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Vous avez sélectionné:
SLAVE
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Partitions à imprimer
15 partitions trouvées
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1
Marche Slave
Marche Slave
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Classique
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Peter Ilyich Tchaikovsky
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John Wale
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Marche Slave
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THE HAPPY WHALE MUSIC COMPANY
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SheetMusicPlus
Level 4 - SKU: A0.1173847 Composed by Peter Ilyich Tchaikovsky. Arranged by John Wale. March,Romantic Period. 152 pages. THE HAPPY WHALE MUSIC COMPANY #...
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Level 4 - SKU: A0.1173847 Composed by Peter Ilyich Tchaikovsky. Arranged by John Wale. March,Romantic Period. 152 pages. THE HAPPY WHALE MUSIC COMPANY #773998. Published by THE HAPPY WHALE MUSIC COMPANY (A0.1173847). 16 Piece Wind Ensemble. Tchaikovsky's epic march is quite a challenge for 16 players but well worth the effort.
$12.00 ≈
10.82€
[Golliwog's] Cakewalk
[Golliwog's] Cakewalk
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Classique
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Claude Debussy
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Brock Lupton (1948-)
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[Golliwog's] Cakewalk
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Brock Lupton
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942429 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century. 24 p...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942429 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century. 24 pages. Brock Lupton #6858209. Published by Brock Lupton (A0.942429). Claude Debussy was, by all accounts, totally devoted to his daughter Claude-Emma (affectionately known as Chouchou) The suite Children's Corner (for solo piano) is dedicated to Chouchou. She outlived her father by scarcely a year, succumbing to the diphtheria epidemic of 1919. (with information from Wikipedia). The naming of one or two among Debussy's piano works can raise issues in the light of current trends. These were not an issue during the composer's life, but are unlikely to be ignored today. The word Golliwog may have unwanted implications, but its omission may cause confusion with another of the composer's short piano works known simply as Cakewalk. The cakewalk was a dance developed from the prize walks (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on Black slave plantations before and after emancipation in the Southern United States.... It was originally a processional partner dance danced with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country. [Wikipedia] The grotesque aspect of some later cakewalk dance steps may well be heard in the accompaniment to this work: the oboist's endeavors to produce a soft low B-natural (!) will help create this effect.Technically this piece is intermediate, but the range of the bassoon (especially), oboe, and (to a lesser extent) horn parts are an additional challenge for those players.
$5.00 ≈
4.51€
Chorus Of Hebrew Slaves
Chorus Of Hebrew Slaves
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Giuseppe Verdi
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Jerome Naulais
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Chorus Of Hebrew Slaves
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Editions Marc Reift - Digital
#
SheetMusicPlus
Chorus & Concert Band - Grade 4 - SKU: R0.12062 Choeur des esclaves hebreux / Hebraischer Sklavenchor / Coro di schiavi ebrei. Nabucco. Composed ...
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Chorus & Concert Band - Grade 4 - SKU: R0.12062 Choeur des esclaves hebreux / Hebraischer Sklavenchor / Coro di schiavi ebrei. Nabucco. Composed by Giuseppe Verdi. Arranged by Jerome Naulais. Score and parts. 118 pages. Duration 2'53. Editions Marc Reift - Digital #EMR 12062. Published by Editions Marc Reift - Digital (R0.12062).
$135.95 ≈
122.62€
Swing Low, Sweet Chariot (Over My Head)
Swing Low, Sweet Chariot (Over My Head)
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual, Wa
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Brandon Haynes
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Swing Low, Sweet Chariot
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Brandon Haynes
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 4 - SKU: A0.905709 Composed by African-American Spiritual, Wallace Willis. Arranged by Brandon Haynes. Concert,...
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Small Ensemble Cello,Piano,Voice - Level 4 - SKU: A0.905709 Composed by African-American Spiritual, Wallace Willis. Arranged by Brandon Haynes. Concert,Sacred,Spiritual. Score and parts. 10 pages. Brandon Haynes #4602675. Published by Brandon Haynes (A0.905709). Swing Low, Sweet Chariot is a spiritual associated with Choctaw freedman slave, Wallace Willis in the old Indian Territory in what is now Choctaw County, near the County seat of Hugo, Oklahoma sometime after 1865. It is believed that the sight of the Red River, by which the slave was laboring, reminded him of the Jordan River and of the prophet Elijah being taken to heaven by a chariot, a biblical reference found in 2 Kings 2:11. This arrangement is written for Medium Voice, piano accompaniment, and cello obbligato. It incorporates remnants of another spiritual, Over My Head the mixes well with the text of Swing Low. This arrangement also incorporates a new melody to create a bridge-like section for If you get there before I do.
$5.50 ≈
4.96€
Juneteenth Call for Flute and Harp
Juneteenth Call for Flute and Harp
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George Edward Brandon
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George Edward Brandon
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Juneteenth Call for Flute and
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Blue Unity Music
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SheetMusicPlus
Instrumental Duet - Level 4 - SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holida...
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Instrumental Duet - Level 4 - SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holiday. 3 pages. Blue Unity Music #839773. Published by Blue Unity Music (A0.1244850). This piece is a short and sprightly celebration of the anniversary of the date on which the last enslaved African Americans learned that the War between the States had concluded, slavery had been abolished and they had become free people. This was in Galveston, Texas on June 17, 1865. Another version of this piece, called Juneteenth Call for GR, exists for flute and clarinet, and there is also a third but slightly different version of it for saxophone quartet. A video of the flute and harp version was recorded by Castle of Our Skin and appears on their youtube channel as the Black Composer Challenge #2.
$4.50 ≈
4.06€
Tchaikovsky: Coronation March TH50 - symphonic wind dectet/bass
Tchaikovsky: Coronation March TH50 - symphonic wind dectet/bass
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Classique
#
Peter Ilyich Tchaikovsky
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Ray Thompson
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Tchaikovsky: Coronation March
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RayThompsonMusic
#
SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - SKU: A0.1278533 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Cen...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - SKU: A0.1278533 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 25 pages. RayThompsonMusic #870214. Published by RayThompsonMusic (A0.1278533). The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev.[1] The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN AThis is the first section of the March, It does NOT include the TRIO or the repeat of the March (so does not include the God save the Tsar music)Rather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.
$19.95 ≈
17.99€
Tchaikovsky: Coronation March TH50 (COMPLETE) - symphonic wind dectet/bass
Tchaikovsky: Coronation March TH50 (COMPLETE) - symphonic wind dectet/bass
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Classique
#
Peter Ilyich Tchaikovsky
#
Ray Thompson
#
Tchaikovsky: Coronation March
#
RayThompsonMusic
#
SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - SKU: A0.1284281 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Cen...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - SKU: A0.1284281 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 38 pages. RayThompsonMusic #875459. Published by RayThompsonMusic (A0.1284281). Arranged double wind quintet/bass.This is my arrangement of the complete work - it includes the trio.Check out my shorter version here.The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev. The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN ARather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.
$24.95 ≈
22.50€
"Deep River" from Crossing Jordan, arranged for B flat instrument, piano and cello
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00 ≈
13.53€
"Wade in the Water" from Crossing Jordan, arranged for clarinet, piano and cello
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00 ≈
13.53€
Inside The Cave
Inside The Cave
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Caiden Christensen
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Inside The Cave
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Caiden Christensen
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SheetMusicPlus
Level 4 - SKU: A0.1389579 Composed by Caiden Christensen. Chamber,Classical,Halloween,Medieval,Romantic Period. 39 pages. Caiden Christensen #973174. Pu...
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Level 4 - SKU: A0.1389579 Composed by Caiden Christensen. Chamber,Classical,Halloween,Medieval,Romantic Period. 39 pages. Caiden Christensen #973174. Published by Caiden Christensen (A0.1389579). This song ventures into a pitch black void of a cave. A cave that has only been heard in legends. A cave full of wealth and riches beyond imagination!.. But, this cave is cursed. And anyone who has gone to search for it... Has never been seen again. The ones who are smart enough to turn back before they arrive at the cave are the ones who lose themselves. They become slaves to the cave, they no longer know who they are. They are lost to the cave.Try not to lose yourself on the way to the cave... And then make it back here, where it's safe.
$34.99 ≈
31.56€
Klezmorim (The Klezmer Musicians) for Clarinet in A, (optional Viola), and Cello
Klezmorim (The Klezmer Musicians) for Clarinet in A, (optional Viola), and Cello
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Klezmer
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Joel Jacklich, Traditional
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Joel Jacklich (ASCAP)
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Klezmorim
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Joel Jacklich
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola - Level 4 - SKU: A0.723142 Composed by Joel Jacklich, Traditional. Arranged by Joel Jacklich (ASCAP). Folk,Jewish,Mu...
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Small Ensemble Cello,Clarinet,Viola - Level 4 - SKU: A0.723142 Composed by Joel Jacklich, Traditional. Arranged by Joel Jacklich (ASCAP). Folk,Jewish,Multicultural,World. Score and parts. 18 pages. Joel Jacklich #3867355. Published by Joel Jacklich (A0.723142). Klezmerim (the Klezmer musicians): I was asked to write a Klezmer-style piece by my clarinettist friend Mitch Sturman and his friend, cellist Marty Steinberg, to perform in Philadelphia at a neighborhood reunion. A new synagogue had been built in their old Philadelphia neighborhood of Mayland-Mohican/West Oak Lane -- Congregation Beth’El, 7531 Lowber Ave., Philadelphia, a synagogue founded by the late Rabbi Louise Elizabeth Dailey, the daughter of a Baptist minister. The congregation's spiritual leaders are her daughter, Rabbi Debra Bowen, and Rabbi Bowen's husband, Earl. A concert was given in this new synagogue for its current worshippers on November 4, 2018. An original Klezmer-like tune serves as a ritornello around the melodies of Go down, Moses (a nod to the original Baptists religion of the synagogue's founder); Avadim hayinu, ata b'nei chorin (We were slaves, but now we are free); Eliyahu havani (Elijah, the prophet); and Chad gadya (The goat my father bought for two zuzim). The ritornello of the piece (the Klezmer-like melody) was originally composed by Jacklich in 2015 for clarinet, viola, and cello, at the suggestion of Sturman for performance by Sturman (clarinet), Jacklich (viola), and Marissa Gohl (cello). This original kernel of a piece was performed once after a rehearsal of the Imperial Valley Symphony, but was put aside to await further musical development. The commission by Sturman and Steinberg (for a clarinet/cello duo on a Klezmer-like theme), and Steinberg's request for the addition of the Negro spiritual and three Passover Seder melodies, provided the motivation to complete the work in its current form.. The viola part is there for trio performance; however, the work may be performed by only clarinet and cello.
$9.99 ≈
9.01€
Wayfaring Stranger for Woodwind Duo, Guitar and Bass
Wayfaring Stranger for Woodwind Duo, Guitar and Bass
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Gospel Spirituel
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Traditional Spiritual
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Nancy J
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Wayfaring Stranger for Woodwin
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Nancy Brammer
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.945626 Composed by Traditional Spiritual. Arranged by Nancy J. Brammer. Spiritual. 11 pages. Nancy Brammer #600974...
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Woodwind Ensemble - Level 4 - SKU: A0.945626 Composed by Traditional Spiritual. Arranged by Nancy J. Brammer. Spiritual. 11 pages. Nancy Brammer #6009741. Published by Nancy Brammer (A0.945626). For flute (or oboe), clarinet, guitar and bass. It could also be performed without the bass. The guitar part is not difficult but best played by someone who can read music. This beautiful melody had its origins with the slaves in the early spirituals and was sung so often by the Appalachians that it became known as a white spiritual. .
$8.50 ≈
7.67€
Pura Alegria for Trumpet Sextet and Keyboard
Pura Alegria for Trumpet Sextet and Keyboard
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Eddie Lewis
Spice up yo
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Eddie Lewis
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Pura Alegria for Trumpet Sexte
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Tiger Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and part...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34 ≈
28.27€
Ev'ry Time I Feel The Spirit
Ev'ry Time I Feel The Spirit
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Gospel Spirituel
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Moses Hogan
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Rebekah Stark Johnson
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Ev'ry Time I Feel The Spirit
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Moses Hogan, Hal Leonard, Arranged for cello, Rebekah Stark Johnson
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SheetMusicPlus
String Ensemble Cello - Level 4 - SKU: A0.1157014 Composed by Moses Hogan. Arranged by Rebekah Stark Johnson. Chamber,Historic,Religious,Spiritual,Tradi...
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String Ensemble Cello - Level 4 - SKU: A0.1157014 Composed by Moses Hogan. Arranged by Rebekah Stark Johnson. Chamber,Historic,Religious,Spiritual,Traditional. 10 pages. Moses Hogan, Hal Leonard, Arranged for cello, Rebekah Stark Johnson #757341. Published by Moses Hogan, Hal Leonard, Arranged for cello, Rebekah Stark Johnson (A0.1157014). Cello ensembles will enjoy the energetic rhythms and soulful lines in this crowd pleasing Moses Hogan traditional spiritual, originally for choir and arranged and adapted for five cellos. Includes all the dynamic nuance and harmonic stylings of the original arrangement, with added bowing’s and occasional fingerings. Medium advanced, Level 3 - 4. Score and parts. Performance time 2 minutes. Cello Ensemble, Gospel, Traditional Spiritual. “It is indeed a tribute both to the suffering of the slaves and to their musical genius that they were able, under conditions of unspeakable adversity, to wring from their hearts music of such poignancy and power. These songs….are of enduring quality, and they still enrich the spirits of those who listen with the heart as well as the ear. -Moses Hogan, New Orleans, Louisiana.
$15.00 ≈
13.53€
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