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51
"Imaginez des Nuages" *Imagine Clouds* A dreamy Flute solo for all occasions!
"Imaginez des Nuages" *Imagine Clouds* A dreamy Flute solo for all occasions!
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Jacquelyn G
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"Imaginez des Nuages"
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Jacquelyn Kleine
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SheetMusicPlus
Small Ensemble Flute,Oboe,Violin - Level 5 - SKU: A0.938118 Composed by Jacquelyn G. Kleine. 20th Century,Concert,Contemporary,Wedding. Score and parts....
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Small Ensemble Flute,Oboe,Violin - Level 5 - SKU: A0.938118 Composed by Jacquelyn G. Kleine. 20th Century,Concert,Contemporary,Wedding. Score and parts. 2 pages. Jacquelyn Kleine #3690769. Published by Jacquelyn Kleine (A0.938118). Imaginez des Nuages *Imagine Clouds* A dreamy Flute solo for all occasions! Also available for Violin in the key of D and suitable for Oboe. Enjoy!
$4.99
Fanfare for an Occasion
Fanfare for an Occasion
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Liz Sharma
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Liz Sharma
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they will be sent by return
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Fanfare for an Occasion
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Liz Sharma
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SheetMusicPlus
Cornet,Trumpet - Level 5 - SKU: A0.1375165 Composed by Liz Sharma. Arranged by Liz Sharma. 21st Century,Classical. 4 pages. Liz Sharma #959778. Publishe...
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Cornet,Trumpet - Level 5 - SKU: A0.1375165 Composed by Liz Sharma. Arranged by Liz Sharma. 21st Century,Classical. 4 pages. Liz Sharma #959778. Published by Liz Sharma (A0.1375165). Fanfare for an Occasion is a lively rhythmic trio for 3 trumpets, suitable for any celebration. It is probably easier to read from 3 copies of the score, but if individual parts are required, email lizsharmamusic@gmail.com & they will be sent by return.
$6.00
O For a Thousand Tongues to Sing
O For a Thousand Tongues to Sing
Choir, SATB with occasional doubling of voice parts.
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Contemporain
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Elizabeth Salmon
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O For a Thousand Tongues to Si
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Elizabeth Salmon
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SheetMusicPlus
Composed by Elizabeth Salmon. For Choir, SATB with occasional doubling of voice parts.. 21st Century, Christian. Advanced. , Score. Published by Elizabeth Salmo...
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Composed by Elizabeth Salmon. For Choir, SATB with occasional doubling of voice parts.. 21st Century, Christian. Advanced. , Score. Published by Elizabeth Salmon
$2.25
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
J. Frederick Bridge | With Thee, Sweet Hope! | for Brass Quintet
J. Frederick Bridge | With Thee, Sweet Hope! | for Brass Quintet
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J
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Andrew Lamb
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J. Frederick Bridge | With The
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Andrew Lamb
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1472000 By J. Frederick Bridge. By J. Frederick Bridge. Arrang...
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1472000 By J. Frederick Bridge. By J. Frederick Bridge. Arranged by Andrew Lamb. 19th Century. 67 pages. Andrew Lamb #1049697. Published by Andrew Lamb (A0.1472000). 🎺 Brass Quintet Arrangement: With Thee, Sweet Hope! by J. Frederick Bridge 🎶✨ About the Arrangement:This arrangement of With Thee, Sweet Hope! by the esteemed English composer and organist J. Frederick Bridge offers a challenging yet rewarding piece for advanced brass ensembles. The flexibility in instrumentation allows for a unique blend of timbres and a captivating performance.📯 Scored for: Part 1: Trumpet / Cornet / Flugel in Bb / Soprano in Eb Part 2: Trumpet / Cornet / Flugel in Bb Part 3: French Horn / Tenor Horn Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) Part 5: Tuba / Eb Bass (Treble Clef) / Bb Bass (Treble Clef) 🎼 Level of Difficulty: Hard🎤 Potential Uses:Perfect for concert or recital performances, this arrangement will showcase the versatility and skill of your brass quintet.✨ About the Composer: Sir John Frederick Bridge (1844–1924) was a prominent English organist, composer, teacher, and writer. His career highlights include being the organist at Westminster Abbey, conducting the Royal Choral Society, and teaching at prestigious institutions like the Royal College of Music and Gresham College. Bridge played a significant role in modernizing church music and was instrumental in organizing music for state occasions, including coronations.📌 Key Points: Early Life: Born in Oldbury, Worcestershire, he was introduced to music early, joining Rochester Cathedral's choir as a boy. Career: Held positions at Manchester Cathedral and Westminster Abbey, where he made significant contributions to church music. Teaching: Taught at the Royal College of Music and Gresham College, influencing many future prominent musicians. Conducting: Led the Royal Choral Society for 25 years, premiering works by notable British composers. 🔔 Please like and subscribe for more videos and music arrangements. 😊
$10.00
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Land of Hope and Glory for Brass Quintet and Organ
Land of Hope and Glory for Brass Quintet and Organ
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Classique
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Edward Elgar
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Damiano Drei
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Land of Hope and Glory for Bra
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Gordon Cherry
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SheetMusicPlus
B-Flat instrument,Horn,Trombone,Tuba - Level 5 - SKU: A0.1247212 Composed by Edward Elgar. Arranged by Damiano Drei. 20th Century,Romantic Period. 23 pa...
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B-Flat instrument,Horn,Trombone,Tuba - Level 5 - SKU: A0.1247212 Composed by Edward Elgar. Arranged by Damiano Drei. 20th Century,Romantic Period. 23 pages. Gordon Cherry #841757. Published by Gordon Cherry (A0.1247212). Land of Hope and Glory, Finale from the Coronation Ode, Op. 44 by Edward Elgar is a patriotic British song composed in 1901. It is widely considered to be one of the most iconic pieces of British music, often performed at important national events such as the Last Night of the Proms. The song's lyrics were written by Arthur Christopher Benson and celebrate the strength and glory of the British Empire during the height of its power. The stirring melody and uplifting lyrics make it a popular choice for ceremonial occasions and its rousing chorus has become synonymous with the pride and patriotism of the British people.This fantastic arrangement by Damiano Drei is for standard Brass Quintet (Trumpets in B-flat) and Concert Organ and is appropriate for moderately advanced performers. It will make a big splash for whatever event it is performed at.
$27.50
Dreamscapes for Violin and Piano (1967-68)
Dreamscapes for Violin and Piano (1967-68)
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Richard St
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Dreamscapes for Violin and Pia
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Richard St. Clair
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.939772 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.939772 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score and parts. 54 pages. Richard St. Clair #3499551. Published by Richard St. Clair (A0.939772). Evocative neo-impressionistic chamber work in three connected movements for Violin and Piano, composed 1967-68. Score and appended Violin part all in one PDF file. Suitable for all concert/recital occasions.
$25.00
Alleluia! Sing to Jesus (HYFRYDOL): Hymn Concertato for Choir/Congregation/Brass Sextet/Timp/Organ
Alleluia! Sing to Jesus (HYFRYDOL): Hymn Concertato for Choir/Congregation/Brass Sextet/Timp/Organ
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Rowland H
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Brenda Portman
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Alleluia! Sing to Jesus
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Brenda Portman
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet - Level 5 - SKU: A0.753134 Composed by Rowland H. Pritchard. Arranged by Brenda Portman. Christian,Classical,Religious,S...
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Euphonium,Horn,Trombone,Trumpet - Level 5 - SKU: A0.753134 Composed by Rowland H. Pritchard. Arranged by Brenda Portman. Christian,Classical,Religious,Sacred,Traditional. 48 pages. Brenda Portman #5021981. Published by Brenda Portman (A0.753134). This dynamic hymn concertato for congregation, choir, brass sextet, timpani, and organ, based on the hymn Alleluia! Sing to Jesus (Lutheran Service Book #821, tune: Hyfrydol) will enhance your worship at any time of year, particularly festival occasions.Brass/Timp & Organ IntroVerse 1: Congregation with choir (SATB parts optional), brass/timp, organVerse 2: Women of congregation with organVerse 3: Men of congregation with organ and brassVerse 4: Choir (optional acapella)Brass/Timp & Organ InterludeVerse 5: Congregation and choir in unison, with brass/timp fanfares, organIncludes Full Score, Choral Score, and parts for 1st Trumpet, 2nd Trumpet, 3rd Trumpet, Horn in F, Trombone, Baritone (B. C.), and Timpani. 48 pages total.
$29.95
Wind Quartet No. 1 in Eb Major for mixed ensemble
Wind Quartet No. 1 in Eb Major for mixed ensemble
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Christian contemporain
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Musique Sacrée
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Walter Scholtes
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Piano-in 3 Movements.
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Wind Quartet No. 1 in Eb Major
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SCHOLTES EDITIONS
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SheetMusicPlus
Small Ensemble Clarinet,Horn,Trumpet - Level 5 - SKU: A0.922198 Composed by Walter Scholtes. Contemporary,Sacred. Score and parts. 45 pages. SCHOLTES ED...
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Small Ensemble Clarinet,Horn,Trumpet - Level 5 - SKU: A0.922198 Composed by Walter Scholtes. Contemporary,Sacred. Score and parts. 45 pages. SCHOLTES EDITIONS #6789247. Published by SCHOLTES EDITIONS (A0.922198). The first of six such quartets, for Clarinet, Trumpet, Horn & Piano-in 3 Movements. A fine recital piece for many venues and occasions for advanced players, and a good teaching piece with appropriate challenges for advanced students. The first movement also indicates structural description items of sonata form. Traditional harmonies, tuneful melodies, very accessible for audiences. 46 pages.
$19.95
Wind Quartet No. 2 in Bb Minor for mixed ensemble
Wind Quartet No. 2 in Bb Minor for mixed ensemble
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Contemporain
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Walter Scholtes
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Wind Quartet No. 2 in Bb Minor
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SCHOLTES EDITIONS
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SheetMusicPlus
Small Ensemble Clarinet,Horn,Trumpet - Level 5 - SKU: A0.922199 Composed by Walter Scholtes. Contemporary. Score and parts. 52 pages. SCHOLTES EDITIONS ...
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Small Ensemble Clarinet,Horn,Trumpet - Level 5 - SKU: A0.922199 Composed by Walter Scholtes. Contemporary. Score and parts. 52 pages. SCHOLTES EDITIONS #6795729. Published by SCHOLTES EDITIONS (A0.922199). The second of six such quartets, for Clarinet, Trumpet, Horn & Piano-in 3 movements.A fine recital piece for many venues and occasions for advanced players, and a good teaching piece with appropriate challenges for advancing students. The first movement also indicates structural description items of sonata form. Traditional harmonies, tuneful melodies, very accessible for audiences. 52 pages.
$19.95
SEXTET No. 4: Allegro
SEXTET No. 4: Allegro
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NA
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Becky Dugan
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SEXTET No. 4: Allegro
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B. L. Dugan
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1108570 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Cha...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1108570 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical. 24 pages. B. L. Dugan #711215. Published by B. L. Dugan (A0.1108570). Advanced brass players will enjoy the challenge of Dauprat's Sextet No.6 in minuet form. The legato TRIO in Gb provides a lovely contrast to the staccato, arpeggiated first two sections. The challenge will be to maintain a light, classical style and a proper quick tempo. This piece is suitable for festivals, recitals, concerts and other special occasions. It could also be combined with another of Dauprat's sextets. e.e. No. 3 in E minor. Performers and audiences will enjoy this delightful work from the late-Classical period.
$24.00
SEXTET No. 6 in C
SEXTET No. 6 in C
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NA
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Becky Dugan
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SEXTET No. 6 in C
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B. L. Dugan
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1109988 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Cha...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1109988 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 46 pages. B. L. Dugan #712338. Published by B. L. Dugan (A0.1109988). SEXTET No. 6 in C is an excellent showpiece or program closer for your BRASS SEXTET. Advanced brass players will enjoy the challenge of the technical requirements of this work. Crisp articulation is needed throughout, as well as careful attention to dynamic contrasts. Length: c.5:00. Suitable for festivals, recitals, concerts, and other special occasions.
$24.00
GRANDE TRIO Opus 4, No. 1
GRANDE TRIO Opus 4, No. 1
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NA
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Becky Dugan
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Adagio non tanto
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GRANDE TRIO Opus 4, No. 1
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B. L. Dugan
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SheetMusicPlus
Horn,Trombone,Trumpet - Level 5 - SKU: A0.1111197 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,...
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Horn,Trombone,Trumpet - Level 5 - SKU: A0.1111197 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 41 pages. B. L. Dugan #713474. Published by B. L. Dugan (A0.1111197). The 4 movements of Grande Trio, Op. 4, No. 1, provide advanced musicians with both the challenge and reward of a major work from the Late-Classical era. Originally scored for three horns, this arrangement for Trumpet, Horn &Trombone or Euphonium includes all 4 movements: Allegro moderato; Adagio non tanto; Minuetto-Bolero; Rondeau. This work is appropriate for festivals, concerts, recitals, church services or other special occasions. Careful attention should be given to style - staccato, dynamics, phrasing and balance.
$28.00
ALLEGRO SCHERZANDO (Quartet No.6)
ALLEGRO SCHERZANDO (Quartet No.6)
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Louis-Francois Dauprat
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Becky Dugan
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ALLEGRO SCHERZANDO
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B. L. Dugan
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Euphonium,Low Brass Quartet,Tuba - Level 5 - SKU: A0.1285804 Composed by Louis-Francois Dauprat (1781-1868). Arranged by ...
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Baritone Horn TC,Bass Trombone,Euphonium,Low Brass Quartet,Tuba - Level 5 - SKU: A0.1285804 Composed by Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 21 pages. B. L. Dugan #876946. Published by B. L. Dugan (A0.1285804). Allegro scherzando, as its name implies, is a lively dance-like work. suitable for festivals, concerts, recitals and other special occasions. Although it scored for four trombones, advancing players of any combination of low brass instruments will enjoy this piece. The Trombone 1 part is in Bass Clef or Tenor Clef. Performers may wish to combine this piece with another of the contrasting Opus 8 quartets, e.g. Funeral March (No.5) for a larger work.
$18.00
Piano Concerto in B-flat major, KV 595
Piano Concerto in B-flat major, KV 595
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Classique
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in B-flat major
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Mastery for Strings Press
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1302391 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 114 pages. Ma...
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Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1302391 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 114 pages. Mastery for Strings Press #892006. Published by Mastery for Strings Press (A0.1302391). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.
$15.99
Air for Two Flutes and Harp (Languida)
Air for Two Flutes and Harp (Languida)
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Yrjo Mikkonen
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Air for Two Flutes and Harp
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Yrjo Mikkonen
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SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - SKU: A0.926383 Composed by Yrjo Mikkonen. 20th Century,Concert,Contemporary,Standards. 14 pages. Yrjo Mikkonen #4622...
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Woodwind Ensemble Flute - Level 5 - SKU: A0.926383 Composed by Yrjo Mikkonen. 20th Century,Concert,Contemporary,Standards. 14 pages. Yrjo Mikkonen #4622145. Published by Yrjo Mikkonen (A0.926383). Melodious Romantic-Impressionistic style, excellent piece for recitals and festive occasions. Advanced level.
$8.00
Pomp & Circumstance March No.1 - Brass Quintet
Pomp & Circumstance March No.1 - Brass Quintet
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Classique
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Edward Elgar
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Kevin P Holdgate
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Pomp & Circumstance March
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 5 - SKU: A0.791004 Composed by Edward Elgar. Arranged by Kevin P Holdgate. 20th Century,Contemporary. Score an...
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Brass Ensemble Horn,Trombone,Tuba - Level 5 - SKU: A0.791004 Composed by Edward Elgar. Arranged by Kevin P Holdgate. 20th Century,Contemporary. Score and parts. 31 pages. Kevin P Holdgate #4359043. Published by Kevin P Holdgate (A0.791004). Versatile Brass Quintet CollectionI did this arrangement for brass quintet when Versatile Brass reduced to this format in the 1990's. We used it on a 'Last Night of the Proms' concert as I remember in a village hall in Lancashire.I have since used it on a number of occasions with other quintets that I have had the pleasure of playing with. It isn't easy, because the music isn't easy but it is what it is.
$19.99
Piano Concerto in C major, K. 503
Piano Concerto in C major, K. 503
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Classique
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in C major, K.
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Mastery for Strings Press
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Ma...
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Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.
$15.99
Widor- Movement 1 (Allegro) from 6th Organ Symphony
Widor- Movement 1 (Allegro) from 6th Organ Symphony
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Widor
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Mario Pearson
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Widor- Movement 1
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empee music
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1352641 Composed by Widor. Arranged by Mario Pearson. 20th Century,Christmas,Classical,Easter,Relig...
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Brass Band Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1352641 Composed by Widor. Arranged by Mario Pearson. 20th Century,Christmas,Classical,Easter,Religious. 50 pages. Empee music #937437. Published by empee music (A0.1352641). This abridged and edited arrangement of Widor's first movement (Allegro) of his 6th organ symphony brings an added touch of majesty with the addition of brass and timpani. When doubled by the Brass, the organ part is simplified, especially in the pedal. Notes doubled by the brass are in smaller font sizes and are optional to play.The Organist who has performed it as a solo piece may play from Widor's score, cutting from m152 to m252 to match this arrangement. Suitable for Christmas, Easter, and festive, solemn occasions. Full score and parts are included.
$40.00
Elegy
Elegy
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Mark Houghton
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Elegy
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'O...
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Guitar - Advanced - SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'OZ - Digital (ZZ.DZ-4276). ISBN 9782898521935.Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
$5.95
Säckingen
Säckingen
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Bertold Hummel
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Säckingen
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Schott Music - Digital
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SheetMusicPlus
Piccolo-Trp. in B · Trp. in Es oder in B · Trp. in B · Trp. in B oder Hr. in F · Basstrp. in B oder Hr. in F oder Altpos. · Basstrp. in Es oder H...
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Piccolo-Trp. in B · Trp. in Es oder in B · Trp. in B · Trp. in B oder Hr. in F · Basstrp. in B oder Hr. in F oder Altpos. · Basstrp. in Es oder Hr. in F oder Tenorpos. · Pk. (auch Nietenbeck.) brass instruments, timpani and cymbal - advanced - SKU: S9.Q20960 Music for 6 trumpets (or alternatively brass instruments) and timpani (doubling sizzle cymbal). Composed by Bertold Hummel. This edition: score. Schott Harmony Series. Downloadable, Score. Op. 103 f. Duration 10 minutes. Schott Music - Digital #Q20960. Published by Schott Music - Digital (S9.Q20960). The title of this piece refers to the place of the world premiere, Bad Säckingen, where the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was commissioned to compose a piece for that occasion. The composer used six trumpets from the bass trumpet to the piccolo trumpet, complemented by the bassoons only. The three movements are rich in contrast; in the second movement the listener is caught unawares by an 'echo' of Luther's 'Ein feste Burg ist unser Gott'. A well-known modern melody appears in the last movement, is processed and quickly leads to a dramatic finale. Hummel always knew how to write the perfect piece for every occasion or performer, how to capture the audience and how to always remain true to his personal style.
$15.99
Zadok the Priest
Zadok the Priest
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Classique
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G F Handel
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David F Wainwright
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Zadok the Priest
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D F Wainwright
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 5 - SKU: A0.1477459 Composed by G F Handel. Arranged by David F Wainwright. Baroque...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 5 - SKU: A0.1477459 Composed by G F Handel. Arranged by David F Wainwright. Baroque,Classical. 17 pages. D F Wainwright #1054849. Published by D F Wainwright (A0.1477459). As a string quartet, the Spring Quartet received some unusual requests for perfomances at, mainly, weddings. On one particular occasion many of the guests were music graduates and/or members of choral societies. The Bride requested that we play Zadok the Priest during the Wedding Breakfast. I duly arranged the whole piece for performance by our quartet. While we played, we could hear many voices softly joining in! It's one of those sorts of piece and I think this may be one of the few (if any) purely instrumental versions of this work. I've added an optional bass part if you want to play it with a string orchestra.
$24.99
Something In The Way She Moves
Something In The Way She Moves
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James Taylor
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Gareth Treseder
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Something In The Way She Moves
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Gareth Treseder
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 5 - SKU: A0.1389487 By James Taylor. By James Taylor. Arranged by Gareth Treseder. 20th Century,A Cappella,Country,...
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Choral Choir,Choral (5-Part) - Level 5 - SKU: A0.1389487 By James Taylor. By James Taylor. Arranged by Gareth Treseder. 20th Century,A Cappella,Country,Folk,Rock. 10 pages. Gareth Treseder #973075. Published by Gareth Treseder (A0.1389487). One of James Taylor's most beautiful works, Something In The Way She Moves, has been arranged for ATTBB forces. Bass One hosts the melody throughout, whilst the remaining voices provide the guitar-like accompaniment and occasional homophonic syncopations within a rich harmonic framework.
$2.50
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