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Let It Go Score Only
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Vous avez sélectionné:
Let It Go Score Only
Partitions à imprimer
17 partitions trouvées
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1
Let It Go (from Frozen)
Let It Go (from Frozen)
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Comédie Musicale
#
Idina Menzel
#
W
#
Let It Go
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Diamond S Music
#
SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Synthesizer - Level 4 - SKU: A0.789918 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by W. Bren...
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Small Ensemble Bass Guitar,Drums,Synthesizer - Level 4 - SKU: A0.789918 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and parts. 14 pages. Diamond S Music #3088441. Published by Diamond S Music (A0.789918). LET IT GO (Tenor voice key) - RHYTHM PACK ONLY (Guitar, Bass, Drums, Synth Parts) of this arrangement of the Academy Award winning song, LET IT GO, Â from the 2013 animated movie, FROZEN. Full Arrangement Scored for: Tenor Vocal Solo, Flute, Clarinet, 2 Trumpets, 2 Trombones, Piano, Synth, Electric Guitar, Electric Bass, Drums/Percussion. A real crowd pleaser -everyone will want to sing along!. In the Key of D.
$22.99 ≈
¥167.06
Let It Go (from Frozen) - Score Only
Let It Go (from Frozen) - Score Only
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Idina Menzel
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W
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Let It Go
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Diamond S Music
#
SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.789873 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by W. Brent Sawyer. Broadway,Film/TV,Mus...
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Large Ensemble - Level 4 - SKU: A0.789873 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by W. Brent Sawyer. Broadway,Film/TV,Musical/Show. Score and parts. 34 pages. Diamond S Music #3079129. Published by Diamond S Music (A0.789873). FULL CONDUCTOR SCORE of this arrangement of the Academy Award winning song, LET IT GO, from the 2013 animated movie, FROZEN. Scored for: Vocal Solo, Flute, Clarinet, 2 Trumpets, 2 Trombones, Piano, Synth, Electric Guitar, Electric Bass, Drums/Percussion. A real crowd pleaser -everyone will want to sing along!.
$18.99 ≈
¥138.00
Let It Go
Let It Go
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Comédie Musicale
#
Idina Menzel
#
Bill Swick
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Let It Go
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Bill Swick
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.810618 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Bill Swick. Musical/Show. Score and p...
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Small Ensemble - Level 5 - SKU: A0.810618 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Bill Swick. Musical/Show. Score and parts. 38 pages. Bill Swick #6549473. Published by Bill Swick (A0.810618). This unique arrangement is part of the Disney Movies series entitled Guitars and Strings. This arrangement of Let it Go may be performed with four guitars only, as a large guitar ensemble with four parts, as a guitar quartet along with a string quartet, and/or a large guitar ensemble with a full string orchestra. The rhythms are advanced level. The range also puts this into the advanced level. This is ideal for Year 3, Quarter 3.
$40.00 ≈
¥290.67
Let It Go (from Frozen)
Let It Go (from Frozen)
#
Comédie Musicale
#
Idina Menzel
#
W
#
Let It Go
#
Diamond S Music
#
SheetMusicPlus
Instrumental Duet Drum Set,Instrumental Duet,Multi-Percussion - Level 4 - SKU: A0.789881 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Ar...
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Instrumental Duet Drum Set,Instrumental Duet,Multi-Percussion - Level 4 - SKU: A0.789881 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by W. Brent Sawyer. Musical/Show. Score and parts. 4 pages. Diamond S Music #3079147. Published by Diamond S Music (A0.789881). Drums/Percussion part only.
$4.99 ≈
¥36.26
Christmas Suite Box - Score Only
Christmas Suite Box - Score Only
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Noël
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Gert Th
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Gert Th
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Christmas Suite Box - Score On
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Gert Th. Walter
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SheetMusicPlus
String Quintet - Level 3 - SKU: A0.684676 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Hanukkah,Holiday. 50 pages. Gert...
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String Quintet - Level 3 - SKU: A0.684676 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Hanukkah,Holiday. 50 pages. Gert Th. Walter #6477413. Published by Gert Th. Walter (A0.684676). Are you looking for modern and spirited Christmas music for your String Quintet? Here you go! Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music! Christmas Suite Box – The Complete Collection: Candy 'n Cake / Trick Or Treat! / The President's Turkey-Pardon / Thanksgiving Day / Turkey's Wishbone / Black Friday / National Christmas Tree / Dyker Heights / Pyjamas - We Are Family / Hanukkah / Stockings / A Visit From St. Nicholas / Santa Was Here! Wake Up! / Mistletoe / Yule Log / Nothing Goes Out / New Year's Eve / New Year's Hymn. Very easy arrangements, but not only for pupil and beginners. It works for any services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$30.00 ≈
¥218.00
Candy 'n Cake - Score Only
Candy 'n Cake - Score Only
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Gert Th
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Gert Th
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Candy 'n Cake - Score Only
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Gert Th. Walter
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SheetMusicPlus
String Quintet - Level 3 - SKU: A0.684826 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. 2 pages. Gert Th. Walte...
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String Quintet - Level 3 - SKU: A0.684826 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. 2 pages. Gert Th. Walter #6527293. Published by Gert Th. Walter (A0.684826). Are you looking for modern and spirited Christmas music for your String Ensemble? Here you go! Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music! Christmas Suite Box – The Complete Collection: Candy 'n Cake / Trick Or Treat! / The President's Turkey-Pardon / Thanksgiving Day / Turkey's Wishbone / Black Friday / National Christmas Tree / Dyker Heights / Pyjamas - We Are Family / Hanukkah / Stockings / A Visit From St. Nicholas / Santa Was Here! Wake Up! / Mistletoe / Yule Log / Nothing Goes Out / New Year's Eve / New Year's Hymn. Download the Christmas Suite Box for $ 30.00 Very easy arrangements, but not only for pupil and beginners. It works for any services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$7.90 ≈
¥57.41
"Go, Tell It on the Mountain" for 13-note Bells and Boomwhackers® (with Color Coded Notes)
"Go, Tell It on the Mountain" for 13-note Bells and Boomwhackers® (with Color Coded Notes)
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Gospel Spirituel
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Sharon Wilson
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Sharon Wilson Music
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"Go, Tell It on the Mount
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - SKU: A0.569888 By Sharon Wilson. By Trad...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - SKU: A0.569888 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson Music. Children,Christmas,Sacred,Spiritual,Traditional. Score and parts. 38 pages. Sharon Wilson #6615377. Published by Sharon Wilson (A0.569888). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the grand staff and Boomwhackers® score. Lyrics are provided on the grand staff and Handbells score for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir.In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Notes used for each instrument are as follows: Bells ~ C D E F G A B♠C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G A B♠B Note assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$10.00 ≈
¥72.67
Let's Go! (for saxes and piano)
Let's Go! (for saxes and piano)
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Colin Kirkpatrick
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Let's Go!
#
Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,H...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin,Patriotic,Wedding. Score and parts. 35 pages. Colin Kirkpatrick Publications #3397237. Published by Colin Kirkpatrick Publications (A0.522196). Three numbers in popular style for two alto saxes and piano (or alto and tenor) with optional part for guitar and/or bass.These pieces are in jazz and Latin styles and are intended for intermediate students. They’re ideal for an end-of-term concert or recital but would be useful for any festive occasion or celebration. The 13-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) C6 and that in the 2nd sax part is A6. Both parts avoid low D and C. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts so that any participant can offer an improvised solo. The guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. All five parts are presented in a single PDF file. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679812 1. Hit the Town This is an entertaining swinger in the concert key of E flat and 4/4 time. It uses “jazz†eighth notes (quavers) and would be good introduction to playing in a jazz style. The improvisation section can be repeated as often as required. 2. Cool company A slow number in F major in a Latin-American style, this gives the opportunity to practise a soft singing tone-quality. There is one short section for improvising. 3. Freeway Written in 3/4 time in B flat, this jazzy waltz also uses “jazz†eighth notes (quavers) and the improvisation section can be repeated as often as required.
$6.99 ≈
¥50.80
Basic Guitar Lessons for Little Fingers thru Teens/Adults - Phase 2 only
Basic Guitar Lessons for Little Fingers thru Teens/Adults - Phase 2 only
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Connie Boss
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email cdboss@cvalley
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Basic Guitar Lessons for Littl
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Connie Boss
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - SKU: A0.801481 Composed by Connie Boss. Instructional. Score and parts. 17 pages. Connie Bo...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - SKU: A0.801481 Composed by Connie Boss. Instructional. Score and parts. 17 pages. Connie Boss #5998891. Published by Connie Boss (A0.801481). Phase 2 is for those that are a little older and can understand how to play chords, etc. You will learn all the simple basic chords, a strumming pattern and will also have sheet music to play with. Listen to the mp3 attached for a sample. You can purchase the complete phase 2 from sheet music plus. It has instruction plus I play and sing on the songs so it's fun to play to. Phase 1 and 3 are also available to purchase separately or you can purchase all the phases together in a great deal. In phase 1 you learn more about the guitar itself, etc. the chords in this phase are for little fingers using 1 finger to play the chords. However, in Phase 2 you relearn the same chords using 2 or 3 fingers. You can go back to phase 1 songs to play them with these chords plus the ones added. The songs included are either original songs by me or public domain songs I arranged as we aren't allowed to put in copyright music. email cdboss@cvalley.net with questions. Songs included are:
$10.00 ≈
¥72.67
Waves
Waves
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Contemporain
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Andreas Kleinert
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Waves
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Andreas Kleinert
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SheetMusicPlus
Small Ensemble - SKU: A0.1017911 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6327427. Published by Andreas K...
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Small Ensemble - SKU: A0.1017911 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6327427. Published by Andreas Kleinert (A0.1017911). Hier spürst du das stete Kommen und Gehen der Wellen, gibst dich ihm hin, lässt schließlich los, denn dieses Geschehen ist nicht von deinem Willen beeinflussbar. Alles bewegt sich letztendlich nur auf einem Akkord. Am Schluss kannst du das Stück auf eigene Faust fortsetzen. Lass los und lass es geschehen! Feel the waves´ coming and going, surrender to it, finally let go, for what happens con´t be influenced by your will. Ultimately everthing moves only within one chord! At the end you can continue the piece on your own. Let go, let it happen!
$3.99 ≈
¥28.99
Time Off (for saxes and piano)
Time Off (for saxes and piano)
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Colin Kirkpatrick
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Time Off
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,H...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Score and parts. 37 pages. Colin Kirkpatrick Publications #3407717. Published by Colin Kirkpatrick Publications (A0.522199). These pieces are in jazz and Latin styles and are intended for intermediate students. This is a companion set to Let’s Go! but the music is technically more challenging. The pieces are intended for an end-of-term concert or recital but would be useful for any light hearted occasion. The 15-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) D6 and that in the 2nd sax part is C6. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts. If the participants do not feel confident enough, the improvising sections can be omitted. The optional guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679714 All five parts are presented in a single PDF file. The three numbers are: 1. Highway South - This is a jazz style number written in 6/8 time in concert G minor. There is an improvisation section in the minor key which can be repeated as often as required. It’s a real swinger and useful for giving students the experience of working in a minor key. 2. Summer Siesta - This is a slow number in E flat major which gives the opportunity to practise a soft singing tone-quality over chromatic shifts in harmony 3. Tequila Surprise - Written in 4/4 time in E flat, this is a Latin-style fun piece that lets the participants create surprises during the empty bars. The surprises can be musical or non-musical, depending on the performance occasion and there’s an improvisation section which can be repeated as often as required. The audio sample contains all three titles. Play-along backing tracks are available here: https://www.sheetmusicplus.com/title/20679714
$6.99 ≈
¥50.80
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
¥181.67
The Daedalus and Icarus Journey
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99 ≈
¥65.33
Thong Song
Thong Song
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Contemporain
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Sisqo
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Th3RAChR1S
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Thong Song
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Th3RAChR1S
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1032913 By Sisqo. By Bob Robinson, Desmond Child, Joseph Paul Longo, Mark Andrew...
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Small Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1032913 By Sisqo. By Bob Robinson, Desmond Child, Joseph Paul Longo, Mark Andrews, Marquis Collins, Robi Rosa, and Tim Kelley. Arranged by Th3RAChR1S. Contemporary. Score and parts. 25 pages. Th3RAChR1S #5998071. Published by Th3RAChR1S (A0.1032913). Want a lit marching band arrangement?? Go ahead and let your band crank up with the Thong Song by the one and only Sisqo. This arrangement does have a weird key signature but once you learn it, itll all come together. .
$12.99 ≈
¥94.40
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stan...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥239.44
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
¥239.44
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥239.44
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