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Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Enchanted Traci
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
27.66€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
#
Contemporain
#
Carson Cooman
#
Carson Cooman Enchanted Tracin
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
71.99€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.88€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.88€
Frith - SONS OF THUNDER for Bass Trombone and Piano
Frith - SONS OF THUNDER for Bass Trombone and Piano
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Contemporain
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John Frith
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Frith - SONS OF THUNDER for Ba
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.810720 Composed by John Frith. Contemporary. Individual part. 13 pages. Gordon Cherry #1942817. Publ...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.810720 Composed by John Frith. Contemporary. Individual part. 13 pages. Gordon Cherry #1942817. Published by Gordon Cherry (A0.810720). Composer John Frith has written a new solo virtuosic work for Bass Trombone with Piano accompaniment of about 3 minutes in length. Read below to see what his thoughts are about his composition for Jonathan Warburton. I have written a number of pieces (over many years) for Jonathan Warburton who also commissioned ‘Sons of Thunder’ in 2015. Jon’s gift for musical ‘acrobatics’ gave me the idea of creating a short, high-energy work that would give vent to his exceptional range and flexibility. The central section is muted and relatively calm but it is not long before the music builds and the opening material returns. A solo cadenza creates a welcome calm interlude before the storm gathers once again as the piece builds to a momentous fortissimo before grinding to a thunderous halt! ‘Sons of Thunder’ is the nickname given by Jesus to the apostles James and John, possibly reflecting their lively characters……I’m guessing that theirs were not too unlike Jonathan’s ebullient personality!.
$17.50 ≈
16.16€
Illusion for Alto Sax, Bass Trombone and Piano
Illusion for Alto Sax, Bass Trombone and Piano
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Elizabeth Raum
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Illusion for Alto Sax, Bass Tr
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Gordon Cherry
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SheetMusicPlus
Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - SKU: A0.1447517 Composed by Elizabeth Raum. 21st Century,Contemporary. 37 pages. Gordon Che...
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Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - SKU: A0.1447517 Composed by Elizabeth Raum. 21st Century,Contemporary. 37 pages. Gordon Cherry #1027301. Published by Gordon Cherry (A0.1447517). Below are the program notes for Illusion for Alto Sax, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the alto sax is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. There are editions for Trumpet and Bass Trombone and Trumpet and Tuba, all accompanied by Piano.The work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.
$40.00 ≈
36.94€
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,S...
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95 ≈
30.43€
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Co...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95 ≈
18.42€
All I Want For Christmas Is You
All I Want For Christmas Is You
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Noël
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Mariah Carey
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Dougie Freeman
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All I Want For Christmas Is Yo
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Dofre
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 5 - SKU: A0.508723 By Mariah Car...
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 5 - SKU: A0.508723 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Dougie Freeman. Christmas,Contemporary,Hip-Hop,Holiday,Pop,R & B. Score and parts. 87 pages. Dofre #6628793. Published by Dofre (A0.508723). Pop / Function / Wedding band arrangement of All I Want For Christmas Is You by Mariah Carey. As performed by Pandora's Jukebox (see youtube video link below).This is for a function / wedding band style setup - full rhythm section & vocals (lyrics/structure only) + 3 piece horn sectionDrums, Bass, Guitar, Keys, Vocals, Alto Sax, Trumpet, Trombone / Tenor Sax (either or - it's the same part for both trombone and tenor sax)Two sets of parts included - one formatted for A4 paper (for printing) - one formatted slightly larger to read better on iPad screens.
$28.00 ≈
25.86€
Brass Band - Impressions of the English Lakes
Brass Band - Impressions of the English Lakes
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Contemporain
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Mike Lyons
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Brass Band - Impressions of th
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.767216 Composed by Mike Lyons. 20th Century,Contemporary. Brass Band. 133 pages. Lyons Music Services #3077555. Published by Lyons Music Services (A0.767216). This is one of my favourite compositions, which took me several years to complete. It was inspired by a trip to the Lake District in the North West of England in 2000. The landscape is beautiful and we were blessed with wonderful weather and good friends. Although the piece is continuous, there are distinct sections that cover my impressions of the countryside at different points. These are labelled in the score and parts: The Mountains, Airforce Fly Past, The Ramblers, A Brief Downpour, Windermere, Scafell Pike, Haverthwaite Railway, An Abandoned Farm, The Celtic Influence, Helvellyn and Mr Jeremy Fisher. The piece concludes with a final, brief glimpse of the mountains.Mr Jeremy Fisher refers, of course, to the Beatrix Potter character who was nearly eaten by a fish.This would make an excellent own-choice test piece and, at just over 10 minutes, would make a good piece in an entertainment contest programme. Suitable for bands from 3rd section upwards.Parts supplied are for British Brass Band (All TC transposed, except Bass Trombone) plus Timps, Percussion 1
$50.00 ≈
46.18€
Six Stories in a Pandemic
Six Stories in a Pandemic
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Tim Brewer
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Six Stories in a Pandemic
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Linden Brass Press Inc.
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SheetMusicPlus
Brass Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1463181 Composed by Tim Brewer. 21st Century,Contemporary. 81 pages. Linden Brass Press In...
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Brass Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1463181 Composed by Tim Brewer. 21st Century,Contemporary. 81 pages. Linden Brass Press Inc. #1041894. Published by Linden Brass Press Inc. (A0.1463181). Six Stories in a PandemicTim Brewer (2024)Brass Septet and Percussion Three Trumpets (Bb)Two TrombonesBass TromboneTubaPercussion (3rd Story Only): Ride Cymbal, ClavesAn intense and dramatic work for advanced or professional-level players, written by composer Tim Brewer during recent troubling times.Familiar to most Kansas City jazz fans, bassist Tim Brewer has been a mainstay on the KC jazz scene for forty-five years. He's an original, and continuing, member of the Boulevard Big Band and the Doug Talley Quartet. During his career he's backed performers as diverse as Ray Charles and Idina Menzel, Herb Ellis and Eddie Harris. He is also a member of the Medical Arts Symphony and Civic Orchestra. After practicing dentistry for thirty-one years Tim retired in 2019 to devote his time to writing music as well as playing. In addition to numerous tunes for jazz combo, Tim has written for orchestra, brass groups, and big band.
$19.95 ≈
18.42€
Concert Studies for Bass Trombone or Tuba, Volume 2
Concert Studies for Bass Trombone or Tuba, Volume 2
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Milde, Ludwig
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Sauer, Ralph
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Concert Studies for Bass Tromb
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.810828 Composed by Milde, Ludwig. Arranged by Sauer, Ralph. Instructional,Romantic Period,Standards....
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.810828 Composed by Milde, Ludwig. Arranged by Sauer, Ralph. Instructional,Romantic Period,Standards. Individual part. 56 pages. Gordon Cherry #3418487. Published by Gordon Cherry (A0.810828). Ralph Sauer has beautifully edited Volume 2 of the Milde Concert Studies. They will add much to the Bass Trombone (Tuba) study/etude literature. We look forward to many performers using these valuable studies to improve their technique and musicianship. Originally written for the bassoon, these studies were favorites of the great trombone teacher, Emory Remington (1891-1971). While perhaps not concert material, they provide much more musical interest than the typical étude book. I have added dynamics and changed phrasings to be more suitable for the bass trombone (or tuba) while keeping the wide tessitura of the original. The keys have been changed to put each étude in a more suitable range, while the trills from the original bassoon version are included primarily for tuba players. These enjoyable and challenging studies will provide many hours of pleasurable practice. I have returned to these two volumes often over the years and hope that you will also find them useful and rewarding.
$25.00 ≈
23.09€
Seattle (Live Recording of Premiere Performance)
Seattle (Live Recording of Premiere Performance)
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Contemporain
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Seattle Choral Company, Fred C
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Seattle
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William Hawley
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SheetMusicPlus
Level 5 - SKU: A0.1130642 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Contemporary. Full Performance. Duration 2210. William H...
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Level 5 - SKU: A0.1130642 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Contemporary. Full Performance. Duration 2210. William Hawley #730894. Published by William Hawley (A0.1130642). This is the Live Recording of the Premiere Performance of William Hawley's oratorio Seattle, for Vocal Soloists, Women's Choir, Chorus, and Orchestra, commissioned by the Seattle Choral Company, Fred Coleman, Director, and premiered by them, with Juliana Rambaldi, Soprano, Carolyn Gronlund, Mezzo-Soprano, Wesley Rogers, Tenor, William Rhodes, Bass, and The Seattle Choral Company Chorus and Orchestra, Fred Coleman, Conductor, in Benaroya Hall, Seattle, Washington, on November 4, 2001. The work is a four-movement setting of Chief Seattle's 1854 Treaty Oration in the English translation of Dr. Henry Smith. Total duration: 40 minutes. Soloists: Soprano Mezzo-Soprano Tenor Bass Women's Choir: SSA Large Chorus: SSAATTBB Orchestra: 3 Flutes (Third doubles Piccolo) 2 Oboes English Horn 3 Clarinets in Bb (Third doubles Bass Clarinet in Bb) 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani 2 Percussion (Bass Drum, Triangle, Large Suspended Cymbal) Harp Strings (Contrabasses with low C required). Movement Timings: 1. Yonder Sky 00:00-7:23 2. There Was a Time 7:28-15:42 3. To Us The Ashes 15:46-20:40 4. Day and Night 20:45-27:32 The audio sample consists of excerpts from the first, third, and final movements of the live recording of the World Premiere Performance in Benaroya Hall, including the opening and closing sections of the work. The Full Score of Seattle is also available for download on this site, ASCAP https://williamhawley.net.
$3.99 ≈
3.68€
Exegesis - Unaccompanied solo for Bass Trombone
Exegesis - Unaccompanied solo for Bass Trombone
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Brink, Phil
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Exegesis - Unaccompanied solo
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.792059 Composed by Brink, Phil. 20th Century,Contemporary. Individual part. 4 pages. Gordon Cherry #...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.792059 Composed by Brink, Phil. 20th Century,Contemporary. Individual part. 4 pages. Gordon Cherry #3014037. Published by Gordon Cherry (A0.792059). Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges. Below is a brief instruction to the performer from the composer. The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that crescendo and diminuendo relate to acceleration or deceleration as indicated. There are odd little notes, like secretive in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture! The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.
$20.00 ≈
18.47€
Sonata Pian ‘e Forte for 8-part Antiphonal Trombone Ensemble
Sonata Pian ‘e Forte for 8-part Antiphonal Trombone Ensemble
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Giovanni Gabrieli
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Russell McKinney
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Pian
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Sonata Pian ‘e Forte for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792814 Composed by Giovanni Gabrieli. Arranged by Russell McKinney. Baroque,Classical,Renaissance. Score and...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792814 Composed by Giovanni Gabrieli. Arranged by Russell McKinney. Baroque,Classical,Renaissance. Score and parts. 14 pages. Gordon Cherry #6641859. Published by Gordon Cherry (A0.792814). Gabrieli's Sonata Pian 'e Forte for 8-part Antiphonal Trombone Ensemble has been beautifully arranged (down a fifth from the original key) by Russel McKinney. The work (Ch.175) is part of the 1597 Sacrae symphoniae, published posthumously which contains sixty-three choral and instrumental works, many in multi-choir formations. This 8-part Sonata is in two choirs....a high one and a low one (in this case choir II uses three bass trombones with an optional Contrabass Trombone!)The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.The dramatic performance of the sound sample is by the arranger himself, Bass Trombonist Russell McKinney playing both tenor and bass trombones.The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.
$22.50 ≈
20.78€
Witch of November (for bass trombone and vibraphone)
Witch of November (for bass trombone and vibraphone)
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Classique
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Ian Deterling
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Witch of November
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Ian Deterling
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SheetMusicPlus
Instrumental Duet Bass Trombone,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.1100097 Composed by Ian Deterling. Classical. Score and parts. 29 pages...
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Instrumental Duet Bass Trombone,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.1100097 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703963. Published by Ian Deterling (A0.1100097). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00 ≈
11.08€
Stephansdom for Solo Bass Trombone & Trombone Choir
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporain
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
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Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50 ≈
25.40€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
59.98€
Messiah Choruses Complete Parts for Trombone Section
Messiah Choruses Complete Parts for Trombone Section
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Classique
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George Frideric Handel
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James Marcia, Gordon Cherry
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Messiah Choruses Complete Part
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.810839 Composed by George Frideric Handel. Arranged by James Marcia, Gordon Cherry. Baro...
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Small Ensemble Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.810839 Composed by George Frideric Handel. Arranged by James Marcia, Gordon Cherry. Baroque,Christmas,Easter. Score and parts. 27 pages. Gordon Cherry #3452003. Published by Gordon Cherry (A0.810839). The trombone parts for George Frederick Handle's The Messiah including: Hallelujah, Worthy is the Lamb and grand finale, the Amen Chorus. This Christmas or Easter, the trombone section can join the rest of the orchestra and have a great time performing the most famous choruses from The Messiah. These parts have been edited by Dr. James Marcia of the Vancouver Philharmonic and Vancouver Symphony Principal Trombonist, Gordon Cherry. If you play in a community, semiprofessional orchestra, etc., these parts will allow you to participate in all the festivities. They match Handel's original keys. You can add your own dynamics, and away you go with the group, playing some of the greatest music ever!! Parts are for alto, tenor and bass trombones.
$20.00 ≈
18.47€
Twelve Fantasias for Bass Trombone
Twelve Fantasias for Bass Trombone
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Georg Philipp Telemann
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Ralph Sauer
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Twelve Fantasias for Bass Trom
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.792419 Composed by Georg Philipp Telemann. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. I...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.792419 Composed by Georg Philipp Telemann. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 28 pages. Gordon Cherry #4821601. Published by Gordon Cherry (A0.792419). Georg Philip Telemann published his Twelve Fantasias in 1732-33, originally for transverse flute. In making this version for the Bass Trombone, Mr. Sauer has used all of Telemann’s original tempos, slurs and dynamics, and expanded on these ideas when appropriate. This edition has been customized for the Bass Trombone, ie., the keys have been changed from the original to best fit the tessitura of the instrument, breath marks added & ornaments used when appropriate. This edition can also be used by Tenor Trombonists to work on their lower range and to improve their f-attachment skills. For advanced performers.
$15.00 ≈
13.85€
Turandot - Extracts from the Opera for 8-part Trombone Ensemble
Turandot - Extracts from the Opera for 8-part Trombone Ensemble
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Giacomo Puccini
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Randall Malmstrom
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Turandot - Extracts from the O
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Tuba - Level 5 - SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,Opera,Romantic Pe...
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Bass Trombone,Tenor Trombone,Tuba - Level 5 - SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,Opera,Romantic Period. 43 pages. Gordon Cherry #833915. Published by Gordon Cherry (A0.1238465). Turandot is an opera by Giacomo Puccini set in ancient China. The story follows Princess Turandot who has sworn never to marry unless a suitor can answer three riddles, and those who fail are executed. When Calaf arrives in Beijing and falls in love with Turandot at first sight, he decides to try his luck and solve the riddles. With the help of a servant girl named Liu, Calaf succeeds but offers Turandot a challenge of guessing his name before sunrise. The opera reaches its dramatic conclusion as the characters confront their own desires and fears.This dramatic 6-minute arrangement by Randall Malmstrom which includes the monumental aria Nessun Dorma is for 8-part Trombone ensemble of advanced performers including an optional Contrabass on part 8. A strong player (or doubled-up) is needed on part 1.
$37.50 ≈
34.63€
The Bamboula Rhapsodic Dance for Brass Band
The Bamboula Rhapsodic Dance for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95 ≈
36.90€
FORESTS for 10 Trombones
FORESTS for 10 Trombones
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Contemporain
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Henry Wolking
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FORESTS for 10 Trombones
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792676 Composed by Henry Wolking. Contemporary. Score and parts. 58 pages. Gordon Cherry #5709507. Published...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792676 Composed by Henry Wolking. Contemporary. Score and parts. 58 pages. Gordon Cherry #5709507. Published by Gordon Cherry (A0.792676). Henry Wolking has written an exciting new work for Trombone Ensemble: FORESTS for 10 TROMBONES. This work, written for advanced performers is perfectly suited for nature lovers and the outdoors as it features the following special effect sounds: water, bird calls, the wind, the colors of the forest and winter storms. As well, the composer uses multiple mute colors, enhancing the sound of the music. The instrumentation is for two choirs of five with: 2 alto trombones, 6 tenor trombones and 2 bass trombones. It is about 10 minutes in length.
$40.00 ≈
36.94€
Christus Factus Est Motet for 8-part Trombone Ensemble
Christus Factus Est Motet for 8-part Trombone Ensemble
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Anton Bruckner
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Randall Malmstrom
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Christus Factus Est Motet for
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1415883 Composed by Anton Bruckner. Arranged by Randall Malmstrom. 19th Century,Christian,Romantic Peri...
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Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1415883 Composed by Anton Bruckner. Arranged by Randall Malmstrom. 19th Century,Christian,Romantic Period. 22 pages. Gordon Cherry #997578. Published by Gordon Cherry (A0.1415883). Christus Factus Est is a Motet by Anton Bruckner originally for mixed choir, written in the year 1884, just after he wrote the 7th Symphony. It is usually performed during Holy Week as part of Mass services.Bruckner dedicated his life to God and in the process wrote over thirty Motets and three Masses. His instrument, the Organ helped shape his concept of sound, building cathedrals of sound.This beautiful arrangement by Randy Malmstrom for 8-part Trombone Ensemble is rich, serious, dramatic and religious in spirit.The work is about five minutes in length and is suitable for advanced performers featuring an instrumentation of 2 alto trombones, 4 tenor trombones, bass trombone and contrabass trombone.
$27.50 ≈
25.40€
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