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Vous avez sélectionné:
Horn Sight Reading
Partitions à imprimer
19 partitions trouvées
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1
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
9.24€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.24€
Moonlight Sonata for French Horn + Acoustic Guitar (duet)
Moonlight Sonata for French Horn + Acoustic Guitar (duet)
French horn and guitar
#
Classique
#
Ludwig van Beethoven
#
Ivan de Andrade
#
Moonlight Sonata for French Ho
#
Finesse Music
#
SheetMusicPlus
Instrumental Duet Acoustic Guitar,Horn,Instrumental Duet - Level 2 - SKU: A0.487310 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Class...
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Instrumental Duet Acoustic Guitar,Horn,Instrumental Duet - Level 2 - SKU: A0.487310 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 13 pages. Finesse Music #104884. Published by Finesse Music (A0.487310). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Unique arrangement in the original key (C#m). Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$5.99 ≈
5.54€
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
9.24€
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
9.24€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.24€
Guthrie: Brass Duet Book for Baritone Horn Duo
Guthrie: Brass Duet Book for Baritone Horn Duo
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Contemporain
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James M
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Guthrie: Brass Duet Book for B
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Instrumental Duet - Level 3 - SKU: A0.547953 Composed by James M. Guthrie. 20th Century,Contemporary. 36 pages. Jmsgu3 #3089133. Publis...
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Baritone Horn TC,Instrumental Duet - Level 3 - SKU: A0.547953 Composed by James M. Guthrie. 20th Century,Contemporary. 36 pages. Jmsgu3 #3089133. Published by jmsgu3 (A0.547953). Guthrie: Brass Duet Book - A book of eight two-voice canons at different intervals calculated to demonstrate the various sonic landscapes of the brass duo. Score: 18 pages, Duration: 13:13. These duets are a valuable resource for sight-reading and can be performed in recital individually, in small groups, or in their entirety. The music may be performed directly from the score, or from the included performance parts.
$32.95 ≈
30.46€
Josquin: Five Duets for Oboe & English Horn Duo
Josquin: Five Duets for Oboe & English Horn Duo
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Josquin des Prez
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James M
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Josquin: Five Duets for Oboe &
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.551255 Composed by Josquin des Prez. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Renaissance,Standar...
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Woodwind Ensemble - Level 2 - SKU: A0.551255 Composed by Josquin des Prez. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Renaissance,Standards. 22 pages. Jmsgu3 #5012001. Published by jmsgu3 (A0.551255). Duration ca. 8:00. Great for sight-reading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95 ≈
27.69€
Mastering the Guitar 2A
Mastering the Guitar 2A
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William Bay
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Lily Afshar
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Mastering the Guitar 2A
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning-Intermediate - SKU: M0.97195MEB A Comprehensive Method for Today's Guitarist!. Composed by William Bay. Arranged by Lily Afsha...
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Guitar - Beginning-Intermediate - SKU: M0.97195MEB A Comprehensive Method for Today's Guitarist!. Composed by William Bay. Arranged by Lily Afshar. Mastering the Guitar. General/Note Reading & Chording. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97195MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97195MEB). ISBN 9781619115934. UPC: 161911593X. 8.75x11.75 inches.Absolutely the best, most comprehensive new method available for guitar. Introducing the innovative new Zone Concept for learning position playing. Over 150 solos and duets in the keys of C, G, D, and B minor. Musical styles: bossa nova, Latin, fiddle/tunes/ hornpipes/reels, Celtic music, ragtime, baroque, jazz, swing jazz ballads, American folk ballads, rock, early-American hymnody, be-bop, blues, samba, and tango. Concepts presented: basic improvisation, rhythmic variation, velocity studies, sight-reading, passing tone studies , chord progression studies, arpeggio studies, dropped-D tuning, blues, blues turn-arounds, licks/fills/ breaks, bass runs, principles of memorization, chord studies, minor pentatonic scale, principles of successful practice, priciples of successful performance, movable power chords, and rock comping. New Composers featured: J.S. Bach,Carcassi, Moaazni, Giuliani, Carulli, Vivaldi, Handel, Sor, Galilei, Tarrega, Debussy, H.L. Clark, St. Jacome, Corelli, Johann Krieger, Wohlfahrt, Jeremiah Clarke, plus guitar duos on selections from Handel's Water Music, Vivaldi's Four Seasons, and selected Bach cantatas. Includes access to extensive online audio.
$19.99 ≈
18.48€
Behind the Bush in the Garden
Behind the Bush in the Garden
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Traditional Fiddle Tunes
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Heather M Music
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Behind the Bush in the Garden
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396466 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396466 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #5kRCCbVQgrcL4V2KjkiQpY. Published by Heather Mueller Music (A0.1396466). Key: C major.Dive into the lively rhythm of Behind the Bush in the Garden, a spirited jig, with our interactive sheet music tailored for violin and fiddle enthusiasts. Immerse yourself in the traditional charm of this lively tune through comprehensive notation, including staff, clef, notes, measures, and chords, enabling seamless customization. Explore the dynamic versatility of traditional fiddle tunes as you delve into jigs, reels, hornpipes, and more, with the flexibility to adjust tempo and key according to your preferences. Ideal for students refining their technique, our lessons cover posture, bow control, left-hand technique, and more, enhancing sight-reading and ear training skills while expanding your repertoire. Elevate your musical journey with our interactive sheet music finely tuned for the invigorating Behind the Bush in the Garden jig and the nuances of the violin and fiddle.
$2.99 ≈
2.76€
Biddy’s Wedding
Biddy’s Wedding
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Traditional Fiddle Tunes
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Heather M Music
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Biddy’s Wedding
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396464 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396464 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #1aMyQVNVbyDTEbU839QOdE. Published by Heather Mueller Music (A0.1396464). Key: C major.Immerse yourself in the joyful celebration of Biddy’s Wedding, a delightful jig, with our interactive sheet music crafted for violin and fiddle enthusiasts. Experience the traditional charm of this spirited tune through comprehensive notation, covering staff, clef, notes, measures, and chords, facilitating seamless customization. Embrace the dynamic versatility of traditional fiddle tunes as you explore jigs, reels, hornpipes, and more, with the flexibility to adjust tempo and key according to your preference. Ideal for students refining their technique, our lessons encompass posture, bow control, left-hand technique, and more, enhancing sight-reading and ear training skills while building a vibrant repertoire. Elevate your musical journey with our interactive sheet music meticulously tailored for Biddy’s Wedding jig and the nuances of the violin and fiddle.
$2.99 ≈
2.76€
Kerfunten Jig
Kerfunten Jig
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Traditional Fiddle Tunes
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Heather M Music
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Kerfunten Jig
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396465 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396465 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #6N1AGVUf9WVHwGHVhVZXEc. Published by Heather Mueller Music (A0.1396465). Key: D major.Embark on a lively journey with the Kerfunten Jig, a spirited tune, using our interactive sheet music designed for violin and fiddle enthusiasts. Immerse yourself in the traditional essence of this vibrant jig through comprehensive notation covering staff, clef, notes, measures, and chords, enabling effortless customization. Explore the dynamic range of traditional fiddle tunes as you delve into jigs, reels, hornpipes, and more, with the freedom to adjust tempo and key to your liking. Tailored for students refining their technique, our lessons encompass posture, bow control, left-hand technique, and more, enhancing sight-reading and ear training skills while expanding your repertoire. Elevate your musical experience with our interactive sheet music finely tuned for the exhilarating Kerfunten Jig and the nuances of the violin and fiddle.
$2.99 ≈
2.76€
The Leitrim Fancy
The Leitrim Fancy
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Traditional Fiddle Tunes
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Heather M Music
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The Leitrim Fancy
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396463 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396463 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #66UCXDqKKUek2HWuZMLMQ1. Published by Heather Mueller Music (A0.1396463). Key: D major.Delve into the spirited rhythms of The Leitrim Fancy, a captivating jig, with our interactive sheet music tailored for violin and fiddle enthusiasts. Experience the traditional essence of this lively tune through comprehensive notation, covering staff, clef, notes, measures, and chords, facilitating easy customization. Embrace the versatility of traditional fiddle tunes as you explore jigs, reels, hornpipes, and more, with the freedom to adjust tempo and key to your preference. Perfect for students refining their technique, our lessons encompass posture, bow control, left-hand technique, and more, enhancing sight-reading and ear training skills while building a vibrant repertoire. Elevate your musical journey with our interactive sheet music finely tuned for The Leitrim Fancy jig and the nuances of the violin and fiddle.
$2.99 ≈
2.76€
14 Easy Flexible Duets.
14 Easy Flexible Duets.
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Traditional
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Tim Curd
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14 Easy Flexible Duets.
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Tim Curd
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SheetMusicPlus
Instrumental Duet - Level 1 - SKU: A0.716952 Composed by Traditional. Arranged by Tim Curd. Children,Classical,Folk,Romantic Period. 58 pages. Tim Curd ...
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Instrumental Duet - Level 1 - SKU: A0.716952 Composed by Traditional. Arranged by Tim Curd. Children,Classical,Folk,Romantic Period. 58 pages. Tim Curd #5019909. Published by Tim Curd (A0.716952). These duets can be played with combination of woodwind and brass instruments.These duets can be played with your teacher or fellow students and they make excellent repertoire pieces. They can also help bridge the gap between grades and can be used for sight reading practice, concert items or just for fun! The tunes are:1. This Old Man 2. London Bridge 3. Aura Lee 4. Polly Wolly Doodle 5. Old Macdonald 6. Little Brown Jug 7. The Muffin Man 8. Yankee Doodle 9. Camptown Ladies 10. Ode to Joy 11. She’ll be Coming Round the Mountain 12. The Old Grand Duke of York 13. Troika 14. Sand DanceScore and parts included:Part 1 in C:Flute/OboePart 2 in C:Flute/Oboe Part 1 in Bb: Clarinet/Trumpet/Tenor Saxophone/Trombone/Euphonium Part 2 in Bb: Clarinet/Trumpet/Tenor Saxophone/Trombone/Euphonium Part 1 in Eb: Alto Saxophone/Horn in Eb Part 2 in Eb: Alto Saxophone/Horn in Eb Part 1 in F: Horn Part 2 in F: Horn Part 1 in C: Trombone/Euphonium/Bassoon Part 2 in C: Trombone/Euphonium/Bassoon
$9.99 ≈
9.24€
Alleluia: from "Songs of Faith"
Alleluia: from "Songs of Faith"
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Paul Basler
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Alleluia: from "Songs of
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Colla Voce Music - Digital
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SheetMusicPlus
SATB with horn, conga drums, tambourine - SKU: MQ.36-20116-E Composed by Paul Basler. Octavo. 21 pages. Colla Voce Music - Digital #36-20116-E. Publishe...
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SATB with horn, conga drums, tambourine - SKU: MQ.36-20116-E Composed by Paul Basler. Octavo. 21 pages. Colla Voce Music - Digital #36-20116-E. Published by Colla Voce Music - Digital (MQ.36-20116-E). Featured at: 2014 GMEA All-State Sight Reading Chorus
$2.65 ≈
2.45€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.27€
100 Classical Tunes To Play for any Treble Clef Instrument
100 Classical Tunes To Play for any Treble Clef Instrument
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Classique
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Antonio Vivaldi, Hector Berlio
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Jerry Lanning
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100 Classical Tunes To Play fo
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Jerry Lanning
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,English Horn,Euphonium,Flute,Oboe,Piano,Recorder,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 2 - SKU: A0...
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Large Ensemble Alto Saxophone,Clarinet,English Horn,Euphonium,Flute,Oboe,Piano,Recorder,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 2 - SKU: A0.767757 Composed by Antonio Vivaldi, Hector Berlioz, Johann Sebastian Bach, Ludwig van Beethoven, Peter Warlock, Richard Wagner, and to Verdi. Arranged by Jerry Lanning. Baroque,Classical,Romantic Period,Standards. Score and parts. 39 pages. Jerry Lanning #4598145. Published by Jerry Lanning (A0.767757). 100 One Hundred well-known Classical Themes from Bach to Wagner, arranged for any Treble Clef Instrument. Moderately easy to Intermediate standard. Great for improving repertoire knowledge, and for sight reading practice.
$5.95 ≈
5.50€
Ten Melodic Studies Volume 1
Ten Melodic Studies Volume 1
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Adam Hutchins
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Ten Melodic Studies Volume 1
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Adam Hutchins Ltd
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Bassoon,Cello,Clarinet,English Horn,Euphonium,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor ...
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Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Bassoon,Cello,Clarinet,English Horn,Euphonium,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.942481 Composed by Adam Hutchins. Contemporary,Instructional,Jazz. Score and parts. 11 pages. Adam Hutchins Ltd #6168525. Published by Adam Hutchins Ltd (A0.942481). A set of ten tunes for intermediate players, around grades 3-5.Written with melody in mind!Suited to sight-reading and technique development.
$5.99 ≈
5.54€
Salvation Army Time - 27 CHRISTMAS BRASS TRIOS - Score Only
Salvation Army Time - 27 CHRISTMAS BRASS TRIOS - Score Only
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Noël
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Traditional
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Peter A
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Salvation Army Time - 27 CHRIS
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MusicPAD Music Publications
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SheetMusicPlus
Brass Trio - Level 2 - SKU: A0.1310293 Composed by Traditional. Arranged by Peter A. Drahozal. Advent,Christmas,Sacred,Standards,Traditional. 13 pages. ...
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Brass Trio - Level 2 - SKU: A0.1310293 Composed by Traditional. Arranged by Peter A. Drahozal. Advent,Christmas,Sacred,Standards,Traditional. 13 pages. MusicPAD Music Publications #899377. Published by MusicPAD Music Publications (A0.1310293). Deck the halls with instrumental carols!  Nothing adds the perfect traditional touch to Christmas events like a few instruments playing wonderful arrangements of those great, traditional Christmas carols!  This is a collection of 27 traditional Christmas carols (placed in alphabetical order) set for two or three instruments.  The arrangements are intended for one trumpet (Bb score), one trombone (C score) and one tuba (C score).  The third, tuba part is optional and “fleshes out†harmonies for a fuller sound.  Other possibilities include three saxophones (Bb soprano, Eb alto reading bass clef trombone and Eb baritone reading tuba).  Arrangements are well harmonized with logical progressions, reasonable ranges and lush harmonies. Settings are easiliy learned by younger musicians and can be sight-read by seasoned players. These arrangements are perfect for Christmas shows, parties, school programs and gatherings around the red kettle.  So dust off your horn and let’s have some Christmas fun!
$14.97 ≈
13.84€
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Horn Sight Reading
