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Chorale and Fugue
Partitions à imprimer
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Toccata, Chorale and Fugue - A Cello Ensemble, Op.39 [1986] - Dedicated to Prof.Parisot
Toccata, Chorale and Fugue - A Cello Ensemble, Op.39 [1986] - Dedicated to Prof.Parisot
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An-lun Huang
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Toccata, Chorale and Fugue - A
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DoReMi Edition
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SheetMusicPlus
String Ensemble - Level 5 - SKU: A0.1081699 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 78 pages...
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String Ensemble - Level 5 - SKU: A0.1081699 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 78 pages. DoReMi Edition #685820. Published by DoReMi Edition (A0.1081699). “Toccata, Chorale and Fugue†was the last work composed by An-lun Huang during the time he studied at Yale University in 1986. It was commissioned and dedicated to the Yale cello professor Aldo Parisot who premiered the work with more than sixty young cellists at the Banff Art Center, Canada, in 1986. Cello ensemble is a challenge for composer because of the single instrumental color. In this particular work, Huang had made the Chinese music upon to a new level.-- not only melodic sense, but also harmonically and contrapuntal. It consists of three sessions. The first is a virtuoso Toccata, the second is a chorale typed Adagio, and the third is a double Fugue in five voices. Bach‘s name, B-A-C-H, forms the secondary theme of the fugue. The recording attached was performed by Prof. Kirill Rodin(First price of Tchaikovsky Competition) with his students, plus one double bass, in Moscow Conservatory, 2001. Duration:16’ 题献给帕瑞索特教授 托å¡å¡”ã€åœ£å’ä¸Žèµ‹æ ¼ 大æç´åˆå¥ 黄安伦 作å“39（纽黑文 1986） 这是作者1986年在耶é²å°±å¦å†™ä½œçš„最åŽä¸€éƒ¨ä½œå“ï¼Œä¹ƒæ˜¯è¯¥æ ¡è‘—å的帕瑞索特教授所委约并题献给他的一部作å“ã€‚å¸•ç‘žç´¢ç‰¹æ•™æŽˆå¹¶åœ¨åŠ æ‹¿å¤§çš„ç芙国际音ä¹è¥çŽ‡é¢†å…åä½™æ¥è‡ªä¸–ç•Œå„地的大æç´å®¶é¦–演了这部力作。 写作å•ä¸€éŸ³è‰²çš„大æç´åˆä½œï¼Œå¯¹äºŽä½œæ›²å®¶æ˜¯ä¸€ä¸ªæŒ‘战。在这部特别的作å“ä¸ï¼Œæ— 论在和声上ã€æ—‹å¾‹ä¸Šæˆ–是对ä½ä¸Šï¼Œé»„安伦都ç±æ¤ä½œæŠŠä¸å›½éŸ³ä¹æå‡åˆ°ä¸€ä¸ªæ–°çš„高度。 ä¹æ›²ç”±ä¸‰éƒ¨åˆ†ç»„æˆã€‚开头是是一部技巧艰深的托å¡å¡”，ä¸éƒ¨æ˜¯ä¸€é¦–æ…¢æ¿çš„圣å’，而ä¹æ›²åŽéƒ¨åˆ™æ˜¯ä¸€é¦–充满活力的二é‡èµ‹æ ¼ï¼Œå·´èµ«å¤§å的四个德文å—æ¯B-A-C-HåŠå˜å½¢æ£æ˜¯æ¤èµ‹æ ¼çš„第二主题。 所附mp3乃是莫斯科音ä¹å¦é™¢è‘—å的罗金教授带领他的14个å¦ç”Ÿå¤–åŠ ä¸€ä½å€ä½ŽéŸ³æç´æ‰‹äºŽ2002年在莫斯科录制的。.
$39.95 ≈
37.35€
Fugue No. 22 In B Flat Minor, Bwv 867
Fugue No. 22 In B Flat Minor, Bwv 867
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Classique
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Johann Sebastian Bach
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Nathan Wollmann
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Fugue No. 22 In B Flat Minor,
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Nathan Wollmann
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann....
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00 ≈
3.74€
Bach: Wachet auf for Bass Flute & Piano
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
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Bach: Wachet auf for Oboe d'Amore & Piano
Bach: Wachet auf for Oboe d'Amore & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Am
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.33€
Pachelbel: Canon in D for Alto Clarinet & Harp
Pachelbel: Canon in D for Alto Clarinet & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto
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jmsgu3
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque...
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
30.81€
Pachelbel: Canon in D for Tenor Sax & Harp
Pachelbel: Canon in D for Tenor Sax & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Teno
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque...
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Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702340. Published by jmsgu3 (A0.1098484). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Tenor Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
30.81€
Pachelbel: Canon in D for Baritone Sax & Harp
Pachelbel: Canon in D for Baritone Sax & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bari
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baro...
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Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #701987. Published by jmsgu3 (A0.1098118). Score: 6 pages. Duration: ca. 2:28. The famous Pachelbel Canon arranged for Baritone Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
30.81€
Pachelbel: Canon in D for Soprano Sax & Harp
Pachelbel: Canon in D for Soprano Sax & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Sopr
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702335. Published by jmsgu3 (A0.1098478). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Soprano Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
30.81€
Pachelbel: Canon in D for Oboe d'Amore & Harp
Pachelbel: Canon in D for Oboe d'Amore & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Oboe
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Cl...
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Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702688. Published by jmsgu3 (A0.1098840). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Oboe d'Amore & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95 ≈
32.68€
Pachelbel: Canon in D for Piano Quintet
Pachelbel: Canon in D for Piano Quintet
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quintet,String Ensemble - Level 3 - SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quintet,String Ensemble - Level 3 - SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104307. Published by jmsgu3 (A0.552061). Score: 9 pagesDuration: 2:45. The famous Pachelbel Canon arranged for Piano Quintet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$52.95 ≈
49.50€
Pachelbel: Canon for Solo Contrabass
Pachelbel: Canon for Solo Contrabass
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Solo Cont
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jmsgu3
#
SheetMusicPlus
Double Bass,Instrumental Solo - Level 5 - SKU: A0.552085 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Double Bass,Instrumental Solo - Level 5 - SKU: A0.552085 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual part. 2 pages. Jmsgu3 #6116385. Published by jmsgu3 (A0.552085). The famous wedding classic arranged for Solo Contrabass.Duration: 2:12Score: 2 pages.The famous Pachelbel Canon arranged for Solo Contrabass. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95 ≈
32.68€
Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass - Volume
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score ...
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Brass Ensemble Horn - Level 5 - SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #3604123. Published by Last Resort Music Publishing (A0.530442). Part 3 for French Horn in F #60132Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets. Available for the following instrumentation: Part 1 Bb Trumpet Part 2 Bb Trumpet Part 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or TubaKeyboard or Guitar Score (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Little Fugue in G Minor (Bach) Rondeau from Orchestral Suite #2 in B Minor (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Ode to Joy from Symphony #9 (Beethoven) St. Anthony Chorale from Haydn Variations (Brahms) Trumpet Voluntary (Clarke) Gavotte (Gossec) Gavotte from Holberg Suite, Op. 40 (Grieg) Bourree, Menuet, La Rejouissance from Fireworks Music (Handel) Largo from Xerxes (Handel) Air, Allegro, Andante, Hornpipe from The Water Music (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Elegie from Incidental Music to Les Erinnyes (Massenet) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Canon (Pachelbel) Rondeau from Incidental Music to Abdelazer (Purcell) Trumpet Tune (Purcell) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Londonderry Air (Traditional Irish Melody) Simple Gifts (Traditional Shaker Hymn) Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50 ≈
17.30€
Music for Four Brass - Volume 1 - Part 3 Trombone 60131
Music for Four Brass - Volume 1 - Part 3 Trombone 60131
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass - Volume
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.530808 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Wedding. Score and ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.530808 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #6427921. Published by Last Resort Music Publishing (A0.530808). Part 3 for Trombone #60131Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets.Available for the following instrumentation:Part 1 Bb Trumpet Part 2 Bb TrumpetPart 2 French Horn in F Part 3 TrombonePart 3 French Horn in FPart 4 Bass Trombone or TubaKeyboard or GuitarScore (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach)Jesu, Joy of Man's Desiring from Cantata #147 (Bach)Little Fugue in G Minor (Bach)Rondeau from Orchestral Suite #2 in B Minor (Bach)Sheep May Safely Graze from Cantata #208 (Bach)Ode to Joy from Symphony #9 (Beethoven)St. Anthony Chorale from Haydn Variations (Brahms)Trumpet Voluntary (Clarke)Gavotte (Gossec)Gavotte from Holberg Suite, Op. 40 (Grieg)Bourree, Menuet, La Rejouissance from Fireworks Music (Handel)Largo from Xerxes (Handel)Air, Allegro, Andante, Hornpipe from The Water Music (Handel)Presto from String Quartet in F Major, Op. 74, #2 (Haydn)Elegie from Incidental Music to Les Erinnyes (Massenet)Wedding March from A Midsummer Night's Dream (Mendelssohn)Rondeau from Sinfonies de Fanfares (Mouret)Canon (Pachelbel)Rondeau from Incidental Music to Abdelazer (Purcell)Trumpet Tune (Purcell)Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert)Londonderry Air (Traditional Irish Melody)Simple Gifts (Traditional Shaker Hymn)Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi)Bridal Chorus from Act III of Lohengrin (Wagner)
$20.00 ≈
18.70€
Suite in Olden Style (Downloadable)
Suite in Olden Style (Downloadable)
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Byron Adams
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Suite in Olden Style
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Organ solo - Medium - SKU: MQ.9245-E Composed by Byron Adams. Score. 20 pages. E. C. Schirmer Music Company - Digital #9245-E. Published by E. C. Schirm...
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Organ solo - Medium - SKU: MQ.9245-E Composed by Byron Adams. Score. 20 pages. E. C. Schirmer Music Company - Digital #9245-E. Published by E. C. Schirmer Music Company - Digital (MQ.9245-E). Byron Adams's Suite in Olden Style for organ solo looks back at Baroque forms in a contemporary manner. This score can be played in its entirety, but each movement can be played singly and in any combination with any other movement as the player sees fit. The four movements that comprise the Suite in Olden Style are appropriate for either a religious service or in recital. The first movement, Sinfonia, is based on the Advent chorale Nun komm, der Heiden Heiland (Savior of the Nations, come). The second movement is a reflective fugue, while the third movement is a pensive Siciliana. The last movement, Rigaudon, is extroverted, lively, and brilliant. Contents:I. SinfoniaII. FugueIII. SicilianaIV. Rigaudon
$15.00 ≈
14.02€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.43€
Chorale and Fugue
Chorale and Fugue
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Classique
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Spike Maiden Mueller
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Chorale and Fugue
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Spike Maiden Muller
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SheetMusicPlus
Composed by Spike Maiden Mueller. Contemporary Classical, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 7 pages. Publishe...
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Composed by Spike Maiden Mueller. Contemporary Classical, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 7 pages. Published by Spike Maiden Muller (S0.68847). - Score,Set of Parts - Contemporary Classical,Repertoire,General Instructional,Technique Training,Recital - Spike Maiden Muller
$9.95 ≈
9.30€
Aus Tiefer Not Schrei Ich zu Dir
Aus Tiefer Not Schrei Ich zu Dir
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Classique
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Mitch Boucher
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Aus Tiefer Not Schrei Ich zu D
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Mitch Boucher
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Horn,Trombone,Trumpet,Tuba,Violin - Interactive Download SKU: A0.480240 By Mitch Boucher. By Mitch Boucher. This e...
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Large Ensemble Cello,Double Bass,Flute,Horn,Trombone,Trumpet,Tuba,Violin - Interactive Download SKU: A0.480240 By Mitch Boucher. By Mitch Boucher. This edition: Interactive Download. Classical. Score and parts. 50 pages. Duration 560. Published by Mitch Boucher (A0.480240). This piece is my first attempt at a chorale partita. Not as advanced as Bach, but I hope you enjoy! The work has five parts: a chorale, a variation, a gigue, a fugue, and a final chorale. The inspiration of BWV 686 is quite prominent.
$15.00 ≈
14.02€
Komm, Jesu, Komm for Trombone or Low Brass Octet
Komm, Jesu, Komm for Trombone or Low Brass Octet
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Classique
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Eric Burger Music
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Komm, Jesu, Komm for Trombone
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. E...
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Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. Eric Burger Music #3514925. Published by Eric Burger Music (A0.508209). Come, Jesus, Come - BWV 229, Liepzig (1731) It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale. The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices), containing no fugue. The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life. (From Wikipedia) View the score with playback at:https://youtu.be/iOjStrr-vO8 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$15.00 ≈
14.02€
Two Pieces for Piano Quintet
Two Pieces for Piano Quintet
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Contemporain
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Burton Goldstein
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Two Pieces for Piano Quintet
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Burton Goldstein Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1035262 Composed by Burton Goldstein. Contemporary. Score and parts. 44 page...
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Small Ensemble B-Flat Clarinet,Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1035262 Composed by Burton Goldstein. Contemporary. Score and parts. 44 pages. Burton Goldstein Music #5001047. Published by Burton Goldstein Music (A0.1035262). Time cannot be controlled in the real world, unfortunately; but in the world of music, an attempt can be made.In Two Pieces for Piano Quintet, I played with melodies going at several unrelated speeds at once, held together by a common simple harmony. In the heat of composing this piece, my compositional charts were forgotten, and I did something that ended up with time seeming to go backward.My influences in this are: The Art of Fugue, chorale preludes, Ligeti, Carter, isorhythmic motets, and Ockeghem’s mensuration canons. How far can it go, from Bach’s 2:4:8 into irrational relationships like 5:7:11? How much irrationality can we accommodate?
$14.99 ≈
14.01€
Schaffe in mir, Gott, ein Rein Herz (for Brass Quintet)
Schaffe in mir, Gott, ein Rein Herz (for Brass Quintet)
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Classique
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Johannes Brahms
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Nathaniel Hontz
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Schaffe in mir, Gott, ein Rein
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TigerSong LLC
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SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1382751 Composed by Johannes Brahms. Arranged by Nathaniel Hontz. 19th Century,Chambe...
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1382751 Composed by Johannes Brahms. Arranged by Nathaniel Hontz. 19th Century,Chamber,Classical,Romantic Period,Sacred. 28 pages. TigerSong LLC #967180. Published by TigerSong LLC (A0.1382751). Johanes Brahms's Schaffe in mir, Gott, ein Rein Herz, from his Zwei Moteten. Originally written as a beautiful piece for choir, transcribed here for brass quintet. With an opening chorale, a showy fugue, and a brisk finale, this piece is great for sacred and secular concert settings.
$12.99 ≈
12.14€
Jesu, meine Freude - Part 3, by J.S. Bach for String Quintet
Jesu, meine Freude - Part 3, by J.S. Bach for String Quintet
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Vierne.
Â
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Jesu, meine Freude - Part 3, b
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Richard Byrnes
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SheetMusicPlus
String Quintet - SKU: A0.830793 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 38 pages. Richard Byrnes #5731161. Published by ...
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String Quintet - SKU: A0.830793 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 38 pages. Richard Byrnes #5731161. Published by Richard Byrnes (A0.830793). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections. In this collection, they have been grouped into 4 parts.  Part Three, section 1 begins with a five-part fugue. The second is a four-part setting of the hymn. The third section is a trio for the lower three voices. The fourth section is a four-part chorale fantasia using the hymn melody as a cantus firmus.  This is an arrangement by Richard Byrnes for 2 Violins, Viola, and 2 Celli. In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$24.99 ≈
23.36€
Jesu, meine Freude - Part 3, by J.S. Bach for Clarinet Quintet
Jesu, meine Freude - Part 3, by J.S. Bach for Clarinet Quintet
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Jesu, meine Freude - Part 3, b
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - SKU: A0.830789 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 39 pages. Rich...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet - SKU: A0.830789 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 39 pages. Richard Byrnes #5726121. Published by Richard Byrnes (A0.830789). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections. In this collection, they have been grouped into 4 parts. Part Three, section 1 begins with a five-part fugue. The second is a four-part setting of the hymn. The third section is a trio for the lower three voices. The fourth section is a four-part chorale fantasia using the hymn melody as a cantus firmus.This clarinet quintet arrangement is for (4Cl,BCl).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$24.99 ≈
23.36€
Jesu, meine Freude - Part 3, by J.S. Bach for Double Reed Quintet
Jesu, meine Freude - Part 3, by J.S. Bach for Double Reed Quintet
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Jesu, meine Freude - Part 3, b
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - SKU: A0.830791 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 39...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - SKU: A0.830791 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 39 pages. Richard Byrnes #5728935. Published by Richard Byrnes (A0.830791). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections.In this collection, they have been grouped into 4 parts. Part Three, section 1 begins with a five-part fugue. The second is a four-part setting of the hymn. The third section is a trio for the lower three voices. The fourth section is a four-part chorale fantasia using the hymn melody as a cantus firmus.This Double Reed arrangement is for (2Ob,EH,2Bn).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$24.99 ≈
23.36€
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Chorale and Fugue
