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Vous avez sélectionné:
Listening Bach
Partitions à imprimer
9 partitions trouvées
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1
Bach Cello Suite in G Major: Duet arrangement
Bach Cello Suite in G Major: Duet arrangement
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Contemporain
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J
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Bach Cello Suite in G Major: D
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Be'eri Moalem
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.834429 Composed by J.S. Bach, Be'eri Moalem. 20th Century. Score and parts. 9...
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Instrumental Duet Cello,Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.834429 Composed by J.S. Bach, Be'eri Moalem. 20th Century. Score and parts. 9 pages. Be'eri Moalem #3897681. Published by Be'eri Moalem (A0.834429). Ever heard additional harmony in your head while playing/listening to the Bach solo suites? This composition adds a second voice as a complement to the existing Bach suite. The second voice is written in imitative counterpoint, more or less in the Baroque style. Can be performed as a variety of duet combinations of violin, viola, or cello. Even though the original Bach was written Senza Basso Accompagnato (Without bass accompaniment) the accompaniment is implied. This is a fun original take on the tried and true masterpiece.
$7.77 ≈
$10.55
Bach Goes To Town
Bach Goes To Town
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Jazz
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Benny Goodman
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John Gibson
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Bach Goes To Town
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - SKU: A0.582020 By Benny Goodman. By Alex Templeton. Arranged by John Gibson. Jazz. 18 pages. J...
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - SKU: A0.582020 By Benny Goodman. By Alex Templeton. Arranged by John Gibson. Jazz. 18 pages. JB Linear #4300433. Published by JB Linear (A0.582020). ALEC TEMPLETON was a blind musician very popular in England and America in the 1930's and 1940's. This nifty little piece shows his skills in composing a jazzy sound using the techniques of J. S. Bach. Benny Goodman recorded the fugue movement in 1938. Playing in a swing style, they played the piece first as written by Templeton, and then repeated with solos. It is worth listening to that performance if you want to get the swing right! It is set for FLUTE QUARTET by John Gibson (flute 1,2,3 and alto flute). The audio sample has short parts of both movements. With a little practice this could be played by advanced intermediate players. Have fun!
$15.50 ≈
$21.05
La Folia in D Minor
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published...
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Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00 ≈
$6.79
Chorale 98 - O Haupt Voll Blut und Wunden (O Sacred Head Now Wounded)
Chorale 98 - O Haupt Voll Blut und Wunden (O Sacred Head Now Wounded)
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J
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Stephen W
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Chorale 98 - O Haupt Voll Blut
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BurchMusic
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SheetMusicPlus
Level 2 - SKU: A0.1326691 By J.S. Bach (1685-1750). By J.S. Bach (1685-1750). Arranged by Stephen W. Burch (ASCAP). Baroque,Chamber,Instructional. Educa...
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Level 2 - SKU: A0.1326691 By J.S. Bach (1685-1750). By J.S. Bach (1685-1750). Arranged by Stephen W. Burch (ASCAP). Baroque,Chamber,Instructional. Educational Warm-up. 9 pages. BurchMusic #914832. Published by BurchMusic (A0.1326691). This chorale by J. S. Bach, O Haupt Voll Blut und Wunden (O Sacred Head Now Wounded) has been arranged by Stephen W. Burch (ASCAP) for any type of instrumental ensemble comprised of any wind, string, or brass instruments. There are separate parts for Piano, C-treble, C-bass, C-alto (viola), B-flat, E-flat, and F instruments. Each part has all four voices (SATB), so that players can each play any voice. It is one of 18 Bach chorales arranged for any instrument group. Four-part chorales like this are especially useful for music educators in helping musicians develop flawless intonation, and strengthen listening skills within an ensemble.
$15.00 ≈
$20.37
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata, Adagio and Fugue in C
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #10535...
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Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20 ≈
$19.28
We Three Kings of Orient Are-Brass Quartet
We Three Kings of Orient Are-Brass Quartet
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Noël
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Noël
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John H
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David E
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We Three Kings of Orient Are-B
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LLB Music Publishing
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.986065 Composed by John H. Hopkins Jr. Arranged by David E. Harris. Christian,Christmas,Sacred. Scor...
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Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.986065 Composed by John H. Hopkins Jr. Arranged by David E. Harris. Christian,Christmas,Sacred. Score and parts. 18 pages. LLB Music Publishing (ASCAP) #4766591. Published by LLB Music Publishing (ASCAP) (A0.986065). An exciting, lively arrangement of this traditional Christmas hymn for 2 trumpets and 2 trombones.Includes 4 part score and individual parts for Trumpet 1 (Bb), Trumpet 2 (Bb), Trombone 1, and Trombone 2 (Bass).Duration: 2:05.David E. Harris is a composer in the Nashville, Tennessee area with a Bachelor of Music degree in Trumpet Performance and Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936
$7.99 ≈
$10.85
La Bourrée
La Bourrée
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Michael Praetorius
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Alberto Mandarini
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La Bourrée
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Alm@music
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Ins...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Instructional,Renaissance. 18 pages. Alm@music #1067793. Published by Alm@music (A0.1491035). Brass Ensemble: 3 Trumpets and 2 Trombones - Grade 2.This is also a transcription and a small adaptation of the original score.I chose “La Bourrée” by Michael Praetorius mainly for educational purposes thanks to the not excessive difficulty, but perfect for students with an intermediate level of preparation. Furthermore, the skillful writing of Praetorius and the beauty of this short composition of his, make the piece absolutely suitable to be included in any concert program.Starting from the 4 canonical parts, I focused above all on the redistribution of the voices bringing them to 5 and intervening on the reorganization of the refrains. Always with the utmost respect for the original score, I simply imagined two opposing choirs that alternate, responding to each other and becoming protagonists from time to time, thus replacing the mere repetition of the refrains.The themes, in turn and to the extent possible, were distributed across all the voices using, in some cases, even simple doubling.As in the adaptation of Contrapunctus I by J. S. Bach, ( https://www.sheetmusicplus.com/en/product/contrapunctus-i-from-the-art-of-the-fugue-bwv-1080-22828292.html ) the choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the formation for which I made the transcription.Finally, on a didactic level, this piece was fundamental to consolidate a formation at the first experiences and allowed me to deepen the salient aspects of ensemble music such as listening, musical breathing and interplay in its broadest sense.To the individual parts, as usual, I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, to decide whether to replace it or double it directly.The total duration is about 2 minutes and 20 seconds and the midi audio should be useful to get an idea of the arrangement and to be able to study the individual parts.Good Music!am.
$4.99 ≈
$6.78
Christmas Minuet Overture
Christmas Minuet Overture
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Musique Sacrée
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Julie Baxter
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Julie Baxter
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Christmas Minuet Overture
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Julie Baxter Music
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SheetMusicPlus
Bassoon,English Horn,Flute,Piano - Level 3 - SKU: A0.1121435 By Julie Baxter. By Arr. Julie Baxter. Arranged by Julie Baxter. Chamber,Christmas,Holiday,...
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Bassoon,English Horn,Flute,Piano - Level 3 - SKU: A0.1121435 By Julie Baxter. By Arr. Julie Baxter. Arranged by Julie Baxter. Chamber,Christmas,Holiday,Praise & Worship,Religious. Full Performance. Duration 479. Julie Baxter Music #722609. Published by Julie Baxter Music (A0.1121435). This Christmas Minuet Overture features 3 traditional religious Christmas carols over a counter melody of 2 J.S. Bach minuets. A calming and introspective listening track including Come Thou Long Expected Jesus, it helps one reflect on the true meaning of the season, the wonderful gift of Christ's birth.
$5.99 ≈
$8.13
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
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Andrew Cody Williams
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SheetMusicPlus
Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cod...
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Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00 ≈
$6.79
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