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Vous avez sélectionné:
Juan Maria Solare
Partitions à imprimer
15 partitions trouvées
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1
Petite Suite Antique [recorder / any melodic instrument]
Petite Suite Antique [recorder / any melodic instrument]
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Juan MarÃa Solare
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Petite Suite Antique [recorder
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Juan Maria Solare
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Clarinet,English Horn,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recor...
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Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Clarinet,English Horn,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Violin - Level 2 - SKU: A0.596529 Composed by Juan MarÃa Solare. 20th Century,Baroque,Concert,Standards. Score and parts. 12 pages. Juan Maria Solare #3662953. Published by Juan Maria Solare (A0.596529). Petite Suite Antiquefor recorder (or any other melodic instrument)1 Prélude 0:452 Rondeau 1:003 Air 0:454 Cueca 1:205 Gavotte 0:456 Ecossaise 1:007 Gigue post-antique 1:15Total Time: 6:50A Suite is originally a succession of dances. In this case, the usual dances of the European Baroque (such as Allemande or Courante) were generally avoided, and a dance and musical genre of Chile, the Cueca, could be integrated. The title of the last piece (Gigue post-antique) is a wink: an inverted allusion to the concept of Postmodernity - i.e. to that mindset which opposes itself critically to the scale of values of Modernity, particularly against compulsion towards innovation, and which for that refers to past styles (partially in an ironic way).The degree of difficulty of this work has been intentionally kept low.The Petite Suite Antique was originally composed for recorder; however, it can be played with any other melodic instrument, such as, for example, flute, oboe or violin. Transposing instruments (clarinet, trumpet, horn) can play directly from the same score.You can listen the Petite Suite Antique in Spotify ( and all usual streaming plataformsfrom 5 October 2018, in the recoding of Gonzalo Ariel Juan. And already before in BandCamp: https://juanmariasolare.bandcamp.com/album/petite-suite-antique
$4.00 ≈
3.70€
Has the Rain a Father? [Piano OR Guitar]
Has the Rain a Father? [Piano OR Guitar]
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Contemporain
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Juan MarÃa Solare
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Has the Rain a Father? [Piano
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you don’t necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35 ≈
2.17€
Shakespeare's Winks [solo recorder or flute or oboe or clarinet or sax or violin]
Shakespeare's Winks [solo recorder or flute or oboe or clarinet or sax or violin]
Flute,Recorder,any melodic instrument solo
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Juan María Solare
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Shakespeare's Winks [solo reco
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Juan Maria Solare
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SheetMusicPlus
Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Repertoire, South American. 18 pages. Published by Juan Maria Solare (S0.289635). - - Co...
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Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Repertoire, South American. 18 pages. Published by Juan Maria Solare (S0.289635). - - Contemporary Classical,Neo-Classical,Repertoire,South American - Juan Maria Solare
$4.50 ≈
4.16€
Stille Nacht, heilige Nacht (Silent Night) [piano and any melodic instrumen]
Stille Nacht, heilige Nacht (Silent Night) [piano and any melodic instrumen]
Piano Accompaniment,Flute,Clarinet,Bassoon,Alto Sax,Tenor Sax,Soprano Sax,Trumpet,Trombone,Violin,Viola,Cello
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Noël
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Franz Xaver Gruber
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Juan María Solare
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Stille Nacht, heilige Nacht
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Juan Maria Solare
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SheetMusicPlus
Composed by Franz Xaver Gruber. Arranged by Juan María Solare. Classical Period, Christian, Sacred, General Worship, Christmas. Lead Sheet, Score, Set of Parts...
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Composed by Franz Xaver Gruber. Arranged by Juan María Solare. Classical Period, Christian, Sacred, General Worship, Christmas. Lead Sheet, Score, Set of Parts. 9 pages. Published by Juan Maria Solare (S0.284819). - Lead Sheet,Score,Set of Parts - Classical Period,Christian,Sacred,General Worship,Christmas - Juan Maria Solare
$2.00 ≈
1.85€
Weihnachtliche Melodien: German Christmas Songs (Vol. 1)
Weihnachtliche Melodien: German Christmas Songs (Vol. 1)
Piano Accompaniment,Flute,Oboe,Alto Sax,Violin,or any melodic instrument (in Treble clef)
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Musique Sacrée
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Traditional
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Juan María Solare
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Weihnachtliche Melodien: Germa
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Juan Maria Solare
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SheetMusicPlus
Composed by Traditional. Arranged by Juan María Solare. Christian, Praise & Worship, General Worship, Christmas. Lead Sheet. 23 pages. Published by Juan Maria ...
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Composed by Traditional. Arranged by Juan María Solare. Christian, Praise & Worship, General Worship, Christmas. Lead Sheet. 23 pages. Published by Juan Maria Solare (S0.284927). - Lead Sheet - Christian,Praise & Worship,General Worship,Christmas - Juan Maria Solare
$3.00 ≈
2.77€
Los ñoquis del veintinueve
Los ñoquis del veintinueve
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Juan MarÃa Solare
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Los ñoquis del veintinu
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Mari...
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Small Ensemble - Level 2 - SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Maria Solare #6057663. Published by Juan Maria Solare (A0.596601). Los ñoquis del veintinueve – The Gnocchi of the Twenty-Ninth – by Juan MarÃa Solare Audio: https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS Comments The order of these 29 numbers is rigorously random, as is the election of the six sizes of the fonts (12, 16, 20, 24, 28 and 32 picas). In order to determinate both dimensions I used the program I-Ching by Andrew Culver (assistant to John Cage in the '80 and '90), a program that is distributed as shareware in internet (thanks). The colour version follows the following criterion: - (a) prime numbers (see green) - (b) multiples of 3 (red) - (c) all other numbers (blue) ...if it ends up being good music then what matter the procedure involved? (David Cope, New Music Composition, p. 117) About the expression los ñoquis del 29: The Italian word gnocchi (gnocchi is plural of gnocco, which meaning is lump) is used in Spanish often as ñoqui or ñoquis. In the RÃo de la Plata (Argentina and Uruguay) are traditionally eaten on the 29th of each month, the day before payday, when people has less money. This tradition is called los ñoquis del 29 - the gnocchi of the twenty-ninth. There are naturally other versions. The most picturesque comes from a legend of the VIIIth century (or even IIIrd century). A young physician called Pantaleon (Panteleimon) lived in Nicosia (Cyprus), who after converting to Christianity, journeyed through the North of Italy. There he practiced miraculous healings due to which he was canonized. In a certain occasion, he asked some Venetian villagers for bread, and they invited him to share their poor table. Grateful, he announced them a year of excellent fishing and harvest. The prophecy was fulfilled. Saint Pantaleon was consecrated –along with Saint Mark– patron of Venice. That episode occurred on a 29th, for this reason that day is recalled with a simple food represented by gnocchi. The accompanying ritual of putting money below the dish represents the yearning of new gift. Outside the culinary realm, certain Argentine and Uruguayan functionaries are dismissively called ñoquis, because they only go to work at the end of the month, to justify their salary or simply to cash in for a not fulfilled work. This meaning was spread since the 1970's. Premiere: Luis Mihovilcevic, Saturday 25 October 2008, Centro Cultural Islas Malvinas, La Plata (Argentina). * JMS * DonSolare@gmail.com *https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS
$2.25 ≈
2.08€
Fricción [2 flutes]
Fricción [2 flutes]
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Contemporain
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Juan MarÃa Solare
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Fricción [2 flutes]
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.596537 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. 35 pages. Juan Maria Solare #3867601. ...
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Woodwind Ensemble - Level 4 - SKU: A0.596537 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. 35 pages. Juan Maria Solare #3867601. Published by Juan Maria Solare (A0.596537). Fricción for two flutes - by Juan MarÃa Solare Fricción (Friction) is a piece for two flutes, of actually for any two instruments of identical (or similar) register. Technically is an invention in the Baroque sense of the term, i.e. a same contrapuntual element reappears at different pitches, and each apparition of this subject is separed by episodes that develop material provenient of the main subject. The material is the friction produced by minor and major seconds. Ten minutes with these sonorities that -contrary to expectations- are not aggressive but rather humorous. In fact, the character indication at the beginning: With the wildness of a cartoon implies a harmless violence: Tom always survives the mischievous tricks of Jerry.The musical language of the work is contemporary classic, or post-tonal. The notation doesn't offer secrets: there are neither fancy notations nor new signs. This work does not require extended techniques either.World premiere: Mariaceli Navarro Salerno & Raúl Pimentel, 2 piccolos. Centro de Acción Social por la Música. Caracas, Venezuela. 27 de junio de 2013. https://www.youtube.com/watch?v=Jli6YxF4ci4 Juan MarÃa Solare Translations of the main indications on the score - Pueden aparecer sonidos diferenciales, particularmente en las notas agudas (es intencional) - Differential sounds may appear, particularly in high notes (it is intentional) - Las alteraciones (#, b) valen sólo para la nota a la que anteceden y sus repeticiones inmediatas. - Alterations (#, b) are valid only for the note to which they precede and their immediate repetitions. - Con el salvajismo de un cartoon - With the savagery / wildness of a cartoon (21) - Observar la diferencia de articulación / agrupamiento: es esencial - Notice the difference in articulation / grouping: it is essential (162) - indicaciones metrómicas aproximadas - approximate metromic indications
$9.00 ≈
8.31€
Orchestraining No. 4 [Orchestra]
Orchestraining No. 4 [Orchestra]
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contempo...
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Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00 ≈
4.62€
Orchestraining No. 2 [Orchestra]
Orchestraining No. 2 [Orchestra]
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Juan Maria Solare
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Orchestraining No. 2 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18...
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Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00 ≈
4.62€
Tagoriana [recorder solo]
Tagoriana [recorder solo]
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Juan MarÃa Solare
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Tagoriana [recorder solo]
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Recorder - Level 3 - SKU: A0.596499 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,Worl...
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Instrumental Duet Flute,Instrumental Duet,Recorder - Level 3 - SKU: A0.596499 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Score and parts. 9 pages. Juan Maria Solare #3213415. Published by Juan Maria Solare (A0.596499). Tagoriana three pieces for recorder (or flute, or any melodic instrument) December 2016 - February 2017 I - Kailash, the witty cashier (2:45) II - We read the world wrong and say that it deceives us (3:15) III - Friendship is like fluorescence (1:20) Total Duration: 7:20 The titles are references to the life and writings of Rabindranath Tagore (1861-1941) I We had an old cashier, Kailash by name, who was like one of the family. He was a great wit, and would be constantly cracking jokes with everybody, old and young; recently married sons-in-law, new comers into the family circle, being his special butts. There was room for the suspicion that his humour had not deserted him even after death. Once my elders were engaged in an attempt to start a postal service with the other world by means of a planchette. At one of the sittings the pencil scrawled out the name of Kailash. He was asked as to the sort of life one led where he was. Not a bit of it, was the reply. Why should you get so cheap what I had to die to learn? Rabindranath Tagore: My Reminiscences | Chapter 2: Teaching Begins (1912) II We read the world wrong and say that it deceives us. Rabindranath Tagore: Stray Birds (1916) III The real friendship is like fluorescence, it shines better when everything has darken. Rabindranath Tagore (source unknown to the composer).Find the teaser of a piccolo version by Cecilia Piehl on YouTube:https://youtu.be/jCKO6WREb38If you prefer a hard copy (on paper) of these three pieces, head for Edition Tre Fontane, Münster (ETF 3085), 2020.https://edition-tre-fontane.de/produkt/solare-juan-maria-1966-tagoriana-etf-3085/#flute #Tagore #piccolo #sheetmusic #LatinAmericanMusic #flutemusic #flauta
$3.50 ≈
3.23€
Weihnachtliche Melodien: German Christmas Songs (Vol. 2)
Weihnachtliche Melodien: German Christmas Songs (Vol. 2)
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Noël
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Traditional
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Juan Maria Solare
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Weihnachtliche Melodien: Germa
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble Alto Saxophone,Flute,Oboe,Piano Accompaniment,Violin - Level 2 - SKU: A0.596515 Composed by Traditional. Arranged by Juan Maria Solare. C...
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Small Ensemble Alto Saxophone,Flute,Oboe,Piano Accompaniment,Violin - Level 2 - SKU: A0.596515 Composed by Traditional. Arranged by Juan Maria Solare. Christian,Christmas,Praise & Worship. Score and parts. 21 pages. Juan Maria Solare #3409109. Published by Juan Maria Solare (A0.596515). Weihnachtliche Melodien: German Christmas Songs Compiled and harmonised by Juan MarÃa Solare All these melodies are written as they sound (i.e. in C) but also come with a second version for Alto Saxophone (in E flat). The keys were chosen so that the Gemeinde can sing them without huge problems (middle voice, highest note: C). A possible structure is: - As INTRO: the piano (or any other accompaniment instrument) plays the last 2 or 4 bars of the melody- The soloist (flute, violin, alto saxophone) plays the main melody as many times as wished (as is or also one octave higher for variety)- The piano plays the melody once- The soloist plays the main melody for the last time. Volume 2: Zu Bethlehem geboren [Born in Bethlehem] Im Walde steht ein Tannenbaum [There is a fir-tree in the forest] Lobt Gott, ihr Christen [Praise God, Christians] Macht hoch die Tür [Make high the doors] Still, still, still, weil's Kindlein schlafen will [Hush, hush, hush, for the little child wants to sleep!] Vom Himmel hoch, da komm ich her [From Heaven Above to Earth I Come] Kommet, ihr Hirten [Come, ye shepherds] Morgen kommt der Weihnachtsmann [Tomorrow Father Christmas Comes] Fröhliche Weihnacht überall [Merry Christmas Everywhere]
$3.00 ≈
2.77€
Dal tuo Valentino [duo: clarinet OR alto saxophone + piano]
Dal tuo Valentino [duo: clarinet OR alto saxophone + piano]
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Juan Maria Solare
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Dal tuo Valentino [duo: clarin
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.596582 Composed by Juan Maria Solare. 20th Century,Christian...
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.596582 Composed by Juan Maria Solare. 20th Century,Christian,Holiday,Jazz,Love,Wedding. Score and parts. 10 pages. Juan Maria Solare #4993489. Published by Juan Maria Solare (A0.596582). You find in this PDF file the full score, plus soloists parts for clarinet and for alto saxophone. In both cases, the piano part is identical. Just to clarify things: this piece is a DUO: piano plus either clarinet or saxophone.The basic structure of this work is simple (but efficient): a slow and extremely expressive melody, followed by another heroic or almost triumphant one. The work then returns to the initial atmosphere followed by a brief coda (which alludes distantly to the character of the second theme).Dal tuo Valentino was composed in Bremen (Germany) from October 31 to November 1, 2019 (with subsequent clarifications and minor modifications). Duration: 4:15 to 4:30. An electronic synthwave version of this composition will appear on Spotify and other streaming platforms on February 14, 2020 (Valentine's Day) under the pseudonym Brigida HB.
$4.00 ≈
3.70€
Vorbeiziehende Bäume [Trees Passing By - 2 Sax]
Vorbeiziehende Bäume [Trees Passing By - 2 Sax]
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Juan MarÃa Solare
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Vorbeiziehende Bäume [Tre
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.596510 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #33687...
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Woodwind Ensemble - Level 3 - SKU: A0.596510 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #3368739. Published by Juan Maria Solare (A0.596510). Vorbeiziehende Bäume [Trees passing by] is a piece for 2 saxophones where the Southamerican origin of the composer clearly arises to the surface: an original metamorphosis of the tango argentino flirting with jazz. Vorbeiziehende Bäume is part of a set of eleven pieces for saxophone duo (all others will be uploaded soon) called Eisenbahn (Railroad). All eleven pieces have titles related to the railway. If you are wondering why a German title, the reason is quite simple: that's where the composer lives. In this edition, Vorbeiziehende Bäume is offered in four instrumental combinations: - 2 saxophones (2 Tenor or 2 Alto) - Alto Sax + Tenor Sax - 2 Baritone Sax - Bb Clarinet + Tenor Sax No parts are needed: scores are already transposed (practice showed that it is much efficient to read this piece from the score, seeing also the partner's part). The piece, that is dedicated to Albanian clarinetist Ibrahim Gunbardhi, has been performed by him together with Mr. Thomas Sauer. Here is a rehearsal: https://www.youtube.com/watch?v=Y0_6xIGHRb0 The composer's description on the score reflects an experience that most of us had: Imagine you are on a train. You see different landscapes through the window. But somehow it's always the same.
$2.50 ≈
2.31€
Emigrating
Emigrating
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Juan Maria Solare
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Emigrating
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
4 flutes - intermediate to advanced - SKU: S9.Q47046 Jahresgabe 2016 für Mitglieder des Vereins Freunde der Querflöte e.V.. Composed by Jua...
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4 flutes - intermediate to advanced - SKU: S9.Q47046 Jahresgabe 2016 für Mitglieder des Vereins Freunde der Querflöte e.V.. Composed by Juan Maria Solare. This edition: score and parts. Jahresgabe FdQ. Downloadable, score and parts. Duration 11 minutes. Musikverlag Zimmermann - Digital #Q47046. Published by Musikverlag Zimmermann - Digital (S9.Q47046). German • English.As an Argentinian musican and Composer living in Germany, Juan MarÃa Solare ist himself an Emigrant. The three movements of his composition Emigrating are titled Expectations, Looking back and Integration. In stylistic Terms, his Music Comes Close to the Argentine Tango. The Musical Idiom is tonal, post-tonal and mainly consonant, but is also based on diminished scales in parts.
$18.99 ≈
17.54€
Mercy
Mercy
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Flexible Wind Ens - Intermediate - SKU: F2.FM459 Composed by Juan Maria Solare. Flexible Wind Quartet. Score and parts. 12 pages. Forton Music - Digital...
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Flexible Wind Ens - Intermediate - SKU: F2.FM459 Composed by Juan Maria Solare. Flexible Wind Quartet. Score and parts. 12 pages. Forton Music - Digital #FM459. Published by Forton Music - Digital (F2.FM459). ISBN 9790570483587.For Flexible Wind Ensemble. Flute1/Clarinet 1, Oboe 2/Clarinet 2, Instrument in F/Clarinet 3, Bassoon or Bass Clarinet 4. 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95 ≈
9.19€
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