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Vous avez sélectionné:
Six Songs
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1
Six Silly Songs About Cats
Six Silly Songs About Cats
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L
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Six Silly Songs About Cats
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Lyndsay Bolden
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 1 - SKU: A0.1264624 Composed by L. E. Bolden. 21st Century,Children,Classical. 24 pages. Lyndsay Bolden #857453. Pu...
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Medium-High Voice,Vocal Solo - Level 1 - SKU: A0.1264624 Composed by L. E. Bolden. 21st Century,Children,Classical. 24 pages. Lyndsay Bolden #857453. Published by Lyndsay Bolden (A0.1264624). This set of six songs is appropriate for young singers, especially those who love cats! Each piece is in a different style and all use poetry by Oliver Herford.
$15.00 ≈
13.87€
Morning Has Broken
Morning Has Broken
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Cello,Piano,Violin - Level 1 - SKU: A0.548744 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie. Rock. 14 pages. Jmsgu3 #3415213. Published b...
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Cello,Piano,Violin - Level 1 - SKU: A0.548744 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie. Rock. 14 pages. Jmsgu3 #3415213. Published by jmsgu3 (A0.548744). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$52.95 ≈
48.95€
Wir bauen eine Stadt
Wir bauen eine Stadt
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl....
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99 ≈
14.78€
And Can it Be - Sagina
And Can it Be - Sagina
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Musique Sacrée
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Kevin P Holdgate
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Kevin P Holdgate
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And Can it Be - Sagina
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Kevin P Holdgate
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - SKU: A0.1386967 By Kevin P Holdgate. By Thomas Campbell & Charles Wesley. Arranged by Kevin P Holdgate. 19th Century,Christian,Praise & Worship,Religious,Sacred. Brass Band. 21 pages. Kevin P Holdgate #970852. Published by Kevin P Holdgate (A0.1386967). And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. The hymn celebrates personal salvation through the death and resurrection of Jesus, and is one of the most popular Methodist hymns today.Charles Wesley (1707–1788), along with his brother John Wesley, was one of the founding figures of Methodism. Like his brother, he was profoundly influenced by a religious conversion. Charles's experience took place on 21 May 1738 (the feast of Pentecost), and it inspired him to write two new hymns, And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin?. After this, Charles went on to become a prolific hymnodist, composing over 6,500 hymns.The original six-verse hymn And Can It Be? was first published in 1739 in John Wesley's hymnal, Hymns and Sacred Poems, with the title Free Grace.The hymn remains popular today and is included in many contemporary hymn books. In 2013, following a survey conducted by the BBC Television programme Songs of Praise, And Can It Be? was voted number 6 in the UK's Top 100 Hymns.
$12.99 ≈
12.01€
Welcome to Junior Band 3
Welcome to Junior Band 3
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Traditional
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Andrew Will
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2'
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Welcome to Junior Band 3
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Willscore Publishing
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SheetMusicPlus
Level 1 - SKU: A0.1297730 Composed by Traditional. Arranged by Andrew Will. 21st Century,Instructional,Traditional. 91 pages. Willscore Publishing #8877...
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Level 1 - SKU: A0.1297730 Composed by Traditional. Arranged by Andrew Will. 21st Century,Instructional,Traditional. 91 pages. Willscore Publishing #887702. Published by Willscore Publishing (A0.1297730). Welcome to Junior Band 3 is the third of a series of three for developing band. A continuation after completing 'Welcome to Junior Band 1 & 2'. It consists of a series of exercises and eleven songs with varying levels of difficulty. This resource is at Grade .5 or Easy/Beginner and prepares students for Grade 1 beginner band pieces. Pitched notes consist of Concert Bb, C, D, Eb & F with the addition of Concert Ab near the end of the resource. Students will become very familiar with these pitches after completing all three resources 'Welcome to Junioor Band 1, 2 & 3. Rhythm covers whole, half, quarter and eighth notes. Whole, half and quarter rests are also used with the introduction to slurs. Welcome to Junior Band 1, 2 & 3 is a must resource to start developing your Band Ensemble after just three weeks of starting on an instrument. It has been designed that all three resources are completed within the first six months of musical training. Enjoy! The Willscore Publishing Team.
$30.00 ≈
27.73€
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Six Songs
