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Vous avez sélectionné:
Sam Every
expert
Partitions à imprimer
8 partitions trouvées
<
1
I Need Thee Every Hour, Alto or Baritone
I Need Thee Every Hour, Alto or Baritone
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Julia Tsien
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I Need Thee Every Hour, Alto o
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Julia Tsien
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - SKU: A0.944845 Arranged by Julia Tsien. Christian,Concert,Sacred. 5 pages. Julia Tsien #6473819. Published by Julia ...
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Medium Voice,Vocal Solo - Level 5 - SKU: A0.944845 Arranged by Julia Tsien. Christian,Concert,Sacred. 5 pages. Julia Tsien #6473819. Published by Julia Tsien (A0.944845). This is a version for lower voices. The description is same as the earlier published version for high voices.
$5.99 ≈
£4.56
Livin' On A Prayer
Livin' On A Prayer
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Glee Cast
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Sarah Cellobat Chaffee
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Livin' On A Prayer
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.526260 By Glee Cast (Mashup With 782170). By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Sara...
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String Ensemble Cello - Level 5 - SKU: A0.526260 By Glee Cast (Mashup With 782170). By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 22 pages. Sarah Cellobat Chaffee #6248797. Published by Sarah Cellobat Chaffee (A0.526260). *INSTRUMENTATION: FOUR CELLOS*Livin' On A Prayer is one of the most iconic rock songs of the 80's and it is still beloved by millions to this day - and people just can't help singing along! With as much energy and hair-metal passion as the original, this arrangement is a ton of fun to play and to listen to. An equal-opportunity chart, this arrangement for cello quartet divides the melodies and solos among all four players so everyone gets a chance to shine. Rated advanced for some upper thumb position and a few tricky rhythms - it's pretty much sightreadable for adult professionals, but for everyone else I recommend to work on it before performing. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Livin' On A Prayer. Crowd pleasing guaranteed. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99 ≈
£12.95
Othello Suite, Op. 79 for Brass Choir
Othello Suite, Op. 79 for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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Othello Suite, Op. 79 for Bras
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard ...
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude. Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99 ≈
£30.47
< Flute,Violin,Clarinet and Piano> Aquarium (from Carnaval des Animaux)
< Flute,Violin,Clarinet and Piano> Aquarium (from Carnaval des Animaux)
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C
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Tsuyoshi Yoroiguma
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< Flute,Violin,Clarinet and
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.711056 Composed by C.Saint-Saens. Arranged by Tsuyoshi Yoroiguma. Children,Concert,Romant...
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Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.711056 Composed by C.Saint-Saens. Arranged by Tsuyoshi Yoroiguma. Children,Concert,Romantic Period. Score and parts. 16 pages. Tsuyoshi Yoroiguma #3121881. Published by Tsuyoshi Yoroiguma (A0.711056). Welcome to a water world ! You can feel mysterious aquarium by 4 players. Carnival of animals is a masterpiece composed by Saint-Saens,and loved from every generation. Aquarium is a very elegant music. Piano player is required to sound calm and fast arpeggio from beginning to the end. Melody played by woodwind and violin is smooth as a silk. This arrangement is good for advanced ensemble group.PDF file includes 8 pages of score and 8 pages of parts.Playing time is 1min 55sec.Please visit youtube for sample score and demo-sound. https://youtu.be/mwIsg2eWKrc
$16.00 ≈
£12.19
Quintett
Quintett
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Samuel Coleridge-Taylor
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Robert Rainford
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Quintett
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Forton Music - Digital
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SheetMusicPlus
Solo Bb Cl. 2 Bb Cl. Acl (Bb Cl). BCl. - Advanced - SKU: F2.FM585 Composed by Samuel Coleridge-Taylor. Arranged by Robert Rainford. Arranged for Solo Cl...
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Solo Bb Cl. 2 Bb Cl. Acl (Bb Cl). BCl. - Advanced - SKU: F2.FM585 Composed by Samuel Coleridge-Taylor. Arranged by Robert Rainford. Arranged for Solo Clarinet with Clarinet Quartet accompaniment. Score and parts. 126 pages. Forton Music - Digital #FM585. Published by Forton Music - Digital (F2.FM585). ISBN 9790570484843.This quintet is an early work, composed in 1895. Compared to the more familiar quintets of Mozart, Weber and Brahms, this composition is not as well known. However, it is every bit the equal of it's more famous brothers, and deserves to receive more recognition. The first movement alternates dark and troubled sections with livelier, folk dance like music with almost the feeling of Dvorak's slavonic dances. The second movement features a long melodic line, which is decorated with increasingly elaborate lower parts. The third movement is a frenetic and nervous scherzo, which switches between 9/8 and 3/4 times giving it a stuttering feeling at times. The finale returns to the minor key dramatic feel of the first movement, with much use of the scotch snap rhythm adding another folk music-like flavour. Overall, stylistically this piece fits beautifully between the Weber and Brahms quintets, and should be more widely performed. Originally published for clarinet in A and string quartet, this version presents the work to be played on solo clarinet in Bb accompanied by a quartet of two Bb clarinets, an alto clarinet in Eb (although a substitute part for another clarinet in Bb is included) and a bass clarinet in Bb. The solo part has been left unchanged; the string parts have been altered to suit the new medium. The somewhat stratospheric first violin part has been tamed and brought down to a more suitable range; the articulation and dynamics have been edited and corrected so as to present a more unified work. The problematic third movement, with its unmarked and hard to spot shifts between 9/8 and 3/4 has been presented in a more readable fashion.
$22.95 ≈
£17.49
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
£22.82
Arirang (For Piano Trio)
Arirang (For Piano Trio)
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Contemporain
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90 ≈
£5.26
City Life
City Life
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Jazz
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Reese Rosbrook
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City Life
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Reese_Rosbrook
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SheetMusicPlus
Double Bass,Drum Set,Percussion,Piano and Keyboard,Tenor Saxophone - Level 5 - Interactive Download SKU: A0.1227644 Composed by Reese Rosbrook. This edit...
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Double Bass,Drum Set,Percussion,Piano and Keyboard,Tenor Saxophone - Level 5 - Interactive Download SKU: A0.1227644 Composed by Reese Rosbrook. This edition: Interactive Download. Jazz. 10 pages. Duration 149. Reese_Rosbrook #6P4oLzKV6tnK36zxmQL5n3. Published by Reese_Rosbrook (A0.1227644). Key: Ab major.It's been a while since I've made a jazzy piece, and being inspired from a recent trip to New York City really brought the jazz out of me. This one is super special, because it describes what life is like in the city. The A section is your common stroll, let's say through Central Park or down the block. The beat never stops with anyone. Everyone just keeps walking, and this constant bass line represents that. The B section represents the unexpected. You decide to walk through the subway, encountering a man playing tunes on a funky guitar. The weird chords and rhythms emphasize the curiosity of the music you're hearing. And finally, the C section represents the city lights. Beautiful, aren't they? Yet, unusual at the same time, represented by the 7/4 time signature. (Which was my first time using that time signature, how do you think I did?) I had fun writing this. I'm currently working on a research paper on the Origins of Jazz, and it kind of got me into a Dave Brubeck mood. Thanks for listening! -Reese.
$2.99 ≈
£2.28
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Sam Every
