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Vous avez sélectionné:
Next to Me
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1
Dance Me To The End Of Love
Dance Me To The End Of Love
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Madeleine Peyroux
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Rita Arendz
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Dance Me To The End Of Love
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Rita Arendz
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1365341 By Madeleine Peyroux. By Leonard Cohen. Arranged by Rita Arendz. 20th Century,Folk,Jewish,Pop,Standards. Brass Band. 56 pages. Rita Arendz #949662. Published by Rita Arendz (A0.1365341). DANCE ME TO THE END OF LOVE by Leonard Cohen for Brass BandComposed and released in 1984, Leonard Cohen's Dance Me to the End of Love, on the surface appears to be just another love song. But it also has as its inspiration from the Holocaust.To Cohen, the idea came from hearing, reading, and knowing about the death camps: that at some camps, beside the crematoriums, a string quartet was pressed into performing while the horrors were occurring - and that the players could be next.The lyrics, Dance me to your beauty with a burning violin, represent the beauty of the consummation of life, the end of existence - layered with the surrender we feel for our beloved.The song's structure is similar to a Greek Hasapiko Dance, a style he would have heard while on the Island of Hydra.Although the theme is dark, there is a glimmer of light as Cohen searched from the raw truth to beauty, something he tried to find in all things.This arrangement is for a British-style Brass Band featuring the Flugelhorn and the Solo Tenor Horn. These parts, along with the euphonium part, are for more advanced players.  The accompaniment parts are suitable for intermediate.A moving addition to your repertoire and a wonderful companion to Cohen's Hallelujah!Duration 4:15  56 pagesSound clip generated with NoteperformerMore Arrangements by Rita Arendz: https://www.sheetmusicdirect.com/Search.aspx?query=rita%20arendzhttps://www.sheetmusicplus.com/en/explore?q=rita+arendz&lang=default.
$59.99 ≈
54.44€
Seven Steps To Heaven (2002) for string septet or string orchestra
Seven Steps To Heaven (2002) for string septet or string orchestra
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Sco...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99 ≈
9.07€
Dream A Little Dream Of Me
Dream A Little Dream Of Me
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The Mamas And The Papas
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Greg Urban
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Dream A Little Dream Of Me
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Greg Urban
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SheetMusicPlus
Large Ensemble Handbell - Level 4 - SKU: A0.930893 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Greg Urban. Folk,Standa...
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Large Ensemble Handbell - Level 4 - SKU: A0.930893 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Greg Urban. Folk,Standards. Score and parts. 7 pages. Greg Urban #4281923. Published by Greg Urban (A0.930893). This arrangement explores three different styles of the same melody: First, a barbershop quartet with tight harmonies on the chimes. Next, the 'original' version by Mama Cass Eliot, with a finger-picked guitar and chimes lending the vocal harmony, and finally a flashy, stride-piano style, like an old time saloon. Enjoy!1 purchase buys a license to print 15 hard copies.
$39.99 ≈
36.29€
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Conte...
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99 ≈
9.07€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.24€
Baritone Horn Solo - Black Eyed Susan
Baritone Horn Solo - Black Eyed Susan
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Mike Lyons
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Baritone Horn Solo - Black Eye
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767559 Composed by Mike Lyons. 20th Century. Brass Band. 36 pages. Lyons Music Services #5989231. Published by Lyons Music Services (A0.767559). This original solo for baritone horn was written for and dedicated to the lovely Susan Sudworth next to whom I have sat for many years - on and off. Susan is a wonderful caring person and an absolutely wonderful baritone player and she inspired me to write this lyrical, gentle, melodic solo with brass band accompaniment.
$25.00 ≈
22.69€
Allegro Moderato in F Major
Allegro Moderato in F Major
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Contemporain
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Nicholas Fairfield-Carter
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Allegro Moderato in F Major
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Nicholas Fairfield-Carter
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.492575 Composed by Nicholas Fairfield-Carter. Classical,Contemporary. Score and parts. 26 pages. Nicholas Fairfield-C...
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Large Ensemble - Level 4 - SKU: A0.492575 Composed by Nicholas Fairfield-Carter. Classical,Contemporary. Score and parts. 26 pages. Nicholas Fairfield-Carter #107850. Published by Nicholas Fairfield-Carter (A0.492575). Composed for my favourite, yet slightly strange group of instruments, Allegro Moderato in F Major has 2 very distinct repeating themes. The first one is rather melancholy and dark, whereas the second one is rather joyous and happy. The idea for this piece came to me one night as I was getting ready to go to bed, so I quickly scribbled it out on some paper and the next day, fleshed it out into the piece that is here today.
$35.00 ≈
31.76€
Have Yourself A Merry Little Christmas
Have Yourself A Merry Little Christmas
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Barry Manilow
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John Fries
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Have Yourself A Merry Little C
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1488148 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by John Fries. 20th Century,Christmas,Holiday,Standa...
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C Instrument - Level 4 - SKU: A0.1488148 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by John Fries. 20th Century,Christmas,Holiday,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1065030. Published by John Fries (A0.1488148). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Have Yourself a Merry Little Christmas is a song written in 1943 by Hugh Martin and Ralph Blane and introduced by Judy Garland in the 1944 MGM musical Meet Me in St. Louis. Frank Sinatra later recorded a version with modified lyrics. Some of the original lyrics penned by Martin were rejected before filming began. When presented with the original draft lyric, Garland, her co-star Tom Drake and director Vincente Minnelli criticized the song as depressing, and asked Martin to change the lyrics. Though he initially resisted, Martin made several changes to make the song more upbeat. For example, the lines It may be your last / Next year we may all be living in the past became Let your heart be light / Next year all our troubles will be out of sight. How's that for an improvment?
$3.99 ≈
3.62€
Miserere for 5-part Trombone Ensemble
Miserere for 5-part Trombone Ensemble
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Gregorio Allegri
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Sauer, Ralph
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Miserere for 5-part Trombone E
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792128 Composed by Gregorio Allegri. Arranged by Sauer, Ralph. Christian,Easter,Renaissance,Sacred. Score an...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792128 Composed by Gregorio Allegri. Arranged by Sauer, Ralph. Christian,Easter,Renaissance,Sacred. Score and parts. 9 pages. Gordon Cherry #3664917. Published by Gordon Cherry (A0.792128). Miserere mei, Deus (Have Mercy on me, O God) is a setting of Psalm 51 written in the 1630's and most likely sung in the Sistine Chapel during Good Friday of Holy Week. It is a wonderful example of polyphony in five parts.This work, beautifully arranged for 5-part Trombone Choir (Ensemble) by Ralph Sauer, is about 5 minutes in length (with repeat) and is appropriate for moderately advanced performers.There is a story that this work was heard twice by a young 14-year-old Mozart during a special visit to the Vatican with his father in 1770. He transcribed it perfectly from memory creating the first unauthorized copy (the Church wished to preserve its mystery and forbad copies, threatening excommunication). The very next year it was published in England.
$17.50 ≈
15.88€
Freewill Fanfare
Freewill Fanfare
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Contemporain
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Samantha Hogan
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Freewill Fanfare
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Coffee Seal Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.918220 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 37 pages. Coffee Seal Music #...
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Brass Ensemble Trombone - Level 4 - SKU: A0.918220 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 37 pages. Coffee Seal Music #5988871. Published by Coffee Seal Music (A0.918220). Purchase Includes Score and 1 Set of PartsInstrumentation: 8 Part Trombone ChoirDifficulty: Intermediate-Advanced (perfect for advance high school or College level ensembles)About the piece:Jim [ten Bensel] graciously invited me to write a piece for the 2018 Minneapolis Trombone choir and I willingly accepted. In the span of a night before our next rehearsal (inspired by inadvertent procrastination and an explosion of ideas, not to mention an overabundance of coffee), I came up with this fanfare. The name comes from the Rush song Freewill, in which I quoted a line from Geddy Lee's melodic bass playing. It is hidden in plain sight. If you know the song, see if you can find it! The form of the song is a metaphor for life, the greatest test of free will. An ostinato that carries throughout the piece starts with only the first trombones. Eventually, you meet other people and influences that begin shape who you are, which is why the remaining trombones add more musical ideas as the piece continues. The middle section fluctuates between time signatures and tone colors (confusion, emotions) and the ensemble and conductor choose how the tempo ebbs and flows. It is never played the same way twice. Eventually, everything comes together at the end, which is why the ensemble ends, with the original ostinato, together.
$24.00 ≈
21.78€
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