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Vous avez sélectionné:
The Most Evolved
Partitions à imprimer
29 partitions trouvées
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26
The Most Evolved
The Most Evolved
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Guitare
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INTERMÉDIAIRE
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John H
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The Most Evolved
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John H. Clarke
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1107278 Composed by John H. Clarke. Classical,Contemporary,Latin,Multicultural,New Age,World. Individual part. 10 pages....
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Solo Guitar - Level 3 - SKU: A0.1107278 Composed by John H. Clarke. Classical,Contemporary,Latin,Multicultural,New Age,World. Individual part. 10 pages. John H. Clarke #709946. Published by John H. Clarke (A0.1107278). The official Solo Spanish / Finger style guitar Transcription for this YouTube hit song.
$10.00
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Hearse Song (The Worms Crawl In)
The Hearse Song (The Worms Crawl In)
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Unknown
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Scott S
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The Hearse Song
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Scott S. Stewart
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.955801 Composed by Unknown. Arranged by Scott S. Stewart. Children,Contemporary,Folk,Halloween. 5 pages. Scott...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.955801 Composed by Unknown. Arranged by Scott S. Stewart. Children,Contemporary,Folk,Halloween. 5 pages. Scott S. Stewart #6069765. Published by Scott S. Stewart (A0.955801). This delightful, seasonal Halloween ditty, The Hearse Song or The Worm Song or The Worms Crawl In, The Worms Crawl Out - in its many lyrical renditions - evolved from an English children's nursery rhyme dating back to the early 1800's. It has continued to inspire poets since, most recently Carl Sandburg and composer folklorist John Jacob 'Jack' Niles. It is arranged for mezzo-soprano and piano, with the level of difficulty for the pianist being somewhat advanced. The performance time is 2:34. .
$4.99
It Had to Be You
It Had to Be You
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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age 26 the Chicago tenor saxop
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 2...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Storm and Calm
Storm and Calm
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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James-Michael Sellers
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Storm and Calm
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JMS Composer
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.749344 Composed by James-Michael Sellers. Contemporary. Score and parts. 108 pages. JMS Composer #546029. Published by ...
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Concert Band - Level 3 - SKU: A0.749344 Composed by James-Michael Sellers. Contemporary. Score and parts. 108 pages. JMS Composer #546029. Published by JMS Composer (A0.749344). Storm and Calm is a piece that I composed after hearing that two of my friends were fighting and I was being pulled both ways in the conversation. I felt very conflicted about the whole situation, and I tried my best to vent those confused feelings through the music that I was hearing during all of it. I was amazed at what transpired when they both heard the piece, as it seemed to bring them to a new understanding of sorts, getting them to see how their conflict had begun to damage those around them. While I try not to dwell on what the piece evolved from, it's a constant reminder that even the biggest problems can result in the most miraculous of solutions.
$19.99
Greensleeves 2012
Greensleeves 2012
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Piano seul
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AVANCÉ
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Classique
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Public Domain, as performed
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: ?Greensleeves 2012? is a revisited and evolved arrangement which like my earlier version, was inspired by ? and also pays ?homage? to ? Liz Story?s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled ?O Christmas.? Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, ?good things come to those who wait.?
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or ?off the beaten path? as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album ?In Search For The Meaning Of Christmas,? yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called ?Good Christian Men.? Steeped in history, the song dates back to 14th century Germany and its Latin title was originally ?In Dulci Jubilo? before it was translated into English in the 1800?s. Isadar?s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, ?Teddy Bears Picnic,? which although not technically a Christmas song, has been interwoven by Isadar with ?March Of The Toys? to tie it in with the holidays ? a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is ?O Christmas Tree? and is sure to have listeners humming along with it?s familiar refrain.
A track entitled ?Still? is an innovative rendition of the classic ?Still, Still, Still? which Isadar has put his own spin on, or as he jokingly puts it ?jazzed up shamelessly.? No such liberties were taken on the classic ?O Come, O Come, Emmanuel,? however. This song provides a showcase for Isadar?s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon ? a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled ?Song Of The Wise Men.? It has been said that: ?Christmas is, above all, a children?s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.? This theme is well reflected in Isadar?s choice of ?O Come Little Children,? based on a carol from the 1800?s.
Among my favorite tracks on the album are the wistful strains of ?Greensleeves 2012,? which Isadar interprets with elegance and grandeur and also pays ?homage? to Liz Story?s brilliant take on this enduring composition. This is followed by a rendition of ?Masters In This Hall,? which can best be described as, well? ?masterful.? The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on ?We Wish You A Merry Christmas,? Isadar characterizes it as ?an uninhibited melancholy arrangement.? While I don?t know if ?melancholy? is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar?s creativity and distinctive rendering of the song.
?O Christmas? is an exceptional holiday collection, not only for Isadar?s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar?s distinctive piano style, I?m sure that fans will want to include ?O Christmas? in their collection and make it a part of their holiday tradition.
$5.99
The Life And Death Of Amy Pond
The Life And Death Of Amy Pond
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Piano seul
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FACILE
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Murray Gold
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Tom Voysey
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The Life And Death Of Amy Pond
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Tom Voysey
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1431423 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/TV. Score. 2 pag...
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Piano Solo - Level 2 - SKU: A0.1431423 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/TV. Score. 2 pages. Tom Voysey #1011925. Published by Tom Voysey (A0.1431423). The Life And Death Of Amy Pond comes from the closing minutes of Series 5's 'The Pandorica Opens', scoring the apparent victory of the Doctor's greatest adversaries. With his companions in mortal danger (or worse) the Doctor himself is sealed inside the universe's most perfect prison, and unable to help with the incoming end of the universe. With this the audience is left on one of the show's best cliffhangers, leaving us half-way through the finale of the show's triumphant return.Series 5 allowed Murray Gold to prove his expertise at re-inventing the sound of Dr Who, while still retaining core qualities of adventure, danger, huge emotions and even grander scales. The show has evolved, and the music remains world-class. This piece really hammers home the dire ending our heroes find themselves in, enforcing a feeling of helplessness as the world colapses around them.Instrument: PianoLength: Approx 3 minutesDifficulty: Intermediate.
$5.99
Dallas Opener
Dallas Opener
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Jerrold Immel
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Lorenzo Bocci
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Dallas Opener
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1393740 Composed by Jerrold Immel. Arranged by Lorenzo Bocci. Film/TV. 113 pages. Lorenzo Bocci #977210. Published by L...
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Concert Band - Level 3 - SKU: A0.1393740 Composed by Jerrold Immel. Arranged by Lorenzo Bocci. Film/TV. 113 pages. Lorenzo Bocci #977210. Published by Lorenzo Bocci (A0.1393740). DALLAS Theme from the Lorimar Production, Inc., TV Series, DALLASfor Concert Band (with Fanfare Band parts) - Grade 3,5 - Â Composed by Jerrold Immel. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 4'20''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Triangle), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Dallas was an American prime time television soap opera that aired on CBS from 1978, to 1991. The series revolved around an affluent and feuding Texas family, the Ewings, who owned the independent oil company Ewing Oil and the cattle-ranching land of Southfork. The show was mostly an ensemble cast, with Larry Hagman (John Ross J.R. Ewing Jr.), Barbara Bel Geddes (Eleanor Miss Ellie Ewing Farlow) and Jim Davis (John Ross Jock Ewing Sr.). In 2007, Dallas was included in Time magazine's list of 100 Best TV Shows of All-Time. The powerful theme, by Jerrold Immel, is one of tv's best and has appeared on numerous lists of 'Greatest Tv Themes'.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Patricia: A Ragtime Composition
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Limerock (score - vln, cel)
Limerock (score - vln, cel)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.861864 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Scor...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.861864 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204377. Published by Mark O'Connor Musik International (A0.861864). Limerock (score – vln, cel) MO124AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for violin and cello is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, viola and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO124ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Limerock (violin part - vln, vla)
Limerock (violin part - vln, vla)
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.861862 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Scor...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.861862 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204373. Published by Mark O'Connor Musik International (A0.861862). Limerock (violin part – vln, vla) MO125BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and viola is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, cello and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO125BCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (violin 2 part - two violins)
Limerock (violin 2 part - two violins)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.861860 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. 8 pages. Mark O'Connor Musik Inter...
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Violin Duet Violin - Level 4 - SKU: A0.861860 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. 8 pages. Mark O'Connor Musik International #6204365. Published by Mark O'Connor Musik International (A0.861860). Limerock (violin 2 part – two vlns) MO126CViolin 2 Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for two violins is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, cello and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO126CCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (violin 1 part - two violins)
Limerock (violin 1 part - two violins)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.861856 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. 8 pages. Mark O'Connor Musik Inter...
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Violin Duet Violin - Level 4 - SKU: A0.861856 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. 8 pages. Mark O'Connor Musik International #6204361. Published by Mark O'Connor Musik International (A0.861856). Limerock (violin 1 part – two vlns) MO126BViolin 1 Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for two violins is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, cello and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO126BCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (score - two violins)
Limerock (score - two violins)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.861858 By Mark O'Connor. By Mark O'Connor. Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Violin Duet Violin - Level 4 - SKU: A0.861858 By Mark O'Connor. By Mark O'Connor. Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. 12 pages. Mark O'Connor Musik International #6204359. Published by Mark O'Connor Musik International (A0.861858). Limerock (score – two vlns) MO126AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for two violins is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, cello and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels.  Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO126ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Limerock (double bass part - vln, bs)
Limerock (double bass part - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861869 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861869 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204401. Published by Mark O'Connor Musik International (A0.861869). Limerock (double bass part – vln, bs) MO123CDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123CCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (violin part - vln, bs)
Limerock (violin part - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861868 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861868 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204395. Published by Mark O'Connor Musik International (A0.861868). Limerock (violin part – vln, bs) MO123BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123BCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (score - vln, bs)
Limerock (score - vln, bs)
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Violoncelle, Contrebasse (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861867 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - SKU: A0.861867 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204391. Published by Mark O'Connor Musik International (A0.861867). Limerock (score – vln, bs) MO123AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for violin and doublebass is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include viola, viola and cello to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO123ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Limerock (violin part - vln, cel)
Limerock (violin part - vln, cel)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.861865 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Scor...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.861865 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204379. Published by Mark O'Connor Musik International (A0.861865). Limerock (violin part – vln, cel) MO124BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and cello is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, viola and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO124BCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (cello part - vln, cel)
Limerock (cello part - vln, cel)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.861866 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Scor...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.861866 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204385. Published by Mark O'Connor Musik International (A0.861866). Limerock (cello part – vln, cel) MO124CCello Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and cello is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, viola and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO124CCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (viola part - vln, vla)
Limerock (viola part - vln, vla)
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.861863 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Scor...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.861863 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204375. Published by Mark O'Connor Musik International (A0.861863). Limerock (viola part – two vlns) MO125CViola Part (score and parts available)Music by Mark O’Connor4 pages - 2:20 minutes in length Limerock adapted for violin and viola is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, cello and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO125CCopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Limerock (score - vln, vla)
Limerock (score - vln, vla)
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor, Edgar Meyer
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Limerock
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.861861 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Scor...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.861861 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204367. Published by Mark O'Connor Musik International (A0.861861). Limerock (score – vln, vla) MO125AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for violin and viola is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, cello and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO125ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
One Step At A Time, Viola Book III
One Step At A Time, Viola Book III
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Alto seul
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FACILE
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Methodes
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Jennie Lou Klim
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One Step At A Time, Viola Book
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Jennie Lou Klim
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.953750 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856945. Published by Jenn...
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Viola Solo - Level 2 - SKU: A0.953750 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856945. Published by Jennie Lou Klim (A0.953750). One Step At A Time is a five-part method of teaching the fundamentals of music on the viola. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. Book III introduces two new patterns, the ONE-TWO and THREE-FOUR FINGER PATTERNS with easy intermediate tunes and exercises. As with the first two books in this series, the fundamental concepts are introduced on uncluttered pages, without the distraction of letter names or fingerings. I am grateful to my violinist daughter, Amy Harris Jevitt, who guided me when I was challenged to find the most logical pathway through the keys, and gave me her invaluable opinion in regard to pedagogical issues; and to my husband, Paul, for his endless hours of proofreading the multiple revisions as the series evolved. His total support and understanding made it possible to complete One Step At A Time.
$10.95
One Step At A Time, Viola II
One Step At A Time, Viola II
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Alto seul
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FACILE
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Methodes
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Jennie Lou Klim
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One Step At A Time, Viola II
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Jennie Lou Klim
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.953754 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856949. Published by Jenn...
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Viola Solo - Level 2 - SKU: A0.953754 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856949. Published by Jennie Lou Klim (A0.953754). One Step At A Time is a five-part method of teaching the fundamentals of music on the viola. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book II is to teach note reading on the D and G strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern. I am grateful to my violinist daughter, Amy Harris Jevitt, who guided me when I was challenged to find the most logical pathway through the keys, and gave me her invaluable opinion in regard to pedagogical issues; and to my husband, Paul, for his endless hours of proofreading the multiple revisions as the series evolved. His total support and understanding made it possible to complete One Step At A Time.
$10.95
One Step At A Time, Viola Book I
One Step At A Time, Viola Book I
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Alto (partie séparée)
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DÉBUTANT
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Methodes
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Jennie Lou Klim
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One Step At A Time, Viola Book
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Jennie Lou Klim
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SheetMusicPlus
Viola Solo - Level 1 - SKU: A0.953751 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856947. Published by Jenn...
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Viola Solo - Level 1 - SKU: A0.953751 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856947. Published by Jennie Lou Klim (A0.953751). One Step at a Time is a five-part method of teaching the fundamentals of music on the viola. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book I is to teach note reading on the A and D strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern. I am grateful to my violinist daughter, Amy Harris Jevitt, who guided me when I was challenged to find the most logical pathway through the keys, and gave me her invaluable opinion in regard to pedagogical issues; and to my husband, Paul, for his endless hours of proofreading the multiple revisions as the series evolved. His total support and understanding made it possible to complete One Step at a Time.
$10.95
A Drop of Nelson's Blood (Sea Shanty)
A Drop of Nelson's Blood (Sea Shanty)
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional Sea Shanty
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Scott S
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A Drop of Nelson's Blood
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1423458 Composed by Traditional Sea Shanty. Arranged by Scott S. Stewart. Barbershop,Folk,Spiritual,...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1423458 Composed by Traditional Sea Shanty. Arranged by Scott S. Stewart. Barbershop,Folk,Spiritual,Traditional. 19 pages. Scott S. Stewart #1004703. Published by Scott S. Stewart (A0.1423458). “A Drop of Nelson’s Blood” (Roll the Old Chariot Along) is one of the most gruesome sea shanties that has evolved from shanty crew to shanty crew, and from pub to pub. Its beginnings are suspect: Is this a variation of the African-American spiritual “The Golden Chariot” or is this a parody of a Salvation Army revivalist hymn? The dilemma: How to get a dead man’s body back home while at sea. Why preserve his corpse in a barrel of rum! This ‘concert’ setting of the shanty is scored for 4-part men’s chorus with piano accompaniment. Performance time: 4:20+-.
$3.99
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