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Ragtime I
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Vous avez sélectionné:
Ragtime I
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Partitions à imprimer
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Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
$27.13
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Su
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95 ≈
$20.33
Sonata for banjo and guitar
Sonata for banjo and guitar
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Contemporain
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Jeremiah Lawson
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Sonata for banjo and guitar
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Jeremiah Lawson
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SheetMusicPlus
Instrumental Duet Banjo,Guitar,Instrumental Duet - Level 4 - SKU: A0.985326 Composed by Jeremiah Lawson. Contemporary. Score and parts. 14 pages. Jeremi...
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Instrumental Duet Banjo,Guitar,Instrumental Duet - Level 4 - SKU: A0.985326 Composed by Jeremiah Lawson. Contemporary. Score and parts. 14 pages. Jeremiah Lawson #6013867. Published by Jeremiah Lawson (A0.985326). This is a 14 page work in three movements that has a performance time of roughly 12:30 to 13:30. I composed this sonata back in 2012 and it was given a filmed premiere by Brett Parnell on banjo and Daniel Corr on guitar.The first movement is a sonata form that opens in G minor and ends in G major. The second movement is a set of variations on an old shape note tune known as Star in the East, and the third movement is a five-part rondo that recapitulates themes from the first and second movements. This sonata is part of a larger cycle of chamber sonatas I have been composing since 2000 which began with my sonata for flute and guitar and pairs the guitar up with woodwinds, strings and brass. The over-arching concept that guides the chamber sonata cycle as I've been working on it is to draw upon Haydn and Clementi's monothematic sonata forms as a template for synthesizing 18th century galant era processes of gestural development with American vernacular and popular styles, often from the age of ragtime up through to the 1940s and beyond.
$10.00 ≈
$13.60
Ain'a That Good News
Ain'a That Good News
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Northern Arizona University Sh
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Charles Decker
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Ain'a That Good News
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Charles Decker Music Press
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SheetMusicPlus
Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1488654 By Northern Arizona University Shrine. By William Dawson. Arranged by Charles Dec...
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Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1488654 By Northern Arizona University Shrine. By William Dawson. Arranged by Charles Decker. 21st Century,Historic,Multicultural,Pop,Spiritual,World. 19 pages. Charles Decker Music Press #1065486. Published by Charles Decker Music Press (A0.1488654). From the Music of Black Composers Series at Charles Decker Music Press is William Dawson's energetic choral setting of the popular spiritual Ain'a That Good News so familiar to audiences now arranged for a brass quintet of two trumpets in B-flat, horn with alternate flugelhorn part, trombone/euphonium and tuba. The spirited arrangement is guaranteed for enthusiastic audience response.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!” Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.” Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the Rafael Mendez Brass Institute and Eastman School of Music use the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Use this link Music of Black Composers arrangements for Brass Ensembles at Charles Decker Music Press to see works by Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still and Florence Price. More brass ensemble arrangements of music by prominent Black composers at Charles Decker Music Press include Will Marion Cook Swing Along!, James Reese Europe Clef Club March, James P. Johnson The Charleston, Fred Stone My Ragtime Baby, Justin Elie Tropical Dance #2, Jose White La Bella Cubana. For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95 ≈
$18.97
Golliwog's Cakewalk for Recorder Sextet
Golliwog's Cakewalk for Recorder Sextet
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Keith Terrett
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Keith Terrett
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Golliwog's Cakewalk for Record
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Alto Recorder,Bass Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1430413 By Keith Terrett. By Claude D...
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Woodwind Ensemble Alto Recorder,Bass Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1430413 By Keith Terrett. By Claude Debussy. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. 18 pages. Keith Terrett #1011020. Published by Keith Terrett (A0.1430413). Golliwogg's Cakewalk arranged for Recorder Sextet.At the time of its composition, Golliwog's were in fashion, due partly to the popularity at that time of the novels of Florence Kate Upton (golliwog is a later usage). They were stuffed black dolls with red pants, red bow ties and wild hair, somewhat reminiscent of the black-face minstrels of the time. This is a ragtime piece with its syncopations and banjo-like effects. The dynamic range is quite large and very effective. The B section of this dance is interrupted on several occasions by the love-death leitmotif of Richard Wagner's opera Tristan und Isolde, marked avec une grande émotion (with great feeling). Each quotation is followed with banjo imitations. The cakewalk was a dance or a strut and the dancer with the most elaborate steps won a cake (took the cake).Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99 ≈
$17.67
Meinau Rag for chamber orchestra (mp3)
Meinau Rag for chamber orchestra (mp3)
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Jeremiah Bornfield
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Colin Bayliss
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Meinau Rag for chamber orchest
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David Warin Solomons
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SheetMusicPlus
Strings Flute,Oboe - Level 4 - SKU: A0.1431996 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full P...
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Strings Flute,Oboe - Level 4 - SKU: A0.1431996 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Performance. Duration 149. David Warin Solomons #1012474. Published by David Warin Solomons (A0.1431996). This realisation by Jeremiah Bornfield is based on Colin Bayliss' chamber orchestra arrangement of my composition.(The original version was for recorder orchestra) This is a souvenir of my time (1976-1977) in La Meinau, near Strasbourg (France). In those days I mainly wrote music for classical guitar and was experimenting with ragtime. Since then the various themes blossomed into chamber music, from solos, duos and trios up to full sized orchestras.
$5.00 ≈
$6.80
Meinau Rag for recorder orchestra (mp3)
Meinau Rag for recorder orchestra (mp3)
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Manchester recorder orchestra
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Meinau Rag for recorder orches
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David Warin Solomons
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SheetMusicPlus
Recorder - Level 4 - SKU: A0.1431999 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 151. ...
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Recorder - Level 4 - SKU: A0.1431999 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 151. David Warin Solomons #1012478. Published by David Warin Solomons (A0.1431999). Work for recorder orchestra written for and performed by Manchester Recorder Orchestra in February 2015.This is a souvenir of my time (1976-1977) in La Meinau, near Strasbourg (France). In those days I mainly wrote music for classical guitar and was experimenting with ragtime. Since then the various themes blossomed into chamber music, from solos, duos and trios up to full sized orchestras.
$4.00 ≈
$5.44
Struttin'
Struttin'
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Jerry Reed
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Struttin'
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Lyrebird Guitar Sheetmusic
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1421594 By Jerry Reed. By Jerry Reed. Arranged by Martijn Hadders (Lyrebird Guitar). 20th Century,Blues,Country,Ragtime. Guit...
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Guitar - Level 4 - SKU: A0.1421594 By Jerry Reed. By Jerry Reed. Arranged by Martijn Hadders (Lyrebird Guitar). 20th Century,Blues,Country,Ragtime. Guitar Tab. 5 pages. Lyrebird Guitar Sheetmusic #1003001. Published by Lyrebird Guitar Sheetmusic (A0.1421594). Intermediate advanced solo guitar finger picking arrangement of Struttin' by Jerry Reed.Please note this is not the Jerry Reed's version, but a version I have reworked and is different to Jerry's.
$5.99 ≈
$8.15
Dill Pickles Rag (D Major) for flute and guitar (abridged)
Dill Pickles Rag (D Major) for flute and guitar (abridged)
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C
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Klas Krantz
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Dill Pickles Rag
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Amadeus Music
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SheetMusicPlus
Small Ensemble Flute,Guitar,Violin - Level 4 - SKU: A0.531365 Composed by C. Johnson. Arranged by Klas Krantz. Concert,Ragtime. Score and parts. 3 pages...
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Small Ensemble Flute,Guitar,Violin - Level 4 - SKU: A0.531365 Composed by C. Johnson. Arranged by Klas Krantz. Concert,Ragtime. Score and parts. 3 pages. Amadeus Music #2034939. Published by Amadeus Music (A0.531365). Charles L. Johnson (1875 - 1937) was born in Kansas City, Kansas and stayed in the Kansas City area his entire life. Dill Pickles Rag was so-named when Johnson was working at Carl Hoffman Music Company. Apparently, while composing the piece, the company's bookkeeper asked Johnson what the piece was called; the bookkeeper was carrying a carton of pickles for his dinner, which prompted to Johnson to say I'll call it Dill Pickles Rag.
$3.95 ≈
$5.37
Dill Pickles Rag for guitar duo
Dill Pickles Rag for guitar duo
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C
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Klas Krantz
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Dill Pickles Rag for guitar du
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Amadeus Music
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SheetMusicPlus
Small Ensemble,String Ensemble - Level 4 - SKU: A0.531522 Composed by C. Johnson. Arranged by Klas Krantz. Concert,Ragtime. Score and parts. 6 pages. Am...
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Small Ensemble,String Ensemble - Level 4 - SKU: A0.531522 Composed by C. Johnson. Arranged by Klas Krantz. Concert,Ragtime. Score and parts. 6 pages. Amadeus Music #2035651. Published by Amadeus Music (A0.531522). Charles L. Johnson (1875 - 1937) was born in Kansas City, Kansas and stayed in the Kansas City area his entire life. Dill Pickles Rag was so-named when Johnson was working at Carl Hoffman Music Company. Apparently, while composing the piece, the company's bookkeeper asked Johnson what the piece was called; the bookkeeper was carrying a carton of pickles for his dinner, which prompted to Johnson to say I'll call it Dill Pickles Rag.
$4.95 ≈
$6.73
Bifocal Rag for wind quartet
Bifocal Rag for wind quartet
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Contemporain
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Budapest Scoring wind quartet
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Bifocal Rag for wind quartet
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1122162 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performa...
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Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1122162 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 107. David Warin Solomons #723312. Published by David Warin Solomons (A0.1122162). A quirky ragtime. It is called bifocal because of the brief bitonal effect in various places. The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!). Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.
$4.50 ≈
$6.12
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