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Vous avez sélectionné:
Haydn Opera
Partitions à imprimer
15 partitions trouvées
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1
Haydn M: Marcia Turchese in C (Turkish March) MH601 - symphonic wind dectet/bass
Haydn M: Marcia Turchese in C (Turkish March) MH601 - symphonic wind dectet/bass
#
Classique
#
M Haydn
#
Ray Thompson
#
Haydn M: Marcia Turchese in C
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.555862 Composed by M Haydn. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThompsonMusic #5954953...
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Large Ensemble - Level 4 - SKU: A0.555862 Composed by M Haydn. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThompsonMusic #5954953. Published by RayThompsonMusic (A0.555862). Johann Michael Haydn, the younger brother of Joseph Haydn, was born in 1737 in the Austrian village of Rohrau. Following in his brother's footsteps he trained at the choir school of St. Stephen's Cathedral, Vienna where he was thought to be a brighter student than Joseph. After leaving the choir-school, he was first appointed as Kapellmeister at Nagyvárad in Romania and then, in 1762, at Salzburg where he stayed until his death in 1805, composing church and instrumental music.The Turkish March is scored for wind instruments and percussion. Mock Turkish music was very popular during the classical period, and was famously exploited by Mozart in his opera Die Entführung aus dem Serail. Haydn's work is typical of the genre having bright lively melodies given an exotic flavour through the addition of untuned percussion, particularly cymbals. (Originally scored for double wind quintet, two trumpets and percussion)My arrangement is scored for double wind quintet and bass.(no trumpets or percussion)All essential trumpet solos are covered by the other winds.Horn parts are in G as the original.I have written a bass part to add depth to the piece.
$14.95 ≈
13.48€
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
22.50€
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
22.50€
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
22.50€
Easter Alleluia (Accompaniment Track)
Easter Alleluia (Accompaniment Track)
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Classique
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Franz Joseph Haydn
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Stephen DeCesare
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Easter Alleluia
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Exultet Music
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SheetMusicPlus
SKU: A0.1051925 Composed by Franz Joseph Haydn. Arranged by Stephen DeCesare. Christian,Classical,Easter,Opera,Sacred. Accompaniment. Duration 312. Exul...
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SKU: A0.1051925 Composed by Franz Joseph Haydn. Arranged by Stephen DeCesare. Christian,Classical,Easter,Opera,Sacred. Accompaniment. Duration 312. Exultet Music #5209. Published by Exultet Music (A0.1051925). Originally from Joseph Haydn's Trumpet Concerto in E-flat (Third Movement). Adapted for any concert or church setting. Scored for Soprano Solo, Flute (2), Oboe (2), Bassoon (2), French Horn (2), Bb-Trumpet (2), Timpani, Violin 1 & 2, Viola, Cello and Double Bass. A Piano/Vocal Score, Full Score and the Parts are also available on this site.
$3.99 ≈
3.60€
Laudate Dominum (Full Orchestral Accompaniment Track - Soprano Solo versions only)
Laudate Dominum (Full Orchestral Accompaniment Track - Soprano Solo versions only)
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Stephen DeCesare
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Stephen DeCesare
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Laudate Dominum
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Exultet Music
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SheetMusicPlus
Strings Bassoon,Flute,Oboe - Level 3 - SKU: A0.1318117 By Stephen DeCesare. By Franz Joseph Haydn. Arranged by Stephen DeCesare. Christian,Classical,Con...
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Strings Bassoon,Flute,Oboe - Level 3 - SKU: A0.1318117 By Stephen DeCesare. By Franz Joseph Haydn. Arranged by Stephen DeCesare. Christian,Classical,Contest,Festival,Opera,Sacred. Accompaniment. Duration 195. Exultet Music #906819. Published by Exultet Music (A0.1318117). Originally from Joseph Haydn's Trumpet Concerto in E-flat (Second Movement). Adapted for any concert or church setting. This track will ONLY work with anything pertaining to the Soprano Solo (Soprano Solo and SATB, Soprano Solo and Piano, etc.)
$3.99 ≈
3.60€
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Bassoon,Cello - Level 3 - SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructi...
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Bassoon,Cello - Level 3 - SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00 ≈
18.04€
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Various
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Daniel Kelley
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Intermediate Music for Three V
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Last Resort Music Publishing
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SheetMusicPlus
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Var...
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00 ≈
18.04€
Easter Alleluia (Full Score)
Easter Alleluia (Full Score)
Flute,Oboe,Bassoon,Trumpet,Horn in F,Violin,Viola,Cello,Double Bass,Timpani,Soprano Voice
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Classique
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Franz Joseph Haydn
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Stephen DeCesare
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Easter Alleluia
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Exultet Music
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SheetMusicPlus
Composed by Franz Joseph Haydn (1732-1809). Arranged by Stephen DeCesare. Classical Period, Opera, Christian, Sacred, Easter. Score. 68 pages. Published by Exul...
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Stephen DeCesare. Classical Period, Opera, Christian, Sacred, Easter. Score. 68 pages. Published by Exultet Music (S0.29753). - Score - Classical Period,Opera,Christian,Sacred,Easter - Exultet Music
$20.00 ≈
18.04€
Creation
Creation
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J
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Creation
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.911574 By ... Arranged by J. Randolph Hall. This edition: Interactive ...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.911574 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Opera,Praise & Worship,Standards,World. Score and parts. 7 pages. Duration 116. J. Randolph Hall #67NlV8a9MzPEL0w8WX7B5c. Published by J. Randolph Hall (A0.911574). Key: Ab major.Austrian Classical composer Haydn composed an oratorio called The Creation from which this excerpt is derived. Others would later barrow the tune for other hymns. The second repeat has a deceptive cadence.
$4.00 ≈
3.61€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99 ≈
7.21€
Concerto No. 4 - Orchestra Parts (First Edition)
Concerto No. 4 - Orchestra Parts (First Edition)
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Classique
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Alexander Peskanov
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Concerto No. 4 - Orchestra Par
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Classical Video Concepts, Inc.
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SheetMusicPlus
Large Ensemble Cello,Flute,Oboe,Viola,Violin - Level 1 - SKU: A0.864647 Composed by Alexander Peskanov. Classical. Score and parts. 36 pages. Classical ...
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Large Ensemble Cello,Flute,Oboe,Viola,Violin - Level 1 - SKU: A0.864647 Composed by Alexander Peskanov. Classical. Score and parts. 36 pages. Classical Video Concepts, Inc. #2014519. Published by Classical Video Concepts, Inc. (A0.864647). The package includes: FLUTE - 1 Copy OBOE - 1 Copy VIOLIN I - 6 Copies VIOLIN II - 6 Copies VIOLA - 4 Copies CELLO/BASS - 4 Copies Concerto No. 4 for Piano and Orchestra is written in classical style. The first movement is reminiscent of Haydn's Symphonies. The music is light and humorous. The second movement reminds of arias from Gluck's operas. The music is filled with nostalgia and sorrow. The third movement is written in rondo form. It's filled with vigor and joy.
$50.00 ≈
45.09€
Concerto for Tuba with Wind Ensemble
Concerto for Tuba with Wind Ensemble
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Wanhal, Johann B
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Yarbrough, Janet
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Concerto for Tuba with Wind En
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Tuba - Level 5 - SKU: A0.792337 Composed by Wanhal, Johann B. Arranged by Yarbrough, Janet. Baroque,Classical,Romantic Per...
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Small Ensemble Clarinet,Flute,Tuba - Level 5 - SKU: A0.792337 Composed by Wanhal, Johann B. Arranged by Yarbrough, Janet. Baroque,Classical,Romantic Period,World. Score and parts. 198 pages. Gordon Cherry #4804651. Published by Gordon Cherry (A0.792337). Johann Wanhal (Vanhal) was an important classical composer from Bohemian/Czech heritage (1739-1813). His main living was as an organist and choirmaster, however Wanhal's musical output as a composer includes over a dozen concerti, many symphonies, chamber music, operas and much sacred music including 58 masses. Wanhal is rumored to have played chamber music with Mozart, Haydn and Dittersdorf, with Wanhal on the cello. In the 1770's Wanhal met the contrabassist Johannes Matthias Sperger and wrote a double bass concerto for him. The Concerto is in the key of E-Flat (original key of D for the double bass) in three movements and has been expertly arranged for Tuba and classical wind ensemble by Ms. Janet Yarbrough of Duke University. This work is also available with a piano reduction.
$155.00 ≈
139.79€
Concerto G major
Concerto G major
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Francesco Antonio Rosetti
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Concerto G major
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - intermediate to advanced - SKU: S9.Q16422 Composed by Francesco Antonio Rosetti. Downloadable, Score. Duration 19 minutes. Schott ...
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Flute and orchestra - intermediate to advanced - SKU: S9.Q16422 Composed by Francesco Antonio Rosetti. Downloadable, Score. Duration 19 minutes. Schott Music - Digital #Q16422. Published by Schott Music - Digital (S9.Q16422). Key: G major.Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as director of music. In 1781 he went to Paris, where he heard symphonies by Haydn and operas by Gluck and Piccinni. He was director of music at the court of the Duke of Mecklenburg-Schwerin in Ludwigslust from 1789 until his death in 1792. This concerto in G major is one of fourteen flute concertos he composed. The score was prepared with reference to original orchestral parts kept at the King István (St Stephen) Museum in Székesfehérvár and solo parts published by André in Offenbach in 1796.
$22.99 ≈
20.73€
Laudate Dominum (Full Score)
Laudate Dominum (Full Score)
Flute, Oboe, Bassoon, Violin, Viola, Cello, Double Bass, Soprano Voice, SATB
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Classique
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Franz Joseph Haydn
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Stephen DeCesare
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Laudate Dominum
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SheetMusicPlus
Composed by Franz Joseph Haydn (1732-1809). Arranged by Stephen DeCesare. For Flute, Oboe, Bassoon, Violin, Viola, Cello, Double Bass, Soprano Voice, SATB. Clas...
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Stephen DeCesare. For Flute, Oboe, Bassoon, Violin, Viola, Cello, Double Bass, Soprano Voice, SATB. Classical Period, Opera, Christian, Contemporary Christian, Sacred. Intermediate. Score. Published
$9.99 ≈
9.01€
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Haydn Opera 
