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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.06€
Ghost Dances (Wounded Knee, 1890) for Brass Band
Ghost Dances (Wounded Knee, 1890) for Brass Band
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Contemporain
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Roland Barrett
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Benjamin (Benthoven) Lau
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Ghost Dances
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BenthovenMusic Publications
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.977644 Composed by Roland Barrett. Arranged by Benjamin (Benthoven) Lau. Contemporary. Brass Band. 76 pages. BenthovenMusic Publications #6306099. Published by BenthovenMusic Publications (A0.977644). Ghost Dances (Wounded Knee, 1890) for Brass BandOriginally Composed by Roland Barrett, Arranged by Benjamin LauInspired by the tragic story of the Lakota Sioux massacre at Wounded Knee in 1890, Roland Barrett's original work features a soft and peaceful entry, followed by aleatoric sections with musical fragments to convey the imagery of a Sioux ghost dance, and a menacing, ferocious section with high speed and intensity to keep the audience on their toes. This brilliant and inspiring work has been adapted for brass band by BenthovenMusic. This arrangement still captures the same peaceful and free opening along with the rhythmic intensity and drive of the original but with a reduced percussion section and more brass. This is an excellent work for high school/university bands that shows strong musical capability, technicality, and endurance of the player. Dur. 5'43Instrumentation:- Soprano Cornet- Solo Cornet 1- Solo Cornet 2- Solo Cornet 3- Solo Cornet 4- Repiano Cornet- 2nd Cornet- 3rd Cornet- Flugel- Solo Horn- 1st Horn- 2nd Horn- 1st Baritone- 2nd Baritone- 1st Trombone- 2nd Trombone- Bass Trombone- Euphonium 1- Euphonium 2- Eb Bass- Bb Bass- Percussion 1 (Timpani, Claves, Vibraslap, Tambourine)- Percussion 2 (Rainstick, Glockenspiel, Metal Wind Chimes, Drum Set)- Percussion 3 (Chimes, Suspended Cymbal)
$65.00 ≈
58.90€
Festival Hymns & Processionals (Bk 6) Timpani-Digital Download
Festival Hymns & Processionals (Bk 6) Timpani-Digital Download
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Festival Hymns & Processio
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SheetMusicPlus
48 well-known hymnsContains 48 well-known hymns scored for organ, two trumpets, two trombones with optional tuba and timpani parts...
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48 well-known hymnsContains 48 well-known hymns scored for organ, two trumpets, two trombones with optional tuba and timpani parts
Song List
: Adeste Fideles Battle Hymn Darwall Easter Hymn Greatorex Hamburg Llanfair Lobe Den Herren Materna Nicaea Picardy Russian Hymn Truro Veni Emmanuel and more.
$16.95 ≈
15.36€
For____* for flute, piano and timpani - dedicated to your timpanist - mixed level
For____* for flute, piano and timpani - dedicated to your timpanist - mixed level
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Jennifer Bellor
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For____* for flute, piano and
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Bellor
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SheetMusicPlus
Flute,Piano,Timpani - Level 2 - SKU: A0.1248114 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. 27 pages. Bellor #842676. Publ...
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Flute,Piano,Timpani - Level 2 - SKU: A0.1248114 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. 27 pages. Bellor #842676. Published by Bellor (A0.1248114). For_____* (2023) For flute, piano, and timpaniLevel of Timpani part: Beginner Level of Flute and Piano: Intermediate/Advanced Dedicate the piece to your timpani player and add the first name of the timpanist to the title of the piece. This piece was written to featurea timpani player who is in the very early stages of learning the instrument and who wants to perform for the first time with their esteemed musician friends. I wrote the piece for Ellis Landau, a wonderful friend and supporter of the Las Vegas Philharmonic. Titled FOR ELLIS,  Ellis premiered the piece alongside his distinguished friends from the Phil at a gala event on March 29, 2023. It was his first time performingon stage and before the premiere, did not have a musical background.The timpani player (for whom this piece was written) did not read music. In lieu of the standard notation, I created a chart of numbers for the player. I also conducted the premiere in order for him to follow all of my cues and know when to play.There are two versions: one featuring flute and another featuring violin. For more information, please email info@jenniferbellor.com.LInk to Premiere on DropboxÂ
$9.99 ≈
9.05€
For____* for violin, piano and timpani - dedicated to your timpanist - mixed level
For____* for violin, piano and timpani - dedicated to your timpanist - mixed level
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Jennifer Bellor
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For____* for violin, piano and
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Bellor
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SheetMusicPlus
Piano,Timpani,Violin - Level 2 - SKU: A0.1248120 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. 27 pages. Bellor #842682. Pub...
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Piano,Timpani,Violin - Level 2 - SKU: A0.1248120 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. 27 pages. Bellor #842682. Published by Bellor (A0.1248120). For_____* (2023) For violin, piano, and timpaniLevel of Timpani part: Beginner Level of Violin and Piano: Intermediate/Advanced Dedicate the piece to your timpani player and add the first name of the timpanist to the title of the piece. This piece was written to featurea timpani player who is in the very early stages of learning the instrument and who wants to perform for the first time with theiresteemed musician friends. I wrote the piece for Ellis Landau, a wonderful friend and supporter of the Las Vegas Philharmonic. Titled FOR ELLIS,  Ellis premiered the piece alongside his distinguished friends from the Phil at a gala event on March 29, 2023. It was his first time performing on stage and before the premiere, did not have a musical background.The timpani player (for whom this piece was written) did not read music. In lieu of the standard notation, I created a chart of numbers for the player. I also conducted the premiere in order for him to follow all of my cues and know when to play.There are two versions: one featuring flute and another featuring violin For more information, please email info@jenniferbellor.com.Link to PremiereÂ
$9.99 ≈
9.05€
Joy to the World — festival hymn accompaniment for organ, brass quintet, timpani
Joy to the World — festival hymn accompaniment for organ, brass quintet, timpani
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Musique Sacrée
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G
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Todd Marchand
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Joy to the World — festi
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Con Spirito Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1279233 Composed by G.F. Handel / Lowell Mason. Arranged by Todd Marchand. Christian...
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1279233 Composed by G.F. Handel / Lowell Mason. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred. 17 pages. Con Spirito Music #870731. Published by Con Spirito Music (A0.1279233). One of the most popular English hymns, “Joy to the World†began not as a Christmas carol but as a lyrical paraphrase of Psalm 98 written in 1719 by the English Congregational minister, theologian, and hymn writer Isaac Watts (1674-1748).Watts published the poem in his collection, The Psalms of David, Imitated in the Language of The New Testament. The free paraphrase is Watts’ Christological interpretation of the psalm, celebrating Jesus’ role as King of both his church and the world. More than a century later, the second half of Watts' poem was adapted and set to music by the American music educator and hymn-tune composer Lowell Mason (1792-1872) in his Occasional Psalms and Hymn Tunes (1836). Mason based the music, in part, on excerpts from  George Frideric Handel's (1685-1759) oratorio Messiah, with the descending major scale accompanying the opening words, “Joy to the world! The Lord is come†echoing Handel’s chorus, “Lift up your heads.â€Â This accompaniment to unison voices proceeds as follows:•  Introduction: organ, brass, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Verse 3: organ with alternate harmonization•  Interlude: all•  Verse 4: organ, brass, timpani, with alternate harmonization•  Coda: allIncludes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
22.66€
O Come All Ye Faithful — festival hymn accompaniment for organ, brass quintet, timpani
O Come All Ye Faithful — festival hymn accompaniment for organ, brass quintet, timpani
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Musique Sacrée
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Noël
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John Francis Wade
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Todd Marchand
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O Come All Ye Faithful —
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Con Spirito Music
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SheetMusicPlus
Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1268716 Composed by John Francis Wade. Arranged by Todd Marchand. Christian,Christmas,Sacre...
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Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1268716 Composed by John Francis Wade. Arranged by Todd Marchand. Christian,Christmas,Sacred. 25 pages. Con Spirito Music #861244. Published by Con Spirito Music (A0.1268716). Perhaps the most often-sung processional or recessional hymn at Christmas services, O Come, All Ye Faithful is generally attributed to John Francis Wade (1711-1786), an English Catholic hymn-writer who authored both its Latin text and its tune, known as ADESTE FIDELES from the opening words of the text. Although more than two dozen English translations of Wade's text (c. 1743) by various writers exist, the 1841 translation by English Catholic priest Frederick Oakeley (1802-1880) is the most commonly used.In addition to the four verses-with-refrain in Wade's text and Oakeley's translation, other hymn-writers penned additional stanzas, and it is not uncommon to hear six or seven sung today. This accompaniment for organ, brass quintet, and timpani is based on the four original stanzas as translated by Oakeley, with all but the final verse employing the standard harmonization from The English Hymnal (1906). For performances of more than four verses, it is suggested that the organ-only accompaniment (Verse 1) be repeated/inserted at the discretion of the organist or music director.  Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
22.66€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.64€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.64€
"Fanfare One-Fifty" for four trombones and optional timpani
"Fanfare One-Fifty" for four trombones and optional timpani
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Jason Heald
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Jason Heald
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"Fanfare One-Fifty"
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Call of the Wild Publishing
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SheetMusicPlus
Low Brass Quartet - Level 5 - SKU: A0.1278289 By Jason Heald. By Jason Heald. Arranged by Jason Heald. Classical,Patriotic. 12 pages. Call of the Wild P...
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Low Brass Quartet - Level 5 - SKU: A0.1278289 By Jason Heald. By Jason Heald. Arranged by Jason Heald. Classical,Patriotic. 12 pages. Call of the Wild Publishing #869993. Published by Call of the Wild Publishing (A0.1278289). Commissioned for the sesquicentennial celebration at First Presbyterian Church of Roseburg, Fanfare One-Fifty for four trombones and timpani is a dramatic brass piece that is an excellent concert opener. PARTS ARE INCLUDED WITH THE SCORE. For more music by Jason Heald, visit www.jasonheald.com .
$7.50 ≈
6.80€
Nebraska - My Heartland (INSTRUMENTAL PARTS)
Nebraska - My Heartland (INSTRUMENTAL PARTS)
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Contemporain
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Large Ensemble Choir,Voice - SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published...
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Large Ensemble Choir,Voice - SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00 ≈
67.97€
Nebraska - My Heartland (CHORAL SCORE)
Nebraska - My Heartland (CHORAL SCORE)
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Contemporain
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D...
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Choral Choir (4-Part) - Level 4 - SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50 ≈
2.27€
Nebraska - My Heartland (FULL SCORE)
Nebraska - My Heartland (FULL SCORE)
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Contemporain
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Large Ensemble Choir,Voice - Level 4 - SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. ...
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Large Ensemble Choir,Voice - Level 4 - SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00 ≈
181.24€
Harlequin Dances for Brass Band
Harlequin Dances for Brass Band
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Keiron Anderson
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Harlequin Dances for Brass Ban
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Forton Music - Digital
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SheetMusicPlus
Brass Band - Intermediate-Advanced - SKU: F2.FM215 Composed by Keiron Anderson. Score and parts. 104 pages. Forton Music - Digital #FM215. Published by ...
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Brass Band - Intermediate-Advanced - SKU: F2.FM215 Composed by Keiron Anderson. Score and parts. 104 pages. Forton Music - Digital #FM215. Published by Forton Music - Digital (F2.FM215). ISBN 9790570481149.Brass Band - Soprano Cornet, Solo Cornet, Repiano Cornet, 2nd Cornet, 3rd Cornet, Flugelhorn, Solo Horn, 1st Horn, 2nd Horn, 1st Baritone, 2nd Baritone, 1st Trombone, 2nd Trombone, Euphonium, Eb Bass, Bb Bass, Timpani, Percussion 1, Xylophone. Harlequin dances is a stunning original composition showcasing a variety of dance styles. The piece starts with a mambo-like section, then moves into a more romantic ballad-type movement. This then winds up into a Viennese waltz which uses cheeky glissandi, then onto a very clever tempo shift and back to a recap of the mambo music which races along to a thrilling climax.
$40.95 ≈
37.11€
Savior of the Nations, Come (Brass, Timpani, Organ/Keyboard)
Savior of the Nations, Come (Brass, Timpani, Organ/Keyboard)
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Noël
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Jubal's Lyre Music
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Martin Dicke
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Savior of the Nations, Come
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.918923 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christma...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.918923 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Religious,Sacred. 14 pages. Jubal's Lyre Music Publishers #6632273. Published by Jubal's Lyre Music Publishers (A0.918923). Invigorate your congregation or audience with this rousing and flexible arrangement of the Advent hymn Savior of the Nations, Come (NUN KOMM, DER HEIDEN HEILAND). It can also be sung to the hymn Let the Earth Now Praise the Lord. Designed to involve all ages and levels, this arrangement includes parts accessible to beginning musicians, but is also interesting and challenging for intermediate and advanced players. First the melody is provided so that instruments can at any time play the melody alone or together. A standard four-part harmonization (Setting A) and two variations (Settings B and C) follow. Based on the standard harmonization, the variations provide alternate voicings, fanfares, and descants that will lift congregational singing. The arrangement can also be played alone. It is part of the series Festive Hymn Arrangements for the Divine Service. The audio sample features Settings A, B, and C. For more music and information, visit www.jubalslyre.com/music.
$4.99 ≈
4.52€
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Noël
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing &
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Con Spirito Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Ch...
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
22.66€
Two Songs of Death for Mezzo Soprano, Piano, and Timpani
Two Songs of Death for Mezzo Soprano, Piano, and Timpani
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Contemporain
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Sy Brandon
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Two Songs of Death for Mezzo S
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Sy Brandon
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 4 - SKU: A0.755184 Composed by Sy Brandon. 20th Century,Contemporary. 13 pages. Sy Brandon #3410305. Published by...
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Mezzo-Soprano Voice,Vocal Solo - Level 4 - SKU: A0.755184 Composed by Sy Brandon. 20th Century,Contemporary. 13 pages. Sy Brandon #3410305. Published by Sy Brandon (A0.755184). These Vassar Miller poems present two views of death. The first, Momento Mori, is morbid and the setting is very dramatic. The second, Old Dog, is more optimistic. Both require a strong pitch sense of the singer as the intervals are angular. The piano part supports the singer at times and is more independent at others. The timpani part adds color and drama.
$7.99 ≈
7.24€
Parlami D'amore Mariu
Parlami D'amore Mariu
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Contemporain
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Studio Orchestra
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A
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Parlami D'amore Mariu
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KMN Music
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Flute,Hand Percussion,High Voice,Horn,Medium Voice,Oboe,Timpani,Trombone,Trumpet - Level 3 - SKU: A0.901818 By Studio Or...
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Large Ensemble Bassoon,Clarinet,Flute,Hand Percussion,High Voice,Horn,Medium Voice,Oboe,Timpani,Trombone,Trumpet - Level 3 - SKU: A0.901818 By Studio Orchestra. By Cesare Andrea Bixio and Ennio Neri. Arranged by A.Karabaev. Contemporary. Score and parts. 36 pages. KMN Music #5991723. Published by KMN Music (A0.901818). Parlami d'amore Marieu - song by Ennio Neri, Cesare Andrea Bixio. pdf file consists of orchestral score and part of each instrument.
$14.99 ≈
13.58€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.17€
An Irish Blessing - Full Score and Vocal Parts
An Irish Blessing - Full Score and Vocal Parts
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Lorie Line
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An Irish Blessing - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Solo voice, Unison chorus - Level 2 - SKU: C7.CGB697 Composed by Lorie Line. Geseral. With Solo voices, unison choir and/or SATB choir. Score and parts....
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Solo voice, Unison chorus - Level 2 - SKU: C7.CGB697 Composed by Lorie Line. Geseral. With Solo voices, unison choir and/or SATB choir. Score and parts. 8 pages. Chorister's Guild - Digital #CGB697. Published by Chorister's Guild - Digital (C7.CGB697). UPC: 749193016046.Level 3 * This exciting arrangement may stand alone as a piece for handbells only, or it may be enhanced with optional organ, brass, timpani, choir and/or congregation. A fanfare introduction leads into a joyous opening stanza, followed by a lighter second stanza featuring rhythmic, malleted bass bells and a playful upper treble line. The third stanza uses LVs to create a more legato sound, then an interlude precedes the final stanza, which includes a treble-bell descant. There are no bell changes in this festive addition to the Christmas repertoire.
$9.95 ≈
9.02€
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
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David Warin Solomons
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ATON part 1-Orchestermusik - w
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - SKU: A0.576179 Composed by David Warin Solomons. Contemporary,Opera,Worl...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - SKU: A0.576179 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4553. Published by David Warin Solomons (A0.576179). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.53€
Fanfares with Chorale for Brass, Organ & Timpani - Score Only
Fanfares with Chorale for Brass, Organ & Timpani - Score Only
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Malcolm D Robertson
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Fanfares with Chorale for Bras
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Mr Malcolm D Robertson
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SheetMusicPlus
Level 4 - SKU: A0.1322873 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 35 pages. Mr Malcolm D Robertson #911140. Published by M...
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Level 4 - SKU: A0.1322873 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 35 pages. Mr Malcolm D Robertson #911140. Published by Mr Malcolm D Robertson (A0.1322873). Composed between November 1st & 10th 2023, this short work is scored for 4 horns, 3 trumpets, 3 Trombones, Tuba, Organ & Timpani. As the title suggests the work contrasts fanfare like ideas with chorale like sections. The fanfare ideas dominate the faster outer sections, whilst the more lyrical & slightly slower chorale the central section. The writing for the three trumpets is at times quite florid & demanding. The work last a little over three and a half minutes.Parts can be supplied upon request.
$8.50 ≈
7.70€
Military Marches and Airs for Trumpet Ensemble
Military Marches and Airs for Trumpet Ensemble
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Jean-Baptiste Lully
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Charles Decker
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Military Marches and Airs for
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Ensemble Trombone,Trumpet - Level 3 - SKU: A0.1343765 Composed by Jean-Baptiste Lully. Arranged by Charles Decker. Baroque,Contest,Early Music,F...
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Trumpet Ensemble Trombone,Trumpet - Level 3 - SKU: A0.1343765 Composed by Jean-Baptiste Lully. Arranged by Charles Decker. Baroque,Contest,Early Music,Festival,Historic,Multicultural,World. 42 pages. Charles Decker Music Press #929268. Published by Charles Decker Music Press (A0.1343765). Seeking impressive and royal court pompous works for your trumpet ensemble?  Then these four Baroque regal fanfares from 1686 for the court of French Royal Highness Louis XIV, originally for trumpets, oboes and timpani, now arranged for antiphonal B-flat trumpet quartets with timpani will transport the audience back to stately Baroque court ceremonial music. The four fanfares include the brilliant and gloriously pompous Fanfare pour le Carrousel Royal  followed by a Minuet, Gigue, and Gavotte. Beyond brass ensemble programs and special ceremonies, feature your band trumpet section with these impressive works. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Kendor Music for more of Charles Decker trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$12.99 ≈
11.77€
A Thousand Years
A Thousand Years
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Pop musique
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Christina Perri
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Iona Crosby
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A Thousand Years
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Iona Crosby
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SheetMusicPlus
Bass Marimba,Drum Set,Glockenspiel,Shaker,Suspended Cymbal,Timpani,Vibraphone,Xylophone - Level 3 - SKU: A0.1112647 By Christina Perri. By Christina Per...
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Bass Marimba,Drum Set,Glockenspiel,Shaker,Suspended Cymbal,Timpani,Vibraphone,Xylophone - Level 3 - SKU: A0.1112647 By Christina Perri. By Christina Perri and David Hodges. Arranged by Iona Crosby. Film/TV,Pop,Singer/Songwriter,Wedding. 28 pages. Iona Crosby #714659. Published by Iona Crosby (A0.1112647). This percussion ensemble arrangement of A Thousand Years is designed to be performed by beginner - intermediate percussion players. This soft and gentle arrangement fits well as a middle piece in any performance program. The arrangement has easy percussion parts for beginners, as well as more challenging Vibraphone and Marimba parts to keep intermediate-advanced players busy too! The tune is shared by the Glockenspiel and Xylophone to give more players a chance to shine in this delicate and tearjerking arrangement.
$39.99 ≈
36.24€
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