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Vous avez sélectionné:
Four Short Pieces
intermédiaire
Partitions à imprimer
18 partitions trouvées
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1
Unnamed series four short pieces for Orchestral instruments
Unnamed series four short pieces for Orchestral instruments
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Roque Lazarus
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Roque Lazarus
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Unnamed series four short piec
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Roque Lazarus
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pages. Roque Lazaru...
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Woodwind Ensemble - Level 3 - SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pages. Roque Lazarus #3434877. Published by Roque Lazarus (A0.1031516). This is a simple set of four hand-written tunes for solo-flute, double-bass duo, oboe duo and violin and double-bass duet but can be performed by other instruments as well , composed for students and hobby musicians...to enjoy playing or sight reading and it is sure to bring a smile on the face of their listener.s This is one of a series of short one page 'unnamed' compositions that I am writing this year 2018, to gather funds to celebrate 30 years program and concert of our music school 'Axl School of music (and technology)' established by me in the summer of 1989 in my ancestral house at Caranzalem Goa India. After tutoring and mentoring music students, audio recording students, bands, choirs, new composers, conductors and forming and training our flagship Orchestra, 'COSMOS EXOTIC ORCHESTRA' over 1000 pupils are all over the world now, some professional teachers, musicians, artists but mostly music lovers and appreciators, some of our students can be seen at www.axlschoolofmusic.blogspot.com and www.youtube.com/axlschoolofmusic We hope you will be kind enough to purchase a copy of my original compositions which will enable me to set up new home-studios and venues to impart music to youngsters, find prodigies and carry the legacy forward into this wide World. Our philosophy is broadcast in our monologues through www.facebook.com/alienbabauniversalmatter and www.writerscafe.org/roquelazarus Our aim is peace and a good life for all. www.reverbnation.com/roquelazarus .
$1.99 ≈
1.81€
Four Short Pieces
Four Short Pieces
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Spence Bundy
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Spence Bundy
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Four Short Pieces
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Spencer Bundy
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SheetMusicPlus
Baritone Horn TC/Euphonium,Piano - Level 3 - SKU: A0.1228154 By Spence Bundy. By Frank Bridge. Arranged by Spence Bundy. 20th Century. Score and part. 3...
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Baritone Horn TC/Euphonium,Piano - Level 3 - SKU: A0.1228154 By Spence Bundy. By Frank Bridge. Arranged by Spence Bundy. 20th Century. Score and part. 30 pages. Spencer Bundy #824273. Published by Spencer Bundy (A0.1228154). These lovely pieces were originally composed for violin, here transposed for Euphonium (treble clef) they are ideal for concerts. Enjoyable for both the performers and the audience.
$4.50 ≈
4.10€
Two Pieces From The Virtuous Wife, arranged for instruments in four parts
Two Pieces From The Virtuous Wife, - instruments in four parts
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Classique
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Henry Purcell
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Paul Burnell
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Two Pieces From The Virtuous W
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835848 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 18 pages. Paul Burnell #5314589...
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Small Ensemble - Level 3 - SKU: A0.835848 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 18 pages. Paul Burnell #5314589. Published by Paul Burnell (A0.835848). Two Pieces from The Virtuous Wife, by Henry Purcell (1659 - 1695), arranged by Paul Burnell for instruments in four parts.Duration 3:00I Minuet, Z.611/7II Air (La Furstenberg), Z.611/9The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:In 1694 Henry Purcell composed a suite of short pieces to accompany the play The Virtuous Wife, or, Good Luck at Last by Thomas D'Urfey. Some sources do not include the Air, a setting of the French popular tune 'La Furstenburg', as part of the suite but this arrangement matches it with one of the two Minuets.
$3.99 ≈
3.64€
Two Aires From The Virtuous Wife, arranged for instruments in four parts
Two Aires From The Virtuous Wife, - instruments in four parts
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Classique
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Henry Purcell
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Paul Burnell
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Two Aires From The Virtuous Wi
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835849 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5361303...
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Small Ensemble - Level 3 - SKU: A0.835849 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5361303. Published by Paul Burnell (A0.835849). Two Aires From The Virtuous Wife, Henry Purcell, arranged by Paul Burnell for instruments in four parts.The download contains the score together with a set of parts.Duration (if Aire played twice) 3:30I Slow Aire, Z.611/3II Aire, Z.611/4The Aire may be played through completely twice and, if the ensemble contains many players on each part, the instrumentation may be varied the second time.The two movements have both been transposed up a tone from the original.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Ebclarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bbclarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bbclarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:In 1694 Henry Purcell composed a suite of short pieces to accompany the play The Virtuous Wife, or, Good Luck at Last by Thomas D'Urfey. The suite was later included in the posthumous 1697 publication 'A Collection of Ayres, Compos'd For the Theatre, and upon other Occasions''. This arrangement includes the 'Slow Aire' and 'Aire'.
$3.99 ≈
3.64€
Suite for Four Horns
Suite for Four Horns
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Liz Sharma
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Suite for Four Horns
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Forton Music - Digital
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SheetMusicPlus
4hn - Intermediate-Advanced - SKU: F2.FM333 Composed by Liz Sharma. Quartet for Horns. Score and Parts. 24 pages. Forton Music - Digital #FM333. Publish...
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4hn - Intermediate-Advanced - SKU: F2.FM333 Composed by Liz Sharma. Quartet for Horns. Score and Parts. 24 pages. Forton Music - Digital #FM333. Published by Forton Music - Digital (F2.FM333). ISBN 9790570482320.Three pieces for four horns in F. Each movement is fairly short, but still packed with enough material to reward the work involved. Horn 1 goes quite high with the other parts getting progressively lower. The second movement has frequently changing time signatures, while the third features idiomatic repeated notes to make it's impact.
$14.95 ≈
13.63€
Five Pieces for Wind Instruments
Five Pieces for Wind Instruments
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Contemporain
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Paul Burnell
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Five Pieces for Wind Instrumen
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Paul Burnell
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - SKU: A0.835821 Composed by Paul Burnell. Contemporary. ...
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Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - SKU: A0.835821 Composed by Paul Burnell. Contemporary. Score and parts. 105 pages. Paul Burnell #4836477. Published by Paul Burnell (A0.835821). Five Pieces for Wind Instruments, Paul Burnell, composed 2002, revised 2011Approximate durations:1. 2:002. 4:003. 4:254. 2:405. 3:45Total duration 17:00It is not necessary to perform all 5 movements.Instrumentation:Flute (doubling Piccolo in the 1st and 5th movements)OboeClarinet in B flatAlto SaxophoneBass ClarinetBassoonTrumpet in B flatHorn in FTromboneTransposing instruments are shown transposed in the score.Sympathetic instrument doublings and/or substitutions are permissible.Unless otherwise indicated all cresc. and dim. hairpin marks move the dynamic up or down one grade.Programme note:Five Pieces for Wind Instruments was written for The Southwark Consorts of Winds - The Ancient and Modern Consort.Each of the five movements subject familiar musical stereotypes to simple but rather strict processes.The first movement is a march where the phrase lengths are gradually shortened. The second movement presents a simple melody imitated by other instruments. The middle movement, which is like a hinge in the overall structure, is a canon - where the imitation is between two groups. The fourth movement is a reverie with slight but systematic changes to the sustained harmony. The fifth movement is a jig or waltz where the phrase lengths are, unlike the first movement, gradually lengthened.
$7.95 ≈
7.25€
Preludes (Nb. 4 and Nb. 20) - Chopin
Preludes (Nb. 4 and Nb. 20) - Chopin
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Classique
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Frederic Chopin
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Josef STASTNY
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Preludes
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.743326 Composed by Frederic Chopin. Arranged by Josef STASTNY. Contemporary,Instructional,Romantic Period,St...
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Brass Ensemble Trombone - Level 3 - SKU: A0.743326 Composed by Frederic Chopin. Arranged by Josef STASTNY. Contemporary,Instructional,Romantic Period,Standards,Wedding. Score and parts. 14 pages. Josef STASTNY #3241295. Published by Josef STASTNY (A0.743326). Chopin's 24 preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. The are two of them - Nb. 4 and Nb. 20. Romantic and full of emotion pieces of music.Suitable for SCHOOL brass choir because of included substitute parts:1st:  Bb, F, Eb, C (tenor clef)2nd: Bb, F, Eb 3rd:  Bb See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASS
$9.99 ≈
9.11€
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.58€
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.58€
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.58€
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.58€
Six Songs of Everett Maxwell for Baritone Voice and Piano
Six Songs of Everett Maxwell for Baritone Voice and Piano
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Contemporain
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Brian Joyce
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Brian Joyce
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Six Songs of Everett Maxwell f
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Brian Joyce
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - SKU: A0.836719 Composed by Brian Joyce. Arranged by Brian Joyce. Contemporary. Score and pa...
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Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - SKU: A0.836719 Composed by Brian Joyce. Arranged by Brian Joyce. Contemporary. Score and parts. 18 pages. Brian Joyce #6567925. Published by Brian Joyce (A0.836719). Even very well-versed singers can be forgiven if they have never heard of Everett Maxwell (1858-1940). He was simply one of millions in the vast American workingclass, one who was known to jot down a poem or two now and then.Here we have six examples of his work, poems which he wrote for his childhood sweetheart whom he waited fifty years to marry. Maxwell’s great grandson asked me to set these poems to music saying, the poems illuminate a picture of life in the American midwest during the late nineteenth and early twentieth centuries. His poetry serves as a lens through which we can view his . . . youthful romantic view of nineteenth-century prairie life.Since the poems are so imbued with nostalgia and 19th century romanticism, I endeavored to set them with an equally strong sense of the classic art song tradition.Curiously, these songs feel longer than they actually are. There are many pieces about which one could say the same thing with less charity, but in this case it’s a good thing: the poems are quite short (the longest is only twelve lines, the shortest only four!)The entire cycle lasts just under 12 minutes. The audio sample includes most of one song (A June Night) and all of a second (Have You Found a Place?). These are enough to give you a sense of the whole cycle.
$6.95 ≈
6.34€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.94€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.94€
A Night In Tunisia
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
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Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.20€
A Night In Tunisia
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.20€
Sonata da Chiesa nos 9-12
Sonata da Chiesa nos 9-12
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa nos 9-12
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Forton Music - Digital
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SheetMusicPlus
Double Reed trio 2 oboes and 1 bassoon - Intermediate - SKU: F2.FM019 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 57 pa...
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Double Reed trio 2 oboes and 1 bassoon - Intermediate - SKU: F2.FM019 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 57 pages. Forton Music - Digital #FM019. Published by Forton Music - Digital (F2.FM019). ISBN 9790708085188.Double Reed Trio 2 oboes and 1 bassoon.Four Sonatas from Corelli's Op. 1. These charming pieces each contain a variety of movements and styles, featuring both contrapuntal and homophonic textures. Some movements are short, others are more extended (62 bars is the longest). Relatively straightforward yet still rewarding, players from Grade 3 upwards should find these a delight to play.
$15.95 ≈
14.54€
A Night In Tunisia
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz....
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
13.67€
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1
Four Short Pieces
