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Vous avez sélectionné:
Leave the Pieces
Partitions à imprimer
33 partitions trouvées
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1
26
Three Pieces for Two Violins and Piano
Three Pieces for Two Violins and Piano
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Rebecca Clarke
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Three Pieces for Two Violins a
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Imagine Music - Digital
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SheetMusicPlus
Two Violins, Piano - SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music -...
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Two Violins, Piano - SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00 ≈
29.47€
Leave The Pieces
Leave The Pieces
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Contemporain
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The Wreckers
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Scott Douglas
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Leave The Pieces
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Scott Douglas
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 3 - SKU: A0.875902 By T...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 3 - SKU: A0.875902 By The Wreckers. By Bill Austin and Jennifer Hanson. Arranged by Scott Douglas. Contemporary. Score and parts. 44 pages. Scott Douglas #4614835. Published by Scott Douglas (A0.875902).
$50.00 ≈
46.04€
Don't Leave the Farm Boys. Song & Chorus
Don't Leave the Farm Boys. Song & Chorus
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W
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Don't Leave the Farm Boys. Son
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3818 Composed by W. W. Partridge. City & town life, Vice, Occupations, Wealth. Lester S. Levy Collectio...
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Piano and voice (solo and SATB chorus) - SKU: LV.3818 Composed by W. W. Partridge. City & town life, Vice, Occupations, Wealth. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3818). Don't Leave the Farm Boys. Song & Chorus. Music by W.W. Partridge. Published 1868 by S. Brainard & Sons, 203 Superior St. in Cleveland. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include City & town life, Vice, Occupations, Wealth. First line reads Come boys, I have something to tell you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
The Rite of Spring
The Rite of Spring
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Classique
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Igor Stravinsky
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Peter Facer
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The Rite of Spring
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet & piano - SKU: IZ.CMS1812 Composed by Igor Stravinsky. Arranged by Peter Facer. Score and Parts. 305 pages. Imagine Music - Digital #CM...
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Woodwind quintet & piano - SKU: IZ.CMS1812 Composed by Igor Stravinsky. Arranged by Peter Facer. Score and Parts. 305 pages. Imagine Music - Digital #CMS1812. Published by Imagine Music - Digital (IZ.CMS1812). 9 x 12 in inches.This arrangement of the Rite of Spring is a project I've been working on for a number of years. It is one of my favorite pieces of orchestral music and I've greatly enjoyed the opportunity to delve deeper into the score in order to create an arrangement which, I hope, does justice to the original.The arrangement is scored for wind quintet and piano, the same as the Sextet of Francis Poulenc; the timbres and textures of the Poulenc were a very helpful inspiration when it came to scoring the Stravinsky. While a lot of musical redistribution was necessary, I have tried to keep the 'iconic' solo lines on their original instruments as mush as possible, which hopefully explains some of the doubling on auxiliary instruments.Another useful reference point for constructing the arrangement has been Stravinsky's own arrangement of the work for piano duet. It was very informative to see how Stravinsky liked to write for the piano - how chords are distributed etc., and also which melodies or harmonies from the original he decided to leave out.Though tricky, it is possible to perform this piece without a conductor. It does take a bit of rehearsing, but hopefully this will result in a very exhilarating performance!
$90.00 ≈
82.87€
I Must Leave You My Darling
I Must Leave You My Darling
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Gus
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I Must Leave You My Darling
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4269 Composed by Gus. Phillips. Portraits, Courtship, Love, Farewells, Sadness, Homecomings. Lester S. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4269 Composed by Gus. Phillips. Portraits, Courtship, Love, Farewells, Sadness, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4269). New Songs of Gus Phillips. No. 8. I Must Leave You My Darling. Words & Music by Gus. Phillips. Published 1876 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Farewells, Sadness, Homecomings. First line reads I must leave you my darling, I must leave you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Leave Me Not In Anger. Song and Chorus
Leave Me Not In Anger. Song and Chorus
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George W
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Leave Me Not In Anger. Song an
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4851 Composed by George W. Persley. Couples, Parlors, Sadness, Quarreling, Courtship, Love. Lester S. L...
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Piano and voice (solo and SATB chorus) - SKU: LV.4851 Composed by George W. Persley. Couples, Parlors, Sadness, Quarreling, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4851). Leave Me Not In Anger. Song and Chorus. Companion to Call Me Back Again. Words by Thomas P. Westendorf. Music by George W. Persley. Published 1881 by White, Smith & Co. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Couples, Parlors, Sadness, Quarreling, Courtship, Love. First line reads Leave me not in anger, darling, smile again before we part.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (Clarinet Sextet)
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (Clarinet Sextet)
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Bass Clarinet,E-Flat Clarinet - Level 1 - SKU: A0.1377691 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 22 pages. Alan Edgar Ted Moon #9...
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Bass Clarinet,E-Flat Clarinet - Level 1 - SKU: A0.1377691 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 22 pages. Alan Edgar Ted Moon #962285. Published by Alan Edgar Ted Moon (A0.1377691). My instrumentation: Eb Clarinet, four Bb Clarinets, Bass Clarinet.The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee?To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, originally for SSATTB a capella.
$15.00 ≈
13.81€
Little Book of Klezmer Fiddle Tunes
Little Book of Klezmer Fiddle Tunes
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Klezmer
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JM Bolton
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Little Book of Klezmer Fiddle
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JM Bolton
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SheetMusicPlus
Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932483 Arranged by JM Bolton. Jewish. Score and parts. 46 pages. JM Bolton #6658393. Published ...
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Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932483 Arranged by JM Bolton. Jewish. Score and parts. 46 pages. JM Bolton #6658393. Published by JM Bolton (A0.932483). You don’t have to be Jewish to appreciate klezmer, a Yiddish word that means music.There is something about these tunes that awakens an almost uncontrollable desire to dance! Klezmer does that. The whole point of The Little Books of Fiddle Music series is to make available interesting and fun pieces of music that the beginning and intermediate musician can enjoy. There are a lot of other collections available, but most of them are too demanding for the casual fiddler ... and there are many more people who play recreational music then you might suspect! The pieces in this book were selected because they are melodious and not overly complicated. In some cases, I simplified the notation even further to make the music accessible to a beginning fiddler. My goal is to allow more people to appreciate this music. The book is smaller than usual so it will fit into your fiddle case. You can use it on a music stand or leave it open on the floor as a quick reference when you are playing in a group. If you enjoy this book, you might try the other titles from the Little Books of the Irish and Scottish collection.
$12.99 ≈
11.96€
Even As The Sun. Song
Even As The Sun. Song
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Charles E
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Even As The Sun. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (clarinet, horn) - SKU: LV.20369 Composed by Charles E. Horn. Poets, Authors, Hunting, Courtship & love. Lester S. Levy Collection. 5 pa...
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Piano and voice (clarinet, horn) - SKU: LV.20369 Composed by Charles E. Horn. Poets, Authors, Hunting, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20369). Even As The Sun. Song. The Words by [William] Shakespeare. The Music by Charles E. Horn. Published [n.d.] by Geo. Willig Junr. in Baltimore. Composition of strophic with coda with piano and voice (clarinet, horn) instrumentation. Subject headings for this piece include Poets, Authors, Hunting, Courtship & love. First line reads Even as the sun, the sun with purple colour'd face, Had ta'en his last leave.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Pauvre Madelon. A Favorite Dialogue & Duett in the Surrender of Calais
Pauvre Madelon. A Favorite Dialogue & Duett in the Surrender of Calais
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Pauvre Madelon. A Favorite Dia
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice [includes solo and duet versions] - SKU: LV.15582 Wars, Campaigns & battles, Courtship & love. Lester S. Levy Collection. 3 pages. Publi...
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Piano and voice [includes solo and duet versions] - SKU: LV.15582 Wars, Campaigns & battles, Courtship & love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15582). Pauvre Madelon. A Favorite Dialogue & Duett in the Surrender of Calais. n. Published [1796] by G> Gilfert & Co., No. 177 Broadway in New York. Composition of strophic with chorus with piano and voice [includes solo and duet versions] instrumentation. Subject headings for this piece include Wars, Campaigns & battles, Courtship & love. First line reads Could you to Battle march away, and leave me here complaining.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
When the Autumn Leaves Were Falling. Just a Sweet Little Word, Kathleen. Beautiful Irish Song and Chorus
When the Autumn Leaves Were Falling. Just a Sweet Little Word, Kathleen. Beautiful Irish Song and Chorus
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Charles D
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When the Autumn Leaves Were Fa
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4306 Composed by Charles D. Blake. Forests, Couples, Courtship. Lester S. Levy Collection. 4 pages. Pub...
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Piano and voice (solo and SATB chorus) - SKU: LV.4306 Composed by Charles D. Blake. Forests, Couples, Courtship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4306). When the Autumn Leaves Were Falling. Just a Sweet Little Word, Kathleen. Beautiful Irish Song and Chorus. Written by Albert A. Hill. Music by Chas. D. Blake. Published 1878 by Thompson & Odell, 177 Washington Street in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Forests, Couples, Courtship. First line reads Softly whisper you love me, Kathleen.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
3.67€
touch me hear: a collection of conceptual compositions
touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02 ≈
4.62€
Marsden Moor
Marsden Moor
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Keiron Anderson
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Marsden Moor
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Forton Music - Digital
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SheetMusicPlus
Eb. 3Bbcl. Bbcl/Acl. Acl. Acl/Bcl. 2Bcl. Cbcl - Intermediate - SKU: F2.FM360 Composed by Keiron Anderson. Clarinet Ensemble/Choir - Eb clarinet, 3 Bb Cl...
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Eb. 3Bbcl. Bbcl/Acl. Acl. Acl/Bcl. 2Bcl. Cbcl - Intermediate - SKU: F2.FM360 Composed by Keiron Anderson. Clarinet Ensemble/Choir - Eb clarinet, 3 Bb Clarinets, Bb or Alto Clarinet, Alto Clarinet, Alto Clarinet or Bass Clarinet, 2 Bass Clarinets, Contrabass Clarinet. Score and Parts. 54 pages. Forton Music - Digital #FM360. Published by Forton Music - Digital (F2.FM360). ISBN 9790570482597.Marsden Moor - Clarinet Ensemble (Eb Clarinet, 3Bb Clarinets, Bb or Alto Clarinet, Alto Clarinet, Alto or Bass Clarinet, 2 Bass Clarinets, Contrabass Clarinet.) Written to evoke the open spaces, serenity and yet power of the Moors, Marsden Moor is based on a motif built from two major seconds a fourth apart. The motif is develped and imitated as the pieces progresses giving a rather solitary feeling to the music. A second themes carries the journey until a sequential progression lifts the music to a dignified but powerful climax. When the music appears to resolve to a more relaxed tonality the second theme carries it off modally to reiterate the power which gradually dies away to leave the landscape intact and silent again. Written originally for String Orchestra, the work is available for Clarinet Choir, Brass Ensemble, and Brass Band the wind versions are particularly effective in describing this landscape.
$19.95 ≈
18.37€
Comic Strip Suite for double reeds
Comic Strip Suite for double reeds
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Bill Malcolm
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Comic Strip Suite for double r
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Bill Malcolm
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 3 - SKU: A0.786163 Composed by Bill Malcolm. 20th Century,Children,Contemporary,Ins...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 3 - SKU: A0.786163 Composed by Bill Malcolm. 20th Century,Children,Contemporary,Instructional. 88 pages. Bill Malcolm #4332901. Published by Bill Malcolm (A0.786163). This is a collection of all seven of the Comic Strip Quartets for double reeds including Agnes, Alley Oop, Calvin & Hobbes, Crock, Herman, Momma, and Prince Valiant bundled together at a discount price. For sound clips see the individual titles on sheetmusicplus.com or the YouTube likn below. The pieces appear roughly in alphabetical order, not the order to be played. I leave that up to the sensitivity of the performers (the order in the program notes is recommended). They are good for demonstrating double reeds to audiences of all ages. These quartets were formerly published by TrevCo Music.
$50.00 ≈
46.04€
Clouds/Rain
Clouds/Rain
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New Age
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Contemporain
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Sydney Stevens
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English Horn. Full score &
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Clouds/Rain
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Sydney Stevens, Water Music
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age....
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Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 13 pages. Sydney Stevens, Water Music #3089187. Published by Sydney Stevens, Water Music (A0.859675). Contact: sydneystevenspianostudio@gmail.comClouds/Rain (from Seasons Suite): Dark clouds gather. A thunderstorm begins with gentle rain..High energy, forward moving instrumental. Arranged for Piano & English Horn. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, Scott Cossu, A la Windham HillFrom Album: SeasonsTheme: Music that portrays the building of a thunderstorm in mid-winter.Mood: Dark, flowing, energeticMusical Traits: Single notes and octaves in left hand piano with driving right hand triplet pattern.Long, sustained melodic English Horn part.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:52Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$5.50 ≈
5.06€
Bach's Air & co - music for funeral ceremony & Auferstehungsmesse
Bach's Air & co - music for funeral ceremony & Auferstehungsmesse
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Classique
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Johann Sebastian Bach
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Sophia Johanna
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Bach's Air & co - music fo
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by...
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Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by Johann Sebastian Bach. Arranged by Sophia Johanna. Christian,Classical,Contemporary,World. Score and parts. 13 pages. Sophia Transistor #3511437. Published by Sophia Transistor (A0.851116). English description:Originally I played this arrangement on trombone together with my little brother who played violin at the funeral ceremony of our grandma Ruth (see live recording).Core-theme is from the orchestral suite #3 in D Major, BWV 1068 Air by Johann Sebastian Bach. This arrangement is presented as a duet between two solo instruments. Both instruments have leading parts.3 different movements are included in this arrangement.They can be combined ad lib and can also played as stand alone pieces.Total playtime with all movements and all repetitions: 5 min 33 sMovement 1 as stand alone: 42 secondsMovement 2 as stand alone: 1 min 14 secondsAir Movement as stand alone: 3 min 37 secIncluded Key Notations of the piece:- treble clef and bass clef in C- both voices as treble clef in C- both voices as treble clef in Bb- treble clef in Bb and treble clef in C- treble clef in Bb and bass clef in C- both voices as bass clef in CFollowing Instruments can be covered by this:Violin, Cello, Trombone, Trumpet, Clarinet, Vocal, Flute, Tenorsaxophone, Tenorhorn, BassWhen playing the notes as if it was written in Eb or F, both players should have the same instrument with the same clef tune notation.Playalong Youtube-Video can be watched here:https://youtu.be/Iiy48Yik2FwGerman description:Dieses Arrangement habe ich zusammen mit meinem kleinen Bruder auf der Auferstehungsmesse für unsere Oma Ruth gespielt. Er spielte Geige und ich die Posaune.Kernmelodie ist die berühmte Suite Air, Aria oder Ayre von Johann Sebastian Bach. Dieses Arrangement ist ein Duett für zwei Soloinstrumente. Beide Instrumente haben Melodiestellen.Dieses Stück umfasst 3 verschiedene Einheiten.Die können alle hintereinander oder alleine für sich gespielt werden oder frei kombiniert werden.Spielzeit insgesamt mit allen 3 Movements mit allen Wiederholungen: 5 Minuten 33 SekundenMovement 1 als Einzelstück: 41 SekundenMovement 2 als Einzelstück: 1 Minute 14 SekundenMovement 3 als Einzelstück: 3 Minuten 37 SekundenFolgende Notationsformen und Schlüssel sind in den Noten mit enthalten:- Violinschlüssel und Bassschlüssel in C- Beide Stimmen als Violinschlüssel in C- Beide Stimmen als Violinschlüssel in Bb- Violinschlüssel in Bb und Violinschlüssel in C- Violinschlüssel in Bb und Bassschlüssel in C- Beide Stimmen als Bassschlüssel in CDamit können folgende Instrumente abgedeckt werden:Geige, Cello, Posaune, Trompete, Klarinette, Querflöte, Tenorsaxofon, Tenorhorn, BassRein theoretisch könnten auch F und Eb-Instumente das spielen, dann sollten bloß beide Spieler ein Instrument der selben Stimmung spielen.####Have fun and leave a comment, so that I can improve!Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$5.00 ≈
4.60€
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
2.44€
Hymntime Piano Book #2 Children's Piano
Hymntime Piano Book #2 Children's Piano
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Fred Bock
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Hymntime Piano Book #2 Childre
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Fred Bock Music Company
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SheetMusicPlus
SKU: HL.8738365 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0837...
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SKU: HL.8738365 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0837. Published by Fred Bock Music Company (HL.8738365). ISBN 9780634011856. UPC: 073999383652. 12.0x9.0x0.105 inches.Continuing where Book 1 leaves off, Book 2 covers many of the early problems encountered by the young pianist. Dotted rhythms are effectively taught through familiar titles that the pianist will love to play. Again, a listing of problems and correlating pieces is provided for the teacher's convenience.
Song List
: Christ the Lord Is Risen Today (Lyra Davidica) Just As I Am (William B Bradbury) Onward, Christian Soldiers (A Sullivan) What A Friend We Have in Jesus (C Converse) Savior, Like A Shepherd Lead Us (Thrupp/Bradbury) For the Beauty of the Earth (F. Pierpoint/C. Kocher) Faith of Our Fathers (F. Faber) The B-I-B-L-E Jesus Loves the Little Children (Geo. Root) Spirit of God, Decend Upon My Heart (F Atkinson) Away in A Manger (M Luther/C Muller) Blest Be the Tie That Binds (J Naegeli) All the Happy Children (F Dillingham/F Havergal) America (Sam Smith) I'll Be A Sunbeam (N Talbot/E Excell) Why Not I? (S Ford/J Peterson) Sun of My Soul (K Keble/P Ritter) Wonderful Words of Life (P Bliss) DOXOLOGY, THE (T KEN/L BOURGEOIS) CREED, A (J PETERSON)
$5.95 ≈
5.48€
West Enders
West Enders
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Enders Room
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West Enders
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Advance Music GmbH - Digital
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SheetMusicPlus
4 saxophones (AATBar) - intermediate - SKU: S9.Q40394 4 Compositions for Saxophone Quartet. Composed by Enders Room. This edition: score and part...
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4 saxophones (AATBar) - intermediate - SKU: S9.Q40394 4 Compositions for Saxophone Quartet. Composed by Enders Room. This edition: score and parts. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40394. Published by Advance Music GmbH - Digital (S9.Q40394). A set of 4 original compositions for AATBar saxophone quartet. Although the pieces draw from jazz music, they cover a wide variety of styles and leave plenty of room for improvisation.
$19.99 ≈
18.41€
Ashes of Soldiers (2010)
Ashes of Soldiers (2010)
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Colin Eatock
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Ashes of Soldiers
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Colin Eatock Music
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SheetMusicPlus
Clarinet,Piano,Soprano voice - Level 5 - SKU: A0.1221514 Composed by Colin Eatock. Chamber,Classical,Contemporary. 20 pages. Colin Eatock Music #817816....
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Clarinet,Piano,Soprano voice - Level 5 - SKU: A0.1221514 Composed by Colin Eatock. Chamber,Classical,Contemporary. 20 pages. Colin Eatock Music #817816. Published by Colin Eatock Music (A0.1221514). Soprano, clarinet, piano; ca. 9 min.The composer writes: Ashes of Soldiers (2010) is in two movements: the first is for clarinet (or viola) and piano; in the second, a soprano is added to the instrumental duo. Thematically, the two movements – which are performed without pause – are closely related. Rather than composing two contrasting, discrete pieces, my intention was to make the second movement a continuation and development of the musical ideas introduced in the first. The text is based on a poem by Walt Whitman, from his Leaves of Grass. Despite the poem’s specific setting in Civil War era USA, its theme is universal: the mourning of all soldiers who have died in battle, regardless of their allegiances.Ashes of Soldiers is dedicated to my father, Alan James Eatock, who was a soldier at one point in his life, and who passed away in 2010.
$4.99 ≈
4.59€
Three Painters (score)
Three Painters (score)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99 ≈
9.20€
Three Painters (parts)
Three Painters (parts)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99 ≈
9.20€
Poor Bessie's Song
Poor Bessie's Song
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Alfred Sedgwick
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Poor Bessie's Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3532 Composed by Alfred Sedgwick. Death, Love, Graves, Grief. Lester S. Levy Collection. 4 pages. Publi...
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Piano and voice (solo and SATB chorus) - SKU: LV.3532 Composed by Alfred Sedgwick. Death, Love, Graves, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3532). Poor Bessie's Song. Written and Composed by Alfred Sedgwick. Published 1856 by Sep. Winner, 110 Nth 8th St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Death, Love, Graves, Grief. First line reads Oh the wind fleetly whistles thro' the old Elm Tree and its leaves they have scattered been.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
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