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Adagio Variation
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Vous avez sélectionné:
Adagio Variation
Partitions à imprimer
8 partitions trouvées
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1
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Low Brass (
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Low Brass (
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Classique
#
Edward Elgar
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Arkstar Brassmusic
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Tuba) and Trombone Quintet
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Elgar: "Nimrod" from
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ASANO Takashi
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SheetMusicPlus
Brass Ensemble Trombone,Tuba - Level 3 - SKU: A0.892047 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,H...
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Brass Ensemble Trombone,Tuba - Level 3 - SKU: A0.892047 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,Holiday,Standards. Score and parts. 10 pages. ASANO Takashi #4300253. Published by ASANO Takashi (A0.892047). The work was originally written for Orchestra, one of the most famous piece of Elgar as with Pomp and Circumstance No.1, No.4, Salut d'amour (Love's Greeting). Specially, Variation IX (Adagio) Nimrod has become popular in its own right and is sometimes used at funerals, memorial services, and other solemn occasions. Instrumentaion is for both Low brass quintet (4 Trombones & Tuba) and Trombone Quintet.Duration: 3 minutesYou can confirm the score and performance at the following Youtube site. https://youtu.be/MniSmkvNY70 Level: intermediate
$12.00 ≈
10.75€
Nimrod from The Enigma Variations
Nimrod from The Enigma Variations
#
Classique
#
Edward Elgar
#
Erik Cole
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Nimrod from The Enigma Variati
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.996085 Composed by Edward Elgar. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4777657. Published b...
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Woodwind Ensemble - Level 4 - SKU: A0.996085 Composed by Edward Elgar. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4777657. Published by Erik Cole (A0.996085). A double reed orchestration of one of the most solemn and beautiful 43 measures ever written. This adagio variation from the Enigma Variations is often performed on its own - it’s a wonderful contrast to most other music written for the double reeds, and requires much breath control and dynamic range. All oboe and bassoon parts are divisi.
$7.00 ≈
6.27€
A Quiet Summer Night
A Quiet Summer Night
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Samuel Livingston
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A Quiet Summer Night
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Imagine Music - Digital
#
SheetMusicPlus
Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagi...
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Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagine Music - Digital (IZ.CMF183). 9 x 12 in inches.The clarinet is my instrument, and I think the two greatest works in its repertory (and two of the greatest of all chamber works) are the quintets for clarinet and strings by Mozart and Brahms. In writing for this combination of instruments, I borrowed ideas shamelessly from both.I would describe the style as folk-inspired classical chamber music. The melodies are song-like or dance-like; the harmonies are simple, modal, and consonant. The time signatures of the three movements are 7/8, 5/4, 7/8 - unusual in classical music but common in the folk music of some eastern European countries. The texture is homophonic in some places and contrapuntal in others, always with at least one melody, often with more than one. The clarinet is not treated as a solo instrument but is integrated into the ensemble.The first movement is in sonata form. As in the Mozart and Brahms quintets, it begins in the strings, with the clarinet entering a few bars later on a rising arpeggio. The first theme is song-like; the second theme is dance like. The movement ends quietly on a phrase from the second theme. The form of the second movement begins with a song for the cello, repeated in the clarinet. The next section features a dance-like melody in the second violin, repeated in the clarinet with a descant in the first violin. Then a brief section in the minor, featuring the viola, leads to a repetition of the song that opened the movement, this time in the viola, repeated in the violins and the clarinet.The third movement is a set of variations on a brisk, dance-like theme. After several variations, including two in the minor mode, the tempo slows to adagio for the next-to-last variation (as in the last movement of the Mozart quintet). That variation features a duet for the first violin and the clarinet (as in the slow movement ofthe Brahms quintet). The final variation returns to the brisk tempo and brings back the melodic figure that ends the first movement. A brief coda on this melodic figure concludes the piece.
$48.00 ≈
43.00€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
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Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.50€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.50€
Nimrod (from The Enigma Variations) - Horn Septet
Nimrod (from The Enigma Variations) - Horn Septet
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Classique
#
Sir Edward Elgar
#
Brendan Elliget MAGA 537
#
Co
#
Nimrod
#
BJE Music
#
SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.750991 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. Sco...
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Brass Ensemble Horn - Level 3 - SKU: A0.750991 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. Score and parts. 14 pages. BJE Music #6021523. Published by BJE Music (A0.750991). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation. The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter.It has been arranged here in the higher key of Eb for an F Horn Septet.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3:15 mins
$9.00 ≈
8.06€
Amendment (Downloadable)
Amendment (Downloadable)
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Luke Mayernik
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Amendment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Alto saxophone and piano - Medium - SKU: MQ.8790-E Composed by Luke Mayernik. All Saints/All Souls, Holy Week, Lent, Triduum/Three Days. 15 pages. E. C....
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Alto saxophone and piano - Medium - SKU: MQ.8790-E Composed by Luke Mayernik. All Saints/All Souls, Holy Week, Lent, Triduum/Three Days. 15 pages. E. C. Schirmer Music Company - Digital #8790-E. Published by E. C. Schirmer Music Company - Digital (MQ.8790-E). Written as a melodic vehicle for the alto saxophone, Amendment offers flowing lines ornamented with grace notes reminiscent of Impressionist days gone by. The piece begins with a songlike adagio theme that mixes both B major and B minor modalities. The center section of the work begins with rapid triplets in the piano before the saxophone enters with a rhythmically charged variation upon the initial theme. Following a climax on F-sharp major, the motion settles into a restatement of the lovely B major/minor theme before ending on a sweet-sounding B major triad.Mayernik’s work is brief but moving, and offers the soloist a wonderful opportunity for melodic exploration. Both appealing to the audience and enjoyable for the saxophonist, Amendment is a picturesque new piece in the repertoire. Duration: 3:00.
$12.00 ≈
10.75€
Violin Masters' Duet Repertoire
Violin Masters' Duet Repertoire
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Violin Masters' Duet Repertoir
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Rubank Publications
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SheetMusicPlus
Violin, Violin Duet - Difficulty: medium-difficult SKU: HL.4472680 Violin Duet Collection - Unaccompanied. Edited by Harvey S. Whistler and Herman...
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Violin, Violin Duet - Difficulty: medium-difficult SKU: HL.4472680 Violin Duet Collection - Unaccompanied. Edited by Harvey S. Whistler and Herman Hummel. Rubank Educational Library No. 161. Classical. Duet songbook. With standard notation, fingerings and bowings. 56 pages. Rubank Publications #RUBL161. Published by Rubank Publications (HL.4472680). ISBN 9781423444923. UPC: 073999776201. 9x12 inches.Fantastic collection of advanced pieces for violin duet. Works by such esteemed composers as Telemann, Corelli, Kreutzer, Paganini and many, many more are included. Highly appropriate and challenging for contest or festival, yet none are more than two pages in length. Each duet is carefully edited and bowed.
Song List
: Allegro De Concert Allegro (from Sonata In A) Andante (from Duo Sonata in G) Aubade Canzoneta Concerto Grosso in D Minor Concertstuck Divertimento in D Dudziarz (The Country Fiddler) Duettino In F Duo Brillante Duo Celebre Duo Concertante Duo De Salon Duo Dramatique Duo Perpetuo Duo Populaire Duo Symphonique Finale (from Sixth Canonic Sonata) La Chasse La Melancolie Meditation (from Military Concerto) Menuet (from Concert-Sonate) Minuetto (from Suite Romantique) Morceau Lyrique Notturno-Pastorale Piece De Concert Rondo-Allegro (from Grand Duo in Eb) Salon-Duett Scherzo-Caprice Souvenir Poetique Theme & Variation (on Barucaba) Allegro (from First Canonic Sonata) Adagio Elegiaque Rondo Elegante Fantaisie Brillante (Duo de Concours) Musette (from Second CLassical Suite) Variations (on Montegnard) Folies D' Espagne (Theme and Variations)
$9.99 ≈
8.95€
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Adagio Variation
