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Vous avez sélectionné:
Head and Stem
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Partitions à imprimer
13 partitions trouvées
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1
The Butterfly
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
Raindrops Keep Fallin' On My Head
Raindrops Keep Fallin' On My Head
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Contemporain
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Foster & Allen
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Des McNutty
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Raindrops Keep Fallin' On My H
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trombone,Trumpet - Level 4 - SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contempo...
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Small Ensemble Timpani,Trombone,Trumpet - Level 4 - SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contemporary. Score and parts. 20 pages. Des Press #6438147. Published by Des Press (A0.977354). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble with optional timpani. Plus three trombones. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!
$12.99
A Dream Within A Dream (E.A. Poe)
A Dream Within A Dream (E.A. Poe)
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Contemporain
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Daniel Burwasser
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A Dream Within A Dream
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Head and Stem
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Medium-High Voice,Piano,Violin - Level 4 - SKU: A0.1021134 Composed by Daniel Burwasser. 20th Century,Contemporary. 60 pages...
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B-Flat Clarinet,Cello,Flute,Medium-High Voice,Piano,Violin - Level 4 - SKU: A0.1021134 Composed by Daniel Burwasser. 20th Century,Contemporary. 60 pages. Head and Stem #5955501. Published by Head and Stem (A0.1021134). A Dream within a Dream is a poem written by Edgar Allan Poe and published in 1849, the year of his death. The poem portrays the subtleties of time and the human perception of it. In his poem, Poe implies that time can slip away from our clutches like grains of sand on a beach, indicating that our existence is ultimately inconsequential. This work was originally composed in 1987 and is available here for the first time in a newly revised 2020 edition. It effectively captures all the emotion, and nuance of the poem.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60 Â
$15.00
Mood Swing
Mood Swing
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Daniel Burwasser
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Mood Swing
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Head and Stem
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SheetMusicPlus
Alto Saxophone,B-Flat Trumpet,Bass Trombone,Congas,Drum Set,Horn,Shaker,Tenor Trombone,Tuba - Level 4 - SKU: A0.1278843 Composed by Daniel Burwasser. 21...
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Alto Saxophone,B-Flat Trumpet,Bass Trombone,Congas,Drum Set,Horn,Shaker,Tenor Trombone,Tuba - Level 4 - SKU: A0.1278843 Composed by Daniel Burwasser. 21st Century,Contemporary,Jazz. 45 pages. Head and Stem #870390. Published by Head and Stem (A0.1278843). Mood Swing was written in tribute to the great big bands. It can be opened up for solos or played as is.Performance time without solos is about 4 minutes.Instrumentation: Alto Saxophone, French Horn in F, 2 Trumpets in Bb, Tenor Trombone, Bass Trombone, Tuba, Drum Set, Congas/ShakersFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$15.00
Triumvirate
Triumvirate
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Daniel Burwasser
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Triumvirate
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Head and Stem
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SheetMusicPlus
Bassoon,Drum Set,Piano - Level 4 - SKU: A0.1355909 Composed by Daniel Burwasser. 21st Century,Classical,Rock. 39 pages. Head and Stem #940632. Published...
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Bassoon,Drum Set,Piano - Level 4 - SKU: A0.1355909 Composed by Daniel Burwasser. 21st Century,Classical,Rock. 39 pages. Head and Stem #940632. Published by Head and Stem (A0.1355909). Notes on TRIUMVIRATE The term Triumvirate goes back to the time of Julius Caesar and is roughly defined as a group of three men holding political power. In the case of this musical work, it refers to three performers holding great musical power and with equal responsibility. The idea for Triuvirate was sparked at the suggestion of colleague and composer/bassoonist, Kenneth Lieberson who has also composed a duo for bassoon and drum set. Triumvirate represents the closest artistic merger between my rock roots and classical roots that I have ever produced. As in a Triumvirate, the three parts compliment each other. The piano is the centerpiece, providing rhythmic propulsion as well as the harmonic element, the drums provide pulse, dramatic color and pure rhythmic thrust, and the bassoon supplies a prominent melodic role. The work is in the form of a fantasy based on a single one-bar riff heard at the very outset of the piece. As the work unfolds, the riff gets tossed around and is morphed into other motives and more extended episodes. A couple of slower and softer sections offer relief from the more energetic moments. The piece concludes with a prominent statement of the opening main riff. Daniel Burwasser NYC, January, 2024
$15.00
Torrents
Torrents
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Daniel Burwasser
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Torrents
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Head and Stem
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SheetMusicPlus
Cello,Clarinet,Flute,High Voice,Piano - Level 4 - SKU: A0.1111965 Composed by Daniel Burwasser. Chamber,Contemporary. 63 pages. Head and Stem #714143. P...
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Cello,Clarinet,Flute,High Voice,Piano - Level 4 - SKU: A0.1111965 Composed by Daniel Burwasser. Chamber,Contemporary. 63 pages. Head and Stem #714143. Published by Head and Stem (A0.1111965). These three poems by Ilsa Gilbert were chosen on the basis of their dramatic imagery and expressivity, and more importantly, their highly “musical†qualities. Traits that I find most attractive in Gilbert’s work. The idea to string these particular poems together was of my own volition, but the specific order in which they appear in the work came at the suggestion of the poet, who also came up with the apt title, TORRENTS. The mood of each song gradually progresses from cynicism to optimism. From the tormented struggle of Wild Beast to the process of aging and acceptance of death in Winter Leaves to renewal and the affirmation of life in The Mediterranean Sea. These themes are universal. TORRENTS evokes an abundance of emotions all derived from the human spirit.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$20.00
Quartet
Quartet
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Contemporain
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Daniel Burwasser
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Quartet
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Head and Stem
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Flute,Guitar - Level 4 - SKU: A0.1021128 Composed by Daniel Burwasser. 20th Century,Contemporary. 68 pages. Head and Stem #58571...
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B-Flat Clarinet,Bassoon,Flute,Guitar - Level 4 - SKU: A0.1021128 Composed by Daniel Burwasser. 20th Century,Contemporary. 68 pages. Head and Stem #5857195. Published by Head and Stem (A0.1021128). The Quartet was written in 1984 in Philadelphia and was commissioned by Topaz, a new music group formed by music students from Temple University. It is written in 4 contrasting movements and is scored for flute, clarinet, bassoon and guitar. The work is available here in a newly revised 2020 edition.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60
$20.00
False Awakening
False Awakening
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Contemporain
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Daniel Burwasser
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False Awakening
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Head and Stem
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,Bass Clarinet,Bassoon,Oboe - Level 4 - SKU: A0.1021138 Composed by Daniel Burwasser. 20th Century,Contemporary. 56 pages....
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Alto Saxophone,B-Flat Clarinet,Bass Clarinet,Bassoon,Oboe - Level 4 - SKU: A0.1021138 Composed by Daniel Burwasser. 20th Century,Contemporary. 56 pages. Head and Stem #6565457. Published by Head and Stem (A0.1021138). False Awakening is scored for reed quintet and depicts the moments in which one believes they are awake when in actuality they are in a dream state. After an intense opening, featuring sustained dissonant chords in the upper lines, and a slow ominous bass line, the work unfolds into a kind of dream-like sequence replete with more animated sections of which include a solemn chorale. At times the opening section returns to help unify the work but more importantly remind the listener of the imposing dreamlike passages inherent in the piece.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60
$20.00
Evocation
Evocation
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Contemporain
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Daniel Burwasser
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Evocation
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Head and Stem
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SheetMusicPlus
B-Flat Clarinet,Bassoon,C Trumpet,Cymbals,Gong,Horn,Snare Drum,Tom Tom,Triangle - Level 4 - SKU: A0.1021135 Composed by Daniel Burwasser. Contemporary. ...
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B-Flat Clarinet,Bassoon,C Trumpet,Cymbals,Gong,Horn,Snare Drum,Tom Tom,Triangle - Level 4 - SKU: A0.1021135 Composed by Daniel Burwasser. Contemporary. 40 pages. Head and Stem #6013231. Published by Head and Stem (A0.1021135). An Evocation is essentially the act of calling upon or summoning a spirit or other supernatural being, however, the composer had no specific special forces in mind when writing the piece and would prefer listeners to interpret the work on their own. This simply means that the piece could evoke anything in the mind such as past experiences. Evocation was composed in 1985. It was later revised in 2020 for this publication. Much effort has been made to retain the original intentions of the work.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60
$14.99
Repercussions
Repercussions
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Contemporain
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Daniel Burwasser
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Repercussions
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Head and Stem
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SheetMusicPlus
Level 4 - SKU: A0.1021139 Composed by Daniel Burwasser. Contemporary. 63 pages. Head and Stem #6676751. Published by Head and Stem (A0.1021139). ...
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Level 4 - SKU: A0.1021139 Composed by Daniel Burwasser. Contemporary. 63 pages. Head and Stem #6676751. Published by Head and Stem (A0.1021139). These five short musical pictures are best performed as a complete set. Each piece contrasts one another as they each encompass their own particular atmosphere.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60
$14.00
Heater Summer Timer, for amplified voice
Heater Summer Timer, for amplified voice
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Paul Burnell
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Heater Summer Timer, for ampli
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Paul Burnell
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1237138 By Paul Burnell. By Paul Burnell. 21st Century,A Cappella,Contemporary. Individual part. 5 pages. Paul Bur...
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Instrumental Solo - Level 4 - SKU: A0.1237138 By Paul Burnell. By Paul Burnell. 21st Century,A Cappella,Contemporary. Individual part. 5 pages. Paul Burnell #832658. Published by Paul Burnell (A0.1237138). Heater Summer Timer, by Paul Burnell. Â Composed 2022 for amplified voice.Duration 3:00 approx.Voice amplified with an echo effect and alternating pan over several repeats, with the delay spaced at the quaver/8th note (340.91ms). The additional reverberation effect on the written C natural between bars 57-70 is optional.Vocal performance style is Sprechgesang - between speech and song, where the pitches are approximate.Cross note head = closer to speaking than singing.Cross stem = closer to singing than speaking.Headless notes (bars 66-69) = whisper.
$1.99
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Push & Pull by The Khromat
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemp...
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Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
One Second to the Future - Guitar Orchestra
One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
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Head and Stem
