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Traditional Folk Melody
Non classifié
8
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Vous avez sélectionné:
Traditional Folk Melody
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Partitions à imprimer
8 partitions trouvées
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1
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score an...
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
Mwiche Khumufumie
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
Rain and Flowers (for violin and piano)
Rain and Flowers (for violin and piano)
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Contemporain
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Paul SanGregory
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Rain and Flowers
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Distant Engraver Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distan...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distant Engraver Music #4593095. Published by Distant Engraver Music (A0.977042). At the request of a friend, this piece incorporates the melody of an old popular song from Taiwan’s Japanese period. It is a simple folk-like melody with words based on the image of flowers that were washed to the ground during a rainy night. Rain and Flowers is neither an arrangement nor a traditional theme and variations. Instead, it is a series of free improvisations on ideas from the song. Some of those ideas are musical, while others relate to images or meanings in the lyrics. Because I think the lyrics contain a sense of sadness and loss, there are times when that emotion comes through. The image of flower petals strewn on the ground was an important inspiration because it can be seen as being both beautiful and pitiful, or even tragic. Also, those petals can be contemplated in silence after the storm, or during the time when they are begin blown by the driving rain and fierce winds. For that reason, I portray various types of rain and wind as the piece progresses. However, because the original song was a simple melody written after the storm, that is where this piece ends, with a more obvious playing of the melody, though still in an improvisatory and folk-like way. The single downloadable file for this piece contains both the full score and violin part.
$10.00
Arirang (For Violin, Cello and S.Orchestra)
Arirang (For Violin, Cello and S.Orchestra)
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Han-Ki Kim
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Inst...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 26 pages. Han-Ki Kim #799067. Published by Han-Ki Kim (A0.1200264). Arirang for Violin, Cello and String Orchestra “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€.Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$15.90
Blue Bird (For Viola and Strings)
Blue Bird (For Viola and Strings)
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Traditional
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Han-Ki Kim
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Blue Bird
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructio...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 21 pages. Han-Ki Kim #774123. Published by Han-Ki Kim (A0.1173966). For Solo Viola and String Ensemble. Bird, Bird, Blue Bird Op.152BFolk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird†has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird†is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.
$15.90
Tarantella from La Boutique Fantasque Clarinet Solo
Tarantella from La Boutique Fantasque Clarinet Solo
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Rainer's Rainbow
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R G Roth
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Tarantella from La Boutique Fa
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Rainer's Rainbow
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 5 - SKU: A0.1034492 By Rainer's Rainbow. By Gioachino Rossini. Arranged by R G Roth. C...
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A Clarinet Solo,B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 5 - SKU: A0.1034492 By Rainer's Rainbow. By Gioachino Rossini. Arranged by R G Roth. Classical,Folk,Romantic Period,Standards,Traditional. Individual part. 19 pages. Rainer's Rainbow #639857. Published by Rainer's Rainbow (A0.1034492). In 1919 Respighi arranged this melody as part of the One Act Ballet known as Boutique Fantasque. It was arranged for piano and later orchestrated. For the first time it is available here as an unaccompanied solo for clarinet. Optional keys and chords are included.
$2.99
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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Musique Sacrée
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Joshua Leavitt
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Daniel Carter
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See How the Savior Stands a Pl
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. ...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
To Drive the Cold Winter Away: Advanced Harp & Voice Cm
To Drive the Cold Winter Away: Advanced Harp & Voice Cm
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Traditional, Medieval
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Tiffany Schaefer
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To Drive the Cold Winter Away:
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Tiffany Schaefer
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.865654 Composed by Traditional, Medieval. Arranged by Tiffany Schaefer. Christmas,Classical,Folk,Renaissance. Score a...
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Small Ensemble - Level 5 - SKU: A0.865654 Composed by Traditional, Medieval. Arranged by Tiffany Schaefer. Christmas,Classical,Folk,Renaissance. Score and parts. 13 pages. Tiffany Schaefer #6195193. Published by Tiffany Schaefer (A0.865654). To Drive the Cold Winter Away, also known as All Hail to the Days, or In Praise of Christmas. Beautiful Medieval Christmas carol with a melancholy melody and spritely lyrics. Arranged for advanced harp and voice by Tiffany Schaefer. 12 pages plus title page, 5 verses, key of C minor. Also available in A minor. Chord symbols included. A tutorial for this arrangement, in C minor, may be found on YouTube.com/tiffanyschaeferharp.
$7.49
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Traditional Folk Melody
