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And There Was Light Flute 2
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Vous avez sélectionné:
And There Was Light Flute 2
Partitions à imprimer
20 partitions trouvées
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
17.82€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.72€
Moonlight Sonata by Beethoven for Alto Flute
Moonlight Sonata by Beethoven for Alto Flute
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.1156922 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,Ma...
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Alto Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.1156922 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and individual part. 5 pages. Woods Only, Arrangements #757266. Published by Woods Only, Arrangements (A0.1156922). This arrangement adapted for flute in g and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99 ≈
1.78€
Trio for flute, viola and classical guitar (arrangement of XV:10)
Trio for flute, viola and classical guitar (arrangement of XV:10)
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Classique
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Franz Joseph Haydn
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Nick Stokes
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guitar
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Trio for flute, viola and clas
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Nick Stokes
#
SheetMusicPlus
Acoustic Guitar,Flute,Viola - Level 3 - SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stoke...
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Acoustic Guitar,Flute,Viola - Level 3 - SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stokes #906057. Published by Nick Stokes (A0.1317395). This arrangement is of a light 2 movement piano trio by Haydn. It goes for about 10 to 15 minutes (depending on if you do repeats). It has a number of delightful and catchy tunes and has plenty of energy in the presto movement.   It is for what I think is the best combination of instruments involving guitar in chamber music - flute , viola & guitar. the level of difficulty is probably in that order too , with the flute doing the lion’s share of the tunes, the viola doing a fair amount of double stops and some secondary tunes and the guitar not too hard but involving some grand barres and half barres and requires tuning the low string down to Eb.  This version has a many tone colours to explore and is very light in the bass which I find makes for a sparkling sound . All the players are busy and get to have solos, which is sometimes a complaint of cellists playing Haydn piano trios where the requirement at the time seemed to be to make the music work with or without the cello being there.   I hope other guitarists and amateur musicians find it fun and worthwhile putting the time in to learn and perform it. I feel the best of Haydn will never sound old and the basic structure is so solid that it has been used for centuries since he was alive and creating. Maybe this arrangement will allow a fresh listen to this particular piece.
$10.00 ≈
8.93€
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Class...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00 ≈
18.76€
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Ch...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99 ≈
7.14€
Juneteenth Call for Flute and Harp
Juneteenth Call for Flute and Harp
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George Edward Brandon
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George Edward Brandon
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Juneteenth Call for Flute and
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Blue Unity Music
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SheetMusicPlus
Instrumental Duet - Level 4 - SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holida...
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Instrumental Duet - Level 4 - SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holiday. 3 pages. Blue Unity Music #839773. Published by Blue Unity Music (A0.1244850). This piece is a short and sprightly celebration of the anniversary of the date on which the last enslaved African Americans learned that the War between the States had concluded, slavery had been abolished and they had become free people. This was in Galveston, Texas on June 17, 1865. Another version of this piece, called Juneteenth Call for GR, exists for flute and clarinet, and there is also a third but slightly different version of it for saxophone quartet. A video of the flute and harp version was recorded by Castle of Our Skin and appears on their youtube channel as the Black Composer Challenge #2.
$4.50 ≈
4.02€
Peace on Earth - Christmas Song - SATB flute or violin or cello with piano and parts
Peace on Earth - Christmas Song - SATB flute or violin or cello with piano and parts
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Connie Boss
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cdboss@cvalley
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Peace on Earth - Christmas Son
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801644 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6360795...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801644 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6360795. Published by Connie Boss (A0.801644). DESCRIPTIONThis is a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all. Note: This shows going from verse 2 to bridge. You could repeat the refrain in between and/or add the refrain at the end of the piece. (You get all three instrument parts in individual parts each on one page for no page turning in this one purchase) cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace on EarthPeace on EarthPeace on EarthPeace one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$5.50 ≈
4.91€
Silent Night (Bb) (Woodwind Octet - 2 Flute, 1 Oboe, 3 Clar, 1 Hrn, 1 Bassoon)
Silent Night (Bb) (Woodwind Octet - 2 Flute, 1 Oboe, 3 Clar, 1 Hrn, 1 Bassoon)
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.814535 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.814535 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636671. Published by Regis Bookshar (A0.814535). Woodwind Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Octet, consisting of 2 Flutes, 1 Oboe, 3 Clarinets, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.15€
Silent Night (Bb) (Woodwind Octet - 3 Flute, 1 Oboe, 2 Clar, 1 Hrn, 1 Bassoon)
Silent Night (Bb) (Woodwind Octet - 3 Flute, 1 Oboe, 2 Clar, 1 Hrn, 1 Bassoon)
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.814536 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.814536 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636673. Published by Regis Bookshar (A0.814536). Woodwind Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Octet, consisting of 3 Flutes, 1 Oboe, 2 Clarinets, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.15€
They Saw a Star Children's Christmas Cantata for solo optional flute and piano
They Saw a Star Children's Christmas Cantata for solo optional flute and piano
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Connie Boss
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Connie Boss
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They Saw a Star Children's Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Flute,Piano - Level 2 - SKU: A0.1319736 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 32 pages...
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Alto Voice,Flute,Piano - Level 2 - SKU: A0.1319736 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 32 pages. Connie Boss #908291. Published by Connie Boss (A0.1319736). The Christmas Star was very important. Many found their way to Bethlehem because of it’s bright light that shown down upon the stable where Jesus lay. This cantata tells the story of the Angel giving Mary news. Mary and Joseph traveling to Bethlehem where Jesus was born. The Angels, shepherds and the three Kings following the star to find Jesus.This is just melody, optional flute on 3 songs and piano. Perfect for the lower grades that don't sing harmonies. There is narration before each song. Songs in the cantata are:Mary Had a Baby Boy - has some melody of Mary Had a Little Lamb, but also has new lyrics and melodyA Little Baby - original by me. A little baby born to save us one and allWhat Child is This - They Saw a Star - original by me. The Three kings find their way to see baby JesusWe Three Kings/Scarbarough Fair - Lyrics from We Three Kings with the melody of Scarborough FairQuestions or request, email cdboss@cvalley.net. If you purchase this and would like the background accompaniment, please email me with proof of purchase.
$6.99 ≈
6.24€
HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings
HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings
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Classique
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Franz Joseph Haydn
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Edited by Pat Spence
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Trio, Adagio &
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HAYDN QUARTETTO No. 2 in G MAJ
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Piper Publications
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.811685 Composed by Franz Joseph Haydn. Arranged by Edited by Pat Spence. Classical,Concert. ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.811685 Composed by Franz Joseph Haydn. Arranged by Edited by Pat Spence. Classical,Concert. Score and parts. 32 pages. Piper Publications #3662763. Published by Piper Publications (A0.811685). The second of Haydn's opus 5 quartets for flute, violin, viola and cello published by Hummel in 1767. Unlike the first quartet, the cello part is figured though this piece, like the first, does not need a keyboard. The figuring may have been an after thought and would have enabled the amateur players for whom the published edition was intended to play it with the resources available.There are 4 movements, Presto assai, Minuet & Trio, Adagio & Presto assai. The quartet will be enjoyed by good amateur and professional players and makes a good companion piece in a concert with any of the Mozart flute quartets written 20 years later. The quartet has been lightly edited: obvious mistakes have been corrected without comment. Dynamics added in parenthesis ( ), slurs in dashed lines, staccato dots have been continued throughout passages where only the first part of a section or the first player has the phrasing indicated. The final chords of both sections of the final movement in the original Hummel edition were given different note lengths: the cello a quaver/8th note, viola and violin crotchet/quarter note and the flute a dotted crotchet/quarter note. In both instances all parts play a crotchet/quarter note. The reason for this is unclear; it may have been a Haydn joke comment on the idiosyncrasies of the players or possibly an adjustment for the acoustics of the room in which the piece was played. It seems to have been deliberate because it appears only at the final cadence of both sections.
$25.00 ≈
22.33€
Suite No. 1 for Flute, Violx and Harp - Dance
Suite No. 1 for Flute, Violx and Harp - Dance
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Contemporain
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3053149. Published by Dana Taylor Music (A0.987750). This is the first of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Dance is in 6/8 time, with a light bounce. There are hints of jazz throughout. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.2017 Chamber Music Contest Entry - Original
$15.00 ≈
13.40€
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
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Noël
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Various
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Daniel Kelley
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Intermediate Music for Three C
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Last Resort Music Publishing
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SheetMusicPlus
Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort...
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Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00 ≈
17.86€
English Dances, Set 2, Op. 33: No. 1. Allegro Non Troppo
English Dances, Set 2, Op. 33: No. 1. Allegro Non Troppo
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Contemporain
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Malcolm Arnold
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Ray Thompson
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English Dances, Set 2, Op. 33:
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages. RayThompsonMusi...
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Large Ensemble - Level 5 - SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages. RayThompsonMusic #4854111. Published by RayThompsonMusic (A0.553828). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.There are 4 mvts in each suite.This is the 1st movement of the second suite.It was used from 1969 to 2008 as the theme music for the long-running UK television programme What the Papers Say, and was used again for the revived version of the programme on BBC Radio Four.It is arranged for double wind quintet/bass/tuba.One of the flutes plays piccolo throughout.
$12.99 ≈
11.60€
The Butterfly
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
10.72€
Little Suite (Clarinet Choir)
Little Suite (Clarinet Choir)
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Alan Bullard
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Little Suite
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Colne Edition / BullardMusic
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1487428 Composed by Alan Bullard. 20th Century,Classical,Contemporary. 48 pages. Col...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1487428 Composed by Alan Bullard. 20th Century,Classical,Contemporary. 48 pages. Colne Edition / BullardMusic #1064375. Published by Colne Edition / BullardMusic (A0.1487428). Little Suitefor Clarinet Trio or Clarinet Choir/Ensemble These five short movements are by turns light-hearted and delicately expressive, forming an enjoyable and symmetrical suite.1. Entrance2. Sarabande3. Scherzo4. Air5. Exit Little Suite may be played by three solo B flat clarinets. Optional extra parts for E flat Clarinet and Bass Clarinet are provided (doubling B flat Clarinets in various octaves as indicated in the score). To expand the ensemble to a Clarinet Choir, there can be more players on the B flat clarinet parts, for example:E flat Clarinet: 1 playerClarinets 1, 2, and 3: 3 or 4 players eachBass Clarinets: 1 or 2 players Little Suite was originally written for two oboes and cor anglais, and has been performed many times in this version, which Double Reed News described as ‘a most attractive work which can be enjoyed by audiences of all ages’.This version, as well as one for three flutes or flute choir, is available from Colne Edition. You may copy as many parts as you need for your ensemble, but please do not copy the score or pass the parts on to others. Thank you. COLNE EDITION CE145www.colneedition.co.uk.
$6.99 ≈
6.24€
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
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Brett L
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May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99 ≈
8.92€
The Wounded Angel
The Wounded Angel
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Scor...
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95 ≈
11.57€
Mozart (Leopold): Little Keyboard Pieces from Notenbuch für Wolfgang (Notebook for Wolfgang)- Minuet
Mozart (Leopold): Little Keyboard Pieces from Notenbuch für Wolfgang (Notebook for Wolfgang)- Minuet
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Classique
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Leopold Mozart
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Ray Thompson
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Mozart
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RayThompsonMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 2 - SKU: A0.554045 Composed by Leopold Mozart. Arranged by Ray Thompson. Classical. Score and parts. 8 pages...
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Instrumental Duet Instrumental Duet - Level 2 - SKU: A0.554045 Composed by Leopold Mozart. Arranged by Ray Thompson. Classical. Score and parts. 8 pages. RayThompsonMusic #6533887. Published by RayThompsonMusic (A0.554045). Leopold Mozart’s collection of little keyboard pieces are well suited for woodwind duet. My initial arrangement was for Bb clarinet and bass clarinet. To enable the lower part to be played by a second Bb clarinet (at the octave ) I created a slightly different part so as to avoid overlapping. I have also created alternative parts for oboe, cor anglais and bassoon. (Obviously the oboe part can be played by the flute as written or at the ocatve) So we have part 1 oboe/clarinet part 2 (higher octave) clarinet/cor anglais part 2 (lower octave) bass clarinet/bassoon So the duet can be played by the following instrumentation clarinet/bass clarinet clarinet/clarinet oboe/cor anglais oboe/ bassoon Other alternatives are obviously available - flute/bassoon, clarinet/cor anglais, any others….your choice!!! The 4 pieces available on this site are: Bourée in G Entrée in A min Anglaise in D min (Angloyse) Minuetto in C (Minuet) There is also a score containing all 4 pieces: A Selection from Little Keyboard Pieces
$4.99 ≈
4.46€
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And There Was Light Flute 2
