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I WANTED THE WORLD
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Luther: Out of the Depths for Bass Flute & Piano
Luther: Out of the Depths for Bass Flute & Piano
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.04€
Luther: Out of the Depths for Oboe d'Amore & Piano
Luther: Out of the Depths for Oboe d'Amore & Piano
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.04€
Luther: Out of the Depths for Contrabassoon & Piano
Luther: Out of the Depths for Contrabassoon & Piano
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.04€
Luther: Out of the Depths for Baritone Horn & Piano
Luther: Out of the Depths for Baritone Horn & Piano
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standar...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.04€
Luther: Out of the Depths for Piano Trio
Luther: Out of the Depths for Piano Trio
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Sc...
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Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95 ≈
39.67€
I Wanna Be
I Wanna Be
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Jackaleen Justice
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Jackaleen Justice
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I Wanna Be
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Angelical Realm
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1039128 By Jackaleen Justice. By Jackaleen Justice. Arranged by Jackaleen Justice. Country,Traditional. Individual...
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Instrumental Solo - Level 2 - SKU: A0.1039128 By Jackaleen Justice. By Jackaleen Justice. Arranged by Jackaleen Justice. Country,Traditional. Individual part. 4 pages. Angelical Realm #644090. Published by Angelical Realm (A0.1039128). Song Creation The creation of this song describes a person who is in love with another person. The Composer, Ms. Jackaleen Justice does a great job using the lyrics to tell a story of love and desire. The musical piece is efficient in describing these loving emotions and the desire to be with the one she loves so dearly. In creating this musical artwork, the composer wanted to evoke an idea of wanting to be in a relationship with the person she has merely only been friends with for years. The other person in the song has been her best friend and the singer is telling the story of her desires to be with them. The Composer wanted to help those around the world who have been in similar positions to be able to relate to those feelings through this piece of musical artwork. Song Composition While creating the rhythm for this song, the composer aimed for a moderately slow tempo. After the lyrics were added, the target of approximately 110 - 120 was perfect resulting in 115 beats per minute. In the end, the tempo was perfect for the song, because it made the final piece sound much more polished and superior. Giving the song the perfect beat and ideal for the lyrics of the song. Song Completion This musical piece is perfect for someone looking for a well-written and well-composed song that has rhythm which makes it stand out from all the others on the market. With the right vocalist, this song has great potential in the music industry. This song is by far, one of my favorite song’s I have written and composed. Song Lyrics The Lyricist, Ms. Jackaleen Justice, truly achieved success in the crafting of an original song that really maximize the emotional notes of this music piece. She desired to exploit this song’s best emotional states through the lyrics of this song. With inspiration from her own life stories, she had much success in arriving at a piece of musical perfection.
$19.99 ≈
18.46€
One last bar then Joe can sing
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
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Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99 ≈
42.47€
Mediterraneo - Score Only
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Pr...
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Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00 ≈
8.31€
La Folia in D Minor
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published...
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Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00 ≈
4.62€
Spicks And Specks
Spicks And Specks
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Bee Gees
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Peet du Toit
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Spicks And Specks
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802655 By Bee Gees. By Barry Gibb. Arranged by Peet du Toit. Dance,Disco. Score and ...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802655 By Bee Gees. By Barry Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 17 pages. Peet du Toit #6212051. Published by Peet du Toit (A0.802655). Spicks and Specks is a song by the Bee Gees, written by Barry Gibb. When the song was released in September 1966, the single reached No. 4 on the Go-Set Australian National Top 40 (No. 1 on other Australian charts),and when the song was released in other countries in February 1967, it reached No. 28 in Germany, No. 2 in the Netherlands and No. 1 in New Zealand.Spicks and Specks is dated to early July by the memory of Geoff Grant (Geoffrey Streeter) who played the trumpet. Grant recalls working three nights in a row on four songs including this track, I Am the World, All by Myself, and The Storm. There were no charts; Barry sang what he wanted live, and Grant copied it. Some of the artists whose disks came out in August recall hearing Spicks and Specks being worked on or completed, further confirming that early July is the approximate date of the song's recording. Spicks and Specks was a ballad around a strong piano beat.The single entered the Sydney charts at the end of September and stayed in the top 40 for 19 weeks, peaking at number 3. It appeared on the Go-Set National Top 40 for sixteen weeks, where it reached number 4 early in November.
$18.00 ≈
16.62€
What Will We Say?
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Publis...
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Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99 ≈
18.46€
Autrérgonne II
Autrérgonne II
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J
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Autrérgonne II
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Drum Set - Interactive Download SKU: A0.483395 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Scor...
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Small Ensemble Drum Set - Interactive Download SKU: A0.483395 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Score and parts. 41 pages. Duration 198. Published by J. Randolph Hall (A0.483395). The title is a mix of French 'autre' meaning new/other and the Greek 'érgo' for work/opus. This was an experimental piece where I wanted to feature some themes based on the Locrian mode. It is a sequel to another work with the same name. Sections A prepares for the first theme while B and F play the first theme. Sections C and E play a second theme. Section D features a percussion solo. Section G ends the peace.
$5.00 ≈
4.62€
Chamber Symphony
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00 ≈
50.79€
Shine On You Crazy Diamond (parts 1 - 9)
Shine On You Crazy Diamond (parts 1 - 9)
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David Jon Gilmour, George Roge
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Lucas Rei Ramos
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Shine On You Crazy Diamond
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Lucas Rei Ramos
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - SKU: A0.1265017 Composed by David Jon Gilmour, George Roger Waters, and Richard William Wright. Arranged by Lucas Rei ...
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Choral Choir (5-Part) - Level 3 - SKU: A0.1265017 Composed by David Jon Gilmour, George Roger Waters, and Richard William Wright. Arranged by Lucas Rei Ramos. 20th Century,A Cappella,Rock. Octavo. 6 pages. Lucas Rei Ramos #857855. Published by Lucas Rei Ramos (A0.1265017). Arrangement for SSATB of this classic from Pink Floyd, ideal for choirs who want to add some classic rock to their repertoire.I wanted to convey the intimate and, at the same time, intense mood of the original tune. Its dynamic contrast and opposition between counterpoint and homophonic sections serve this purpose. It features several contrapuntal sections at the beginning (part II), end (parts VIII and IX) and interlude (part IV), aimed to imitate the instrumental performance. It’s not a challenging arrangement, but should some of these parts be complicated for the choir, they can be skipped safely.This arrangement only comprises lyrics from part IV, excluding part VII for the sake of brevity and simplicity.Commissioned by Coro da Rá, a choir specialized in jazz and Brazilian music. I had a special relationship with the music of Pink Floyd in my youth, so I made this arrangement with enthusiasm. I’d love to have it sung by other choirs around the world and hope you enjoy it as well.
$1.99 ≈
1.84€
Arirang (For Piano Trio)
Arirang (For Piano Trio)
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Contemporain
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Han-Ki Kim
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#
Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90 ≈
6.37€
Autrérgonne III
Autrérgonne III
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J
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Autrérgonne III
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Drum Set - Interactive Download SKU: A0.483397 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Scor...
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Small Ensemble Drum Set - Interactive Download SKU: A0.483397 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Score and parts. 34 pages. Duration 178. Published by J. Randolph Hall (A0.483397). The title is a mix of French 'autre' meaning new/other and the Greek 'érgo' for work/opus. This was an experimental piece where I wanted to feature some themes based on the Locrian mode. It is a sequel to two previous works with the same name. A counter-rhythmic feel of 2 against 3 occurs throughout the work. Sections A and E play the first theme. Sections B and D play a second theme. Section C features a percussion solo. Section F recaps the introduction before Section A. Section G ends the peace.
$5.00 ≈
4.62€
Autrérgonne
Autrérgonne
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J
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Autrérgonne
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Drum Set - Interactive Download SKU: A0.483396 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Scor...
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Small Ensemble Drum Set - Interactive Download SKU: A0.483396 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Score and parts. 21 pages. Duration 148. Published by J. Randolph Hall (A0.483396). The title is a mix of French 'autre' meaning new/other and the Greek 'érgo' for work/opus. This was an experimental piece where I wanted to feature some themes based on the Locrian mode. The work experiments also with several different styles which makes it hard to pigeon hole. Section A lays the background after a brief intro. Sections B and F Play theme 1. Sections C and E play theme 2. Section D features a percussion solo. Section G finishes the piece out.
$5.00 ≈
4.62€
Brass Band - Nursery Variations
Brass Band - Nursery Variations
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Contemporain
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Mike Lyons
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Brass Band - Nursery Variation
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767212 Composed by Mike Lyons. Contemporary. Brass Band. 57 pages. Lyons Music Services #3077011. Published by Lyons Music Services (A0.767212). This is a set of variations on the tune Ah! Vous dirai-je Maman - perhaps better know in the English speaking world as Twinkle, Twinkle Little Star. There are four variations, following the introduction, as I wanted to keep the piece short enough for a concert programme. At just over 4 minutes, it is just the right length. The final variation would make this a good piece to finish the first half of a concert. Although there are some challenges, the piece is suitable for most bands from 3rd section upwards.
$25.00 ≈
23.09€
Oh Long Desired Day/Water Song
Oh Long Desired Day/Water Song
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Brett L
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Sonata Grendel Publishing
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Oh Long Desired Day/Water Song
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet - Level 3 - SKU: A0.837510 Composed by Brett L. Wery. Arranged by Sonata Grendel Publishing. Concert,Folk,World. Score and...
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Small Ensemble Cello,Clarinet - Level 3 - SKU: A0.837510 Composed by Brett L. Wery. Arranged by Sonata Grendel Publishing. Concert,Folk,World. Score and parts. 12 pages. Sonata Grendel Publishing #6459033. Published by Sonata Grendel Publishing (A0.837510). Oh Long Desired Day/Water Song was commissioned by Empire State Youth Orchestra (ESYO) student, Emma Edgar, who directed a 2021 Soundwalk project. The Soundwalk was a community project in conjunction with ESYO’s Young Leader program that entailed the creation of several compositions to be performed and recorded by ESYO students and played on a smartphone app while the listener enjoys a Memorial Day stroll through the lovely Washington Park trail in Albany, NY (see front cover). The commission stipulated pieces inspired by Albany’s Dutch heritage. I wanted to also include a nod to the Native American peoples that lived in the area long before the Dutch settlers. The result is a trio for two clarinets-Emma and I are both clarinetists-and cello that combines the Dutch folk song, O dag o lang gewenste dag (Oh long desired day) and the Akwesasne Mohawk tune honoring the sustaining gift of water.
$20.95 ≈
19.35€
My Dream
My Dream
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Pavlo Petrychenko
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My Dream
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Pavlo Petrychenko
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SheetMusicPlus
African Percussion,Bass Drum,Bells,Cello,Cowbell,Double Bass,Drum Set,Drums,Flute,Piano,Piccolo,Tom Tom,Violin,Xylophone - Level 4 - SKU: A0.1364623 By ...
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African Percussion,Bass Drum,Bells,Cello,Cowbell,Double Bass,Drum Set,Drums,Flute,Piano,Piccolo,Tom Tom,Violin,Xylophone - Level 4 - SKU: A0.1364623 By Pavlo Petrychenko. By Pavlo Petrychenko. Contemporary,Film/TV,New Age. 16 pages. Pavlo Petrychenko #948908. Published by Pavlo Petrychenko (A0.1364623). My Dream it is an animation soundtrack that I wrote for MAP International Animation Composer Competition With this track, I wanted to show unexpected world inside the dream, as well as thoughts of the main character while she sleeps.
$9.96 ≈
9.20€
Right Here Waiting
Right Here Waiting
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Pop musique
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Richard Marx
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Idalmo Santos
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Right Here Waiting
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Idalmo Santos
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SheetMusicPlus
Trombone Quartet Trombone,Tuba - Level 2 - SKU: A0.1474646 By Richard Marx. By Richard Marx. Arranged by Idalmo Santos. Pop. 11 pages. Idalmo Santos #10...
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Trombone Quartet Trombone,Tuba - Level 2 - SKU: A0.1474646 By Richard Marx. By Richard Marx. Arranged by Idalmo Santos. Pop. 11 pages. Idalmo Santos #1052223. Published by Idalmo Santos (A0.1474646). Play your heart out with 'Right Here Waiting' - Score for Beginners!🎶Have you always wanted to play one of the most iconic ballads? Now's your chance! We present a special version of the song Right Here Waiting, adapted especially for for trombone and tuba groups. With this simplified score, you'll be able to play the gentle, passionate melody that has won hearts around the world. The first voice (alto trombone) can be played on the tenor trombone, so I've prepared a score in bass clef at the end of the file.
$12.99 ≈
12.00€
Jockey Polka - Josef Strauss - For Brass Band
Jockey Polka - Josef Strauss - For Brass Band
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Josef Strauss
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Raymond Fenech
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Jockey Polka - Josef Strauss -
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Raymond Fenech
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.911834 Composed by Josef Strauss. Arranged by Raymond Fenech. Classical,Contest,Easter,Festival,Instructional,Multicultural,World. Brass Band. 37 pages. Raymond Fenech #517797. Published by Raymond Fenech (A0.911834). Josef Strauss (20 August 1827 – 22 July 1870) was an Austrian composer. He was born in Mariahilf (now Vienna), the son of Johann Strauss I and Maria Anna Streim, and brother of Johann Strauss II and Eduard Strauss. His father wanted him to choose a career in the Austrian Habsburg military. He studied music with Franz Dolleschal and learned to play the violin with Franz Anton Ries Even though Josef Strauss was a more serious (even depressed) member of the famous Strauss family of musicians, quite capable of writing music of darker character, he also had the talent to write cheery fluff. This polka is just that, and while it may not conjure up images of a jockey riding a horse, it will impart a playful sense of madcap hustle with the bustle of its colorful notes. Lasting but a mere two minutes, this delightful work will appeal to Strauss enthusiasts and lovers of light classics.
$35.00 ≈
32.32€
Ikh bin a meidel in de jóren for mezzo, flute, cello and guitar (mp3)
Ikh bin a meidel in de jóren for mezzo, flute, cello and guitar (mp3)
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Carla Moraga
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David Warin Solomons
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Ikh bin a meidel in de j&oacut
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David Warin Solomons
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SheetMusicPlus
Cello,Flute,Guitar,Medium Voice - Level 3 - SKU: A0.1396715 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and R...
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Cello,Flute,Guitar,Medium Voice - Level 3 - SKU: A0.1396715 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 86. David Warin Solomons #980057. Published by David Warin Solomons (A0.1396715). Based on a traditional Yiddish folk song[Lyrics - English version below]Ikh bin a meidel in de jóren vos hosti mir in kop fardreit Ikh volt shoin lang a kaleh gevoren un efsher khasene gehot Un efsher geit es dir in nadan mayn mama veit farkoifen a shtib Nu lomir beide khasene hoben vayl ikh dikh hob take lib Un efsher geit es dir in yikhes mayn zeide iz gewesen a rov Nu lomir beide khasene hoben un zol shoin nemen a sof I am an old maid alreadyand you've been fooling meI've long wanted to be a brideand get marriedMaybe you're concerned about the dowryMy mother will sell a houselet us both marrybecause I love you so muchMaybe you're concerned about pedigreeMy grandfather was a rabbilet us both marryand let that be an end of it.
$4.50 ≈
4.16€
Love of Life for Harp
Love of Life for Harp
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Aiga Helmer
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Aiga Helmer
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Love of Life for Harp
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Aiga Helmer
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SheetMusicPlus
Level 3 - SKU: A0.1264868 By Aiga Helmer. By Aiga Helmer. Arranged by Aiga Helmer. 19th Century,Contest,Festival,Multicultural,New Age,World. Full Perfo...
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Level 3 - SKU: A0.1264868 By Aiga Helmer. By Aiga Helmer. Arranged by Aiga Helmer. 19th Century,Contest,Festival,Multicultural,New Age,World. Full Performance. Duration 237. Aiga Helmer #857707. Published by Aiga Helmer (A0.1264868). A joyful almost 4 minute long original romantic piece on harp in the key of C changeing to F major.If sheet music is wanted, I can upload the 3 pages together with chord symbols.
$3.99 ≈
3.68€
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Symphony No. 4 ... War and Pea
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99 ≈
9.23€
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I WANTED THE WORLD
