a Hawaiian inspired accompaniment that is really enhanced by the use of Steel Slide Guitar and Ukulele. "2018 Holiday Contest Entry
$13.99
Pluck for guitar
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
Midnight Train to St. Petersburg
Midnight Train to St. Petersburg
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Midnight Train to St. Petersbu
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR ...
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String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR GARY D BELSHAW #6506559. Published by DR GARY D BELSHAW (A0.796779). Advanced Intermediate. SCORE ONLY: 33 pages. Duration: 9 minutes.Advanced Solo Violin plus Intermediate Violins I & II, Violas, Cellos, and Basses. Midnight Train to St. Petersburg was inspired by the train ride itself during the composer’s trek to Russia in 2006. The trip was made by faculty and students of Wayland Baptist University’s School of Music to allow the University’s Pioneer Band to participate in Victory Day festivities in Moscow and St. Petersburg. Impressions of the countryside during the train ride itself, as well as the overwhelming beauty of the country and two of her cities, informed much of the music performed here. A minimalistic approach to the composition seemed suitable. Persistent rhythmic patterns throughout the score invites listeners to imagine being inside a passenger rail car. An alternation between two- and three-eighth note groupings captures sound of steel wheels rolling along iron rails of varying lengths. The harmonies are simple, played almost entirely on open strings. Everyone involved in a performance can enjoy the exuberance of bright harmonic language. A short, simple melody, played by the upper strings is answered by the soloist - possibly the class instructor - who then is allowed some elaboration for a few measures. Students attempting a strings-methods class often find their more advanced musicianship stifled by working only in rudimental instrumental methods. Since so many pitches are played on open strings, student’s left hands are eased through the performance while the right hands move binarily in short, quick strokes. The result is a work that gratifies the student musician while developing an appreciation and understanding of string performance.
$15.00
"Seven Guitar Solos from Space and Time"
"Seven Guitar Solos from Space and Time"
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Keith Gehle
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"Seven Guitar Solos from
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Keith Gehle
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1429932 By Keith Gehle. By Keith W. Gehle. New Age. Guitar Tab. 31 pages. Keith Gehle #1010567. Published by Keith Gehle (A0....
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Guitar - Level 3 - SKU: A0.1429932 By Keith Gehle. By Keith W. Gehle. New Age. Guitar Tab. 31 pages. Keith Gehle #1010567. Published by Keith Gehle (A0.1429932). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation along with TAB for ease of learning.Some reviews of the Space and Time Album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended!- Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
"Seven Guitar Solos from Space and Time"
"Seven Guitar Solos from Space and Time"
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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"Seven Guitar Solos from
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith ...
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Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
1st Flight 2020
1st Flight 2020
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Hans Zimmer, Henning Lohner, a
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1st Flight 2020
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1301630 Composed by Hans Zimmer, Henning Lohner, and Nick Glennie Smith. Arranged by Luca Boscolo and Marco De Lazzar...
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Full Orchestra - Level 3 - SKU: A0.1301630 Composed by Hans Zimmer, Henning Lohner, and Nick Glennie Smith. Arranged by Luca Boscolo and Marco De Lazzari. 21st Century,Film/TV,Rock. Score and Parts. 53 pages. Luca Boscolo e Marco De Lazzari #891239. Published by Luca Boscolo e Marco De Lazzari (A0.1301630). An orchestral suite of the soundtracks of the movie Man of Steel. It contains these tracks: What are you going to do when you are not saving the world, Flight.Orchestral ensemble:- Violin 1-2- Cello 1-2- Piccolo- Flute 1-2- Clarinet in Bb 1-2- Soprano Sax- Alto Sax 1-2- Tenor Sax- Trumpet in Bb 1-2- Trombone 1-2- Classic Guitar- Electric guitar- Electric bass- Piano- Keyboard Synth 1 Brass- Keyboard Synth 2 Strings- Timpani- Glockenspiel- Xylophone- Vibraphone- Tom Tom- Drums- Bass drum- Various percussions (susp. cymbal, cymbals pair, triangle, conga, clave, shaker, wind chimes...).
$75.00
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
Petit concert en sextuor for oboe, harpsichord and string quartet
Petit concert en sextuor for oboe, harpsichord and string quartet
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Contemporain
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Brian Joyce
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Petit concert en sextuor for o
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Brian Joyce
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SheetMusicPlus
Small Ensemble,Strings Harpsichord,Oboe - Level 4 - SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian ...
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Small Ensemble,Strings Harpsichord,Oboe - Level 4 - SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian Joyce #2881183. Published by Brian Joyce (A0.836700). An 18-minute concerto in three movements for oboe, harpsichord and string quartet.From the program notes . . . .I can imagine readers glancing over a recital program and seeing that it includes a work for oboe, harpsichord and string quartet. They steel themselves against the onset of what promises to be a dull and dreary piece played by unsmiling people in black suits. My imaginary audience may be pleased to find that this Petit Concert is nothing of the sort. It is actually a rather relaxed piece, combining something of the 18th century Rococo (which was never very serious to begin with) and Steely Dan-influenced Hindemith. But just as a chef will hide the most unlikely ingredients in his sauces and confections, I hope I have concealed these disparate influences in a piece which speaks with its own voice. Here, then, is a short concerto with little if any overt virtuosity; it is offered simple for the enjoyment of players and audience alike. In this it perhaps comes round full circle to composers like François Couperin who preferred to please their listeners rather than stun them.Relaxed the piece may be. To be sure, ranges and techniques are far from extreme and there are plenty of triadic sonorities and almost normal functional harmony here. But there are also moments of jazz-inflected chromaticism and frequent meter changes to contend with. It will take players who can hold their own in a mildly dissonant sound world to pull this off. Careful attention to dynamics, tight ensemble and flawless intonation are a must, but diligent players will be rewarded with an immediate audience-pleaser.A separate harpsichord part is included for players who prefer not to read from the score. Equal temperament and a=440 are assumed for the harpsichord. A two manual instrument is preferred but not absolutely necessary.
$22.50
Albatross
Albatross
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Fleetwood Mac
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Tim Rushworth
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Albatross
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Tim Rushworth
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1379737 By Fleetwood Mac. By Peter Green. Arranged by Tim Rushworth. 20th Century,Pop. 14 pages. Tim Rushworth #964439. Publi...
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Guitar - Level 3 - SKU: A0.1379737 By Fleetwood Mac. By Peter Green. Arranged by Tim Rushworth. 20th Century,Pop. 14 pages. Tim Rushworth #964439. Published by Tim Rushworth (A0.1379737). This arrangement is for guitar quartet, either nylon or steel strings, or a mixture of both. The bending is easier on steel strings but is acheivable on nylon as well.It's a fun option for a classical guitar ensemble, or for a bunch of guitar players who can read music! Have fun and enjoy this guitar classic!
$4.99
Bourrée in E MInor
Bourrée in E MInor
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Indivi...
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Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Sleepwalk (instrumental Version)
Sleepwalk (instrumental Version)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Santo & Johnny
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Sarah Cellobat Chaffee
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Sleepwalk
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1074441 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged by Sarah Cellobat C...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1074441 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 7 pages. Sarah Cellobat Chaffee #678724. Published by Sarah Cellobat Chaffee (A0.1074441). Written, recorded, and released in 1959 by brothers Santo and Johnny Farina, Sleep Walk reached the top of the Billboard charts that year and has been popular ever since. A staple of the steel-guitar surf rock era, the beautiful instrumental ballad was later covered by a number of other artists, influenced a number of other songs, and even inspired Stephen King to write a screenplay! Originally written for a proposal, this arrangement for violin and cello duet brings to life the languid melodies, beautiful harmonies, and laid-back surf rock groove of the original for a chart that's just as much fun to play as it is to listen to. Rated intermediate; there are a handful of high notes and syncopated rhythms in the violin part, but overall this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
Sleepwalk (instrumental Version)
Sleepwalk (instrumental Version)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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Santo & Johnny
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Sarah Cellobat Chaffee
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Sleepwalk
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1036584 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged b...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1036584 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 13 pages. Sarah Cellobat Chaffee #641589. Published by Sarah Cellobat Chaffee (A0.1036584). Written, recorded, and released in 1959 by brothers Santo and Johnny Farina, Sleep Walk reached the top of the Billboard charts that year and has been popular ever since. A staple of the steel-guitar surf rock era, the beautiful instrumental ballad was later covered by a number of other artists, influenced a number of other songs, and even inspired Stephen King to write a screenplay! Originally written for a proposal, this string quartet arrangement brings to life the languid melodies, beautiful harmonies and countermelodies, and laid-back surf rock groove of the original for a chart that's just as much fun to play as it is to listen to. Rated intermediate; there are a handful of high notes and syncopated rhythms in the v1 part, but overall this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Rocket Man (i Think It's Gonna Be A Long Long Time)
Rocket Man (i Think It's Gonna Be A Long Long Time)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Elton John
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Ben Easler
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Rocket Man
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Steel Town Sounds
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1074500 By Elton John. By Bernie Taupin and Elton John. Arranged by Ben Easler. 20th Century,Contemporary,Film/TV,Pop...
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Full Orchestra - Level 4 - SKU: A0.1074500 By Elton John. By Bernie Taupin and Elton John. Arranged by Ben Easler. 20th Century,Contemporary,Film/TV,Pop,Rock. Score and parts. 44 pages. Steel Town Sounds #678792. Published by Steel Town Sounds (A0.1074500). This arrangement of Elton John's classic hit Rocket Man is for a rock orchestra! A full orchestra with a featured singer and rhythm section. Highlight a great singer and pianist in this classic hit with soaring strings and bright wind parts. Includes full score and all parts.
$80.00
Cups
Cups
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Anna Kendrick
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Johnnie Vinson
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Cups
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Body Percussion,Celesta,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic...
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Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Body Percussion,Celesta,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Hand Percussion,Harp,Horn,Medium Voice,Medium-Low Voice,Oboe,Piano and Keyboard,Piccolo,Steel Guitar,Synthesizer,Trumpet,Tuba - SKU: A0.1162409 By Anna Kendrick. By A.P. Carter, Heloise Tunstall-Behrens, and Luisa Gerstein. Arranged by Johnnie Vinson. Broadway,Comedy,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter. 9 pages. Amphibia Cultural Legacy #762768. Published by Amphibia Cultural Legacy (A0.1162409). Cups (When I'm Gone) is a widely popular song covered and remixed by many artists. The latest addition to the list of remixes comes from Amphibia Cultural Legacy, who have added additional instruments to the original version by Anna Kendrick. This rendition brings new life into the song and showcases Amphibia Cultural Legacy's unique musical style.The remix features an upbeat tempo and lively percussion, which adds an extra layer of depth to the already catchy melody. Adding horns and strings also provides a fuller sound, making this version stand out. Moreover, Amphibia Cultural Legacy's use of vocal harmonies in various parts creates a pleasing contrast between different song sections.Fans of Cups (When I'm Gone) will appreciate this fresh take on Anna Kendrick's hit track.The enchanting amazement of Anna Kendrick's original Cups (When I'm Gone) takes on a new level of beauty and dance with the remix by Amphibia Cultural Legacy. The cover is infused with additional instruments that complement the vocals, resulting in a truly inspirational track that will leave listeners in awe. From the first note, it's clear that this remix is something special. The added instrumentation creates a richer sound and depth to a beloved song. The result is magical, as each element combines seamlessly to create an unforgettable experience that inspires listeners and uplifts them.Whether you're dancing along or listening, Cups (When I'm Gone) by Amphibia Cultural Legacy will surely leave you entranced.
$40.00
One Second to the Future - Guitar Orchestra
One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Big Girls Don't Cry
Big Girls Don't Cry
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Fergie
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Amphibia Cultural Legacy
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Big Girls Don't Cry
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Piano and Keyboard,Steel Guitar,String Synthesizer,Trumpet,Tuba - SKU: A0.1179134 By Fergie. By Stacy Ferguson and Toby Gad. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Musical/Show,New Age,Pop,Spiritual. 13 pages. Amphibia Cultural Legacy #779105. Published by Amphibia Cultural Legacy (A0.1179134). Big Girls Don't Cry one of the most iconic tracks from Fergie's solo career. The song has been remixed and covered countless times, but Amphibia Cultural Legacy's version stands out. The group has put its spin on this classic track by adding additional instruments that take it to a new level.Amphibia Cultural Legacy's version of Big Girls Don't Cry starts with a beautiful guitar intro that sets the tone for the rest of the song. As soon as the vocals kick in, you can feel the emotion pouring out of every note. Adding strings and piano throughout the track adds depth and texture not present in Fergie's original version.Overall, Amphibia Cultural Legacy has done an incredible job with its rendition of Big Girls Don't Cry.
$80.00
Amphibia Legacy Ending Theme
Amphibia Legacy Ending Theme
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Amphibia Cultural Legacy
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Amphibia Legacy Ending Theme
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Horn,Piano and Keyboard,Steel Guitar,Synthesizer,Tuba - SKU: A0.7629...
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Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Horn,Piano and Keyboard,Steel Guitar,Synthesizer,Tuba - SKU: A0.762930 By Amphibia Cultural Legacy. By Mark Mothersbaugh and T.J. Hill. Children,Classical,Contemporary,Film/TV,Multicultural,World. Score and parts. 2 pages. Amphibia Cultural Legacy #370636. Published by Amphibia Cultural Legacy (A0.762930). Audiences around the world are captivated whenever they hear a cover remixed with an orchestra. But this particular remixed melody comes from an even more special source - that of the theme song in Disney Channel’s Amphibia! Titled Anne’s Theme, this beautiful blend of music and rhythm has made waves in the industry due to its mesmerizing sound. Racing percussion and filled strings come together to form a brilliant melody unlike any other.Unsurprisingly, it has become one of the show’s most popular musical numbers among diehard fans everywhere. Those cleverly blending their own melodizing magic have now surprisingly dedicated themselves to getting creative with remixing Anne’s Theme so that it can be played with every traditional orchestral piece. Such recreations can make for sweet symphonies, making this musical number truly timeless and rapturously beautiful!
$10.00
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Strings of Steel
