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Fly Again
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Vous avez sélectionné:
Fly Again
Partitions à imprimer
29 partitions trouvées
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1
26
You Want to Fly Again (fiddle)
You Want to Fly Again (fiddle)
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Celtique/Irlandais
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Folklorique/Traditionel
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Robert Alan Rife
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You Want to Fly Again
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Robert Alan Rife
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SheetMusicPlus
Fiddle,Instrumental Solo - SKU: A0.899677 Composed by Robert Alan Rife. Celtic,Folk. Individual part. 2 pages. Robert Alan Rife #2890861. Published by R...
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Fiddle,Instrumental Solo - SKU: A0.899677 Composed by Robert Alan Rife. Celtic,Folk. Individual part. 2 pages. Robert Alan Rife #2890861. Published by Robert Alan Rife (A0.899677). Fiddle parts for You Want to Fly Again, a melodic and approachable Celtic balad.
$1.99 ≈
$2.68
Fly Against the Night - Alto Flute & Piano
Fly Against the Night - Alto Flute & Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Alto F
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - SKU: A0.572708 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicul...
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Small Ensemble Flute,Piano - Level 3 - SKU: A0.572708 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Sacred,World. Score and part. 9 pages. James M Stevens Music ASCAP #3909397. Published by James M Stevens Music ASCAP (A0.572708). This is an original composition for Alto Flute and Piano in the romantic key of C minor. There is a separate alto flute part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=SjuRvhsvUgE
$6.99 ≈
$9.42
Fly Against the Night - Viola & Piano
Fly Against the Night - Viola & Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Viola
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Piano,Viola - Level 3 - SKU: A0.572710 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicul...
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Small Ensemble Piano,Viola - Level 3 - SKU: A0.572710 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Sacred,World. Score and part. 9 pages. James M Stevens Music ASCAP #3911363. Published by James M Stevens Music ASCAP (A0.572710). This is an original composition for Viola and Piano in the romantic key of C minor. There is a separate viola part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=km4oc748LQw
$6.99 ≈
$9.42
The Butterfly
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
$16.17
Alle Jahre wieder (every year again) for family band
Alle Jahre wieder (every year again) for family band
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Friedrich Silcher, Wilhelm Hey
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Sophia Transistor
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussio...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99 ≈
$6.72
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Almas en vuelo
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Gustavo Fuentes
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SheetMusicPlus
Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by G...
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Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 4 pages. Gustavo Fuentes #3637489. Published by Gustavo Fuentes (A0.900400). Souls in Flight. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin, piano or guitar and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Our souls are always in flight. They sometimes flap their wings against the cold winds of indifference, and some other times they simply glide with the gentle winds of love. When in flight, they come across other souls and travel some of the journey together until fate sets them on separate paths again.As poet Luis Alberto Spinetta so eloquently worded it: I have to learn how to fly among so many people standing. Our flying souls can sometimes be hard to track. They are chasing dreams, so we have to learn how to fly away from our everydayness and closer to them. Merely watching our souls fly away will mean forsaking the chance to visit the sky where our dreams are, that same sky where the ancient Celts believed was the home of the Gods, the Otherworld. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn, piano o guitarra y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestras almas están en constante vuelo. A veces aletean contra el viento frÃo de la indiferencia; otras veces planean suavemente, acompañando la plácida brisa del amor. En su vuelo, se cruzan con otras almas y transitan parte del trayecto juntas, hasta que el destino decide que tomen rumbos diferentes.Tengo que aprender a volar entre tanta gente de pie, dice el poeta Luis Alberto Spinetta. A veces nos cuesta seguirle el vuelo a nuestras almas. Tenemos que aprender a elevarnos de lo cotidiano para no alejarnos tanto de ellas, que con su vuelo persiguen los sueños. Si nos quedamos simplemente contemplándolas volar, renunciamos a surcar a su lado el cielo de nuestros sueños; ese cielo donde los antiguos celtas ubicaban al Supramundo, la morada de los dioses.
$4.99 ≈
$6.72
The Ride of the Valkyries. Wagner
The Ride of the Valkyries. Wagner
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Classique
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Richard Wagner
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Phil Lawrence
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The Ride of the Valkyries. Wag
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Phillip Lawrence
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SheetMusicPlus
Small Ensemble Drums,Timpani - Level 5 - SKU: A0.883766 Composed by Richard Wagner. Arranged by Phil Lawrence. Romantic Period. Score and parts. 102 pag...
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Small Ensemble Drums,Timpani - Level 5 - SKU: A0.883766 Composed by Richard Wagner. Arranged by Phil Lawrence. Romantic Period. Score and parts. 102 pages. Phillip Lawrence #3534823. Published by Phillip Lawrence (A0.883766). The Ride of the Valkyries Wagner.What do brass bands like, a good tune, a challenge, a good blow and technical work-out, a chance to show that a brass band can do what any other instrumental group can do including the symphony orchestra, and being able to bring the great classics to locals in their community, in the concert hall and in the band stand where the music comes to the public too? I’m sure that desires and ideals might be listed above. Besides the history of bands 180 years ago having no music and those within arranged popular tunes of the day and great classic symphonic works (often truncated), not al lots has changed apart from the fantastic influx of composed works for band over the last 60+ years, there’s also been a steady influx of orchestral works form the 1980’s as the technical facility of players has grown beyond belief, for EG. My old mentor and teacher Howard Snell working with Desford and other bands into the 90’s started to arrange orchestral works that A. Were fantastic works of musical caliber (many unknown the the BB rep) and, B. A superb challenge to the band - Daphnis and Chole Suite No 2 Ravel and Pines of Rome Respighi to name just two. In the same vein I have recently released Romeo & Juliet Tchaikovsky recently premiered in London by The Fulham Band, and today I let fly again one of the best known musical works in the world yet so far either not arranged because of over all length and technical difficulty, or just too harder work for the arranger? The Ride of the Valkyries Richard Wagner. 4 pages of full on can’t take your eyes off for a second challenge! Will your band take it on? Chop fatigue guaranteed plus and standing ovation from the audience.
$59.99 ≈
$80.84
Tell My Father
Tell My Father
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Comédie Musicale
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Sol3 Mio
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Nicholas Garrett
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Tell My Father
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Nicholas Garrett
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1411273 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Nicholas Garrett. Broadway,Musical/Show. Brass Band. 30 pages. Nicholas Garrett #993608. Published by Nicholas Garrett (A0.1411273). Arrangement of Tell My Father for Brass Band - featuring Euphonium, Trombone, and Eb Bass soloists.Tell My Father from the musical Civil War is a heartwrenching song sung by a soldier wishing to let his father know that he died a man.Lyrics:Tell my father that his sonDidn’t run or surrenderThat I bore his name with prideAs I tried to rememberYou are judged by what you doWhile passing throughAs I rest ‘neath fields of greenLet him lean on your shoulderTell him how I spent my youthSo the truth could grow olderTell my father, when you canI was a manTell him we will meet againWhere the angels learn to flyTell him we will meet as menFor with honour did I dieTell him I wore the blueProud and true, through the fireTell my father so he’ll knowI love him soTell him how I wore the blueJust the way that he taught meTell my father not to cryThen say goodbye
$25.00 ≈
$33.69
Dragonflies (Piano Accompanimemnt Track)
Dragonflies (Piano Accompanimemnt Track)
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Carol Troutman Wiggins
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Dragonflies
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065521 Composed by Carol Troutman Wiggins. Children,Instructional,Standards,World. Accompaniment. Duration 110. Carol Troutman Wi...
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Choir,Piano - SKU: A0.1065521 Composed by Carol Troutman Wiggins. Children,Instructional,Standards,World. Accompaniment. Duration 110. Carol Troutman Wiggins #3450373. Published by Carol Troutman Wiggins (A0.1065521). Dragonfliesw/Finger Cymbals, Triangles, Gong, and/or KazoosThis lovely tune about dragonflies describes how they fly so lightly in the air, stop on a flower petal, wait . . . and then take off again to a faraway place. Oriental flavor.Excellent for elementary & younger middle school studentsAdd finger cymbals, triangles, gong, or kazoosInstrument cues included in scoreChords included fo additional instruments.
$5.99 ≈
$8.07
N'allez pas au bois d'Ormonde (mp3)
N'allez pas au bois d'Ormonde (mp3)
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Maurice Ravel
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David Warin Solomons
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N'allez pas au bois d'Ormonde
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David ...
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Choir - SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David Warin Solomons #3387809. Published by David Warin Solomons (A0.1059474). Sung by the dwsChoraleLes vieilles: [English translation below] N'allez pas au bois d'Ormonde, Jeunes filles, n'allez pas au bois: Il y a plein de satyres, de centaures, de malins sorciers, Des farfadets et des incubes, Des ogres, des lutins, Des faunes, des follets, des lamies, Diables, diablots, diablotins, Des chèvre-pieds, des gnomes, des démons, Des loups-garous, des elfes, des myrmidons, Des enchanteurs et des mages, Des stryges, des sylphes, des moines-bourrus, Des cyclopes, des djinns, gobelins, Korrigans, nécromans, kobolds... Les vieux : N'allez pas au bois d'Ormonde, Jeunes garçons, n'allez pas au bois: Il y a plein de faunesses, de bacchantes et de males fées, Des satyresses, des ogresses et des babaïagas, Des centauresses et des diablesses, Goules sortant du sabbat, Des farfadettes et des démones, Des larves, des nymphes, des myrmidones, Hamadryades, dryades, naïades, ménades, thyades, Follettes, lémures, gnomides, succubes, gorgones, gobelines... N'allez pas au bois d'Ormonde. Filles et garçons : N'irons plus au bois d'Ormonde, Hélas! plus jamais n'irons au bois. Il n'y a plus de satyres, plus de nymphes ni de males fées. Plus de farfadets, plus d'incubes, Plus d'ogres, de lutins, De faunes, de follets, de lamies, Diables, diablots, diablotins, De chèvre-pieds, de gnomes, de démons, De loups-garous, ni d'elfes, de myrmidons, Plus d'enchanteurs ni de mages, de stryges, de sylphes, De moines-bourrus, de cyclopes, de djinns, De diabloteaux, d'éfrits, d'aegypans, de sylvains, gobelins, Korrigans, nécromans, kobolds... N'allez pas au bois d'Ormonde, Les malavisées vieilles, les malavisés vieux Les ont effarouchés! [English Translation] Old women : Don't go to Ormond wood, Maidens beware, go not to the woods: They are full of grim satyrs, and of centaurs, of cunning wizards, Of hobgoblins and of incubus, Imps and ogres hide there, Will o'the wisps and fauns, roguish lamia, Flying devils, devilkins, Goat-footed folk and gnomes and demons, Full of werewolves, elves, tiny myrmidons, Of enchanters and of magicians, Strygia and sylphs, full of humpback monks, Of cyclops and of djinns, goblins, Korrigans, necromancers, kobolds... Old men : Don't go to Ormond wood, Young lads beware, go not to the woods: They are hiding host of fauns, and of bacchantes and of fairy folks, Of satyresses and ogresses, and of babaïagas, Of centauresses and of shedevils, Witches out from their sabbath, Of she-hobgoblins, of female demons, Of larves and of nymphs, tiny myrmidons, Of Hamadryads, and dryads, of naiads, menades, thyades, Will o'wisps, of lemures, female gnomes, succubus, of gorgons and she-goblins... Don't go to Ormond wood. Maidens and Young lads : We shall not go to the wood again, Alas, never more shall we go there. There are no more grim satyrs, And no more nymphs, fairy folk have fled. Gone the hobgoblins and incubus, Or ogres, no more imps, Fauns or will o' the wisps, No more furies, flying devil, devilkins, goat-footed folks, No more gnomes or demons, No more werewolves, elves, imps and myrmidons, No enchanters, or magicians, or strygia, No more sylphs or humpba.
$2.20 ≈
$2.96
Always On My Mind
Always On My Mind
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The Pet Shop Boys
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Paul K Heatley
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Always On My Mind
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Paul K Heatley
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - SKU: A0.805255 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Paul K Heatley...
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Choral Choir (5-Part) - Level 3 - SKU: A0.805255 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Paul K Heatley. 20th Century,A Cappella,Pop,Standards. Octavo. 5 pages. Paul K Heatley #412290. Published by Paul K Heatley (A0.805255). As a huge Pet Shop Boys fan since the 80s, Paul Heatley really put his Heart into this vocal arrangement inspired by their 1987 cover of the classic Elvis number Always On My Mind. Since the synth pop duo recorded this song as a tribute to the King, Elvis is briefly in the building here to croon a false ending before the tempo picks up again for a punchy finish. Paul created this arrangement for Kitsch in Sync, the London-based A Cappella pop choir he founded, and the group would usually swap out the solo tenor in humorous fashion for the slow section - if your 'Elvis' really milks it the audience should start applauding before your 'Neil' jumps back in!
$2.00 ≈
$2.70
Mwiche Khumufumie
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99 ≈
$16.16
Crossing Jordan: Three Spirituals for flute, piano and cello
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
$40.43
Bizet: L'Arlésienne 2nd Suite IV. Farandole - symphonic wind
Bizet: L'Arlésienne 2nd Suite IV. Farandole - symphonic wind
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Classique
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Georges Bizet
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Ray Thompson
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Bizet: L'Arlésienne 2nd
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.553766 Composed by Georges Bizet. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 38 pa...
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Large Ensemble - Level 4 - SKU: A0.553766 Composed by Georges Bizet. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 38 pages. RayThompsonMusic #4278707. Published by RayThompsonMusic (A0.553766). Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. It was first performed on 1 October 1872 at the Vaudeville Theatre (now a cinema known as the Gaumont Opéra).The incidental music has survived and flourished, however. It is most often heard in the form of two suites for orchestra.The finale of Suite No.2 the farandole, incorporates the theme of the March of the Kings once again. This is an expanded combination of numbers 21 and 23-24 of the original incidental music, in which the farandole appears first on its own. It is afterwards briefly combined with the march.It is arranged here for wind dectet and double bass.Alt Cls. in Bb are provided
$14.95 ≈
$20.15
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00 ≈
$20.21
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
$40.43
"Deep River" from Crossing Jordan, arranged for B flat instrument, piano and cello
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00 ≈
$20.21
Summertime
Summertime
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Phil Thrift
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Summertime
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Phil Thrift
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.955721 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwi...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.955721 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Phil Thrift. Jazz. Score and parts. 13 pages. Phil Thrift #5333957. Published by Phil Thrift (A0.955721). Everyone has heard the very evocative song Summertime from the opera Porgy and Bess many times. I hope you’ll enjoy my interpretation written for solo viola and string quintet: 2 violins, tutti viola, cello, and bass.After the introduction, the soloist is given plenty of space to make the most of the rich sound of the viola’s lowest octave. The accompaniment is thickened marginally when tutti viola and bass join in at letter B. At letter C the soloist repeats the melody but one octave higher, gradually adding more and more decoration as the accompaniment builds and reaches a climax in measure 36. That is followed by a strong statement from the quintet which ebbs away to give the soloist space again to take us into the concluding section (watch out for those 5/4 measures!) with long notes allowing the listener to fully appreciate the sound of the viola and a quasi-cadenza to round off this arrangement.This is a good chance for your viola player to step briefly into the limelight and show us what the viola can do! Although my version follows the original closely, the soloist should not feel constricted to the notes of the written part, should try to achieve a slightly more jazzy style, playing a little behind the time while the accompanying quintet sticks rigidly to the tempo.The quintet parts could be played by a small string orchestra instead of solo instruments.
$12.99 ≈
$17.51
"Wade in the Water" from Crossing Jordan, arranged for clarinet, piano and cello
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00 ≈
$20.21
Only You
Only You
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Vince Clarke
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Simon James
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Only You
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DML
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.928258 Composed by Vince Clarke. Arranged by Simon James. 20th Century,Pop. Score a...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.928258 Composed by Vince Clarke. Arranged by Simon James. 20th Century,Pop. Score and parts. 5 pages. DML #5742517. Published by DML (A0.928258). Only You is a song written by English musician Vince Clarke. He wrote it while with Depeche Mode, but recorded it in 1982 after forming the duo Yazoo with Alison Moyet. It was released as Yazoo's first single on 15 March 1982 in the United Kingdom, and became an instant success on the UK singles chart, peaking at number 2. It was released again in 1983 in an a cappella version by the Flying Pickets and became the UK Christmas No 1 that year. Vince Clarke originally wrote the music for the song on a guitar, and transposed the riff into synthesizer notes. This is clear from the chord structure so I have arranged it using a constantly descending bass for the first two verses. For the final verse, to give a sense of drama which is clear from the lyrics, I have switched to a three fingered chord rhythm but kept elements of the descending bass. The little tune on the outro could be sung but if you have a second guitarist could also be played.
$4.99 ≈
$6.72
You Want to Fly Again (complete score)
You Want to Fly Again (complete score)
Piano/Vocal/Chords,Violin,Cello,Voice,Fiddle,Tin Whistle
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Celtique/Irlandais
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Robert Alan Rife
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Robert Alan Rife
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You Want to Fly Again
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published by Robert Alan Rife
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SheetMusicPlus
Composed by Robert Alan Rife. Arranged by Robert Alan Rife. Celtic. Score. 12 pages. Published by published by Robert Alan Rife (S0.159719). - Score - Celtic - ...
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Composed by Robert Alan Rife. Arranged by Robert Alan Rife. Celtic. Score. 12 pages. Published by published by Robert Alan Rife (S0.159719). - Score - Celtic - published by Robert Alan Rife
$3.99 ≈
$5.38
Now the Dove Flies
Now the Dove Flies
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Christian contemporain
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Musique Sacrée
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00 ≈
$10.78
Gesu Bambino
Gesu Bambino
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Pietro A
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Colin P
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Gesu Bambino
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Flying Baton Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Flute,Piano,Violin - Level 3 - SKU: A0.965341 Composed by Pietro A. Yon. Arranged by Colin P. Langille. 20th Century,Chris...
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Small Ensemble Alto Saxophone,Flute,Piano,Violin - Level 3 - SKU: A0.965341 Composed by Pietro A. Yon. Arranged by Colin P. Langille. 20th Century,Christian,Christmas. Score and parts. 13 pages. Flying Baton Publications #3867519. Published by Flying Baton Publications (A0.965341). The violin trio faces off against a flute and saxophone duet in this festive arrangement of a modern classic. .
$9.99 ≈
$13.46
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Fly Again
