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Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) (Wind Instruments)
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) (Wind Instruments)
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the time Michael Praetorius pu
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Anonymous
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Les Courantes - Dances 183 and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.522160 Composed by Anonymous. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin ...
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Small Ensemble - Level 3 - SKU: A0.522160 Composed by Anonymous. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3915573. Published by Colin Kirkpatrick Publications (A0.522160). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Courantes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Two Voltas - Dances 201 and 210 from Terpsichore (Praetorius) for Wind Instruments
Two Voltas - Dances 201 and 210 from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Voltas - Dances 201 and 21
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 4 pages. Colin...
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Small Ensemble - Level 3 - SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 4 pages. Colin Kirkpatrick Publications #3928085. Published by Colin Kirkpatrick Publications (A0.522161). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Voltas are well-known and lively dances and sure to add some sparkle to any event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The first Volta uses interesting and catchy syncopation, giving the impression that it’s in duple time time but it’s written in triple time.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Angelus ad Pastores Ait for Double Reed Choir
Angelus ad Pastores Ait for Double Reed Choir
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Hieronymus Praetorius
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Lisa Ochoco
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Angelus ad Pastores Ait for Do
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - SKU: A0.559910 Composed by Hieronymus Praetorius. Arranged by Lisa Ochoco. ...
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Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - SKU: A0.559910 Composed by Hieronymus Praetorius. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 29 pages. Lisa L Ochoco #5710215. Published by Lisa L Ochoco (A0.559910). Not to be mixed up with Michael Praetorius or a type of ancient writing system, Hieronymus Praetorius was a German composer and organist who lived in the Renaissance / Baroque periods. He wrote mainly for the voice, and his music is not widely known outside of the church.
$14.00
Aire On Two Canaries
Aire On Two Canaries
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Thoinot Arbeau and Michael Pra
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Christopher Perez
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Aire On Two Canaries
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Chris Perez
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1420138 Composed by Thoinot Arbeau and Michael Praetorius. Arranged by Christopher Perez. Renaissance. 12 pages. Chris Perez ...
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Guitar - Level 3 - SKU: A0.1420138 Composed by Thoinot Arbeau and Michael Praetorius. Arranged by Christopher Perez. Renaissance. 12 pages. Chris Perez #1001559. Published by Chris Perez (A0.1420138). Aire is a Canary Melody from the Renaissance period and thus has two different interpretations (Arbeau and Praetorius). One is in cut time/half time feel. The other is in 6/4 and has a two feel. Additional arranged counterpoint melodies, a continuum voice for Acoustic Guitar and optional Percussion were written to give these two arragements an more historial sound and flair.
$10.99
Selected Dances from Terpsichore Volume 1
Selected Dances from Terpsichore Volume 1
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Michael Praetorius
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Robert Rainford
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Selected Dances from Terpsicho
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Forton Music - Digital
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SheetMusicPlus
Double Reed Quartet - Intermediate - SKU: F2.FM105 Composed by Michael Praetorius. Arranged by Robert Rainford. Score and parts. 27 pages. Forton Music ...
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Double Reed Quartet - Intermediate - SKU: F2.FM105 Composed by Michael Praetorius. Arranged by Robert Rainford. Score and parts. 27 pages. Forton Music - Digital #FM105. Published by Forton Music - Digital (F2.FM105). ISBN 9790570480043.Double Reed Quartet - 2 oboes, cor anglais or bassoon, Bassoon. A selection of dances from Michael Praetorius' famous Terpsichore collection. These nine short pieces present the music of the Renaissance for the wind player. Not difficult, although some of the more unusual time signatures (6/4, 3/2) may be unfamiliar to younger players. About grade 3/4 upwards.
$10.95
Lo, How a Rose E'er Blooming - Brass Duo
Lo, How a Rose E'er Blooming - Brass Duo
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Michael Praetorius
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Richard E Brown
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Lo, How a Rose E'er Blooming -
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Dacker Music
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SheetMusicPlus
Euphonium,Horn,Instrumental Duet - Level 3 - SKU: A0.1139760 Composed by Michael Praetorius. Arranged by Richard E Brown. Chamber,Christmas,Sacred. 10 p...
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Euphonium,Horn,Instrumental Duet - Level 3 - SKU: A0.1139760 Composed by Michael Praetorius. Arranged by Richard E Brown. Chamber,Christmas,Sacred. 10 pages. Dacker Music #740035. Published by Dacker Music (A0.1139760). The newest addition to my Hymn Tunes for Horn series, this is a contrapuntal setting for horn and euphonium of the popular Christmas carol based on a 17th-century German madrigal by Michael Praetorius. This duo is distilled from my arrangement for brass trio that was written for a trio that I am a member of to play on Christmas Eve. The euphonium part can also be played on trombone, bassoon, cello, or (using the included Bb treble part) TC baritone or tenor sax. Grade 4 - Duration 2:30.
$4.95
Es ist ein Ros entsprungen (a Rose every blooming) (mp3)
Es ist ein Ros entsprungen (a Rose every blooming) (mp3)
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Noël
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David Warin Solomons
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David Warin Solomons
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Es ist ein Ros entsprungen
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David Warin Solomons
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SheetMusicPlus
Choir - Level 3 - SKU: A0.1310123 By David Warin Solomons (as the dwsChorale). By Michael Praetorius. Arranged by David Warin Solomons. Christmas,Holida...
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Choir - Level 3 - SKU: A0.1310123 By David Warin Solomons (as the dwsChorale). By Michael Praetorius. Arranged by David Warin Solomons. Christmas,Holiday,Religious. Full Performance. Duration 140. David Warin Solomons #899261. Published by David Warin Solomons (A0.1310123). Es ist ein Ros entsprungen, by Michael Praetoriusperformed by the dwsChorale (one-man multitrack choir)  [sung three voices to a part]Es ist ein Ros entsprungen aus einer Wurzel zart, A rose has sprung upfrom a tender rootwie uns die Alten sungen, von Jesse kam die Art as the ancients sang to usthe line came from Jesseund hat ein Blümlein bracht and brought forth a little flowermitten im kalten Winter wohl zu der halben Nacht.in the middle of cold winter when the night was half spent  [sung one voice to a part]Das Blümlein, das ich meine, davon Jesaja sagt, The little flower I meanof which Isiah speakshat uns gebracht alleine Marie, die reine Magd, was brought to us onlyby Marie the pure maidenaus Gottes ew'gem Rat from God's eternal wisdomhat sie ein Kind geboren, welches uns selig machtshe bore a child who makes us blessed   [sung three voices to a part]Das Blümelein so kleine, das duftet uns so süss, The little flower so tinysmells so sweet to usmit seinem hellen Scheine vertreibt's die Finsternis. with its bright lightdispels the darknessWahr' Mensch und wahrer Gott, True Man and true Godhilft uns aus allem Leide, rettet von Sünd und Tod.he helps us from all our sorrows and saves us from sin and death.
$4.50
Springtanz No. 6
Springtanz No. 6
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Michael Praetorius
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Timothy DeWitt
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Springtanz No. 6
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Songburd Music
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SheetMusicPlus
Brass Band - Level 3 - SKU: A0.1411020 Composed by Michael Praetorius. Arranged by Timothy DeWitt. Chamber,Classical. 7 pages. Songburd Music #993391. P...
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Brass Band - Level 3 - SKU: A0.1411020 Composed by Michael Praetorius. Arranged by Timothy DeWitt. Chamber,Classical. 7 pages. Songburd Music #993391. Published by Songburd Music (A0.1411020). Arrangement of Springtanz No. 6 for Brass Choir.
$15.99
Jubilate Deo
Jubilate Deo
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Musique Sacrée
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Bill Hayes
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Bill Hayes
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Jubilate Deo
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www.HayesMusicPublishing.com
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.1263848 By Bill Hayes. By Michael Praetorius (1571-1621). Arranged by Bill Hayes. A Cappella,Christian,Religio...
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Choral Choir (4-Part) - Level 3 - SKU: A0.1263848 By Bill Hayes. By Michael Praetorius (1571-1621). Arranged by Bill Hayes. A Cappella,Christian,Religious,Sacred. Octavo. 1 pages. Www.HayesMusicPublishing.com #856761. Published by www.HayesMusicPublishing.com (A0.1263848). Written for 4 equal treble clef choir voices.
$1.99
Psallite, unigenito
Psallite, unigenito
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Michael Praetorius
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Alison McMillan
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Psallite, unigenito
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Alison Jane McMillan
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1012230 Composed by Michael Praetorius (1571-1621). Arranged by Alison McMillan. Baroque,Christmas. Recorder Ensemble. 9 pa...
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Recorder - Level 3 - SKU: A0.1012230 Composed by Michael Praetorius (1571-1621). Arranged by Alison McMillan. Baroque,Christmas. Recorder Ensemble. 9 pages. Alison Jane McMillan #3892637. Published by Alison Jane McMillan (A0.1012230). This is a five part arrangement for recorders with optional drum. It will work as a four part arrangement with the top four parts. The range of each part is quite small, so most parts can be substituted by a lower recorder playing higher in the range - e.g. part [1] is playable on treble, and an additional treble part written in the treble recorder octave is supplied. Likewise parts [2] and [3] would be playable on tenor as well as treble: thus it is possible to play this with all recorders in C (if no one able to play F recorder fingering is available). I've followed the normal British naming convention for recorders, but players will understand descant to mean soprano and treble to mean alto. There is an optional drum part. In the set there is a score and sets of individual parts - many recorder groups prefer to play from the score, so the score is laid out as a two page spread, so that it can be used in that way. The bass recorder can be an F bass (baritone) recorder, or a C bass, or even a contrabass, with optional lower octave notes given.
$5.00
Lo, How a Rose E'er Blooming (ES IST EIN ROS)
Lo, How a Rose E'er Blooming (ES IST EIN ROS)
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Musique Sacrée
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Traditional melody, harmonized
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Richard Giszczak
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Lo, How a Rose E'er Blooming
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1171008 Composed by Traditional melody, harmonized by Michael Praetorius (1571–1621). Arranged by ...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1171008 Composed by Traditional melody, harmonized by Michael Praetorius (1571–1621). Arranged by Richard Giszczak. Christian,Christmas,Praise & Worship,Religious,Sacred. Individual part. 3 pages. Singing Winds Music Company #771348. Published by Singing Winds Music Company (A0.1171008). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 4 variations, and a D.S. al Fine.The hymn tune name is ES IST EIN ROS or ROSA MYSTICA. The words Lo, How a Rose E'er Blooming are associated with Christmas.
$2.00
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane & Gaillarde des Die
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin ...
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String Ensemble - Level 3 - SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #623720. Published by Colin Kirkpatrick Publications (A0.1018135). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
500 Years of Christmas (Brass Ensemble)
500 Years of Christmas (Brass Ensemble)
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Noël
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Anon
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Dominic McGonigal
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500 Years of Christmas
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C8 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.924029 Composed by Anon (14thC), Anon (15thC), James Pierpont (19thC), Praetorius (16thC), and Robert Croo (16thC). A...
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Brass Ensemble - Level 3 - SKU: A0.924029 Composed by Anon (14thC), Anon (15thC), James Pierpont (19thC), Praetorius (16thC), and Robert Croo (16thC). Arranged by Dominic McGonigal. 20th Century,Christmas,Classical,Renaissance. 25 pages. C8 Music #3675483. Published by C8 Music (A0.924029). A medley of Christmas tunes from the 15thC to the 20thC, with a twist. Gaudete, Coventry Carol, Es Ist Ein Ros Ensprungen and Personent Hodie all appear in their original form, followed by a snippet of Jingle Bells in the style of that carol. The snippets will sound familiar to the audience but they probably won't recognise them until the Jingle Bells appears at the end in all its glory. The scoring uses different combinations of instruments to vary the voicing, with tunes in all the parts. I wrote it for my youth brass group and it's always a winner. It's easy to moderate, and suitable for any Christmas concert.
$9.99
Tump's Maggot
Tump's Maggot
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Ian D
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Tump's Maggot
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Grumpy Mule Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.949127 Composed by Ian D. Crew. 20th Century,Classical,Concert,Renaissance,Standards. 10 pages. Grum...
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Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.949127 Composed by Ian D. Crew. 20th Century,Classical,Concert,Renaissance,Standards. 10 pages. Grumpy Mule Music #5733687. Published by Grumpy Mule Music (A0.949127). Here's a lively dance for recorder trio (SSA) in a 'Neo-Renaissance' idiom, with a mixture of spiky harmonies and a nod or two towards Susato, Praetorius and Dufay. The music is fairly challenging towards the end, though players of an intermediate standard will have no trouble pulling it off.
$6.99
Spotless Rose for Brass Sextet
Spotless Rose for Brass Sextet
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Traditional
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Rita Arendz
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Spotless Rose for Brass Sextet
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Rita Arendz
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SheetMusicPlus
Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Euphonium,Tenor Trombone - Level 3 - SKU: A0.1001552 Composed by Traditional. Arranged by Rita Arendz. Christmas...
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Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Euphonium,Tenor Trombone - Level 3 - SKU: A0.1001552 Composed by Traditional. Arranged by Rita Arendz. Christmas,Renaissance,Sacred,Standards. 28 pages. Rita Arendz #6590455. Published by Rita Arendz (A0.1001552). Also known as Es ist ein Ros' entsprungen, this German Marian hymn has its origin in the late 1500s. Some credit Melchior Vulpius, a Thuringian church singer and composer (Thuringia, Germany), with its composition. It is believed that it was first printed in 1599. A more widely known setting is that of Michael Praetorius's (also of Thuringia) dated 1609.This arrangement pays homage to both these early church composers, through canonic treatment, vocal harmony, and the nod to Johannes Brahms and his chorale prelude styling. A wonderful addition to your Christmas repertoire, especially during the early Advent season. Duration ~ 3:35. An alternate part for Horn in F and bass clef parts for trombone, euphonium, and tuba are included.
$21.99
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Lo, How a Rose E'er Blooming for Brass Trio
Lo, How a Rose E'er Blooming for Brass Trio
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Noël
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Traditional
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James M
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Lo, How a Rose E'er Blooming f
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jmsgu3
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SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1328151 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditi...
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Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1328151 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #916141. Published by jmsgu3 (A0.1328151). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
$24.95
Es ist ein Ros‘ entsprungen / Lo, how a rose e'er blooming
Es ist ein Ros‘ entsprungen / Lo, how a rose e'er blooming
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Michael Praetorius
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songbooks
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Es ist ein Ros‘ entsprun
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songbooks.info
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SheetMusicPlus
Ocarina - Level 3 - SKU: A0.1328652 Composed by Michael Praetorius (ca. 1590), F. Layriz. Arranged by songbooks.info. Early Music,Medieval,Renaissance. ...
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Ocarina - Level 3 - SKU: A0.1328652 Composed by Michael Praetorius (ca. 1590), F. Layriz. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 2 pages. Songbooks.info #916667. Published by songbooks.info (A0.1328652). Songs from the Middle Ages and the Renaissance - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Lieder aus dem Mittelalter und der Renaissance - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.99
Viva la musica
Viva la musica
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Michael Praetorius, ca
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songbooks
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Viva la musica
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songbooks.info
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SheetMusicPlus
Ocarina - Level 3 - SKU: A0.1328702 Composed by Michael Praetorius, ca. 1590. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 3 pag...
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Ocarina - Level 3 - SKU: A0.1328702 Composed by Michael Praetorius, ca. 1590. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 3 pages. Songbooks.info #916719. Published by songbooks.info (A0.1328702). Songs from the Middle Ages and the Renaissance - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Lieder aus dem Mittelalter und der Renaissance - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.99
Nach grüner Farb mein Herz verlangt
Nach grüner Farb mein Herz verlangt
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Michael Praetorius, ca
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songbooks
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Nach grüner Farb mein Her
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songbooks.info
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SheetMusicPlus
Ocarina - Level 3 - SKU: A0.1328684 Composed by Michael Praetorius, ca. 1590. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 3 pag...
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Ocarina - Level 3 - SKU: A0.1328684 Composed by Michael Praetorius, ca. 1590. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 3 pages. Songbooks.info #916699. Published by songbooks.info (A0.1328684). Songs from the Middle Ages and the Renaissance - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Lieder aus dem Mittelalter und der Renaissance - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.99
Spielmannsweise
Spielmannsweise
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Michael Praetorius, ca
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songbooks
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Spielmannsweise
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songbooks.info
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SheetMusicPlus
Ocarina - Level 3 - SKU: A0.1328698 Composed by Michael Praetorius, ca. 1590. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 3 pag...
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Ocarina - Level 3 - SKU: A0.1328698 Composed by Michael Praetorius, ca. 1590. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 3 pages. Songbooks.info #916715. Published by songbooks.info (A0.1328698). Songs from the Middle Ages and the Renaissance - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Lieder aus dem Mittelalter und der Renaissance - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.99
That Easter Day with Joy Was Bright/What Star Is This (wind ensemble)
That Easter Day with Joy Was Bright/What Star Is This (wind ensemble)
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Michael Praetorius
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Anthony Giamanco
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That Easter Day with Joy Was B
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Whole Tone Press
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Horn,Trombone,Trumpet - Level 3 - SKU: A0.773795 Composed by Michael Praetorius. Arranged by Anthony Gi...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Horn,Trombone,Trumpet - Level 3 - SKU: A0.773795 Composed by Michael Praetorius. Arranged by Anthony Giamanco. Christmas,Concert,Contemporary,Easter,Sacred. Score and parts. 19 pages. Whole Tone Press #5355957. Published by Whole Tone Press (A0.773795). This arrangement for wind ensemble (Alto & Bari Saxes, Horn, Trumpet and Trombone) utilises the well-known Praetorious tune, PUER NOBIS, to create an harmonically rich and musically satisfying setting that can be played during the Easter season or optionally, during the Christmas season (in particular, Epiphany). Appropriate for church and concert. The first 3 stanzas are fairly straightforward; stanzas 4 and 5 utilise more movement (16 notes, triplets), with stanza 5 employing a fanfare-like trumpet obbligato. Difficulty level is approx. intermediate-advanced intermediate. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$6.50
Lo, How a Rose E'er Blooming for Woodwind Trio
Lo, How a Rose E'er Blooming for Woodwind Trio
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Noël
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Traditional
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James M
#
Lo, How a Rose E'er Blooming f
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329418 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Chri...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329418 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917401. Published by jmsgu3 (A0.1329418). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
$24.95
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