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Chorale
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49 partitions trouvées
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26
Chorale & Allegro, for String Orchestra
Chorale & Allegro, for String Orchestra
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Alison Harbottle
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Chorale & Allegro, for Str
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Martini Strings
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1168374 Composed by Alison Harbottle. Chamber,Classical,Contemporary,Instructional. 3...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1168374 Composed by Alison Harbottle. Chamber,Classical,Contemporary,Instructional. 31 pages. Martini Strings #768708. Published by Martini Strings (A0.1168374). Best suited to an advanced ensemble, Chorale & Allegro begins with a staggered-start, slow section, followed by an energetic Allegro section which uses the main Chorale theme as its basis. Each section gets the melody at some stage; Violas require some treble clef, and Basses are required for this piece to work. There is plenty of room for expression at the conductor’s discretion in the Chorale, and plenty of opportunity to explore a wide dynamic range.
$45.00
Toccata, Chorale and Fugue - A Cello Ensemble, Op.39 [1986] - Dedicated to Prof.Parisot
Toccata, Chorale and Fugue - A Cello Ensemble, Op.39 [1986] - Dedicated to Prof.Parisot
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An-lun Huang
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Toccata, Chorale and Fugue - A
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DoReMi Edition
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SheetMusicPlus
String Ensemble - Level 5 - SKU: A0.1081699 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 78 pages...
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String Ensemble - Level 5 - SKU: A0.1081699 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 78 pages. DoReMi Edition #685820. Published by DoReMi Edition (A0.1081699). “Toccata, Chorale and Fugue†was the last work composed by An-lun Huang during the time he studied at Yale University in 1986. It was commissioned and dedicated to the Yale cello professor Aldo Parisot who premiered the work with more than sixty young cellists at the Banff Art Center, Canada, in 1986. Cello ensemble is a challenge for composer because of the single instrumental color. In this particular work, Huang had made the Chinese music upon to a new level.-- not only melodic sense, but also harmonically and contrapuntal. It consists of three sessions. The first is a virtuoso Toccata, the second is a chorale typed Adagio, and the third is a double Fugue in five voices. Bach‘s name, B-A-C-H, forms the secondary theme of the fugue. The recording attached was performed by Prof. Kirill Rodin(First price of Tchaikovsky Competition) with his students, plus one double bass, in Moscow Conservatory, 2001. Duration:16’ 题献给帕瑞索特教授 托å¡å¡”ã€åœ£å’ä¸Žèµ‹æ ¼ 大æç´åˆå¥ 黄安伦 作å“39（纽黑文 1986） 这是作者1986年在耶é²å°±å¦å†™ä½œçš„最åŽä¸€éƒ¨ä½œå“ï¼Œä¹ƒæ˜¯è¯¥æ ¡è‘—å的帕瑞索特教授所委约并题献给他的一部作å“ã€‚å¸•ç‘žç´¢ç‰¹æ•™æŽˆå¹¶åœ¨åŠ æ‹¿å¤§çš„ç芙国际音ä¹è¥çŽ‡é¢†å…åä½™æ¥è‡ªä¸–ç•Œå„地的大æç´å®¶é¦–演了这部力作。 写作å•ä¸€éŸ³è‰²çš„大æç´åˆä½œï¼Œå¯¹äºŽä½œæ›²å®¶æ˜¯ä¸€ä¸ªæŒ‘战。在这部特别的作å“ä¸ï¼Œæ— 论在和声上ã€æ—‹å¾‹ä¸Šæˆ–是对ä½ä¸Šï¼Œé»„安伦都ç±æ¤ä½œæŠŠä¸å›½éŸ³ä¹æå‡åˆ°ä¸€ä¸ªæ–°çš„高度。 ä¹æ›²ç”±ä¸‰éƒ¨åˆ†ç»„æˆã€‚开头是是一部技巧艰深的托å¡å¡”，ä¸éƒ¨æ˜¯ä¸€é¦–æ…¢æ¿çš„圣å’，而ä¹æ›²åŽéƒ¨åˆ™æ˜¯ä¸€é¦–充满活力的二é‡èµ‹æ ¼ï¼Œå·´èµ«å¤§å的四个德文å—æ¯B-A-C-HåŠå˜å½¢æ£æ˜¯æ¤èµ‹æ ¼çš„第二主题。 所附mp3乃是莫斯科音ä¹å¦é™¢è‘—å的罗金教授带领他的14个å¦ç”Ÿå¤–åŠ ä¸€ä½å€ä½ŽéŸ³æç´æ‰‹äºŽ2002年在莫斯科录制的。.
$39.95
Chorale from Symphony No. 2 for Low Brass Ensemble
Chorale from Symphony No. 2 for Low Brass Ensemble
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Classique
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Gustav Mahler
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Randall Malmstrom
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Chorale from Symphony No. 2 fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792520 Composed by Gustav Mahler. Arranged by Randall Malmstrom. 20th Century,Romantic Period. Score and par...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792520 Composed by Gustav Mahler. Arranged by Randall Malmstrom. 20th Century,Romantic Period. Score and parts. 20 pages. Gordon Cherry #5001097. Published by Gordon Cherry (A0.792520). The Chorale from the Finale of Symphony No. 2 (Resurrection) by Gustav Mahler is taken from the fifth movement, lasting over an hour. The Chorale is actually a quote from the Dies Irae, which Mahler called the march of the dead. Also added in is the Resurrection theme which is almost a fanfare. This excerpt from the Symphony features the low brass which makes this arrangement by Randall Malmstrom so meaningful. For advanced performers, this work will add another dimension to your concert.
$27.50
Chorale No. 64 from Christmas Oratorio Brass Ensemble, Timpani and Chorus
Chorale No. 64 from Christmas Oratorio Brass Ensemble, Timpani and Chorus
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Classique
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Johann Sebastian Bach
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Andrew Poirier
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Chorale No. 64 from Christmas
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Gordon Cherry
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.792453 Composed by Johann Sebastian Bach. Arranged by Andrew Poirier. Baroque,Christmas,Classical,Renaissance,...
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Choral Choir (4-Part) - Level 5 - SKU: A0.792453 Composed by Johann Sebastian Bach. Arranged by Andrew Poirier. Baroque,Christmas,Classical,Renaissance,Sacred. Octavo. 35 pages. Gordon Cherry #4884235. Published by Gordon Cherry (A0.792453). Bach's Christmas Oratorio (Weihnachtsoratorium) BWV 248 is a great work performed worldwide during the festive season. Chorale No. 64 is a most joyous movement of about 4 minutes in length and has been beautifully arranged for 8-part Brass, optional Timpani and Chorus by Andrew Poirier for advanced performers. Instrumentation is: 3 Trumpets in D, Horn, 2 Trombones, Euphonium, Tuba, optional Timpani and 4-part Chorus SATB. There is a substitute brass quartet in place of the chorus as an option.
$45.00
Chorale and Hymn (by Derick Kane) for Euphonium Quartet
Chorale and Hymn (by Derick Kane) for Euphonium Quartet
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Contemporain
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Derick Kane
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Derick Kane
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Chorale and Hymn
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Derick Kane
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SheetMusicPlus
Brass Ensemble Euphonium - Level 5 - SKU: A0.1008540 Composed by Derick Kane. Arranged by Derick Kane. Contemporary. Score and parts. 13 pages. Derick K...
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Brass Ensemble Euphonium - Level 5 - SKU: A0.1008540 Composed by Derick Kane. Arranged by Derick Kane. Contemporary. Score and parts. 13 pages. Derick Kane #4887647. Published by Derick Kane (A0.1008540). Chorale and Hymn is arranged for Euphonium Quartet and uses the full range of the instrument. The central theme is the lovely hymn of 'Carlisle' which I would associate the words 'Breathe on me breath of God).
$10.99
Chorale Partita with Seven Variations for Trombone Quintet
Chorale Partita with Seven Variations for Trombone Quintet
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Classique
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Johann Pachelbel
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Keith Terrett
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Chorale Partita with Seven Var
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792468 Composed by Johann Pachelbel. Arranged by Keith Terrett. Baroque,Classical,Renaissance. Score and par...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792468 Composed by Johann Pachelbel. Arranged by Keith Terrett. Baroque,Classical,Renaissance. Score and parts. 19 pages. Gordon Cherry #4988169. Published by Gordon Cherry (A0.792468). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Trombone quintet of advanced performers.
$20.00
Brahms: Variations on a Theme by Haydn (St. Anthony Chorale) Op.56a (Complete) - wind dectet/bass
Brahms: Variations on a Theme by Haydn (St. Anthony Chorale) Op.56a (Complete) - wind dectet/bass
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Classique
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Johannes Brahms
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Ray Thompson
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Brahms: Variations on a Theme
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553446 Composed by Johannes Brahms. Arranged by Ray Thompson. Romantic Period,Standards. Score and parts. 85 pages. R...
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Large Ensemble - Level 5 - SKU: A0.553446 Composed by Johannes Brahms. Arranged by Ray Thompson. Romantic Period,Standards. Score and parts. 85 pages. RayThompsonMusic #2894565. Published by RayThompsonMusic (A0.553446). The Theme, Variations and Finale arranged for wind dectet.(decent or double wind dectet) and optional double bass.
$19.95
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Mus...
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String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45
Invocation and Dance for a Pagan God
Invocation and Dance for a Pagan God
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Contemporain
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Philip Orem
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Invocation and Dance for a Pag
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Philip Orem
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.872626 Composed by Philip Orem. Contemporary. Score and parts. 96 pages. Philip Orem #3549079. Published by ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.872626 Composed by Philip Orem. Contemporary. Score and parts. 96 pages. Philip Orem #3549079. Published by Philip Orem (A0.872626). An exciting piece for trombone choir with interesting rhythms, chorales, harmony. It starts with a quiet, mysterious, atmospheric which a chant interrupts. The chant keeps growing until it becomes a full fledged riotous dance.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$100.00
Pictures at an Exhibition 10. The Great Gate of Kiev
Pictures at an Exhibition 10. The Great Gate of Kiev
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Classique
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Modest Petrovich Mussorgsky
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Erik Cole
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Pictures at an Exhibition 10.
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.996130 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 55 pages. Erik Cole #47930...
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Woodwind Ensemble - Level 5 - SKU: A0.996130 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 55 pages. Erik Cole #4793093. Published by Erik Cole (A0.996130). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. The original orchestration for this very famous movement is enormous. As a result, it's exhausting to play a reduced transcription, cause, except for the chorales, I pretty much needed all the instruments all the time. It's especially exhausting if you've played the whole rest of the piece first. That aside, I think this does a pretty good job of recreating the Ravel orchestration.
$24.00
Quintet for double basses
Quintet for double basses
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Contemporain
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Drake Mabry
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Quintet for double basses
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Drake Mabry
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SheetMusicPlus
Small Ensemble Double Bass - Level 5 - SKU: A0.799444 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 37 pages. Drake Mabry #519771...
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Small Ensemble Double Bass - Level 5 - SKU: A0.799444 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 37 pages. Drake Mabry #519771. Published by Drake Mabry (A0.799444). The Quintet for double basses was written for the bassist, Paul Ellison and premiered on the Isle of Man, England at the International Double bass festival on August 8, 1978. The players were all principal bassists in five major American orchestras. This explains the equality of the sometime difficult parts. Both traditional and contemporary techniques are used and the score incorporates written and spatial notation. There are moments of solos, duos, trios etc. as well as chorales. The duration is 16 minutes. This is a manuscript score, thus the reduced price.
$9.99
Komm, Jesu, Komm for Trombone or Low Brass Octet
Komm, Jesu, Komm for Trombone or Low Brass Octet
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Classique
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Eric Burger Music
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Komm, Jesu, Komm for Trombone
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. E...
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Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. Eric Burger Music #3514925. Published by Eric Burger Music (A0.508209). Come, Jesus, Come - BWV 229, Liepzig (1731) It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale. The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices), containing no fugue. The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life. (From Wikipedia) View the score with playback at:https://youtu.be/iOjStrr-vO8 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$15.00
The 21st Century Clarinet Symphony
The 21st Century Clarinet Symphony
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Contemporain
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Kaitlynn Francois
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The 21st Century Clarinet Symp
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Kaitlynn Francois
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.1024864 Composed by Kaitlynn Francois. 20th Century. 95 pages. Kaitlynn Francois #3586291. Published by Kaitlynn F...
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Woodwind Ensemble - Level 5 - SKU: A0.1024864 Composed by Kaitlynn Francois. 20th Century. 95 pages. Kaitlynn Francois #3586291. Published by Kaitlynn Francois (A0.1024864). The 21st Century Clarinet Symphony is comprised of a clarinet octet made up of Bb soprano, Alto, and Bass clarinets. The work contains four movements which each have their own unique charm and quirks. The first movement is based on the sonata-allegro form and features two distinct melodies. The second movement is chorale-like in nature and makes use of the full choir's sound. This movement also places parts into pairs that shift every eight bars. The third movement is a minuet and trio. This movement features the upper four parts playing melodic content while the lower four parts provide the foundation and motor functions the drive the movement forward. The fourth movement is a rondo which features three distinct sections. The A section opens the piece and is heard four times total. The B section is heard twice and features high rhythmic contrast to the A section as well as featuring different lines playing the melody. The C section of this movement provides a radical change from both the A and B sections of the piece as it features both bass clarinets in a duo setting with minimal accompaniment from other voices. Instrumentation: 5 Bb Clarinets, Alto Clarinet, 2 Bass ClarinetsMovements: -Allegro-Chorale-Minuet and Trio-RondoDuration: approx. 10 minuets.
$15.00
When Adam Fell
When Adam Fell
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Alexander Goehr
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When Adam Fell
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Schott Music - Digital
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SheetMusicPlus
3(3.afl&pic).2(2.ca).3(2.bcl,3.Ebcl).2(2.cbsn)-3.2.3.0-2perc(crots with bow, 2tri, 2tamb, guiro, bell tree, lion's roar, slit drum)-hp-str orchestra - difficult...
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3(3.afl&pic).2(2.ca).3(2.bcl,3.Ebcl).2(2.cbsn)-3.2.3.0-2perc(crots with bow, 2tri, 2tamb, guiro, bell tree, lion's roar, slit drum)-hp-str orchestra - difficult - SKU: S9.Q23837 For orchestra. Composed by Alexander Goehr. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 89. Duration 15 minutes. Schott Music - Digital #Q23837. Published by Schott Music - Digital (S9.Q23837). Goehr's new work for orchestra, based on Bach’s chorale Durch Adams Fall ist alles Verderbt, is the latest in the composer's oeuvre to reflect on great music of the past. My own composition might be described as a kind of Chorale Prelude consisting of a number of settings of Bach’s complete bass-line falling from high up at the opening to extreme depths at the end, with juxtaposed sections based on a contrasting rising melody (Goehr).
$21.99
Luthermania
Luthermania
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Enjott Schneider
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Luthermania
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Schott Music - Digital
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SheetMusicPlus
Organ with 2 players - advanced - SKU: S9.Q21629 Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Musi...
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Organ with 2 players - advanced - SKU: S9.Q21629 Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q21629. Published by Schott Music - Digital (S9.Q21629). This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. An organ with three manuals is required.
$23.99
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
It's The Most Wonderful Time Of The Year
It's The Most Wonderful Time Of The Year
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Eddie Pola and George Wyle
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John Wernega
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It's The Most Wonderful Time O
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John Wernega
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1433520 Composed by Eddie Pola and George Wyle. Arranged by John Wernega. Christmas,Holiday,Jazz. Brass Band. 45 pages. John Wernega #1013749. Published by John Wernega (A0.1433520). Here is a showstopper for your concert! This piece is most often heard as a jazz waltz, but this arrangement is in 4/4, giving it a driving double-time jazz feel. The arrangement begins with an explosive intro, and it is loaded with lush jazz chord substitutions and syncopated rhythms. It slows down in the middle with a rubato section, almost in the style of a chorale, then goes back to the original tempo, driving to the end. Your players will have a blast playing it, and it will be a thrill for the audience. Included is a conductor score and all individual parts. This is scored for traditional British Brass instrumentation, but also included is a tuba part in bass clef. The walking bass parts are in the E flat tuba part, and low notes may be taken up an octave.
$40.00
Out of My Deeper Heart (2015)
Out of My Deeper Heart (2015)
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Colin Eatock
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ca
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Out of My Deeper Heart
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Colin Eatock Music
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SheetMusicPlus
Cello,Choir - Level 5 - SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Col...
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Cello,Choir - Level 5 - SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Colin Eatock Music (A0.1245336). SATB choir, cello; ca. 6 min.The composer writes: The poem “Out Of My Deeper Heart†is from Kahlil Gibran’s 1920 collection, The Forerunner. In this poem, the author seems to question the capacity of humans to fully understand the universe because we are completely enveloped in the world we inhabit. Only by stepping outside of our world and looking into our “deeper hearts†can we achieve the perspective needed to know what is true and real. I was drawn to this text (which I have abridged for this setting) by the image of the rising bird, represented by the solo cello. The florid cello part is contrasted with a simpler, chorale-like texture in many of the choir’s passages.
$4.99
O wie selig sind ihr doch, ihr Frommen
O wie selig sind ihr doch, ihr Frommen
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Classique
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Johannes Brahms
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James W Featherstone, III
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O wie selig sind ihr doch, ihr
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Jim Featherstone
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SheetMusicPlus
Recorder - Level 5 - SKU: A0.573654 Composed by Johannes Brahms. Arranged by James W Featherstone, III. Romantic Period,Sacred. Recorder Ensemble. 8 pag...
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Recorder - Level 5 - SKU: A0.573654 Composed by Johannes Brahms. Arranged by James W Featherstone, III. Romantic Period,Sacred. Recorder Ensemble. 8 pages. Jim Featherstone #183018. Published by Jim Featherstone (A0.573654). Brahms organ chorale prelude arranged for SATTB recorder consort.
$5.00
Bulwarkana
Bulwarkana
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Alex Guebert
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Bulwarkana
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Chorister's Guild - Digital
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SheetMusicPlus
5, 6 or 7 octaves handbells and optional 5, 6 or 7 octaves handchimes - Level 5 - SKU: C7.CGB1194 Composed by Alex Guebert. General. Bay View Week of Ha...
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5, 6 or 7 octaves handbells and optional 5, 6 or 7 octaves handchimes - Level 5 - SKU: C7.CGB1194 Composed by Alex Guebert. General. Bay View Week of Handbells. With optional 5, 6 or 7 octaves handchimes. Score. 24 pages. Chorister's Guild - Digital #CGB1194. Published by Chorister's Guild - Digital (C7.CGB1194). Alex Guebert’s original work, Bulwarkana, is published in our Bay View Week of Handbells Series. The title Bulwarkana is a blending of bulwark and arcana. A bulwark is a fortifying wall. Arcana are mysteries; ancient truths that are not understood. In this piece, the strong and militant blends with the mysterious. Bulwark blends with arcana. (The word bulwark is from German roots; arcana comes from Latin -- another blending.) The briefest glimpses of EIN FESTE BURG (A Mighty Fortress Is Our God) are heard in the opening chorale; the text speaks of God being a bulwark who never fails. Near the end, the final strain of EIN FESTE BURG is proclaimed boldly: His kingdom is forever! How can we understand the ancient battle between God and the devil? The mysteries are profound.
$6.95
Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass - Volume
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score ...
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Brass Ensemble Horn - Level 5 - SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #3604123. Published by Last Resort Music Publishing (A0.530442). Part 3 for French Horn in F #60132Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets. Available for the following instrumentation: Part 1 Bb Trumpet Part 2 Bb Trumpet Part 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or TubaKeyboard or Guitar Score (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Little Fugue in G Minor (Bach) Rondeau from Orchestral Suite #2 in B Minor (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Ode to Joy from Symphony #9 (Beethoven) St. Anthony Chorale from Haydn Variations (Brahms) Trumpet Voluntary (Clarke) Gavotte (Gossec) Gavotte from Holberg Suite, Op. 40 (Grieg) Bourree, Menuet, La Rejouissance from Fireworks Music (Handel) Largo from Xerxes (Handel) Air, Allegro, Andante, Hornpipe from The Water Music (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Elegie from Incidental Music to Les Erinnyes (Massenet) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Canon (Pachelbel) Rondeau from Incidental Music to Abdelazer (Purcell) Trumpet Tune (Purcell) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Londonderry Air (Traditional Irish Melody) Simple Gifts (Traditional Shaker Hymn) Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50
Stephansdom for Solo Bass Trombone & Trombone Choir
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporain
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
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Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
Brass Sextet - Allegro Spiritoso
Brass Sextet - Allegro Spiritoso
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Contemporain
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Mike Lyons
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Brass Sextet - Allegro Spirito
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Servic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
DUNEDEN for Jazz Trombone Quintet and Rhythm Section
DUNEDEN for Jazz Trombone Quintet and Rhythm Section
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Frank Niemeyer
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DUNEDEN for Jazz Trombone Quin
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Gordon Cherry
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SheetMusicPlus
Rhythm Section,Small Ensemble Trombone - Level 5 - SKU: A0.792694 Composed by Frank Niemeyer. A Cappella,Blues,Contemporary,Jazz. Score and parts. 56 pa...
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Rhythm Section,Small Ensemble Trombone - Level 5 - SKU: A0.792694 Composed by Frank Niemeyer. A Cappella,Blues,Contemporary,Jazz. Score and parts. 56 pages. Gordon Cherry #5777251. Published by Gordon Cherry (A0.792694). Duneden is a lush and sentimental ballad written in remembrance of the composer’s father. With dramatic dynamic and orchestrational contrasts, the piece incorporates elements from both the jazz and classical realms and features a unique harmonic reinterpretation of John Coltrane’s Giant Steps. The composition begins with a melancholy piano solo which builds to an initial climax as the full ensemble enters. This introduction gives way to a haunting acapella trombone chorale with both intricate harmonies and counterpoint. The mood immediately brightens as the rhythm section enters and the piece then provides brief improvisational space for guitar, trombone, and piano. Following a majestic recapitulation of the melody, the composition concludes with an optimistic reimagining of the opening piano solo. Duneden contributed to the University of Illinois Jazz Trombone Ensemble winning both the National Jazz Trombone Ensemble and the International Trombone Association Kai Winding Competitions in 2017.
$37.50
Nun Komm Der Heiden Heiland
Nun Komm Der Heiden Heiland
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Classique
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Johann Sebastian Bach
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Reno Fusani
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Nun Komm Der Heiden Heiland
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Reno Fusani
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Viola,Violin - Level 5 - SKU: A0.998695 Composed by Johann Sebastian Bach. Arranged by Reno Fusani. Baroque,...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Viola,Violin - Level 5 - SKU: A0.998695 Composed by Johann Sebastian Bach. Arranged by Reno Fusani. Baroque,Sacred. Score and parts. 13 pages. Reno Fusani #5995129. Published by Reno Fusani (A0.998695). Trio Super: Nun Komm Der Heiden Heiland ( BWV 660) is one of Bach's great chorale preludes. This arrangement is for flute, clarinet and bassoon. It is playable by a string trio also with the included viola part in lieu of the clarinet. Appropriate for recital or prelude to a religious service.
$12.99
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