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Vous avez sélectionné:
Back to work drums
Partitions à imprimer
41 partitions trouvées
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26
Workin' My Way Back To You
Workin' My Way Back To You
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Spinners
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Jim Farley
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2 and Trombone
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Workin' My Way Back To You
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Jim Farley arrangementsone.com
#
SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1457939 By Spinners. By Denny Randell and Sand...
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1457939 By Spinners. By Denny Randell and Sandy Linzer. Arranged by Jim Farley. Broadway,Musical/Show,Pop,Rock. 36 pages. Jim Farley arrangementsone.com #1036933. Published by Jim Farley arrangementsone.com (A0.1457939). Arranged for 7-9 piece horn band including Directors Score, Piano/Vocal/Guitar, Leadsheet, Drums, Bass Guitar, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone.To hear the full arrangement, click here.ABOUT THE ARRANGER: Jim Farley has been a musician, arranger and composer since the mid 1970's and has thousands of works in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers, Community bands & Orchestras as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia. If you are in need of any arranging, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$74.99 ≈
¥533.30
Take Me Back To Chicago
Take Me Back To Chicago
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Rock
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Chicago
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Patrick Sheehan
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Take Me Back To Chicago
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747935 By Chicago. By Daniel Seraphine and David Hawk Wolinski. Arranged by Patrick Sheehan. Pop,Rock. Score and part...
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Small Ensemble - Level 5 - SKU: A0.747935 By Chicago. By Daniel Seraphine and David Hawk Wolinski. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 110 pages. Patrick Sheehan #4968943. Published by Patrick Sheehan (A0.747935). INSTRUMENTATION: Lead Vocal, Lead Vocal Overdub, Soprano Vocalist (Chaka Khan) (+ overdub), Background Vocal I, Background Vocal II, Background Vocal III, Flute (+ overdub), Tenor Saxophone (Bb), Trumpet (Bb), Trombone (+ overdub), Fender Rhodes, Grand Piano, Synthesizer, Electric Guitar, Bass, Tambourine, Woodblocks, Conga Drums, Drumset. All parts transcribed by ear from the original recording from Chicago XI released in 1977. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
¥177.79
Workin' My Way Back To You
Workin' My Way Back To You
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Spinners
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P Welsh
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Workin' My Way Back To You
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Accubass
#
SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1353307 By Spinners. By Denny Randell and Sandy Linzer. Arranged by P Welsh. Disco,Soul. 20 pages. Accubass #93...
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Rhythm Section Voice - Level 3 - SKU: A0.1353307 By Spinners. By Denny Randell and Sandy Linzer. Arranged by P Welsh. Disco,Soul. 20 pages. Accubass #938081. Published by Accubass (A0.1353307). Parts for gtr, bass, keys and drums.
$26.99 ≈
¥191.94
Take Me To The River
Take Me To The River
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Rock
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Al Green
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Jim Farley
#
2
and
Trombone
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Take Me To The River
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Jim Farley arrangementsone.com
#
SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - SKU: A0.1397098 By Al Green. By Al Green and Mabon Hodges. Arran...
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - SKU: A0.1397098 By Al Green. By Al Green and Mabon Hodges. Arranged by Jim Farley. Pop,Rock. 40 pages. Jim Farley arrangementsone.com #980434. Published by Jim Farley arrangementsone.com (A0.1397098). Arranged for 7-9 piece horn band including: Directors Score, Piano/Vocal/Chords, Leadsheet, Guitar (chords only) Bass Guitar, Alto Sax, Tenor Sax (identical to Alto Sax), Trumpets 1 & 2 and Trombone...Watch for the time change from 4/4 to 2/4 back to 4/4...ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Australia and Europe. If you have any additional arranging needs, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$49.99 ≈
¥355.51
Back To You
Back To You
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Contemporain
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Keith Howland and Robert Willi
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Patrick Sheehan
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Back To You
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Patrick Sheehan
#
SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748077 Composed by Keith Howland and Robert William Lamm. Arranged by Patrick Sheehan. Contemporary. Score and parts....
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Small Ensemble - Level 5 - SKU: A0.748077 Composed by Keith Howland and Robert William Lamm. Arranged by Patrick Sheehan. Contemporary. Score and parts. 70 pages. Patrick Sheehan #5723583. Published by Patrick Sheehan (A0.748077). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard, Electric Guitar I, Electric Guitar II, Bass, Triangle, Cabasa, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
¥177.79
We Back
We Back
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Contemporain
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Various Artists
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Jamie A Sinatra
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We Back
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J Press
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1029801 By Various Artists. By Brad Warren, Brett Warren, Jordan Mark Schmidt, and Tyler Reed Hubbard. Arranged by...
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Woodwind Ensemble - Level 4 - SKU: A0.1029801 By Various Artists. By Brad Warren, Brett Warren, Jordan Mark Schmidt, and Tyler Reed Hubbard. Arranged by Jamie A Sinatra. Contemporary. 53 pages. J Press #5820991. Published by J Press (A0.1029801). Here it is, folks...I bring the music, you bring the drums...Jason Aldean's We Back is a perfect piece for your marching band/pep band's forthcoming season...I've provided you with the musical framework (the score and one copy of each part) accurate to within 98% of the original song...all YOU need to do is bring the drums...forget the crap...play The Real :-).
$75.00 ≈
¥533.37
Why Not Come to Jesus Now? (Performance/Accompaniment) (Bb)
Why Not Come to Jesus Now? (Performance/Accompaniment) (Bb)
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Musique Sacrée
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Denny Glasscock and Greg Jenki
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Why Not Come to Jesus Now?
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Denny Glasscock
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SheetMusicPlus
Choir,Drum Set,Piano - SKU: A0.1070194 Composed by Denny Glasscock and Greg Jenkins (drums). Contemporary,Latin,Praise & Worship,Sacred. Accompaniment. ...
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Choir,Drum Set,Piano - SKU: A0.1070194 Composed by Denny Glasscock and Greg Jenkins (drums). Contemporary,Latin,Praise & Worship,Sacred. Accompaniment. Duration 168. Denny Glasscock #6045039. Published by Denny Glasscock (A0.1070194). This is the digital audio accompaniment for both the solo and SAB versions of Why Not Come to Jesus Now, by Denny Glasscock. It also serves as a nice instrumental performance recording of the song by a string trio (violin, viola and violoncello), accompanied by piano, drums and bass (rhythm trio). The violin, viola and violoncello duplicate the soprano, alto and baritone voices, respectively, of the SAB choral version of the song. Performed along with the rhythm trio, it aids the vocalists in hearing the melody vs. the counter melody at work. The duplications are not obvious, due to the complex back and forth exchanges of melody vs. counter melody, except when the effect is desired with the melody at the beginning of a new section, briefly. At these points, the new melody significantly contrasts the prior one. At the ending, the piece concludes with a layering of tones and a light stop. Click on the publisher's name, Denny Glasscock, above to find the choral and solo versions of the song, where the sheet music is offered. There you can hear the entire digital version of the song, except for the lyrics. You can also find the instrumental ensemble (winds and strings) version of the piece, Why Not Now, as well.
$1.99 ≈
¥14.15
Santa Claus Is Back In Town
Santa Claus Is Back In Town
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Rock
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Elvis Presley
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Patrick Sheehan
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Santa Claus Is Back In Town
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747969 By Elvis Presley. By Jerry Leiber and Mike Stoller. Arranged by Patrick Sheehan. Rock. Score and parts. 58 pag...
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Small Ensemble - Level 5 - SKU: A0.747969 By Elvis Presley. By Jerry Leiber and Mike Stoller. Arranged by Patrick Sheehan. Rock. Score and parts. 58 pages. Patrick Sheehan #4988503. Published by Patrick Sheehan (A0.747969). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Alto Saxophone (Eb), Tenor Saxophone (Bb), Trumpet I (Bb), Trumpet II (Bb), Trombone, Keyboard I, Keyboard II, Electric Guitar, Bass, Drumset. Transcribed from the soundtrack of The Christmas Chronicles, 2018 Netflix series starring Kurt Russell. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
¥177.79
Angels We Have Heard on High - Backing Track
Angels We Have Heard on High - Backing Track
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Wesley Carroll
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Angels We Have Heard on High -
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Wesley Carroll
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SheetMusicPlus
Bass Voice,Drums,Piano - Level 4 - SKU: A0.1113138 Composed by Wesley Carroll. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment....
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Bass Voice,Drums,Piano - Level 4 - SKU: A0.1113138 Composed by Wesley Carroll. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment. Duration 181. Wesley Carroll #715098. Published by Wesley Carroll (A0.1113138). This is backing track, consisting of piano, bass and drums, for a new work by Wesley Carroll setting the familiar words of Angels We have Heard on High to a new contemporary/gospel tune for SATB choir. The sheet music can be purchased separately. This is an upbeat, fun and uplifting new tune and setting of the well-known words - Angels We Have Heard on High. This would make a great addition to any Carol service or Christmas concert. A the sheet music can be purchased here: https://tinyurl.com/39t6c4pz.
$5.00 ≈
¥35.56
Triumvirate
Triumvirate
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Daniel Burwasser
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Triumvirate
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Head and Stem
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SheetMusicPlus
Bassoon,Drum Set,Piano - Level 4 - SKU: A0.1355909 Composed by Daniel Burwasser. 21st Century,Classical,Rock. 39 pages. Head and Stem #940632. Published...
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Bassoon,Drum Set,Piano - Level 4 - SKU: A0.1355909 Composed by Daniel Burwasser. 21st Century,Classical,Rock. 39 pages. Head and Stem #940632. Published by Head and Stem (A0.1355909). Notes on TRIUMVIRATE The term Triumvirate goes back to the time of Julius Caesar and is roughly defined as a group of three men holding political power. In the case of this musical work, it refers to three performers holding great musical power and with equal responsibility. The idea for Triuvirate was sparked at the suggestion of colleague and composer/bassoonist, Kenneth Lieberson who has also composed a duo for bassoon and drum set. Triumvirate represents the closest artistic merger between my rock roots and classical roots that I have ever produced. As in a Triumvirate, the three parts compliment each other. The piano is the centerpiece, providing rhythmic propulsion as well as the harmonic element, the drums provide pulse, dramatic color and pure rhythmic thrust, and the bassoon supplies a prominent melodic role. The work is in the form of a fantasy based on a single one-bar riff heard at the very outset of the piece. As the work unfolds, the riff gets tossed around and is morphed into other motives and more extended episodes. A couple of slower and softer sections offer relief from the more energetic moments. The piece concludes with a prominent statement of the opening main riff. Daniel Burwasser NYC, January, 2024
$15.00 ≈
¥106.67
Lullaby Of Birdland
Lullaby Of Birdland
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Jazz
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by ...
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00 ≈
¥355.58
Jacqui
Jacqui
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Jazz
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Clifford Brown
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Leo Maxey
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Jacqui
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Leo Maxey
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SheetMusicPlus
B-Flat Trumpet - Level 5 - SKU: A0.1283261 By Clifford Brown. By Richard Richie Powell Powell. Arranged by Leo Maxey. Jazz. 6 pages. Leo Maxey #874456. ...
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B-Flat Trumpet - Level 5 - SKU: A0.1283261 By Clifford Brown. By Richard Richie Powell Powell. Arranged by Leo Maxey. Jazz. 6 pages. Leo Maxey #874456. Published by Leo Maxey (A0.1283261). Clifford Brown's trumpet solo on Jacqui harmonized fort trumpet section features and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized arrangements for trumpet! Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording. Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results. The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight nit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble. In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99 ≈
¥92.38
Lady Bird
Lady Bird
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Jazz
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Miles Davis
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Leo Maxey
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Lady Bird
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Leo Maxey
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SheetMusicPlus
B-Flat Trumpet - Level 5 - SKU: A0.1283286 By Miles Davis. By Tadd Dameron. Arranged by Leo Maxey. Jazz. 7 pages. Leo Maxey #874459. Published by Leo Ma...
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B-Flat Trumpet - Level 5 - SKU: A0.1283286 By Miles Davis. By Tadd Dameron. Arranged by Leo Maxey. Jazz. 7 pages. Leo Maxey #874459. Published by Leo Maxey (A0.1283286). Fats Navarro's Trumpet Solo on Lady Bird harmonized for trumpet sections and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized! I have harmonized very popular trumpet solos by great and influential trumpeters. In this collection here, are featured solos by Louis Armstrong, Fats Navarro, and Clifford Brown on the tunes Jacqui, Lady Bird, Knee Drops and more!Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording. Â Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results. Â The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight knit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble. Â In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99 ≈
¥92.38
Knee Drops
Knee Drops
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Jazz
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Louis Armstrong
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Leo Maxey
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Knee Drops
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Leo Maxey
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SheetMusicPlus
B-Flat Trumpet - Level 5 - SKU: A0.1283263 By Louis Armstrong. By Lillian Hardin Armstrong. Arranged by Leo Maxey. Jazz. 8 pages. Leo Maxey #874458. Pub...
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B-Flat Trumpet - Level 5 - SKU: A0.1283263 By Louis Armstrong. By Lillian Hardin Armstrong. Arranged by Leo Maxey. Jazz. 8 pages. Leo Maxey #874458. Published by Leo Maxey (A0.1283263). Louis Armstrong's Trumpet Solo on Knee Drops harmonized and accompanying Leadsheets in C and Bb for trumpet section features and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized arrangements for trumpet! Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording.  Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results.  The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight nit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble.  In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99 ≈
¥92.38
Weardale Dawn & Variations for Brass Band
Weardale Dawn & Variations for Brass Band
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Contemporain
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Eoin Buchanan
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Weardale Dawn & Variations
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7plc Music
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SheetMusicPlus
Small Ensemble Drums,Timpani - Level 4 - SKU: A0.1017079 Composed by Eoin Buchanan. Contemporary. Score and parts. 77 pages. 7plc Music #6088017. Publis...
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Small Ensemble Drums,Timpani - Level 4 - SKU: A0.1017079 Composed by Eoin Buchanan. Contemporary. Score and parts. 77 pages. 7plc Music #6088017. Published by 7plc Music (A0.1017079). So it’s back to my musical roots! My first work for full brass band suitable for any 2nd or 3rd Section band. Depicting dawn over Weardale in the North of England, the music offers rhythmic variety and a chance for all instruments to shine.
$30.00 ≈
¥213.35
How Much I Feel
How Much I Feel
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Rock
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Ambrosia
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Jim Farley
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2
and
Trombone
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How Much I Feel
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Jim Farley arrangementsone.com
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SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1394980 By Ambrosia. By David Pack. Arranged b...
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1394980 By Ambrosia. By David Pack. Arranged by Jim Farley. Pop,Rock. 49 pages. Jim Farley arrangementsone.com #978467. Published by Jim Farley arrangementsone.com (A0.1394980). Arranged for 7-9 piece horn band, including: Directors Score, Piano/Vocal/Chords, Leadsheet, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone. Be aware of the time change from 4/4 to 7/4 at Measure 36... (then back to 4/4)ABOUT THE ARRANGER: Jim Farley has been a professional musican, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers as well as arranging for dozens of classic rock horn bands throughout the U.S., Canada, Australia and Europe. If you have any arranging needs, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$74.99 ≈
¥533.30
Happy
Happy
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Pharrell
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MAJOR SCORE PUBLISHING TM
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Happy
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Major Score Publishing
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SheetMusicPlus
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1430263 By Pharrell....
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1430263 By Pharrell. By Pharrell. Arranged by MAJOR SCORE PUBLISHING TM. Film/TV,Funk,Pop,Singer/Songwriter,Soul. 47 pages. Major Score Publishing #1010905. Published by Major Score Publishing (A0.1430263). Happy (Despicable Me 2) - Pharrell Williams Singer & 7 or 9 piece show band Singers, bands, tribute artists, working musicians and performing arts organizations! Look no further than our professional and highly detailed sheet music arrangement of Happy by Pharrell Williams from the movie Despicable Me 2. Entertain your audience, crowd or guests and get them up on their feet dancing and clapping along each and every performance! Our highly detailed sheet music arrangement is designed for Singer(s) backed by a 7 or 9 piece show band. We have notated the vocal line as performed by Pharrell with optional back ground vocals and hand claps all in the same part! To always deliver an authentic performance experience we have included fully notated piano voicings, bass line and drum part in addition to our horn lines! The flute part really makes this arrangement come together and is designed for the tenor sax player, but we have also included a tenor sax part as well. This arrangement is designed to deliver an absolutley smashing live music experience for you, your band or entertainment organization! Check out the full arrangement demo on our YouTube channel!Vocal Charts (All)https://www.majorscorepublishing.com/vocal-chartsIncluded in your premium sheet music download:Vocal (lead)Back ground vocals (optional)Hand claps (optional)Alto SaxophoneAlt. Alto Saxophone (3 horns)Flute or Tenor SaxophoneTrumpet 1Trumpet 2TromboneElectric PianoElectric GuitarElectric bassDrumsScore* For 3 horns use:Alt. Alto sax, Trumpet 1 and trombone wirh 4 piece rhythm section Follow us today! Instagram@majorscorepublishingYouTube@majorscorepublishing
$74.99 ≈
¥533.30
Hells Bells
Hells Bells
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Rock
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AC/DC
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Phyllis Avidan Louke
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Hells Bells
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736284 By AC/DC. By Angus Mckinnon Young, Angus Young, Brian Johnson, Malcolm Mitchell Young, and Malcolm Yo...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736284 By AC/DC. By Angus Mckinnon Young, Angus Young, Brian Johnson, Malcolm Mitchell Young, and Malcolm Young. Arranged by Phyllis Avidan Louke. Pop,Rock. 12 pages. Louke Publishing #3861839. Published by Louke Publishing (A0.736284). For Flute Quartet or Flute Choir Hells BellsProgram Notes Hells Bells, written by Angus Young, Brian Johnson, and Malcolm Young, is the first track of Back in Black,the seventh studio album by Australian hard rockband AC/DC and their comeback album after the death of lead singer Bon Scott. Hells Bells is the second single from Back in Black, released on 31 October 1980. The song begins with a bell slowly tolling four times, after which Angus Young starts playing the song’s main riff. Malcolm Young then joins in, followed by Phil Rudd on drums and Cliff Williams on bass. The bell tolls a total of 13 times during the song’s introduction. On a more personal note, I was asked to arrange this song by my daughter and son-in-law to use as the processional for their wedding. Really… I couldn’t make this up. It is scored for Flute Quartet: 2 flutes, alto flute (c-part included), and bass flute. It should work for 4 flutes, as well, although I’d suggest taking some of the bass flute part down an octave when possible. Rock Hard Rock AC/DC Bells  Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$12.99 ≈
¥92.38
Haiku by The Khromatiks, for Electric Violin & Loop Station
Haiku by The Khromatiks, for Electric Violin & Loop Station
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Kayleigh Moyer, Kyle Pudenz, a
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improvised
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Haiku by The Khromatiks, for E
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz...
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Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
¥56.82
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Push & Pull by The Khromat
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemp...
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Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
¥56.82
A Proud College Boy
A Proud College Boy
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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A Proud College Boy
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,H...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Oboe,Piano and Keyboard,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - SKU: A0.1238228 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Film/TV,New Age,Soul,Spiritual. 8 pages. Amphibia Cultural Legacy #833702. Published by Amphibia Cultural Legacy (A0.1238228). A Proud College Boy is a cover song from Amphibia Legacy sung by Sprig Plantar (Justin Felbinger), based on the original composition, Evening Wind Blows In My Heart, by Ali Yue.The song features a catchy melody and is accompanied by an upbeat melody. The arrangement is simple yet effective, and the song evokes energy and emotion. The song is upbeat and joyful. Its lyrics are uplifting and inspiring, encouraging listeners to strive for their goals and be proud of their accomplishments. The additional instruments give the song a fuller, more dynamic sound.The song is about a 12-year-old frog Sprig Plantar, full of pride and joy, who is proud of achieving and rewarding with a Master of Music college degree, although he reflects on the hard work he has put in and how it has paid off. He expresses his gratitude for the people who have supported him and encouraged him to reach his goals, as he is proud of himself and the person he has become. He's excited to start a musical adventure of his life and looks forward to the future. The song is full of optimism and hope and is a great reminder to celebrate the small successes in life.A Proud College Boy is a great example of how music can be used to capture the emotions of a time and place, and it is sure to bring back fond memories for many fans. It's an uplifting and inspiring song that will leave listeners feeling proud and inspired.Overall, A Proud College Boy is an inspiring cover song celebrating hard work and perseverance. It's a great reminder that we should all take pride in our achievements and be thankful for the support of everyone.
$70.00 ≈
¥497.82
The Sophisticated Hippy
The Sophisticated Hippy
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Jazz
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Horace Silver
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George Kaplan
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99 ≈
¥71.05
Damerons Dance
Damerons Dance
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Jazz
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Horace Silver
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George Kaplan
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Damerons Dance
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99 ≈
¥71.05
Adjustment
Adjustment
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Jazz
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Horace Silver
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George Kaplan
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Adjustment
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 43. George Kaplan #2BWqBfGRvuUa7JVZpWXsgL. Published by George Kaplan (A0.1081131). Key: C major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99 ≈
¥71.05
Mysticism
Mysticism
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Jazz
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Horace Silver
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George Kaplan
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Mysticism
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 134. George Kaplan #3twZIB0zYvsynuaepMfK1d. Published by George Kaplan (A0.1081182). Key: F# major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99 ≈
¥71.05
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