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Vous avez sélectionné:
Belonging
Partitions à imprimer
18 partitions trouvées
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1
Belonging
Belonging
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Marie-Claire Saindon
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Belonging
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choral - SKU: HX.1293369 Composed by Marie-Claire Saindon. Concert,Festival,Poetry. Duration 198. Hal Leonard - Digital #347249. Published by Hal...
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Choral Choral - SKU: HX.1293369 Composed by Marie-Claire Saindon. Concert,Festival,Poetry. Duration 198. Hal Leonard - Digital #347249. Published by Hal Leonard - Digital (HX.1293369).
$1.99 ≈
¥14.43
Belonging
Belonging
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Marie-Claire Saindon
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Belonging
#
Hal Leonard - Digital
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SheetMusicPlus
Choral Accompaniment Only,Choral - SKU: HX.1293370 Composed by Marie-Claire Saindon. Concert,Festival,Poetry. Duration 198. Hal Leonard - Digital #34724...
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Choral Accompaniment Only,Choral - SKU: HX.1293370 Composed by Marie-Claire Saindon. Concert,Festival,Poetry. Duration 198. Hal Leonard - Digital #347249. Published by Hal Leonard - Digital (HX.1293370).
$19.99 ≈
¥144.96
Belonging by Secret Garden - for Violin with Piano/Chords
Sheet Music
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Secret Garden
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Belonging
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Musicnotes
Sheet Music for Belonging by Secret Garden arranged for Violin with Piano/Chords in A Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Belonging by Secret Garden arranged for Violin with Piano/Chords in A Minor. Digital sheet music from Musicnotes.
$5.79 ≈
¥41.99
Table of Plenty
Table of Plenty
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Mark Hayes
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Table of Plenty
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Hope Publishing - Digital
#
SheetMusicPlus
Flute Part-Digital Version - SKU: H1.C6425FDP Arranged by Mark Hayes. Piano Accompaniment. Choral Parts. 4 pages. Hope Publishing - Digital #C6425FDP. P...
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Flute Part-Digital Version - SKU: H1.C6425FDP Arranged by Mark Hayes. Piano Accompaniment. Choral Parts. 4 pages. Hope Publishing - Digital #C6425FDP. Published by Hope Publishing - Digital (H1.C6425FDP). Useful as both a gathering or communion song, this text speaks of unity and belonging through the voice of God who will provide for all who gather at the table. The piano accompaniment is beautifully rendered, and a separate optional part flute adds sparkle.
$9.95 ≈
¥72.15
Broken Future
Broken Future
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Contemporain
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Dmitry I
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Broken Future
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Dmitry I. Kabanov
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SheetMusicPlus
Instrumental Solo - Level 1 - SKU: A0.1039435 Composed by Dmitry I. Kabanov. Classical,Contemporary. Individual part. 1 pages. Dmitry I. Kabanov #644411...
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Instrumental Solo - Level 1 - SKU: A0.1039435 Composed by Dmitry I. Kabanov. Classical,Contemporary. Individual part. 1 pages. Dmitry I. Kabanov #644411. Published by Dmitry I. Kabanov (A0.1039435). I have created this piece sometime in late April 2022 thinking about the difficult situation the world is in (war, potential hunger, broken lives). Then this melody came in naturally. The piece is easy to play for people who studied piano for 2-3 years. It consists of three parts. The initial melody starts with a dissonant created by the melody not belonging to the bass chord. The second part has a more fluent character, which builds tension that is released at the start of the third part. The third part is a variation of the initial melody but with more sad and dark ending.
$3.00 ≈
¥21.75
Trio for Violin, Horn, and Piano
Trio for Violin, Horn, and Piano
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Richard E Brown
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Trio for Violin, Horn, and Pia
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Dacker Music
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.814854 Composed by Richard E Brown. Contemporary,Standards. Score and pa...
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.814854 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 56 pages. Dacker Music #6606529. Published by Dacker Music (A0.814854). Trio for Violin, Horn, and Piano is inspired by-but definitely not modeled on-the great work for the same instrumentation, usually called simply the Horn Trio, op. 40 by Johannes Brahms (1833-1897). Besides belonging to a different period of music and all that entails, this trio is overall on a much smaller scale, lasting roughly half the duration of the Brahms masterpiece and having 3 movements to the Brahms' 4. Much of the thematic material for this composition is drawn from this composer’s 18 New Etudes for the Advancing Horn Student (WaveFront Music LLC - 2021). Grade 5 - Duration 14:00
$16.95 ≈
¥122.91
Bird Oratorio
Bird Oratorio
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Indra Rise
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Bird Oratorio
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Indra Riše
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.977568 Composed by Indra Rise. 20th Century,Contemporary,Standards. Score and parts. 41 pages. Indra RiÅ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.977568 Composed by Indra Rise. 20th Century,Contemporary,Standards. Score and parts. 41 pages. Indra Riše #4404902. Published by Indra Riše (A0.977568). Bird Oratorio for violin, cello and piano, commissioned by Pēteris Vasks Foundation; 2017, duration ca 14, Bird Oratorio in three parts. I. From a Dawn to the Light; II. Trouble at the Bird-table; III. Fight for the Territory. Programm note :this is a story about Birds, Nature and its rough rules. It is dedicated to people, who emigrate and look for good luck in foreign countries. This music is just reminder, that Nature is not just a nice view, flowers, birds or animals, and it is not just a beauty and harmony. Nature can be also rough and in fact it is our Great Teacher. Nature is teaching belonging, care and love to the place, where we are born. Nature is teaching struggle for survival and fight for our homeland. Let's listen to it!
$20.95 ≈
¥151.92
Peace Be Still
Peace Be Still
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Contemporain
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The Belonging Co
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Sylvia Phillips
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Peace Be Still
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Sylvia Phillips
#
SheetMusicPlus
Small Ensemble Flute,Piano Accompaniment,Soprano Recorder,Violin - Level 2 - SKU: A0.927071 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Ho...
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Small Ensemble Flute,Piano Accompaniment,Soprano Recorder,Violin - Level 2 - SKU: A0.927071 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arranged by Sylvia Phillips. Contemporary. Score and parts. 9 pages. Sylvia Phillips #5726133. Published by Sylvia Phillips (A0.927071). This is a simplified arrangement of Hope Darst's new song, Peace Be Still.
$4.99 ≈
¥36.18
Peace Be Still
Peace Be Still
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Contemporain
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The Belonging Co
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Diane M
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Peace Be Still
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Diane M. McGahee
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SheetMusicPlus
Small Ensemble - SKU: A0.769320 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arr...
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Small Ensemble - SKU: A0.769320 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arranged by Diane M. McGahee. Contemporary. Score and parts. 8 pages. Diane M. McGahee #5895387. Published by Diane M. McGahee (A0.769320).
$4.99 ≈
¥36.18
Times Five Inst. Solo Score
Times Five Inst. Solo Score
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Deborah Johnson
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Instrumental (flute) bkg
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Times Five Inst. Solo Score
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Deborah Johnson
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SheetMusicPlus
Flute,Piano,Voice - Level 3 - SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #3...
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Flute,Piano,Voice - Level 3 - SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #33177. Published by Deborah Johnson (A0.877820). Times Five instrumental solo score, written for a C instrument, violin, flute or other, offers a captivating and melodious solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album by Deborah Johnson, this composition introduces new classically-inspired piano and instrumental solos. Reminiscent of a Bartók composition, Times Five evokes a similar musical ambiance, showcasing an intricate and dynamic melody. Tailored for special occasions and events, Times Five instrumental solo score includes a total of 23 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Instrumental (flute) bkg; Vocal bks (1-3 part male); Piano accompaniment. Piano accompaniment includes guitar chords. It’s characterized by its unique 5/4 time signature, belonging to the quintuple meter—rare in European concert music before the 20th century but more prevalent in various world cultures. The 5/4 time signature of Times Five embodies a division of beats as 3+2, creating a distinctive rhythmic pattern (1-2-3,1-2, with accents on the 1), characteristic of compound meters. Understanding and identifying this metrical pattern within the bars enriches the appreciation of the piece's rhythmic complexity. This unique time signature adds depth and richness to the composition, offering a captivating musical experience ideal for diverse special occasions. Spotify link for MP3 download with flute solo: https://open.spotify.com/track/4zZYeTb7O5ir5jm7ZkAC3Y Also available is the instrumental solo score version with parts, the piano solo version and full book of piano solos from Wayfarer’s Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99 ≈
¥50.69
Te Deum
Te Deum
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Jean-Baptiste Lully
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Te Deum
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Schott Music - Digital
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SheetMusicPlus
2 Trompeten, Pauken, Streicher und Basso continuo 2 mixed choirs (SATB/SATB), soloists (SSATTB) and orchestra - intermediate - SKU: S9.Q3274 Motet
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2 Trompeten, Pauken, Streicher und Basso continuo 2 mixed choirs (SATB/SATB), soloists (SSATTB) and orchestra - intermediate - SKU: S9.Q3274 Motet. Composed by Jean-Baptiste Lully. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 40 minutes. Schott Music - Digital #Q3274. Published by Schott Music - Digital (S9.Q3274). Latin.This edition of a Te Deum by J.-B. Lully (1632-1687), composed in 1677, has been compiled from part-books belonging to the Euing Library in the University of Glasgow, and we wish to record our gratitude to that University, and to its librarian, Mr. R.O. MacKenna, for placing them at our disposal. The original score consists of a Petit Choeur for semi-chorus and soli, a Grand Choeur for full chorus, and an orchestra consisting of two trumpets, strings and basso continuo. Although there is no timpani part in the Glasgow part-books, it seems evident that there is need for timpani in performance. The editor has therefore ventured to include a part for them. The soloists required are SSAATTB. Some of their parts could well be sung by members of the Petit Choeur. This edition presents the text of the original sources except for the piano part which is partly a realization of the figured bass (marked continuo) and partly an adaption of the instrumental score (marked piano score).
$22.99 ≈
¥166.71
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.43
LÄTTA FINGRAR
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.43
FORNUDDSVALSEN
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.43
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.43
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.43
Bee Gees: Someone Belonging To Someone - voice, piano or guitar
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Bee Gees
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Virtualsheetmusic
Instantly printable sheet music by Bee Gees for voice, piano or guitar of MEDIUM skill level.
Instantly printable sheet music by Bee Gees for voice, piano or guitar of MEDIUM skill level.
$4.97 ≈
¥36.04
Marie-Clairé Saindon: Belonging - choir (SSAB)
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Contemporain
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Marie-Clairé Sain
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Virtualsheetmusic
Instantly printable sheet music by Marie-Claire Saindon for choir (SSAB) of MEDIUM skill level. / concert,festival
Instantly printable sheet music by Marie-Claire Saindon for choir (SSAB) of MEDIUM skill level. / concert,festival
$5.93 ≈
¥43.00
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