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Row North Music
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--INSTRUMENTS--
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Vous avez sélectionné:
Row North Music
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Westerly for flute, violin and string orchestra (mp3)
Westerly for flute, violin and string orchestra (mp3)
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Alec Keith, Matt Weiss, Octava
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century...
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Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Westerly for flute, violin and string orchestra (SCORE and PARTS)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
Westerly for flute, violin and string orchestra (SCORE only)
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
E Toro nga Hau: The Three Winds
E Toro nga Hau: The Three Winds
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Contemporain
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Michael J
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E Toro nga Hau: The Three Wind
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Effiny Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1021989 Composed by Michael J. Burns. Contemporary. Score and par...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1021989 Composed by Michael J. Burns. Contemporary. Score and parts. 43 pages. Effiny Music #6273591. Published by Effiny Music (A0.1021989). The original version of E Toro nga Hau: The Three Winds was written for oboe, clarinet and bassoon in 2001 and premiered by the Eastwind Trio d’Anches (the faculty reed trio from the University of North Carolina at Greensboro with the composer on bassoon) during a tour in New Zealand and Australia in May 2001. The premiere of the version for saxophone trio was performed by members of the Red Clay Saxophone Quartet on February 5, 2008.E Toro nga Hau: The Three Winds was inspired by the Australasian tour and my return home to New Zealand as a performer. Another inspiration was that my dear Grandmother passed away at the age of 94 in February 2001. Due to this there are elements of sadness and happiness throughout the piece. The bittersweet first movement begins melancholy, with a melody that freely switches between minor and major modes, but ends up with a lively dancing section focusing on happy memories, where the chickens from my grandmother’s farm may even be heard. The second movement is lively throughout with extensive use of mixed meter and includes a jazz rock interlude.While the work does not contain any actual New Zealand elements in the music, it was evocative of my time spent there growing up. It is in a style typical of my writing, containing jazzy influences combined with the more traditional. The title is given in Maori (the language of the native Polynesian race in New Zealand) and English and merely relates to the fact that it is written for three woodwind instruments. This work has been performed throughout North America and the South Pacific.This work also exists in two double reed versions: one for oboe, English horn, and bassoon, and another for oboe and two bassoons.
$20.00
Brass Band - March - O. H. B.
Brass Band - March - O. H. B.
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Contemporain
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Mike Lyons
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Brass Band - March - O. H. B.
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767284 Composed by Mike Lyons. Contemporary. Brass Band. 82 pages. Lyons Music Services #3227757. Published by Lyons Music Services (A0.767284). I wrote this march and dedicated it to my current band, Old Hall Brass, when I was first playing with them in 2003. Now that I'm back with them after a 9 year hiatus, I felt it only appropriate to publish it here.The opening 10 bars are a bit of a muck-around and are entirely optional. OHB's current conductor, John North, likes to entertain, so it's basically a tuning up section, like you would find in an orchestral concert but with some laughs thrown in!The march starts for real at the Segno. There's a fanfare-like opening which leads into the first main melody for the euphonium and solo horn. This is repeated with extra fanfare interjections from the trombones. The bass solo is a fairly traditional part of a march and this is no exception, except that it is not repeated. Another fanfare-like section leads into a reprise of the euphonium/horn melody with interjections from trombones and cornets. The final section is similar to the opening fanfare before the DS. Repeats should not be played on the DS.
$25.00
COLOSSEUM, Mvt.III from Letters from a Poet in Italy
COLOSSEUM, Mvt.III from Letters from a Poet in Italy
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Contemporain
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Digital Recording
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Original composition
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COLOSSEUM, Mvt.III from Letter
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Francis Osentowski
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.953860 By Digital Recording. By Francis Osentowski, DMA University of North Texas and Music, Francis Osento...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.953860 By Digital Recording. By Francis Osentowski, DMA University of North Texas and Music, Francis Osentowski Lyrics, Jerry McElveen. Arranged by Original composition. Contemporary. Score. 6 pages. Francis Osentowski #6097441. Published by Francis Osentowski (A0.953860).  LETTERS FROM A POET IN ITALY. Mvt. III COLOSSEUM This ethereal song combines a mystical setting recalling the deaths of thousands in the Roman Colosseum. While visiting the modern-day site, Jerry McElveen had visions of the screaming crowds while gladiators and others were killed as entertainment. He was upset to see the current graffiti marring the stone walls of the structure.  The piano score and vocal looks difficult...but several performers have not found it to be problematic. It works as a more modern setup for the jazzy closer, DAVID Mvt IV. If the piano intro to Colosseum, seems to lag before the soprano enters...take the second ending on the intro... that will avoid the star singer having to wait too long! All four songs in the Letters from a Poet in Italy cycle are published in this web site. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David.
$4.99
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
Øب (Hubb, Arabic for Love), Trumpet and Tenor Horn Duet
Øب (Hubb, Arabic for Love), Trumpet and Tenor Horn Duet
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David McKeown
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Øب
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590828 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. ...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590828 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. Score and parts. 5 pages. David McKeown #6246251. Published by David McKeown (A0.590828). Øب (Hubb, Arabic for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Tenor Horn, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Andalusi music of the Maghreb. The music is thought to have originated in Muslim Spain a thousand years ago and spread across North Africa in the following centuries. The music is set to the ancient Muwasha poetry, often with secular themes such as love. Andalusi music remains popular today, especially in Morocco, and has influenced many other forms of Arab music. Øب aims to capture the melody and spirit of this timeless music.Øب is written for players at an advanced intermediate standard and upwards. The preamble is in free time, like an improvisation, followed by the melody and instrumental interludes in a typical ten beat cycle. Øب has a performance time of around three minutes. Click on the link above to listen to a full YouTube performance of Øب played on Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Øب (Hubb, Arabic for Love), Clarinet and Alto Clarinet Duet
Øب (Hubb, Arabic for Love), Clarinet and Alto Clarinet Duet
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David McKeown
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Øب
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David McKeown
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - SKU: A0.590800 Composed by David McKeown. Folk,Holiday,Multicultural,Spiritual,World. Sc...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - SKU: A0.590800 Composed by David McKeown. Folk,Holiday,Multicultural,Spiritual,World. Score and parts. 5 pages. David McKeown #6246167. Published by David McKeown (A0.590800). Øب (Hubb, Arabic for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Alto Clarinet, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Andalusi music of the Maghreb. The music is thought to have originated in Muslim Spain a thousand years ago and spread across North Africa in the following centuries. The music is set to the ancient Muwasha poetry, often with secular themes such as love. Andalusi music remains popular today, especially in Morocco, and has influenced many other forms of Arab music. Øب aims to capture the melody and spirit of this timeless music.Øب is written for players at an advanced intermediate standard and upwards. The preamble is in free time, like an improvisation, followed by the melody and instrumental interludes in a typical ten beat cycle. Øب has a performance time of around three minutes. Click on the link above to listen to a full YouTube performance of Øب played on Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Øب (Hubb, Arabic for Love), Oboe and Violin Duet
Øب (Hubb, Arabic for Love), Oboe and Violin Duet
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David McKeown
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Øب
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.590818 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. Score a...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.590818 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. Score and parts. 5 pages. David McKeown #6246229. Published by David McKeown (A0.590818). Øب (Hubb, Arabic for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Oboe and one Violin, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Andalusi music of the Maghreb. The music is thought to have originated in Muslim Spain a thousand years ago and spread across North Africa in the following centuries. The music is set to the ancient Muwasha poetry, often with secular themes such as love. Andalusi music remains popular today, especially in Morocco, and has influenced many other forms of Arab music. Øب aims to capture the melody and spirit of this timeless music.Øب is written for players at an advanced intermediate standard and upwards. The preamble is in free time, like an improvisation, followed by the melody and instrumental interludes in a typical ten beat cycle. Øب has a performance time of around three minutes. Click on the link above to listen to a full YouTube performance of Øب played on Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Øب (Hubb, Arabic for Love), Oboe and Cor Anglais (or English Horn) Duet
Øب (Hubb, Arabic for Love), Oboe and Cor Anglais (or English Horn) Duet
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David McKeown
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Øب
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.590817 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. S...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.590817 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. Score and parts. 5 pages. David McKeown #6246227. Published by David McKeown (A0.590817). Øب (Hubb, Arabic for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Oboe and one Cor Anglais (or English Horn), and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Andalusi music of the Maghreb. The music is thought to have originated in Muslim Spain a thousand years ago and spread across North Africa in the following centuries. The music is set to the ancient Muwasha poetry, often with secular themes such as love. Andalusi music remains popular today, especially in Morocco, and has influenced many other forms of Arab music. Øب aims to capture the melody and spirit of this timeless music.Øب is written for players at an advanced intermediate standard and upwards. The preamble is in free time, like an improvisation, followed by the melody and instrumental interludes in a typical ten beat cycle. Øب has a performance time of around three minutes. Click on the link above to listen to a full YouTube performance of Øب played on Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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Row North Music
