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4 Minutes Bells Xylophone
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Vous avez sélectionné:
4 Minutes Bells Xylophone
Partitions à imprimer
4 partitions trouvées
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1
One last bar then Joe can sing
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
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Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
Gaelic Faram (Jig in Kiev) for 2 Pianos & 2 Percussionists (15 mins)
Gaelic Faram (Jig in Kiev) for 2 Pianos & 2 Percussionists (15 mins)
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Celtique/Irlandais
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John Pitts
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Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
Small Ensemble Percussion,Piano - Level 5 - SKU: A0.890710 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score and parts. 204 pages. Intensely...
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Small Ensemble Percussion,Piano - Level 5 - SKU: A0.890710 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score and parts. 204 pages. Intensely Pleasant Music #3424709. Published by Intensely Pleasant Music (A0.890710). Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists - 15 minutes. SCORE & PARTS Designed as a companion piece for Bartok’s famous Sonata for 2 pianos and percussion, Gaelic Faram (Jig in Kiev) was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) and percussionists Dmytro Ulyanov and Yevhen Ulyanov for the final concert of the Kiev Chamber Music Session Festival 2012. Fully revised 2016. This is a note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The percussion is either designed to be set out in 4 groups that the performers move between, or if enough percussion is available for each percussionist to have their own (eg: tubular bells, xylophone, drum kit), then they can be set out in two groups, as in the pictures below. [In this 2016 revision, Percussionist II also uses one timp.][Also available: Scene from Gaelic Faram (Jig in Kiev) - a new arrangement of a 6-minute scene from the full 15-minute piece, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).]
$19.99
Percussion Suite (& Ballet): The Vampire Suite
Percussion Suite (& Ballet): The Vampire Suite
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JC Cro
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Percussion Suite
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JC Croyle
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - SKU: A0.1427368 ...
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Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - SKU: A0.1427368 By JC Cro. By JC Croyle. Classical,Contemporary,Contest,Festival. 350 pages. JC Croyle #1008094. Published by JC Croyle (A0.1427368). The Vampire Suite is a percussion suite of four Act's, each having anywhere from six to ten parts. It is aproximately 60 minutes long. It can be performed as a percussion suite or can be performed with dance to tell the 4 distinct stories.  Each Act is based on a short story written between 1800 and 1920. The stories are The Vampire Maid by Hume Nisbit, Dracula's Guest by Bram Stroker, Clarimonde by Theophile Gautier and Wake Not the Dead by Ernst Raupach.It would take 4-6 percussionists of an intermediate to advanced level. The Marimba parts, being the most difficult, could also be played by a pianist on piano.  Included: Full Score Each Part Individually The storyboards for the Ballet Instrument List Bio's of each character Instrumentation: Bass Drum (Concert) Bongos Boom Whackers Claves Concert Toms Conga Cowbell Djembe Drum-Set Glockenspiel (Bells) Marimba Snare Drum (Concert) Triangle Tubular Bells Vibraphone Wood Blocks Xylophone The mp3 here is a sampling of the pieces.The music can be heard in full at https://jccroylepercussion.bandcamp.com/album/the-vampire-suite-for-percussion
$39.99
Carmina Burana
Carmina Burana
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Carl Orff
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Carmina Burana
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Schott Music - Digital
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SheetMusicPlus
Pauke - Schlagzeug (3 Glsp. · 2 ant. Zimb. · Xyl. · 3 Gl. · Röhrengl. · Trgl. · 4 Beck. [Beckenpaar u. hg. Beck.] · Tamt. · Tamb. ÂÂ...
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Pauke - Schlagzeug (3 Glsp. · 2 ant. Zimb. · Xyl. · 3 Gl. · Röhrengl. · Trgl. · 4 Beck. [Beckenpaar u. hg. Beck.] · Tamt. · Tamb. · 2 kl. Tr. · gr. Tr. · Ratsche · Kast. · Schellen) (5 Spieler) percussion (timpani, cymbals, tam tam, base drum, 3 Glockenspiel, tenor drum, xylophone, triangel, bells, cymbal, sleigh bells, tambourine/trimbel, rattle) - intermediate - SKU: S9.Q2370 Cantiones profanae. Composed by Carl Orff. This edition: separate part. Choir - masterpiece - music creation. Downloadable, Individual part. Duration 65 minutes. Schott Music - Digital #Q2370. Published by Schott Music - Digital (S9.Q2370). Latin • Middle High German • Old French.This edition is meant for concert performances by schools and amateur music societies only. Furthermore it is not meant for performances of the Trionfi cycle. Here you can find the original version [1] and the hire material [2] for your Performance. Links: ------ [1] http://www.schott-music.com/shop/1/show,31705.html [2] http://www.schott-music.com/shop/Hire_Material/1000163/1/show,154469,s.html.
$23.99
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4 Minutes Bells Xylophone
