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Only Time for Flute Choir
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Grieg: Peer Gynt Suite Complete for Bass Flute and Piano
Grieg: Peer Gynt Suite Complete for Bass Flute and Piano
Bass Flute
#
Classique
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complet
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructiona...
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Bass Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 61 pages. Jmsgu3 #5306289. Published by jmsgu3 (A0.551495). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 â??1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ?ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ??s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95 ≈
¥434.72
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3507999. Published by jmsgu3 (A0.549560). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
¥180.92
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3509491. Published by jmsgu3 (A0.549580). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95 ≈
¥180.92
Guthrie: The Flute Choir Christmas Book
Guthrie: The Flute Choir Christmas Book
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Noël
#
Traditional
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James M
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Guthrie: The Flute Choir Chris
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.550706 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. ...
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Woodwind Ensemble - Level 2 - SKU: A0.550706 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4780493. Published by jmsgu3 (A0.550706). The Flute Christmas BookChristmas Reharmonizations by James M. Guthrie. The Flute Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your flute choir can perform the Flute Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. flutes read from the score on one stand, while the alto & bass flutes each use the parts on separate stands. The Flute Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Flute Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Flute Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the flutes.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95 ≈
¥253.44
Mozart: Ave Verum Corpus for Piano Quintet
Mozart: Ave Verum Corpus for Piano Quintet
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Ave Verum Corpus for P
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jmsgu3
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SheetMusicPlus
Piano Quintet Piano - Level 3 - SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedd...
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Piano Quintet Piano - Level 3 - SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. 12 pages. Jmsgu3 #6119421. Published by jmsgu3 (A0.552099). Mozart: Ave verum corpus K. 618 for PIANO QUINTET. This is a fantastic masterpiece of music written by one of the greatest composers in our history. This famous piece by Mozart was composed only six months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.Ave verum corpusFirst, Mozart composed a most noteworthy motet in Latin, Ave verum corpus. This translates in English as Hail, the actual body. The motet is undoubtedly listed as K.618 in the Köchel Catalog. This is a chronological catalog of Mozart’s compositions consequently published by Ludwig von Köchel. Seems like Mozart probably composed this motet in the last year of his life. Likewise, he worked on his final opera, the Magic Flute, and his Requiem Mass at the time. Mozart wrote it for the feast of Corpus Christi. He scored it for SATB choir, string instruments, and a small organ. Hence, while the Requiem is a more dramatic work, the motet expresses even more the Eucharistic thoughts with relatively simple means, well-matched for the church choir in a small town.Early YearsWolfgang Amadeus Mozart (1756 – 1791) was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he could already play the keyboard and violin at age two. He started composing at age five and performed before European royalty.Middle PeriodAt 17, Mozart was working as a musician at the Salzburg Royal Court but grew agitated from boredom and traveled to search for a more exciting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the Capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos.Final PeriodThe conditions surrounding his death have been the subject of much conjecture and mythology. He composed over 600 works, many recognized as high points of symphonic, chamber, concertante, choral, and operatic. He is among the most everlastingly famous classical composers, and his impact is substantial on succeeding Western art music.
$42.95 ≈
¥311.45
Flutes on the 4th Part 5/Bass Flute Only
Flutes on the 4th Part 5/Bass Flute Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 5/Bass
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ERMusic
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.1049653 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654036....
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Woodwind Ensemble - Level 3 - SKU: A0.1049653 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654036. Published by ERMusic (A0.1049653). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. This Flute Part 5 occasionally has some of the melody. This part is appropriate for Bass Flute or regular C Flute. There are 7 Part Books including Piccolo and Alto Flute. A condensed Score can also be purchased separately.
$10.00 ≈
¥72.51
Flutes on the 4th Part 4 Alto Flute Only
Flutes on the 4th Part 4 Alto Flute Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 4 Alto
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ERMusic
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1049651 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #6...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.1049651 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654033. Published by ERMusic (A0.1049651). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. This Flute Part 4/Alto Flute occasionally has some of the melody. This part is duplicated in the 4th Flute. There are 7 Part Books including Piccolo and Alto Flute. A condensed Score can also be purchased separately.
$10.00 ≈
¥72.51
Flutes on the 4th Part 4 C Flute Only
Flutes on the 4th Part 4 C Flute Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 4 C Flu
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ERMusic
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1049650 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #6...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.1049650 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654032. Published by ERMusic (A0.1049650). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. This Flute Part 4 occasionally has some of the melody. This part is duplicated in the Alto Flute part. There are 7 Part Books including Piccolo and Alto Flute. A condensed Score can also be purchased separately.
$10.00 ≈
¥72.51
Flutes on the 4th Part 2 Only
Flutes on the 4th Part 2 Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 2 Only
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ERMusic
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1049647 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #6...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.1049647 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654029. Published by ERMusic (A0.1049647). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. This Flute Part 2 occasionally has some of the melody. There are 7 Part Books including Piccolo and Alto Flute (also Part 4 C flute).
$10.00 ≈
¥72.51
Flutes on the 4th Part 3 Only
Flutes on the 4th Part 3 Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 3 Only
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ERMusic
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1049649 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #6...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.1049649 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654031. Published by ERMusic (A0.1049649). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. This Flute Part 3 occasionally has some of the melody. There are 7 Part Books including Piccolo and Alto Flute (also Part 4 C flute).
$10.00 ≈
¥72.51
Flutes on the 4th Part 1 Only
Flutes on the 4th Part 1 Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 1 Only
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ERMusic
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.1050116 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #6...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.1050116 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654026. Published by ERMusic (A0.1050116). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. This Flute Part One is the lead part, but other parts have some of the melody. There are 7 Part Books including Piccolo and Alto Flute (also Part 4 C flute) A full condensed score is also available.
$10.00 ≈
¥72.51
Flutes on the 4th Part 1 Only
Flutes on the 4th Part 1 Only
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Various
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Joshua Godoy
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Flutes on the 4th Part 1 Only
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ERMusic
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.1050118 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #6...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.1050118 Composed by Various. Arranged by Joshua Godoy. Patriotic,Spiritual,Traditional. 22 pages. ERMusic #654493. Published by ERMusic (A0.1050118). 13 Patriotic and Civil War pieces arranged for 5-7 Piece Flute Choir. Created for Flutes on the 4th (of July) Performances. Tunes include: Star Spangled Banner, When Johnny Comes Marching Home, Oh Shenandoah, Aura Lea, Old Black Joe, Turkey in the Straw ,Nobody Knows the Trouble I've Seen, There is a Balm in Gilead, Tramp, Tramp Tramp, Dem Bones, Down in the River, Sometimes I Feel Like a Motherless Child, Stars and Stripes Forever. The First Flute part is very similar to the Piccolo Part with just a few differences. There is a Full Condensed score also available.
$10.00 ≈
¥72.51
Rejoice in the Lord for beginning handbells/chimes and flute or piano
Rejoice in the Lord for beginning handbells/chimes and flute or piano
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Anonymous
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c
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Rejoice in the Lord for beginn
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C.E. Walz
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SheetMusicPlus
Flute,Handbell,Piano - Level 1 - SKU: A0.767656 Composed by Anonymous. Arranged by c.e. walz. Easter,Sacred. 6 pages. C.E. Walz #4327103. Published by C...
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Flute,Handbell,Piano - Level 1 - SKU: A0.767656 Composed by Anonymous. Arranged by c.e. walz. Easter,Sacred. 6 pages. C.E. Walz #4327103. Published by C.E. Walz (A0.767656). Maestro remembers this song from his Sunday School days of long ago. Rejoice in the Lord Always for bells(handbellsor handchimes) and flute or piano would be out of the question for a beginning handbell choir, but when bells play half-note chords as accompaniment throughout AND flute or piano takes melody, it is truly a wonderful piece for Palm Sunday or Easter or anytime you want an uplifting musical worship time! There are a couple of options for performance: bells with flute melody, bells with piano melody only, and bells with piano full accompaniment. I don't recommend combining any of these since it might overpower the bells. Key of F, six pages total (2 for bells, 2 for flute melody, 2 for piano accompaniment). Flute and piano parts are early intermediate level. PERMISSION IS GRANTED to make as many copies as needed for your bell choir and flutist/pianist. Performance time: 1:15. The sample MP3 is the bell and flute version. You will be surprised how great your bell choir will sound! .
$4.99 ≈
¥36.18
Recordare (from "Requiem") (F) (Woodwind Choir - 2 Flutes, 2 Oboes, 2 Clar, 1 Hrn, 1 Bassoon)
Recordare (from "Requiem") (F) (Woodwind Choir - 2 Flutes, 2 Oboes, 2 Clar, 1 Hrn, 1 Bassoon)
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1113143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1113143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 45 pages. Regis Bookshar #715103. Published by Regis Bookshar (A0.1113143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Woodwind Choir - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Woodwind Choir, consisting of 2 Flutes, 2 Oboes, 2 Bb Clarinets, 1 French Horn and 1 Bassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (45 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Woodwind Choir, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00 ≈
¥290.06
God Is So Good - for beginning handbells - 2 octaves (G4 - G6)
God Is So Good - for beginning handbells - 2 octaves (G4 - G6)
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Anonymous
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c
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p
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God Is So Good - for beginning
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C.E. Walz
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SheetMusicPlus
Instrumental Duet,Piano Handbell,Instrumental Duet,Piano - Level 1 - SKU: A0.767658 Composed by Anonymous. Arranged by c.e. walz. Children,Sacred. 4 pag...
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Instrumental Duet,Piano Handbell,Instrumental Duet,Piano - Level 1 - SKU: A0.767658 Composed by Anonymous. Arranged by c.e. walz. Children,Sacred. 4 pages. C.E. Walz #4364546. Published by C.E. Walz (A0.767658). Maestro says, I've never heard anything so simple sound so good, and God is good! In fact, my brand new handchime choir played this in church after only three practice sessions. The beauty is that the handbells/chimes play only chordal accompaniment to a flute or piano melody. There is so much flexibility in this piece. Our choir performed it with handchimes and flute. You can use any C instrument for the melody, even piano. I've also included a full piano accompaniment. The audio sample is a computer-generated handbell and piano combo. This piece will give your beginners confidence to tackle harder music and give them a feeling of pride to be able to participate in worship in such a musical way. Four pages total (p.1 = handbells/chimes; p.2 = flute or C instrument melody; pp. 3-4 = piano accompaniment and melody). Key of C, no key changes. Tempo is set by director dependent upon the ability of your players. Handbell part is for beginning players. Flute part is early intermediate. Piano part is early intermediate. Performance time: 50 seconds.
$2.00 ≈
¥14.50
Extinction Events for Band Woodwind Section
Extinction Events for Band Woodwind Section
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Contemporain
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John Gibson
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Extinction Events for Band Woo
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor Saxophone - Level 5 - SKU: A0.582104 Composed by John Gibson....
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor Saxophone - Level 5 - SKU: A0.582104 Composed by John Gibson. Contemporary. 134 pages. JB Linear #5298005. Published by JB Linear (A0.582104). Extinction Events by John Gibson Written for the woodwind choir of a concert band, it is a three movement work lasting about 8 minutes and is for advanced players. The movements are: Buzzy Delights (Honey Bees), It Isn't Easy Being a Cuckoo, and Jaguar Surprise.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.The parts included are: Flute 1-2, Oboe 1-2, Bb Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Alto Sax 1-2, Tenor Sax, and Baritone Sax.
$41.25 ≈
¥299.12
Alchimia - Score Only
Alchimia - Score Only
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Contemporain
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Antonio Gervasoni
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Alchimia - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.1088408 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 113 pages. Antoni...
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Large Ensemble - Level 4 - SKU: A0.1088408 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 113 pages. Antonio Gervasoni #692673. Published by Antonio Gervasoni (A0.1088408). Five-movement work for seven female voices (3 sopranos, 3 mezzos and 2 altos) and ensemble (flute, oboe, clarinet, percussion, piano, viola, cello and double bass) In August 2013 Peruvian choir director Paloma Bascones asked me to compose a cantata for the Josep Soler Music Festival. I then assembled various texts from different sources, cultures, and languages ​​(Latin, Ancient Greek, Ancient Egyptian, Sanskrit, Sumerian, Chinese, Japanese, Hawaiian, Navajo, Cherokee, Nahuatl, Quechua, Spanish, German, English) and created five texts with excerpts of them, each text focused on a particular element: wind, fire, water, earth and the quintessence. A specific request from Ms. Bascones was that the work be related to a collection of medieval music pieces that she referred me to. For this reason, Alchimia makes use of some harmonic and melodic features of that style, combined with modern forms and techniques, as well as some special effects made from everyday items, and deals with all of these in a way that conveys the sense of a kind of magical ritual, a ritual to call the five elements of antiquity and bring part of their essence to our time.
$14.99 ≈
¥108.70
Hold On To The Moment - FULL SCORE - Score Only
Hold On To The Moment - FULL SCORE - Score Only
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W
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2, Bb Clarinet 1 &
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Hold On To The Moment - FULL S
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Diamond S Music
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SheetMusicPlus
Level 3 - SKU: A0.789891 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 21 pages. Diamond S Music #3079751. Published by Diamond S Music (A0.789891). ...
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Level 3 - SKU: A0.789891 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 21 pages. Diamond S Music #3079751. Published by Diamond S Music (A0.789891). Full Conductor Score. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO Â with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar, Acoustic Guitar, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle. Â Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$10.00 ≈
¥72.51
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50 ≈
¥54.39
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
¥36.26
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
¥36.26
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
¥36.26
Ama
Ama
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Anders Jormin
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Ama
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SMZATBB chorus and violin - SKU: BJ.1244 Composed by Anders Jormin. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1244. Published by Bo Ejeby Forlag - Dig...
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SMZATBB chorus and violin - SKU: BJ.1244 Composed by Anders Jormin. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1244. Published by Bo Ejeby Forlag - Digital (BJ.1244). 8.27 x 11.7 inches.The lyrics of Ama were penned by Virgil and by Seneca the younger; influential Roman poets active two thousand years ago. Virgil is represented here by two stanzas: Amor vincit omnia et nos cedamus amori (Love conquers all things; let us too surrender to love) and Breve et irreparabile tempus omnibus est vitae (Lifetimes are brief and not to be regained), while Seneca’s contribution is Si vis amari, ama (If you want to be loved, love). Seneca was reputed to have corresponded with the apostle Paul.This composition was originally written for Trio Mediaeval. Here it is in an extended arrangement where men and women sing separately, only to join at the very end.The solo part, notated here for the violin, can also be played on a clarinet, an alto flute, a cello or an English horn. The piece can also be performed without an instrumental solo. – Anders JorminAma is recorded by the Polish choir Camerata Silesia and Anders Jormin: Ama, Footprint Records FRCD 094.
$2.80 ≈
¥20.30
A Thousand Years
A Thousand Years
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Pop musique
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Christina Perri
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Alex Phillips-Yates
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A Thousand Years
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North Node Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.510266 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Phillips-Yates. Contemporar...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.510266 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Phillips-Yates. Contemporary,Pop,Wedding. 19 pages. North Node Music #3561697. Published by North Node Music (A0.510266). This much-loved song lends itself beautifully to the soft, warm texture of a flute choir. This arrangement is re-spelled as a 3/4 time signature, implying a waltz-like feel and making the syncopated rhythms much easier to read. Each part has beautiful legato lines and the melody is spread throughout the parts.Transposed up to F major, this is in a friendly key for flute players of all abilities. Only Flutes 1 & 2 use the top octave, so the other parts are accessible for less experienced players.If additional flautists are available, it is recommended that Flutes 3 & 4 are doubled, as these are the parts with the fewest rests and are often low in register.The full score is also included for reference or for use by a conductor.
$19.99 ≈
¥144.96
When A Child Is Born
When A Child Is Born
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Noël
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Andrea Bocelli
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Ivana Tuskan
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When A Child Is Born
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Ivana Tuskan
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SheetMusicPlus
Choir,Flute,Piano Accompaniment - Level 2 - SKU: A0.793839 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Franc...
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Choir,Flute,Piano Accompaniment - Level 2 - SKU: A0.793839 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Ivana Tuskan. Christmas. 9 pages. Ivana Tuskan #3682487. Published by Ivana Tuskan (A0.793839). An arrangement for male 3-part ensemble (TBB), flute and keyboard instrument Keys: C major, the 4th vers is in F major The pdf file contains score (8 pages), and flute part (1 page) Performance Time approx.: 3:20 The sound sample is an electronic preview (with female voices, also available) Introduction (C major): only piano and flute A part/ 1st vers (C major): starts with bass, piano and flute, and in the second part of vers tenor takes the lead part, and finally baritone while bass and tenor continues like an accompaniment voice. B part/ 2nd vers (C major): baritone continue with melody, tenor and bass are harmonising with „ah, with piano accompaniment; C part/ 3rd vers (C major): lead melody sings baritone, tenor and bass sing with lyrics (tenor – imitation style, and bass sing the same rhythm as baritone), flute is harmonising, there is no piano in this vers; D part/ 4th vers with Coda (F major): tenor sings lead melody, while tenor and bass are harmonising (with lyrics). Plus flute and piano accompaniment.
$12.99 ≈
¥94.20
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Only Time for Flute Choir
