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Partitions à imprimer
75 partitions trouvées
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51
There's Gotta Be Something Better Than This
There's Gotta Be Something Better Than This
#
Contemporain
#
Cy Coleman
#
W
#
There's Gotta Be Something Bet
#
Diamond S Music
#
SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. Diamond S Music ...
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Large Ensemble - Level 5 - SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. Diamond S Music #3554303. Published by Diamond S Music (A0.790049). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - FULL SCORE & PARTS. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$43.99 ≈
39.70€
Something In The Way She Moves
Something In The Way She Moves
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James Taylor
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Gareth Treseder
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Something In The Way She Moves
#
Gareth Treseder
#
SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 5 - SKU: A0.1389487 By James Taylor. By James Taylor. Arranged by Gareth Treseder. 20th Century,A Cappella,Country,...
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Choral Choir,Choral (5-Part) - Level 5 - SKU: A0.1389487 By James Taylor. By James Taylor. Arranged by Gareth Treseder. 20th Century,A Cappella,Country,Folk,Rock. 10 pages. Gareth Treseder #973075. Published by Gareth Treseder (A0.1389487). One of James Taylor's most beautiful works, Something In The Way She Moves, has been arranged for ATTBB forces. Bass One hosts the melody throughout, whilst the remaining voices provide the guitar-like accompaniment and occasional homophonic syncopations within a rich harmonic framework.
$2.50 ≈
2.26€
Something like that from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
Something like that from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
#
Stephen Chatman
#
Something like that from Eight
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-2E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-2E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25 ≈
5.64€
Something More
Something More
#
Timothy Lee Miller
#
Something More
#
TLM Music Publishing
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Oboe,Percussion,Piano,Violin - Level 5 - SKU: A0.1009437 Composed by Timothy Lee Miller. Contemporary,Contest,Festi...
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Small Ensemble B-Flat Clarinet,Cello,Oboe,Percussion,Piano,Violin - Level 5 - SKU: A0.1009437 Composed by Timothy Lee Miller. Contemporary,Contest,Festival,Jazz. Score and parts. 93 pages. TLM Music Publishing #615102. Published by TLM Music Publishing (A0.1009437). Something More is a piece that blends classical and jazz elements using complex rhythmic and metric combinations, with a melody that floats outside the restrictions of time.
$49.99 ≈
45.11€
Say Something
Say Something
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Pop musique
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A Great Big World
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Erin Fox Wells
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Say Something
#
Erin Fox Wells
#
SheetMusicPlus
String Ensemble - Level 5 - SKU: A0.1030400 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Erin Fox Wells. Pop. Score...
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String Ensemble - Level 5 - SKU: A0.1030400 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Erin Fox Wells. Pop. Score and parts. 23 pages. Erin Fox Wells #6272255. Published by Erin Fox Wells (A0.1030400). This is for violin and viola duet with string orchestra accompaniment. There is an included harp part but may be used for piano. .
$25.00 ≈
22.56€
Something In This City Changes People
Something In This City Changes People
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Rock
#
Chicago
#
Patrick Sheehan
#
Something In This City Changes
#
Patrick Sheehan
#
SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747888 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747888 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan #4968647. Published by Patrick Sheehan (A0.747888). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Alto Flute (G), Grand Piano, Acoustic Guitar, Bass, Triangle, Mark Tree, Conga Drums. All parts transcribed by ear from the original recording from Chicago VI released in 1973. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
22.56€
Something Good
Something Good
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Richard Rodgers
#
David Wright
#
Something Good
#
David Wright
#
SheetMusicPlus
Small Ensemble Low Voice - Level 5 - SKU: A0.512584 Composed by Richard Rodgers. Arranged by David Wright. A Cappella. Score and parts. 4 pages. David W...
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Small Ensemble Low Voice - Level 5 - SKU: A0.512584 Composed by Richard Rodgers. Arranged by David Wright. A Cappella. Score and parts. 4 pages. David Wright #5968257. Published by David Wright (A0.512584). This arrangement is for men's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99 ≈
11.72€
Something To Talk About
Something To Talk About
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Rock
#
Shirley Eikhard
#
Deke Sharon
#
Something To Talk About
#
Deke Sharon
#
SheetMusicPlus
Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479635 Composed by Shirley Eikhard. Arra...
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Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479635 Composed by Shirley Eikhard. Arranged by Deke Sharon. This edition: Interactive Download. Rock. Octavo. Duration 189. Deke Sharon #3lb65Laxo4jFtVLUIwiRK4. Published by Deke Sharon (A0.479635). Key: Ab major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99 ≈
1.80€
Suite No. 1
Suite No. 1
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Giorgio Mirto
#
Suite No. 1
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
9.88€
Winter Love
Winter Love
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Contemporain
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Sally Whitwell
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Winter Love
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Sally Whitwell
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SheetMusicPlus
Small Ensemble,Strings Piano - Level 5 - SKU: A0.873039 Composed by Sally Whitwell. Contemporary. Score and parts. 22 pages. Sally Whitwell #3875723. Pu...
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Small Ensemble,Strings Piano - Level 5 - SKU: A0.873039 Composed by Sally Whitwell. Contemporary. Score and parts. 22 pages. Sally Whitwell #3875723. Published by Sally Whitwell (A0.873039). I first met the Acacia Quartet a couple of years back, playing in a show I put together for Sydney Philharmonia Choirs, T​ he Beatles Unplugged​. What a joy to discover a quartet of such expert musicians who are also so open to playing such a wide variety of music, from The Beatles to Brahms! I wrote this piece ​Winter Love​ for us to perform together.Composing a piece for specific performs is, I imagine, something like tailoring a bespoke suit. I wanted to give them something with which they could show off their unique versatility; creating rich, warm, blended sounds one minute and fiery, energetic, even whimsical tones the next. I didn’t want to write just a quartet at the time because, perhaps selfishly, I simply wanted to be a part of it!The title makes it seem like the work is programmatic, but it’s not. I just couldn’t think of a title for it. My partner Glennda came up with that, and I dedicate the piece to her.-- Sally Whitwell
$9.99 ≈
9.02€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
20.31€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
13.54€
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
13.54€
ReSolUtIo
ReSolUtIo
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Lucio Franco Amanti
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ReSolUtIo
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Schott Music - Digital
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SheetMusicPlus
2 violins, viola and cello - advanced - SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score...
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2 violins, viola and cello - advanced - SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score and parts. Beethoven year 2020 - Ludwig van Beethoven. Downloadable, Score and parts. Op. 74. Duration 14 minutes. Schott Music - Digital #Q49388. Published by Schott Music - Digital (S9.Q49388). When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden†in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio†in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartetâ€. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti).
$40.99 ≈
36.99€
Brass Band - Con Brio
Brass Band - Con Brio
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Mike Lyons
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Brass Band - Con Brio
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.767555 Composed by Mike Lyons. Contemporary,Multicultural,World. Brass Band. 66 pages. Lyons Music Services #5871269. Published by Lyons Music Services (A0.767555). This is a challenging but fun piece for British Brass Band. A brand new piece, jolly and lively all the way through. Composed in 7/8 time most of the way though, giving the playerssomething to think about, and the audience something to enjoy. There is chance for the players to re-gain their composure during a lovely little flugel solo (thankfully, in the more common 3/4 time!). The band then join in and the fun returns, getting faster and faster before another break into the Lento, where the trombones and solo horn feature. However, a rousing ending isn’t far away!!! A stunning work, good fun, and enjoyable by all.
$40.00 ≈
36.10€
Tyrant
Tyrant
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Jason V
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Tyrant
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Barabba Music
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SheetMusicPlus
Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Conte...
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Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. 49 pages. Barabba Music #987269. Published by Barabba Music (A0.1404089). A Micro-opera by Jason V. BarabbaLibretto by Jason V. Barabba and Annie Jankowski after The Wolf and the Lamb by Aesop for Soprano, Baritone, Flute, Violin, Viola and CelloIt feels like our national political and social discourse has plummeted to new depths of dysfunction. No matter what your opinions are, you cannot fail to notice that we’ve lost something in our nation when our leaders cannot find a way to disagree with one another with civility. It is hard to feel optimistic, or even know what to do in the face of such petty ugliness that passes for political thought in this nation.For Tyrant I turned to the basic lessons found in Aesop’s fables, which are at heart lessons on being a good member of civil society…lessons that unfortunately I believe our nation needs to re-learn. Soon. The Wolf and the Lamb focuses on someone who consciously makes up lies to justify what he wants to do and feels alarmingly relevant today. Only lightly edited to turn the story into a dramatic scene, it is a very old story intended for the people of 2017.
$96.30 ≈
86.91€
Somethin'
Somethin'
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Contemporain
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Lalah Hathaway
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Essbê Music
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Somethin'
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Stephanie B.
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SheetMusicPlus
Vocal Solo,Voice - Level 5 - SKU: A0.1013639 By Lalah Hathaway. By Brenda Gordon Russell and David W Foster. Arranged by Essbê Music. Contemporary. 5...
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Vocal Solo,Voice - Level 5 - SKU: A0.1013639 By Lalah Hathaway. By Brenda Gordon Russell and David W Foster. Arranged by Essbê Music. Contemporary. 5 pages. Stephanie B. #6881281. Published by Stephanie B. (A0.1013639). Learn Lalah Hathaway's viral improvised solo on Something (i.e. Somethin') with contemporary jazz group Snarky Puppy, from the album Family Dinner Vol. 1. Play along on any instrument and even learn the specific syllables if you're a vocalist. Using this transcription helps clarify the most complex aspects of her performance like virtuosic melismas and the polyphonic splitting that made this performance earn a Rn'B Grammy in 2018. Contains detailed musical transcription as well as a phonetic transcription of syllables in IPA (International Phonetic Alphabet). Includes MP3 of the transcription using midi keyboard sound. .
$4.99 ≈
4.50€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
25.27€
Time To Say Goodbye
Time To Say Goodbye
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Andrea Bocelli & Sarah Brightm
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Austin Ralphson
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Time To Say Goodbye
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Austin Ralphson
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 5 - SKU: A0.563297 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralph...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 5 - SKU: A0.563297 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and individual part. 9 pages. Austin Ralphson #3538087. Published by Austin Ralphson (A0.563297). This is probably one of the most beautiful melodies I have ever heard. This song was popular in 1994, and the lyrics are often misinterpreted. The song is about saying goodbye to an old life on the eve of something new, e.g. wedding, birth etc. It is presented here for tenor horn and piano, and is very popular to perform at weddings and also in recital; it always goes down very well indeed.
$7.99 ≈
7.21€
Ding! Dong! Merrily on high
Ding! Dong! Merrily on high
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Traditional French tune
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Nicholas Palmer
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Ding! Dong! Merrily on high
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Nicholas D Palmer
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SheetMusicPlus
B-Flat Trumpet,Cello,Horn,Tenor Trombone,Viola,Violin - Level 5 - SKU: A0.1182808 Composed by Traditional French tune. Arranged by Nicholas Palmer. Chri...
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B-Flat Trumpet,Cello,Horn,Tenor Trombone,Viola,Violin - Level 5 - SKU: A0.1182808 Composed by Traditional French tune. Arranged by Nicholas Palmer. Christmas,Classical,Holiday,Religious. 41 pages. Nicholas D Palmer #762846. Published by Nicholas D Palmer (A0.1182808). The carol, Ding! Dong! Merrily on high, is an adaptation of the Renaissance dance tune, Branle de l'official. This arrangement includes this tune as well as the version that is sung as a Christmas carol. This rollicking piece will give the players something fun and a little challenging to do and give a festive exclamation point to any Christmas celebration.Why this arrangement? Very often, church directors hire a string quartet and brass quartet for Christmas, but have no music for them to play together as an instrumental piece. This was commissioned for such an occasion. The string parts are carefully arranged so as not to be lost when the brass are playing, though, no doubt, the musicians will need to make some adjustments for acoustical considerations.
$20.00 ≈
18.05€
ST MARY'S SONG FLUTE SOLO by Joe Procopio
ST MARY'S SONG FLUTE SOLO by Joe Procopio
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Contemporain
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Joe Procopio
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ST MARY'S SONG FLUTE SOLO by J
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JoeCopio Music LLC
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SheetMusicPlus
Small Ensemble Flute,Piano,Vibraphone - Level 5 - SKU: A0.876438 Composed by Joe Procopio. Contemporary. Score and parts. 7 pages. JoeCopio Music LLC #3...
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Small Ensemble Flute,Piano,Vibraphone - Level 5 - SKU: A0.876438 Composed by Joe Procopio. Contemporary. Score and parts. 7 pages. JoeCopio Music LLC #39527. Published by JoeCopio Music LLC (A0.876438). St. Mary’ Song St. Mary’ Song is a charming work for Flute and Vibraphone (or Piano). There is something in this work that captures the wonderful almost magical marriage between a flute and a vibraphone with this simple haunting melody that delights all listeners. Easy to perform. Hard to forget.
$10.00 ≈
9.02€
Dating is a sport from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
Dating is a sport from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Dating is a sport from Eight L
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-5E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-5E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-5E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-5E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25 ≈
7.45€
Not that kind of song from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
Not that kind of song from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Not that kind of song from Eig
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-3E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-3E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25 ≈
6.54€
Hanky-panky from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
Hanky-panky from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Hanky-panky from Eight Love So
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-6E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-6E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-6E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-6E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25 ≈
7.45€
Dream Girl from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
Dream Girl from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Dream Girl from Eight Love Son
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-4E Composed by Stephen Chatman. Secular, 21st century. Score. 7 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-4E Composed by Stephen Chatman. Secular, 21st century. Score. 7 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-4E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-4E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25 ≈
5.64€
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