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Edward Lear
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--INSTRUMENTS--
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Vous avez sélectionné:
Edward Lear
Partitions à imprimer
24 partitions trouvées
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1
The Owl & the Pussy-Cat (poem by Edward Lear)
The Owl & the Pussy-Cat (poem by Edward Lear)
#
Robert Steadman
#
The Owl & the Pussy-Cat
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Robert Steadman
#
SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 3 - SKU: A0.880070 Composed by Robert Steadman. Concert,Contemporary,Wedding. Score and parts. 9 pages. Robert...
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Small Ensemble Piano,Violin,Voice - Level 3 - SKU: A0.880070 Composed by Robert Steadman. Concert,Contemporary,Wedding. Score and parts. 9 pages. Robert Steadman #6854419. Published by Robert Steadman (A0.880070). Robert Steadman's setting of Edward Lear's famous poem about marriage - for voice, violin and piano.Download includes separate violin part.
$6.50 ≈
5.85€
A Birthday Lear
A Birthday Lear
Voice and Flute
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Contemporain
#
Geoffrey Boyd
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A Birthday Lear
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ArrangmentsByArrangement.com
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - SKU: A0.1031022 Composed by Geoffrey Boyd. 20th Century,Contemporary. Score and parts. 15 pa...
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Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - SKU: A0.1031022 Composed by Geoffrey Boyd. 20th Century,Contemporary. Score and parts. 15 pages. ArrangmentsByArrangement.com #2807481. Published by ArrangmentsByArrangement.com (A0.1031022). Setting of 3 poems by Edward Lear for Narrator and Flute - 'The Jumblies' 'Calico Pie' and 'The Table and the Chair'.The music is atmospheric and challenging for the flute player, who also has to play piano in the second piece (very simple-two chords, right hand only, while the notes on the flute are all playable with the left hand). The Narrator's part is notated in standard musical rhythm, as in Walton's Façade. Perfect for an intimate recital, or a final college or university recital.
$19.00 ≈
17.11€
By the Light Of The Silvery Moon - Baritone Learning Track
By the Light Of The Silvery Moon - Baritone Learning Track
#
Edward Madden, Gus Edwards
#
Jim Shubert
#
By the Light Of The Silvery Mo
#
James W. Shubert
#
SheetMusicPlus
Baritone Horn TC,Choir - SKU: A0.1070964 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. Jam...
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Baritone Horn TC,Choir - SKU: A0.1070964 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W. Shubert #6069283. Published by James W. Shubert (A0.1070964). Baritone Learning Track for my arrangement Item# S0.874105.
$2.50 ≈
2.25€
By the Light Of The Silvery Moon - Lead Learning Track
By the Light Of The Silvery Moon - Lead Learning Track
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Contemporain
#
Edward Madden, Gus Edwards
#
Jim Shubert
#
By the Light Of The Silvery Mo
#
James W. Shubert
#
SheetMusicPlus
Choir,Voice - SKU: A0.1070966 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W. Shube...
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Choir,Voice - SKU: A0.1070966 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W. Shubert #6069289. Published by James W. Shubert (A0.1070966). This is the Lead Learning Track for my arrangement Item# S0.874105.
$2.50 ≈
2.25€
By the Light Of The Silvery Moon - Bass Learning Track
By the Light Of The Silvery Moon - Bass Learning Track
#
Contemporain
#
Edward Madden, Gus Edwards
#
Jim Shubert
#
By the Light Of The Silvery Mo
#
James W. Shubert
#
SheetMusicPlus
Bass Voice,Choir - SKU: A0.1070965 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W. ...
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Bass Voice,Choir - SKU: A0.1070965 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W. Shubert #6069285. Published by James W. Shubert (A0.1070965). This is the Bass Learning Track for my arrangement Item# S0.874105.
$2.50 ≈
2.25€
By the Light Of The Silvery Moon - Tenor Learning Track
By the Light Of The Silvery Moon - Tenor Learning Track
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Contemporain
#
Edward Madden, Gus Edwards
#
Jim Shubert
#
By the Light Of The Silvery Mo
#
James W. Shubert
#
SheetMusicPlus
Choir,Tenor Voice - SKU: A0.1070967 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W....
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Choir,Tenor Voice - SKU: A0.1070967 Composed by Edward Madden, Gus Edwards. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 146. James W. Shubert #6069291. Published by James W. Shubert (A0.1070967). 4 Part Male Barbershop Arrangement.
$2.50 ≈
2.25€
The Troubles of an Automaton, or The Table and the Chair
The Troubles of an Automaton, or The Table and the Chair
#
Contemporain
#
Paul Burnell
#
The Troubles of an Automaton,
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Paul Burnell
#
SheetMusicPlus
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul B...
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
$3.95 ≈
3.56€
The broom, the shovel, the poker and the tongs
The broom, the shovel, the poker and the tongs
#
Contemporain
#
Laurence Panter
#
The broom, the shovel, the pok
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Laurence Panter
#
SheetMusicPlus
Small Ensemble High Voice,Piano Accompaniment,Trombone - Level 5 - SKU: A0.1026397 Composed by Laurence Panter. Contemporary. Score and parts. 10 pages....
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Small Ensemble High Voice,Piano Accompaniment,Trombone - Level 5 - SKU: A0.1026397 Composed by Laurence Panter. Contemporary. Score and parts. 10 pages. Laurence Panter #6131437. Published by Laurence Panter (A0.1026397). A setting of Edward Lear's nonsense verse, for high voice, piano and trombone. Tongue-in-cheek both textually and musically!
$4.99 ≈
4.49€
Juneteenth Call for Flute and Harp
Juneteenth Call for Flute and Harp
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George Edward Brandon
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George Edward Brandon
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Juneteenth Call for Flute and
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Blue Unity Music
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SheetMusicPlus
Instrumental Duet - Level 4 - SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holida...
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Instrumental Duet - Level 4 - SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holiday. 3 pages. Blue Unity Music #839773. Published by Blue Unity Music (A0.1244850). This piece is a short and sprightly celebration of the anniversary of the date on which the last enslaved African Americans learned that the War between the States had concluded, slavery had been abolished and they had become free people. This was in Galveston, Texas on June 17, 1865. Another version of this piece, called Juneteenth Call for GR, exists for flute and clarinet, and there is also a third but slightly different version of it for saxophone quartet. A video of the flute and harp version was recorded by Castle of Our Skin and appears on their youtube channel as the Black Composer Challenge #2.
$4.50 ≈
4.05€
To a Wild Rose, Duet for Eb Alto Saxophone & Pedal Harp
To a Wild Rose, Duet for Eb Alto Saxophone & Pedal Harp
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Edward MacDowell
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Serena O’Meara
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To a Wild Rose, Duet for Eb Al
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Harp,Instrumental Duet - Level 3 - SKU: A0.804227 Composed by Edward MacDowell. Arranged by Serena O’Meara. 20th...
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Instrumental Duet Alto Saxophone,Harp,Instrumental Duet - Level 3 - SKU: A0.804227 Composed by Edward MacDowell. Arranged by Serena O’Meara. 20th Century,Classical,Romantic Period,Traditional,Wedding. Score and parts. 9 pages. O'Meara Music #6794517. Published by O'Meara Music (A0.804227). American born, European educated Edward MacDowell was inspired in 1896 by the surroundings of his summer residence in New Hampshire to compose Woodland Sketches, Op 51, No 1 for piano. The elegant To A Wild Rose is the most famous of the Sketches. The warmth of this duet will enchant your audience. Dynamics and pedal changes are clearly marked. You will receive Score with separate parts.
$6.00 ≈
5.40€
To a Wild Rose, Duet for Oboe & Pedal Harp
To a Wild Rose, Duet for Oboe & Pedal Harp
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Edward MacDowell
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Serena O’Meara
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To a Wild Rose, Duet for Oboe
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - SKU: A0.804230 Composed by Edward MacDowell. Arranged by Serena O’Meara. 20th Century,C...
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Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - SKU: A0.804230 Composed by Edward MacDowell. Arranged by Serena O’Meara. 20th Century,Classical,Romantic Period,Traditional,Wedding. Score and parts. 9 pages. O'Meara Music #6794525. Published by O'Meara Music (A0.804230). American born, European educated Edward MacDowell was inspired in 1896 by the surroundings of his summer residence in New Hampshire to compose Woodland Sketches, Op 51, No 1 for piano. The elegant To A Wild Rose is the most famous of the Sketches. The warmth of this duet will enchant your audience. Dynamics and pedal changes are clearly marked. You will receive Score with separate parts.
$6.00 ≈
5.40€
Pomp and Circumstance Marches Nos 1 & 4 (Mixed Ensemble)
Pomp and Circumstance Marches Nos 1 & 4 (Mixed Ensemble)
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Classique
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Edward Elgar
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Tony Tournoff
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Pomp and Circumstance Marches
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Fairways Music
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.842405 Composed by Edward Elgar. Arranged by Tony Tournoff. World. Score and parts. 45 pages. Fairways Music #3515129...
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Large Ensemble - Level 2 - SKU: A0.842405 Composed by Edward Elgar. Arranged by Tony Tournoff. World. Score and parts. 45 pages. Fairways Music #3515129. Published by Fairways Music (A0.842405). Info to be put on each piece for copyright clearance Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 34 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. In July 2017 they were asked to host a Last Night of the Proms programme. In keeping with the spirit of the event it was decided to use four pieces in which the audience could join. This is one of those pieces.
$18.00 ≈
16.21€
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
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Contemporain
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Po
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Novel Soundtrax
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Sou...
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00 ≈
13.51€
Fine Line
Fine Line
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Pop musique
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Harry Styles
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Ben Clapton
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Fine Line
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Ben Clapton
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.842485 By Harry Styles. By Harry Styles, Mitchell Rowland, Sammy Witte, Thomas Edward Percy Hull, Thomas Hull, and ...
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Vocal Solo,Voice - Level 1 - SKU: A0.842485 By Harry Styles. By Harry Styles, Mitchell Rowland, Sammy Witte, Thomas Edward Percy Hull, Thomas Hull, and Tyler Johnson. Arranged by Ben Clapton. Pop. 3 pages. Ben Clapton #5857171. Published by Ben Clapton (A0.842485). A Lead Sheet (Chords and Melody with Lyrics) for the title track of Harry Styles' 2019 album, Fine Line. Great for learning the song, busking, and performing.
$4.99 ≈
4.49€
Creep
Creep
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Rock
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Radiohead
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Chris O'Mara
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Creep
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comaramusic
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SheetMusicPlus
Acoustic Guitar - Interactive Download SKU: A0.504554 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewoo...
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Acoustic Guitar - Interactive Download SKU: A0.504554 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Chris O'Mara. This edition: Interactive Download. Rock. Score. 3 pages. Duration 16. Published by comaramusic (A0.504554). Practice arpeggios while learning this great tune. Fingerstyle or with a pick, this pattern is a great way to grow your skills. Custom work, arrangements and lessons available online. comaramusic@gmaill.com Thank you!
$5.00 ≈
4.50€
To A Wild Rose, Harp and Tin Whistle (High D)
To A Wild Rose, Harp and Tin Whistle (High D)
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Folklorique/Traditionel
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Edward MacDowell
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Cindy Blevins
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To A Wild Rose, Harp and Tin W
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Cindy Blevins
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - SKU: A0.1178938 Composed by Edward MacDowell. Arranged by Cindy Blevins. Folk. Score an...
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - SKU: A0.1178938 Composed by Edward MacDowell. Arranged by Cindy Blevins. Folk. Score and parts. 10 pages. Cindy Blevins #778908. Published by Cindy Blevins (A0.1178938). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). Â You can use lever or pedal harp. There are no lever/pedal changes within the arrangement.You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a separate comprehensive fingering chart for your tin flute. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you!
$4.99 ≈
4.49€
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Classique
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Robert Schumann
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Nicole Elyse DiPaolo
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Lorelei from Romanzen und Ball
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95 ≈
4.46€
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.40€
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.40€
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.40€
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.40€
Name Above All Names
Name Above All Names
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Musique Sacrée
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David M
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Russell Mauldin
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Choral Octavo
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Name Above All Names
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-34842 Composed by David M. Edwards and Regi Stone. Arranged by Russell Mauldin. This edition: InstruPax....
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Choir Sacred Instrumental Ensemble - SKU: JX.00-34842 Composed by David M. Edwards and Regi Stone. Arranged by Russell Mauldin. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Sacred. Part(s). 62 pages. Jubilate Music Group - Digital #00-34842. Published by Jubilate Music Group - Digital (JX.00-34842). English.From its quiet opening to its strong statement of reassurance, this anthem is one that will find a place in the daily lives and corporate worship of the church. Its soaring chorus reenforces the fact that Jesus is stronger than our fears -- welcome words for challenging times. Russell Mauldin's consummate skills as arranger and orchestrator turn this marvelous song into an easily learned, yet moving and memorable anthem.
$60.00 ≈
54.04€
Jubilate Deo!
Jubilate Deo!
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Musique Sacrée
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Dan Edwards
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Jubilate Deo!
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Chorister's Guild - Digital
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SheetMusicPlus
SAT chorus - SKU: C7.CGA1278 Composed by Dan Edwards. General. Voices with Orff. With Orff Instrument, Percussion. Sacred Anthem. Octavo. 20 pages. Chor...
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SAT chorus - SKU: C7.CGA1278 Composed by Dan Edwards. General. Voices with Orff. With Orff Instrument, Percussion. Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA1278. Published by Chorister's Guild - Digital (C7.CGA1278). UPC: 749193017234.Jubilate Deo! is an exhilarating piece by Dan Edwards using Orff instruments and Latin percussion. The piece is masterfully written for SAT voices, making it a wonderful addition to your middle school choir repertoire. The piece is written entirely in simple Latin phrases, but the repetition of melodic phrases and harmonization and the use of call-and-response make it accessible and fun to learn!
$2.25 ≈
2.03€
Tiger Rag "vocal"
Tiger Rag "vocal"
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Jazz
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Anthony Sbarbaro, D
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Roger Wallace
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Tiger Rag "vocal"
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Roger Wallace
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SheetMusicPlus
Brass Ensemble Euphonium,Low Brass Quintet,Trombone,Tuba - Level 4 - SKU: A0.1161677 Composed by Anthony Sbarbaro, D. James La Rocca, Edwin B. Edwards, ...
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Brass Ensemble Euphonium,Low Brass Quintet,Trombone,Tuba - Level 4 - SKU: A0.1161677 Composed by Anthony Sbarbaro, D. James La Rocca, Edwin B. Edwards, H. W. Ragas, Harry De Costa, and Larry Shields. Arranged by Roger Wallace. Jazz. Score and parts. 30 pages. Roger Wallace #762051. Published by Roger Wallace (A0.1161677). Trombone Quintet. The Original Dixieland Jazz Band classic in a swinging, multi-meter, multi-tempo romp. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quintet. This arrangement was written to aid students in a trombone section to learn to work together. It is designed to teach as well as entertain. Each part is featured at various times, thus promoting strength throughout the section. NOTE: Audio sample clip begins at Letter A. The audio sample was produced with Finale. Some techniques like glissandi are omitted when results are unsatisfactory. The audio sample represents a Trombone Quintet. A full length audio version can be heard in the YouTube video. Also available for Trombone Quartet. Look for more arrangements by Roger Wallace.
$12.99 ≈
11.70€
<
1
Edward Lear
